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This anthology of essays questions many widespread assumptions about the culture of postwar America. Illuminating the origins and development of the many threads that constituted American culture during the Cold War, the contributors challenge the existence of a monolithic culture during the 1950s and thereafter. They demonstrate instead that there was more to American society than conformity, political conservatism, consumerism, and middle-class values. By examining popular culture, politics, economics, gender relations, and civil rights, the contributors contend that, while there was little fundamentally new about American culture in the Cold War era, the Cold War shaped and distorted virtually every aspect of American life. Interacting with long-term historical trends related to demographics, technological change, and economic cycles, four new elements dramatically influenced American politics and culture: the threat of nuclear annihilation, the use of surrogate and covert warfare, the intensification of anticommunist ideology, and the rise of a powerful military-industrial complex. This provocative dialogue by leading historians promises to reshape readers' understanding of America during the Cold War, revealing a complex interplay of historical norms and political influences.

At a moment when American film reflects a deepening preoccupation with the Bush administration's War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians, and government propagandists. Movies, Shaw demonstrates, were at the center of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries, and science fiction shockers played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideas around the globe. Drawing on declassified government documents, studio archives, and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he addresses subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. Anyone seeking to understand wartime propaganda today will find striking contemporary resonance in his conclusions about Hollywood's versatility and power.

At a moment when American film reflects a deepening preoccupation with the Bush administration's War on Terror, this authoritative and timely book offers the first comprehensive account of Hollywood's propaganda role during the defining ideological conflict of the twentieth century: the Cold War. In an analysis of films dating from America's first Red Scare in the wake of the 1917 Bolshevik Revolution to the collapse of the Berlin Wall in 1989, Tony Shaw examines the complex relationship between filmmakers, censors, politicians, and government propagandists. Movies, Shaw demonstrates, were at the center of the Cold War's battle for hearts and minds. Hollywood's comedies, love stories, musicals, thrillers, documentaries, and science fiction shockers played a critical dual role: on the one hand teaching millions of Americans why communism represented the greatest threat their country had ever faced, and on the other selling America's liberal-capitalist ideas around the globe. Drawing on declassified government documents, studio archives, and filmmakers' private papers, Shaw reveals the different ways in which cinematic propaganda was produced, disseminated, and received by audiences during the Cold War. In the process, he addresses subjects as diverse as women's fashions, McCarthyism, drug smuggling, Christianity, and American cultural diplomacy in India. Anyone seeking to understand wartime propaganda today will find striking contemporary resonance in his conclusions about Hollywood's versatility and power.

Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.Music Divided surveys Bartók’s role in provoking negative reactions to “accessible” music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók’s influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók’s legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers’ choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

"Duck and cover" are unforgettable words for a generation of Americans, who listened throughout the Cold War to the unescapable propaganda of civil defense. Yet it would have been impossible to protect Americans from a real nuclear attack, and, as Guy Oakes shows in The Imaginary War, national security officials knew it.The real purpose of 1950's civil defense programs, Oakes contends, was not to protect Americans from the bomb, but to ingrain in them the moral resolve needed to face the hazards of the Cold War. Uncovering the links between national security, civil defense, and civic ethics, Oakes reveals three sides to the civil defense program: a system of emotional management designed to control fear; the fictional construction of a manageable world of nuclear attack; and the production of a Cold War ethic rooted in the mythology of the home, the ultimate sanctuary of American values.This fascinating analysis of the culture of civil defense and the official mythmaking of the Cold War will be essential reading for all those interested in American history, politics, and culture.

"Duck and cover" are unforgettable words for a generation of Americans, who listened throughout the Cold War to the unescapable propaganda of civil defense. Yet it would have been impossible to protect Americans from a real nuclear attack, and, as Guy Oakes shows in The Imaginary War, national security officials knew it.The real purpose of 1950's civil defense programs, Oakes contends, was not to protect Americans from the bomb, but to ingrain in them the moral resolve needed to face the hazards of the Cold War. Uncovering the links between national security, civil defense, and civic ethics, Oakes reveals three sides to the civil defense program: a system of emotional management designed to control fear; the fictional construction of a manageable world of nuclear attack; and the production of a Cold War ethic rooted in the mythology of the home, the ultimate sanctuary of American values.This fascinating analysis of the culture of civil defense and the official mythmaking of the Cold War will be essential reading for all those interested in American history, politics, and culture.

Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.Music Divided surveys Bartók’s role in provoking negative reactions to “accessible” music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók’s influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók’s legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers’ choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

Beginning in the 1950s, the theory of modernization emerged as the dominant paradigm of economic, social, and political development within the American foreign policy establishment. Purporting to explain the stages through which all nations pass on the road to industrial modernity, it provided a rationale for a broad range of cultural and political projects aimed at fostering Third World growth while simultaneously combating communism. But modernization theory was more than simply an expression of Cold War ideology. As the essays in this volume show, the ideal of modernization proliferated throughout the postcolonial world and across ideological lines in places as diverse as East Asia, Southern Africa, and South Asia. Indeed, it was embraced by all who shared the American enthusiasm for the increased production and higher standards of living promised by industrialization -enemies and allies alike. Situating modernization theory historically, Staging Growth avoids conventional chronologies and categories of analysis, particularly the traditional focus on conflicts between major powers. The contributors employ a variety of approaches-from economic and intellectual history to cultural criticism and biography-to shed fresh light on the global forces that shaped the Cold War and its legacies. Most of the pieces are comparative, exploring how different countries and cultures have grappled with the implications of modern development. At the same time, all of the essays address similar fundamental questions. Is modernization the same thing as Westernization? Is the idea of modernization universally valid? Do countries follow similar trajectories as they undertake development? Does modernization bring about globalization? In addition to the editors and Akira Iriye, contributors include Michael Adas, Laura Belmonte, Gregg Andrew Brazinsky, Christina Klein, J. Victor Koschmann, and Michael R. Mahoney.

Winner, 2019 NASSH Book Award, Anthology. The Cold War was fought in every corner of society, including in the sport and entertainment industries. Recognizing the importance of culture in the battle for hearts and minds, the United States, like the Soviet Union, attempted to win the favor of citizens in nonaligned states through the soft power of sport. Athletes became de facto ambassadors of US interests, their wins and losses serving as emblems of broader efforts to shield American culture—both at home and abroad—against communism. In Defending the American Way of Life, leading sport historians present new perspectives on high-profile issues in this era of sport history alongside research drawn from previously untapped archival sources to highlight the ways that sports influenced and were influenced by Cold War politics. Surveying the significance of sports in Cold War America through lenses of race, gender, diplomacy, cultural infiltration, anti-communist hysteria, doping, state intervention, and more, this collection illustrates how this conflict remains relevant to US sporting institutions, organizations, and ideologies today.  

The Cold War forced scientists to reconcile their values of internationalism and objectivity with the increasingly militaristic uses of scientific knowledge. For decades, antinuclear scientists pursued nuclear disarmament in a variety of ways, from grassroots activism to transnational diplomacy and government science advising. The U.S. government ultimately withstood these efforts, redefining science as a strictly technical endeavor that enhanced national security and deeming science that challenged nuclear weapons on moral grounds "emotional" and patently unscientific. In response, many activist scientists restricted themselves to purely technical arguments for arms control. When antinuclear protest erupted in the 1980s, grassroots activists had moved beyond scientific and technical arguments for disarmament. Grounding their stance in the idea that nuclear weapons were immoral, they used the "emotional" arguments that most scientists had abandoned.Redefining Science shows that the government achieved its Cold War "consensus" only by active opposition to powerful dissenters and helps explain the current and uneasy relationship between scientists, the public, and government in debates over issues such as security, energy, and climate change.

The iconic Black Ops series is back with Call of Duty: Black Ops Cold War - the direct sequel to the original and fan-favorite Call of Duty: Black Ops.Black Ops Cold War will drop fans into the depths of the Cold War's volatile geopolitical battle of the early 1980s. Nothing is ever as it seems in a gripping single-player Campaign, where players will come face-to-face with historical figures and hard truths, as they battle around the globe through iconic locales like East Berlin, Vietnam, Turkey, Soviet KGB headquarters and more.As elite operatives, you will follow the trail of a shadowy figure named Perseus who is on a mission to destabilize the global balance of power and change the course of history. Descend into the dark center of this global conspiracy alongside iconic characters Woods, Mason and Hudson and a new cast of operatives attempting to stop a plot decades in the making.Beyond the Campaign, players will bring a Cold War arsenal of weapons and equipment into the next generation of Multiplayer and Zombies experiences.What's new with Call of Duty: Black Ops Cold WarLand, Sea & Air PackExclusive to the Ultimate Edition, the Land, Sea and Air Pack includes 3 operator skins, 3 vehicle skins and 3 weapon blueprints.

In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials. Jazz, Rock, and Rebels examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became a way to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War.

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The post–World War II science-based technological revolution inevitably found its way into almost all international expositions with displays on atomic energy, space exploration, transportation, communications, and computers. Major advancements in Cold War science and technology helped to shape new visions of utopian futures, the stock-in-trade of world’s fairs. From the 1940s to the 1980s, expositions in the United States and around the world, from Brussels to Osaka to Brisbane, mirrored Cold War culture in a variety of ways, and also played an active role in shaping it. This volume illustrates the cultural change and strain spurred by the Cold War, a disruptive period of scientific and technological progress that ignited growing concern over the impact of such progress on the environment and humanistic and spiritual values. Through the lens of world’s fairs, contributors across disciplines offer an integrated exploration of the US–USSR rivalry from a global perspective and in the context of broader social and cultural phenomena—faith and religion, gender and family relations, urbanization and urban planning, fashion, modernization, and national identity—all of which were fundamentally reshaped by tensions and anxieties of the Atomic Age.

This book addresses a central question about the Cold War that has never been adequately resolved. Why did the United States go to such lengths not merely to "contain" the People's Republic of China but to isolate it from all diplomatic, cultural, and economic ties to other nations? Why, in other words, was American policy more hostile to China than to the Soviet Union, at least until President Nixon visited China in 1972?The answer, as set out here, lies in the fear of China's emergence as a power capable of challenging the new Asian order the United States sought to shape in the wake of World War II. To meet this threat, American policymakers fashioned an ideology that was not simply or exclusively anticommunist, but one that aimed at creating an integrated, cooperative world capitalism under U.S. leadership―an ideology, in short, designed to outlive the Cold War.In building his argument, James Peck draws on a wide variety of little-known documents from the archives of the National Security Council and the CIA. He shows how American ofcials initially viewed China as a "puppet" of the Soviet Union, then as "independent junior partner" in a Sino-Soviet bloc, andnally as "revolutionary model" and sponsor of social upheaval in the Third World. Each of these constructs revealed more about U.S. perceptions and strategic priorities than about actual shifts in Chinese thought and conduct. All were based on the assumption that China posed a direct threat not just to specic U.S. interests and objectives abroad but to the larger vision of a new global order dominated by American economic and military power. Although the nature of "Washington's China" may have changed over the years, Peck contends that the ideology behind it remains unchanged, even today.

With the benefit of newfound materials, including Betty Friedan's own papers, the author illuminates the development of the feminist pioneer's perspective, places her thinking in the context of her times, and offers a fresh interpretation of her work. UP.

World War II 75th Anniversary Commemorative Hand-Painted Eagle Sculpture Collection With Intricate Details & Marbleized Bases - D-Day. Pearl Harbor. Iwo Jima. Merely evoking these names conjures strong emotions, somber respect and unwavering pride for the brave American heroes of World War II. Now, to mark the 75th anniversary of a war that changed our country forever, The Bradford Exchange is proud to introduce our exclusive World War II 75th Anniversary Sculpture Collection. Featuring dramatic eagle sculptures commemorating the historic battles and events of an epic world conflict, this museum-quality collection begins with Issue One, Iwo Jima. Soon, your collection will continue with Issue Two, D-Day, Issue Three, Pearl Harbor, and additional WWII 75th anniversary eagle sculptures, each a separate issue to follow.‡Each of the handcrafted commemorative WWII sculptures in this collection is grandly sized at over one foot wide and showcases a cold cast bronze eagle with outstretched wings symbolizing the soaring spirit of victory. Raised relief images of soldiers, flags, military vehicles and other WWII icons are captured within the wings to represent a specific battle, while the eagle is perched atop an American flag seemingly billowing in the wind. Hand-painted detailing brings each sculpture to vivid life and stirring words from important historic figures grace the marbleized base, along with golden trim and a woodgrain finish. As a further mark of distinction, the base features a brass-toned title plaque with the name and date of battle. Strong demand is expected for this 75th anniversary collection and it has a strict limited edition of only 7,500 complete collections. It makes an impressive statement in any room and a striking patriotic gift too, so don't wait. Order now!

Offers an account of the life and death of the American myth of conquest. Engelhardt describes the mood of "triumphalist despair" in post-WWII America and explores pop culture icons of the Cold War. Topics include the link between the fear of communism and the rise of youth culture in the 1950s, cowboy and war films of the 1960s, the Vietnam war and the Gulf war. Annotation copyright Book News, Inc. Portland, Or.

In a substantial new afterword to his classic account of the collapse of American triumphalism in the wake of World War II, Tom Engelhardt carries that story into the twenty-first century. He explores how, in the aftermath of September 11, 2001, the younger George Bush headed for the Wild West (Osama bin Laden, "Wanted, Dead or Alive"); how his administration brought "victory culture" roaring back as part of its Global War on Terror and its rush to invade Saddam Husseins's Iraq; and how, from its "Mission Accomplished" moment on, its various stories of triumph crashed and burned in that land.