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Plus qu'à un catalogue exhaustif, c'est à une anthologie, un vaste panorama de la bande dessinée à l'aube de l'an 2000 que nous convie Comix 2000, résultat gargantuesque d'un pari impossible. Jean-Christophe Menu et toute l 'équipe de l'Association ont patiemment collecté, répertorié, mis en page ces 2000 planches muettes, donc universelles, en noir et blanc, dont le seul thème imposé était le nouveau millénaire. Aux auteurs déjà confirmés du neuvième art (Lewis Trondheim, Edmond Baudoin, Andreas, Jean-Claude Denis, Frédéric Boilet, Manu Larcenet, Chris Ware.) se sont joints les talents ignorés ou débutants de toute la planète, du Japon à l'Allemagne en passant par la Serbie ou les USA.

Publisher's description: "Covers the whole history of comic books in America to 1970--the major creations, the major creators, the major comic book lines, the major comic book enemies. Co-authors Les Daniels and The Mad Peck tell the story of how comic books captured the imagination of millions and became an American institution, and whether or not they deserved to. Adjoining the text, providing an illustrated history of their own, is a large selection of complete comic book stories. No selected snippets. Full stories. "It seems safe to say," the authors write, "that no book to date has contained such a wide range of comic book tales Where else can one find in the same volume such divergent personalities as the Old Witch and Donald Duck, or Captain America and Those Fabulous Furry Freak Brothers?"

Great history of comics in America.

While mainstream comics have graced newsstands since the 1930s, there has long been an underground comics scene brewing deep beneath the surface. Underground comic books (which took the name “comix,” using the “x” to signify their adult nature) erupted in the 1960s as a reaction to ultraconservative and patriotic comics produced by the large corporations that featured characters like Captain America and Superman. Bored with moralistic tales, artists such as Robert Crumb, creator of Zap Comix and Fritz the Cat; and Gilbert Shelton, creator of The Fabulous Furry Freak Brothers, produced a new and revolutionary style, freely attacking politicians, the war in Vietnam, and corporate America. Comix is an homage to both the motivation and the talent of the artists working then and now in the genre. Beautifully illustrated throughout with original artworks from the likes of R. Crumb, Denis Kitchen, and Gilbert Shelton, the book graphically expresses a range of attitudes on topics ranging from sex, drugs, and rock ‘n’ roll to politics, big business, and women’s liberation. This is the first book to explore the artwork and countercultural legacy of comix, key events in the history of this medium, and biographies of its most influential artists and writers.

In 2010, Professor John Jennings and Dr. Damian Duffy compiled and published a 176-page collection of art and essays celebrating the vibrant African American independent comics community. Black Comix featured over 50 contributors, including Dawud Anyabwile, Eric Battle, Kenji Marshall, Afua Richardson, Larry Stroman, Rob Stull, Lance Tooks, and many, many more. It met high praise throughout the industry and quickly sold through its respectable print run despite interest and demand―used copies now fetch $60-150 on Amazon and eBay. Flash-forward eight years: the comic industry has changed a lot since then, and the amount of African American talent continues to grow and amaze. While huge strides in diversity have been made, John and Damian felt the time was right for another spotlight on the topic. Rather than simply reprinting the first edition, considering the number of fresh new voices and changes in the industry, a whole new volume felt necessary. This massive volume will be a brand-new milestone spotlight on the amazing diversity in comics today.

At a time when vintage comics are fetching huge prices at auction, this book traces the history of the medium from 'comic papers' for kids, through the underground 'comix' movement of the 1960s and 1970s, to the glossy book-format 'graphic novels' of today. Organized thematically, it investigates comic art's varied genres - including humour, adventure and titles for girls - and charts the rise, fall and revival of the medium. In so doing, Roger Sabin highlights the careers of the creators behind some of the best-known characters in modern fiction - from Superman to Sgt Rock, Tintin to Tank Girl and the Freak Brothers to the Fat Slags.Encompassing traditions from the USA, Britain, Europe and Japan, Comics, Comix and Graphic Novels presents the most complete and up-to-date survey of comic art available.

rare signed limited edition. signed by 22 great artists including: will eisner, bill griffith, terry richards, s clay wilson, william stout, spain, ted richards, howard cruise, jay kinney, kim dietch, ........

At a time when vintage comics are fetching huge prices at auction, this book traces the history of the medium from 'comic papers' for kids, through the underground 'comix' movement of the 1960s and 1970s, to the glossy book-format 'graphic novels' of today. Organized thematically, it investigates comic art's varied genres - including humour, adventure and titles for girls - and charts the rise, fall and revival of the medium. In so doing, Roger Sabin highlights the careers of the creators behind some of the best-known characters in modern fiction - from Superman to Sgt Rock, Tintin to Tank Girl and the Freak Brothers to the Fat Slags.Encompassing traditions from the USA, Britain, Europe and Japan, Comics, Comix and Graphic Novels presents the most complete and up-to-date survey of comic art available.

In 2010, Professor John Jennings and Dr. Damian Duffy compiled and published a 176-page collection of art and essays celebrating the vibrant African American independent comics community. Black Comix featured over 50 contributors, including Dawud Anyabwile, Eric Battle, Kenji Marshall, Afua Richardson, Larry Stroman, Rob Stull, Lance Tooks, and many, many more. It met high praise throughout the industry and quickly sold through its respectable print run despite interest and demand―used copies now fetch $60-150 on Amazon and eBay. Flash-forward eight years: the comic industry has changed a lot since then, and the amount of African American talent continues to grow and amaze. While huge strides in diversity have been made, John and Damian felt the time was right for another spotlight on the topic. Rather than simply reprinting the first edition, considering the number of fresh new voices and changes in the industry, a whole new volume felt necessary. This massive volume will be a brand-new milestone spotlight on the amazing diversity in comics today.

The immense popularity of comics and graphic novels cannot be ignored. But in light of the comics boom that has taken place over the past 10 years, the artists, writers and publishers that make up the vibrant African American independent comics community have remained relatively unknown – until now. Black Comix brings together an unprecedented collection of largely unheard of, and undeniably masterful, comics art while also framing the work of these men and women in a broader historical and cultural context. With a foreword by Keith Knight and over 50 contributors, including Phonzie Davis, Jan-Michael Franklin, Frances Liddell, Kenjji Marshall, Lance Tooks, Rob Stull, Ashley A. Woods and many, more, the cross section of comics genres represented includes manga, superheroes, humor, history, science fiction and fantasy. This book is a must-have for comics readers.

Adult graphic novel, black and white, 106 pages. Scarce. Light page toning, rubbing to wraps, edge and corner wear. Very good.

This blowout issue not only includes work by all eight Zap artists (plus a collaboration with cartoonist Aline Kominsky), but also three double-page jams by the group. Plus: Zap’s first-and-only color section, featuring comics by R. Crumb and Gilbert Shelton (his final Zap Wonder Wart-hog episode, no less). Paul Mavrides provides an alternately embellished version of Gilbert Shelton’s and his Fabulous Furry Freak Brothers episode, “Phineas Becomes a Suicide Bomber†(originally inked in the Complete Zap by Shelton). Front cover by R. Crumb. Back cover by Moscoso.

rare signed limited edition. signed by 22 great artists including: will eisner, bill griffith, terry richards, s clay wilson, william stout, spain, ted richards, howard cruise, jay kinney, kim dietch, ........

The immense popularity of comics and graphic novels cannot be ignored. But in light of the comics boom that has taken place over the past 10 years, the artists, writers and publishers that make up the vibrant African American independent comics community have remained relatively unknown – until now. Black Comix brings together an unprecedented collection of largely unheard of, and undeniably masterful, comics art while also framing the work of these men and women in a broader historical and cultural context. With a foreword by Keith Knight and over 50 contributors, including Phonzie Davis, Jan-Michael Franklin, Frances Liddell, Kenjji Marshall, Lance Tooks, Rob Stull, Ashley A. Woods and many, more, the cross section of comics genres represented includes manga, superheroes, humor, history, science fiction and fantasy. This book is a must-have for comics readers.

Artist Gene Bilbrew (Known commonly as ENEG) has 2) complete serials reproduced in this volume from the 1950's. Both "PRISON FOR WOMEN" & "ISLAND OF CAPTIVE GIRLS" are classic ENEG story lines of captivity, bondage, and damsels in distress that he's famous for. Beautifully illustrated in his classic style, this book is a must have for collectors of his artwork. ADULTS ONLY! SHIPS WITH BAG & BOARD FOR EXTRA PROTECTION!

unpaged, [magazine of 84pp., including covers]. Introduction. Illustrated from b/w drawings by Eneg [Gene Bilbrew]. This work features the earliest published bondage illustrations by Eneg, "Captives of Madame La Bondage." Saddle stapled magazine with cardstock covers. Light shelfwear; some rubbing along spine. Very good

All American Hippie Comix by Kitchen Sink Press Hardcover

Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Tess engages in a mind-blowing sequence of reveries with men and women alike in a tour-de-fornication that's become an Eros legend.

Introduction by Jerry Garcia, comic book style interpretations of lyrics from Dead songs with art by Tim Truman, Nina Paley, Terry LaBan, Dan Burr, Dan Steffan, Rand Holmes, Mary Fleener and others