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The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The MFT mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The MFT mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The Canon EF mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The MFT mount Rokinon 24mm T1.5 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 24mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls.

The Canon EF mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Nikon F mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Nikon F mount Rokinon 14mm T3.1 Cine ED AS IF UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 14mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Canon EF mount Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Canon EF mount Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Canon EF mount Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Canon EF mount Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Rokinon 35mm T1.5 Cine AS UMC Lens was developed primarily for film and video applications. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. The aperture and focus scales have also been relocated to the side of the lens, where it is easier for focus pullers to read them.

The Samyang 12mm T3.1 ED AS NCS VDSLR, Canon fit is a lens optimised for digital cinematography and as such provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with follow focus accessories. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera.

The Samyang 35mm T1.5 AS UMC II VDSLR is a fast, manual focus cine DSLR lens suitable for full frame and cropped sensors (APS-C/DX). The lens has been developed primarily for professional video making purposes and features follow focus gearing and a de-clicked aperture ring to allow smooth, precise control over the focus and aperture whilst filming. The T number of 1.5 refers to the actual light transmission, which is more accurate, and is particularly important in the film industry where light readings are normally made manually. This bright lens is perfect for landscape, journalism, portraiture, travel and general shooting applications, such as lowlight photography.

The Samyang 35mm T1.5 AS UMC II VDSLR is a fast, manual focus cine DSLR lens suitable for full frame and cropped sensors (APS-C/DX). The lens has been developed primarily for professional video making purposes and features follow focus gearing and a de-clicked aperture ring to allow smooth, precise control over the focus and aperture whilst filming. The T number of 1.5 refers to the actual light transmission, which is more accurate, and is particularly important in the film industry where light readings are normally made manually. This bright lens is perfect for landscape, journalism, portraiture, travel and general shooting applications, such as lowlight photography.

The Samyang 35mm T1.5 AS UMC II VDSLR is a fast, manual focus cine DSLR lens suitable for full frame and cropped sensors (APS-C/DX). The lens has been developed primarily for professional video making purposes and features follow focus gearing and a de-clicked aperture ring to allow smooth, precise control over the focus and aperture whilst filming. The T number of 1.5 refers to the actual light transmission, which is more accurate, and is particularly important in the film industry where light readings are normally made manually. This bright lens is perfect for landscape, journalism, portraiture, travel and general shooting applications, such as lowlight photography.

The Samyang 12mm T3.1 ED AS NCS VDSLR, Nikon fit is a lens optimised for digital cinematography and as such provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with follow focus accessories. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera.