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Be Vigilant!: Strategies to Stop Complacency, Improve Performance, and Safeguard Success. Your Business and Relationships Depend on 1.07

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From America’s leading scholar of democracy,a personal, passionate call to action against the rising authoritarianism that challenges our world order—and the very value of libertyLarry Diamond has made it his life's work to secure democracy's future by understanding its past and by advising dissidents fighting autocracy around the world. Deeply attuned to the cycles of democratic expansion and decay that determine the fates of nations, he watched with mounting unease as illiberal rulers rose in Hungary, Poland, Turkey, the Philippines, and beyond, while China and Russia grew increasingly bold and bullying. Then, with Trump's election at home, the global retreat from freedom spread from democracy's margins to its heart. Ill Winds' core argument is stark: the defense and advancement of democratic ideals relies on U.S. global leadership. If we do not reclaim our traditional place as the keystone of democracy, today's authoritarian swell could become a tsunami, providing an opening for Vladimir Putin, Xi Jinping, and their admirers to turn the twenty-first century into a dark time of despotism.We are at a hinge in history, between a new era of tyranny and an age of democratic renewal. Free governments can defend their values; free citizens can exercise their rights. We can make the internet safe for liberal democracy, exploit the soft, kleptocratic underbelly of dictatorships, and revive America's degraded democracy. Ill Winds offers concrete, deeply informed suggestions to fight polarization, reduce the influence of money in politics, and make every vote count. In 2019, freedom's last line of defense still remains "We the people."

The artist explains: "The songs on Narratives are exploring themes that are consistently woven through my life. Obviously, life and death and love, but there's also less direct stuff going on like wasting time and how to handle complacency when the world is changing- both personally and around me. That's probably a more serious version of how I see the songs now, but the record itself came together in a pretty distinct Traditionist sort of way. As in the past, we start with the bare songs as dem

The Edwardian age was as brief as the Victorian era that preceded it was long. It has been depicted as an indolent summer afternoon of imperial and elite complacency, but also as a period of rapid political, economic, and artistic change, culminating in the First World War. This magnificent book explores themes of power, nostalgia, and a contrasting lightness of touch that characterized the period. Issues of creation, consumption, and display are examined through a range of objects, including portraits by Sargent and Boldini, diamond tiaras and ostrich-feather fans, jewel-like Autochrome color photography, and a spectacular embroidered gown that belonged to the American-born Vicereine of India. Spanning divides of class and geography, this book identifies opulence and leisure as driving forces for the domestic and imperial British economic engine in the early years of the 20th century.

A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism.Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets, Dixieland jazz musicians, and the area's stunning vistas were essential parts of Abstract Expressionism, as were artistic and spiritual contacts with Asia.Under Douglas MacAgy and Clyfford Still, the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett, Jay DeFeo, James Budd Dixon, Frank Lobdell, and Hassel Smith produced gritty, provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley, director of the San Francisco Museum of Modern Art, who opened the museum to major Abstract Expressionist figures, and Jermayne MacAgy, who brought local and international artists together.Enlivened by oral histories, Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates, it celebrates the energy and lasting impact of a special time.

‘A modernist work of art is by definition ‘incomprehensible’; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: ‘you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and sinthom/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you’ve totally missed the point!’ if there is an author whose name epitomises this interpretive pleasure of ‘estranging’ the most banal content, it is Alfred Hitchcock (and—useless to deny it—this book partakes unrestrainedly in this madness).’Hitchcock is placed on the analyst’s couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of ‘postmodern’ defamiliarization. Starting from the premise that ‘everything has meaning’, the films’ ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychical mechanisms at work. But Hitchcock is here to lure the reader into ‘serious’ Marxist and Lacanian considerations on the construction of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.Contributors: Frederic Jameson, Pascal Bonitzer, Miran Bozovic, Michel Chion, Mlladen Dolar, Stojan Pellko, Renata Salecl, Alenka Zupancic and Slavoj i ek.

World War 3 Illustrated 1980-1988 is the buried history of the Reagan Years, a thundering reply to despair and political complacency. Kuper and co-editor Seth Tobocman have assembled this striking collection of comics and graphics from the pages of the New York-based magazine of cartoon political commentary, including work by the two editors, Eric Drooker, Girltalk editor Sabrina Jones, and (very early) Peter Bagge, plus text pieces, posters, and more. Under a striking collage cover, World War 3 is some of the most stirring and important political cartooning of the decade.

A full length comedy for a cast of 4 males and 2 females. Les and Bess are a married couple who co host a radio talk show in New York City before the turmoil of the sixties stirred the country out of its complacency. Les and Bess are about to have their talk show canceled because of lack of interest. Since their marriage is based on their show, they may have to cancel their marriage as well. Les wants to go to Houston to be a sports announcer his dream. Bess wants to stay in New York. Will Les and Bess stay together? Will their budding radical of a son straighten up? Will their daughter actually marry the sailor she has just met? Will their long distance phone call from Princess Grace of Monaco ever come through? Stay tuned...

Reviving the debate she launched with The Female Enuch, in 35 self-contained chapterkins of fiery rhetoric, authoritative insight, outrageous humor, and broad-ranging inquiry, Germaine Greer once again sets the agenda for the future of feminism, arguing that in spite of a widespread feeling of complacency, the woman question is far from answered. Trade Paperback, 452pp.

‘A Swift and Deadly Maelstrom’ is the true story of a horrible tragedy borne out of ignorance and complacency. It is also the story, conversely, of life saving heroics, of the efforts of two young men, suddenly trapped in the ensuing floodwaters, to rescue three very young children, those that would tragically lose their mother in this disaster. Also, it is the fascinating account of how this family would pull itself back together and how the children’s father and one of that evening’s heroes would subsequently and slowly fall apart emotionally and physically over his lifetime. All of this is juxtaposed onto the real time reportage of how the town would also recover and how the families of the six people who would ultimately succumb to the raging dam break were unfairly and unjustly recompensed in the follow up litigation.

Early in World War II censors placed all photographs of dead and badly wounded Americans in a secret Pentagon file known to officials as the Chamber of Horrors. Later, as government leaders became concerned about public complacency brought on by Allied victories, they released some of these photographs of war's brutality. But to the war's end and after, they continued to censor photographs of mutilated or emotionally distressed American soldiers, of racial conflicts at American bases, and other visual evidence of disunity or disorder. In this book George H. Roeder, Jr., tells the intriguing story of how American opinions about World War II were manipulated both by the wartime images that citizens were allowed to see and by the images that were suppressed. His text is amplified by arresting visual essays that include many previously unpublished photographs from the army's censored files.Examining news photographs, movies, newsreels, posters, and advertisements, Roeder explores the different ways that civilian and military leaders used visual imagery to control the nation's perception of the war and to understate the war's complexities. He reveals how image makers tried to give minorities a sense of equal participation in the war while not alarming others who clung to the traditions of separate races, classes, and gender roles. He argues that the most pervasive feature of wartime visual imagery was its polarized depiction of the world as good or bad, and he discusses individuals―Margaret Bourke-White, Bill Mauldin, Elmer Davis, and others―who fought against these limitations. He shows that the polarized ways of viewing encouraged by World War II influenced American responses to political issues for decades to follow, particularly in the simplistic way that the Vietnam War was depicted by both official and antiwar forces.

Carl Schmitt’s thought serves as a warning against the dangers of complacency entailed by triumphant liberalism. His conception of politics is a sharp challenge to those who believe that the blurring of frontiers between the left and right and the increasing mobilization of political discourse constitute great advances for democracy. Schmitt reminds us forcefully that the essence of politics is a struggle and that the distinction between friend and enemy cannot be abolished.

White Thighs is the amorous tale of Saul, a young European striving to succeed in America, as his erotic explorations transport him from the jaded complacency of the Old World to the heated wilds of New England; from a young boy of raw and ripening passions to a man whose lust for life drives him to wizened betrayals. As Saul submits to the role-playing episodes of his brilliantly cruel house cook Kirstin, his plan to reclaim his darkly beautiful childhood governess Anna against the advice of a meddling old lawyer begins to sink under the weight of his craving for a more profound expression of control. Saul's maddening love of dominance leads to a denoument that is as satisfying as it is surprising.

Whether you are facing relapse, learning to overcoming complacency, or taking responsibility for your feelings and actions, this book will equip you to overcome some of the most common relapse hazards you may encounter on your path to long-term recovery.Recovery from addiction is often compared to a journey where you meet new people; rejuvenate your mind, body, and spirit; and learn new things about yourself that give you hope for the future. But like all journeys, there are also pitfalls that can jeopardize your sobriety. With his popular book, 12 Stupid Things That Mess Up Recovery, Allen Berger has shown many people how to confront self-defeating thoughts and behaviors that can sabotage their sobriety. In this sequel, Allen gives you the tools you need to work through twelve pitfalls that you are likely to encounter on your path to long-term recovery.

FRIENDS AND RELATIONS, of all Elizabeth Bowen's novels, is perhaps the most personal and the most domestic. This is a view of life in a moneyed upper-middle class enjoying its sunset of prosperity, security and complacency - and by no means free from triviality. But its very narrowness is rich in comedy, and it enables Elizabeth Bowen to create two of her most memorable characters - Lady Elfrida, a creature of privilege, and Theodora Thirdman, the gawky and obtrusive adolescent who carries her emotionalism into adult life.

"Spiritual Shackles" is an episodic story about love gained and love lost. About history and history denied. About social complacency and social revolution. About blind faith and faith challenged. "Shackles" combines these ingredients into a suspenseful "gumbo" that will shake the ground beneath your feet.