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French TextIllustrating the great variety of headgear worn by French soldiers, this new edifying book will help us to understand the evolution of this headgear from 1870 to the present day.This panorama of more than 250 headpieces concentrates mainly on the Képi, the emblematic hat worn by the army, but also illustrates the variety of shakos, bi-corns, caps, chechias and berets, as well as airmen’s and sailors’ caps, not to forget the Gendarmerie. This guide is indispensable for all amateurs of French uniforms, collectors, figurine makers and amateurs of military history. For the connoisseurs, this work will also be an opportunity to discover a lot of rare headpieces, or even very rare ones from the great private and public collections.

Picture Shown Is for Illustration Purposes Only, Please See Below for Further Detailscondition ? Very Good ? Hardback - French Language Book - Light Wear and Scuff Marks to Jacket, Pages in Nice Condition, Shipped From the Uk

11168. Bon état, envoi rapide et soigné

Type: Book 1st printing. French text. Shows very slight use.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

French TextThe French Army in 1939-40 was going through a profound transformation. The concepts which had prevailed until the end of the 19th century where uniforms and material were concerned, were about to disappear and give way to more modern ones thanks to mechanization and technical progress. The equipment which French troops were issued with turned out to be varied, and therefore studying it is complex.Thanks to more than ten years of research and analysis of military archives, pictures, and equipment, the author reviews all the uniforms, weapons, and equipment used by infantrymen, gunners, troopers, sappers, and medics in the continental and Scandinavian theaters of operations. The items are shown in color with all the details needed for clear identification. Because of the unequaled range and the variety of the items presented - some of which are very rare - this work is a must for all French 1940 memorabilia collectors. This book is also important for those interested in WWI equipment because of the numbers of items inherited from this period and the detailed presentation of the tools, harnesses, small items of equipment, and collective weapons.Author Olivier Bellec is a teacher and since 1996, an associate with Militaria Magazine, for which he has written many studies. He has done research on French Army uniforms from the Third Republic to the war in Indochina.

A friendly, gently curled monofilament filler on a flexible 6 1/2 x 6 1/2 base with 4 pressure sensitive clips for easy attachment and a polyurethane front rim to accommodate tape for added security, Lyric gives a boost to a new coiffure or adds more hair where needed. Style: Curly Material: Synthetic Length: Short; 4 1 2 front; 5 crown; 5 1 2 sides amp; back. Base: 6 1 2 square. .

Bon Jovi New Jersey [Remastered 2014] Though New Jersey contains several Jovi stadium anthems, including the single "Bad Medicine," and though the album's videos showed that the intricately layered and feathered coiffures were intact, this is where Bon Jovi began changing. The title offers a broad hint as to what Jon Bon Jovi in particular was trying to change into: short of renaming the album I Come from the Same Place as Bruce Springsteen, he could scarcely have been more obvious about his i

This book contains a vast collection of some 1.000 images of coiffures from ancient times until the present day. Styles from Europe, Asia, Africa, Australia, Oceania, North and South America are illustrated, and all types of hair are represented. This unique visual encyclopedia is an essential resource for anyone with an interest in hairstyles.

Berthe Morisot (1841–1895) created warm, atmospheric scenes of mothers with children, family meals, and other domestic vignettes. Highlights from this collection of 24 cards include The Coiffure, The Cradle, On the Balcony, Tea, Julie Playing the Violin, The Little Flute Players, Getting Out of Bed, and Young Girl Writing. All of the 4 1/4 x 6 images are reproduced on high-quality, laminated stock, making them both stylish greeting cards and a keepsake gallery of treasures.

The influence of the Cockettes on American underground culture is present in every glittery sequin and candy-colored coiffure gracing our daily lives. Birthed in an LSD bathed commune in San Francisco’s Haight-Ashbury district in the summer of 1969, The Cockettes were a fever dream of sexual freedom and expression. They granted themselves names and identities that reflected their inner wild selves then put it all on the stage with elaborate costumes in anarchic musical productions. Gay, straight, bisexual, pansexual— The Cockettes were everything. The photos here are shared from museums, magazines, and the private collection of founding and long-time Cockette, Fayette Hauser. Her memories of the people, places, and outfits are the only documents from a living member of this vital art collective.

The influence of the Cockettes on American underground culture is present in every glittery sequin and candy-colored coiffure gracing our daily lives. Birthed in an LSD bathed commune in San Francisco’s Haight-Ashbury district in the summer of 1969, The Cockettes were a fever dream of sexual freedom and expression. They granted themselves names and identities that reflected their inner wild selves then put it all on the stage with elaborate costumes in anarchic musical productions. Gay, straight, bisexual, pansexual— The Cockettes were everything. The photos here are shared from museums, magazines, and the private collection of founding and long-time Cockette, Fayette Hauser. Her memories of the people, places, and outfits are the only documents from a living member of this vital art collective.

Marie Antoinette has remained atop the popular cultural landscape for centuries for the daring in style and fashion that she brought to 18th century France. For the better part of the queen’s reign, one man was entrusted with the sole responsibility of ensuring that her coiffure was at its most ostentatious best. Who was this minister of fashion who wielded such tremendous influence over the queen’s affairs? Winner of the Adele Mellen Prize for Distinguished Scholarship, Marie Antoinette’s Head: The Royal Hairdresser, The Queen, and the Revolution charts the rise of Leonard Autie from humble origins as a country barber in the south of France to the inventor of the Pouf and premier hairdresser to Queen Marie-Antoinette. By unearthing a variety of sources from the 18th and 19th centuries, including memoirs (including Léonard’s own), court documents, and archived periodicals the author, French History professor and expert Will Bashor, tells Autie’s mostly unknown story. Bashor chronicles Leonard’s story, the role he played in the life of his most famous client, and the chaotic and history-making world in which he rose to prominence. Besides his proximity to the queen, Leonard also had a most fascinating life filled with sex (he was the only man in a female dominated court), seduction, intrigue, espionage, theft, exile, treason, and possibly, execution. 

Her exaggerated coiffure, with its imitation curls and soaped curves that stick out at the side of the head like fantastic gargoyles, is an offense to the eye. Her plated gold jewelry with paste stones reveals its cheapness by its very extravagance. This description of a "ghetto girl" was printed in the American Jewish News in 1918, but with slight variation it might easily be mistaken for a description of our current pernicious and pejorative stereotype of Jewish womanhood, the "JAP." What are the origins of these stereotypes? And even more important, why would an American ethnic group use racist terms to describe itself? Riv-Ellen Prell asks these compelling questions as she observes how deeply anti-Semitic stereotypes infuse Jewish men's and women's views of one another in this history of Jewish acculturation in the twentieth century.

After a home dye job ruins her hair, Agatha Raisin, the prickly yet lovable amateur sleuth, turns to the wonderful new hairdresser in the neighboring town for help. And as Agatha soon learns, Mr. John is as skilled at repairing her coiffure as he is at romancing her heart. But the charming Mr. John isn't all he appears to be. According to gossip around the salon and the village, some of his former clients seem to be afraid of him. Could Mr. John really be a ruthless blackmailer? When a murderer strikes at the busy salon, Agatha must discover the truth and the killer's identity before it's too late.

Mrs. Vina Gregson should be sitting pretty. Acquitted of murdering her husband, she has inherited all his money, and can afford to dress in the height of 1940s style. Unfortunately, her fashionable clothing and coiffure go unseen, and much of her money unspent, as the Widow Gregson remains essentially a prisoner, trapped in her elegant New York apartment with occasional, furtive forays to her Connecticut estate. A jury may have found her innocent, but Mrs. Gregson remains a murderer in the eyes of the public, and of the tabloid journalists who hound her every step. Worse, she has recently begun receiving increasingly menacing letters – letters written, she is certain, by the person who killed her husband. Taking the matter to the police would only heighten her notoriety, so she calls on Henry Gamadge, the gentleman-sleuth known both for his discretion and for his ability to solve problems that baffle the police. Originally published in 1942, The House Without the Door is the epitome of the charmingly civilized mystery, offering ample proof as to why Ms. Daly was Agatha Christie’s favorite writer. A Henry Gamadge mystery

Berthe Morisot (1841–1895) created warm, atmospheric scenes of mothers with children, family meals, and other domestic vignettes. Highlights from this collection of 24 cards include The Coiffure, The Cradle, On the Balcony, Tea, Julie Playing the Violin, The Little Flute Players, Getting Out of Bed, and Young Girl Writing. All of the 4 1/4 x 6 images are reproduced on high-quality, laminated stock, making them both stylish greeting cards and a keepsake gallery of treasures.

Mrs. Vina Gregson should be sitting pretty. Acquitted of murdering her husband, she has inherited all his money, and can afford to dress in the height of 1940s style. Unfortunately, her fashionable clothing and coiffure go unseen, and much of her money unspent, as the Widow Gregson remains essentially a prisoner, trapped in her elegant New York apartment with occasional, furtive forays to her Connecticut estate. A jury may have found her innocent, but Mrs. Gregson remains a murderer in the eyes of the public, and of the tabloid journalists who hound her every step. Worse, she has recently begun receiving increasingly menacing letters – letters written, she is certain, by the person who killed her husband. Taking the matter to the police would only heighten her notoriety, so she calls on Henry Gamadge, the gentleman-sleuth known both for his discretion and for his ability to solve problems that baffle the police. Originally published in 1942, The House Without the Door is the epitome of the charmingly civilized mystery, offering ample proof as to why Ms. Daly was Agatha Christie’s favorite writer. A Henry Gamadge mystery

Val's younger sister Erin decides to give an unsolicited trim to Lila's prize-winning dog, but when the canine coiffure turns out badly, Lila and her mother threaten to sue

CONTENTS Critique of Sexual Anthropology African Raiments African Jewelry African Coiffure African Cosmetics African Anatomy African Hygiene African Capitalism African Pre-marital Relations African Free Masonry African Courtship African Art of Love African Menses African Obstetrics African Pediatrics African Prostitution African Married Life African Infidelities African Libido Sexualis African Sex Deviations African Miscegenation