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Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory. The "Faith Campaign" Saddam launched during this period was the culmination of a plan to use religion for political ends, begun upon his assumption of the Iraqi presidency in 1979. At this time, Saddam began constructing the institutional capacity to control and monitor Iraqi religious institutions. The resulting authoritarian structures allowed him to employ Islamic symbols and rhetoric in public policy, but in a controlled manner. Saddam ultimately promoted a Ba'thist interpretation of religion that subordinated it to Arab nationalism, rather than depicting it as an independent or primary political identity.The point of this examination of Iraqi history, other than to correct the current understanding of Saddam Hussein's political use of religion throughout his presidency, is to examine how Saddam's controlled use of religion was dismantled during the US-Iraq war, and consequently set free extremists that were suppressed under his regime. When the American-led invasion destroyed the regime's authoritarian structures, it unwittingly unhinged the forces that these structures were designed to contain, creating an atmosphere infused with religion, but lacking the checks provided by the former regime. Groups such as the Sadrists, al-Qaida, and eventually the Islamic State emerged out of this context to unleash the insurgencies that have plagued post-2003 Iraq.

Compulsion Kim Gray - LP 634457779518

Orson Welles stars in this graphic and emotionally gripping courtroom drama, based on the novel by Meyer Levin which was inspired by the Leopold-Loeb murder case of the 1920s. Jonathan Wilk (Welles) is a Clarence Darrow-like attorney tasked with defending two well-to-do New York youths (Bradford Dillman and Dean Stockwell) on trial for a senseless killing they carried out simply to demonstrate they could pull off the perfect crime. With E.G. Marshall, Diane Varsi. 103 min. Widescreen; Soundtra

Compulsion Songs The Lucid Dream - LP 666017307817

Once again, the depths of the criminal mind and the darkest side of a glittering city fuel #1 New York Times bestselling author Jonathan Kellerman’s brilliant storytelling. And no one conducts a more harrowing and suspenseful manhunt than the modern Sherlock Holmes of the psyche, Dr. Alex Delaware. A tipsy young woman seeking aid on a desolate highway disappears into the inky black night. A retired schoolteacher is stabbed to death in broad daylight. Two women are butchered after closing time in a small-town beauty parlor. These and other bizarre acts of cruelty and psychopathology are linked only by the killer’s use of luxury vehicles and a baffling lack of motive. The ultimate whodunits, these crimes demand the attention of LAPD detective Milo Sturgis and his collaborator on the crime beat, psychologist Alex Delaware.What begins with a solitary bloodstain in a stolen sedan quickly spirals outward in odd and unexpected directions, leading Delaware and Sturgis from the well-heeled center of L.A. society to its desperate edges; across the paths of commodities brokers and transvestite hookers; and as far away as New York City, where the search thaws out a long-cold case and exposes a grotesque homicidal crusade. The killer proves to be a fleeting shape-shifter, defying identification, leaving behind dazed witnesses and death–and compelling Alex and Milo to confront the true face of murderous madness.

Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory. The "Faith Campaign" Saddam launched during this period was the culmination of a plan to use religion for political ends, begun upon his assumption of the Iraqi presidency in 1979. At this time, Saddam began constructing the institutional capacity to control and monitor Iraqi religious institutions. The resulting authoritarian structures allowed him to employ Islamic symbols and rhetoric in public policy, but in a controlled manner. Saddam ultimately promoted a Ba'thist interpretation of religion that subordinated it to Arab nationalism, rather than depicting it as an independent or primary political identity.The point of this examination of Iraqi history, other than to correct the current understanding of Saddam Hussein's political use of religion throughout his presidency, is to examine how Saddam's controlled use of religion was dismantled during the US-Iraq war, and consequently set free extremists that were suppressed under his regime. When the American-led invasion destroyed the regime's authoritarian structures, it unwittingly unhinged the forces that these structures were designed to contain, creating an atmosphere infused with religion, but lacking the checks provided by the former regime. Groups such as the Sadrists, al-Qaida, and eventually the Islamic State emerged out of this context to unleash the insurgencies that have plagued post-2003 Iraq.

"If psychoanalysis is the return of repressed antiquity, distorted to be sure by modern desire, yet still bearing the telltale traces of the ancient archive, then would not our growing distance from the archive of antiquity also imply that we are in the process of losing our grip on psychoanalysis itself, as Freud conceived it?"―from Chapter 1As he developed his striking new science of the mind, Sigmund Freud had frequent recourse to ancient culture and the historical disciplines that draw on it. A Compulsion for Antiquity fully explores how Freud appropriated figures and themes from classical mythology and how the theory and practice of psychoanalysis paralleled contemporary developments in historiography, archaeology, philology, and the history of religions. Drawing extensively from Freud's private correspondence and other notes and documents, Richard H. Armstrong touches on Freud's indebtedness to Sophocles and the Oedipus complex, his interest in Moses and the Jewish religion, and his travels to Athens and Rome.Armstrong shows how Freud turned to the ancient world to deal with the challenges posed by his own scientific ambitions and how these lessons influenced the way he handled psychic "evidence" and formulated the universal application of what were initially isolated clinical truths. Freud's narrative reconstructions of the past also related to his sense of Jewishness, linking the historical trajectory of psychoanalysis with contemporary central European Jewish culture. Ranging across the breadth of Freud's work, A Compulsion for Antiquity offers fresh insights into the roots of psychoanalysis and fin de siècle European culture, and makes an important contribution to the burgeoning discipline of mnemohistory.

The basis of the award-winning film starring Orson Welles, Compulsion gives a shocking fictionalized account of the Leopold-Loeb murder case--in which two young graduates of the University of Chicago kidnapped and killed a child for the intellectual challenge. "A graphic and absorbing reconstruction of an infamous crime".--Saturday Review.

The basis of the award-winning film starring Orson Welles, Compulsion gives a shocking fictionalized account of the Leopold-Loeb murder case--in which two young graduates of the University of Chicago kidnapped and killed a child for the intellectual challenge. "A graphic and absorbing reconstruction of an infamous crime."--Saturday Review.

Investigative reporter Maxine Revere has a theory: that the five New York City murders for which Adam Bachman is being tried are just part of his killing spree. In probing the disappearance of a retired couple who vanished the prior summer, Max uncovers striking similarities to Bachman's MO and develops a theory that Bachman wasn't working alone.Max wins a coveted pre-trial interview with the killer, whose disarming composure in the face of her questions is combined with uncomfortable knowledge of Max's own past. She leaves the room convinced, but unable to prove, that Bachman knows exactly what happened to the missing couple. The D.A. wants nothing to jeopardize his case against Bachman and refuses to consider Max's theory. With no physical evidence, Max has to rely on her own wits and investigative prowess to dig deep into Bachman's past. The picture that Max puts together is far darker and more deadly than she ever imagined.As Max gets closer to the truth, she doesn't realize that she's walking down a road that has been paved just for her. That every step she takes brings her one step closer to a brilliant, methodical sociopath who has been waiting for her to make just one small mistake.And when she does, he'll be there waiting.Max Revere returns in another gripping, pulse-pounding thriller from New York Times bestseller Allison Brennan."Compulsion is a gripping, pulse-pounding thriller that readers will not want to put down."-Crimespree magazine

Slight shelf and edge wear. Pages are clean and binding is tight.

Mint. Deckle edged. Perfect specimen.

In "The Compulsion to Create", Kavaler-Alder offers a theoretical understanding of the psychological forces at work in the female artist. Drawing on the work of the object relations school - especially Melanie Klein, Ronald Fairbairn, Harry Guntrip, Margaret Mahler and D.W. Winnicott - she argues that the compulsion to create is an addiction to an internal parent object and constitutes a pathological state of mourning. The importance of the father's role, which may be positive, rejecting or seductive, in the female artists creative process is thoroughly considered. Kavaler-Adler develops her theoretical position by focusing on the lives and works of women writers including Charlotte and Emily Bronte, Emily Dickinson, Sylvia Plath, Anais Nin and Edith Sitwell. In conclusion, she examines how psychotherapy can be used to help artists and writers modify self-destructive forces within them, while simultaneously enriching their creative work; by presenting the case of a living female artist she makes clear how the diagnostic can be applied to actual clinical practice. "The Compulsion to Create" focuses on the defensive aspects of creativity.

New York Times bestselling author Allison Brennan is back with another high-octane and compulsive thriller starring the "compelling new protagonist" (RT Book Reviews) Maxine Revere. Investigative reporter Maxine Revere has a theory: Maybe five New York City murders for which Adam Bachman is being tried are just one part of his master plan? In probing another case, involving a missing couple, Max uncovers striking similarities to Bachman's MO. It seems likely that Bachman wasn't working alone...but how can she prove it? "Don't miss [this] roller-coaster new thriller. Talk about grit and courage-Max never gives up."-Catherine Coulter Max wins a coveted pre-trial interview with Bachman, whose disarming composure is combined with uncomfortable knowledge of Max's own past. She leaves the room convinced that Bachman is involved in her other missing-persons case-but the D.A. refuses to hear it. With no physical evidence, Max must rely on her own wits and investigative prowess to dig deep into Bachman's psyche. But as she gets closer to the truth, she doesn't realize that she's walking down a road that has been paved just for her. And at the end, the killer is waiting. . . "Compulsion is a gripping, pulse-pounding thriller that readers will not want to put down."-Crimespree magazine

Rationality and Compulsion presents a unique examination of mental illness - derived from philosophical action theory. Delusion is common to many mental disorders, resulting in actions that, though perhaps rational to the individual, might seem entirely inappropriate or harmful to others. So what is it that causes these actions, and why do they continue? The theory expounded in this book shows how the key to this problem might be compulsion.This book presents a new analysis of the notion of compulsion - developed from action theory. The books starts with an introduction to action theory (for the benefit of non-philosophers). It then shows how insights from action theory can help us better understand mental illness, before developing an analysis of compulsion that emphasizes the element of unavoidability. The book argues that what is fundamentally disturbing to the person suffering from delusion is not so much the fact that the disorder tends to lead to irrational actions but rather the fact that he or she is unable to avoid performing these actions. The individual is or feels compelled to act in the way he or she does. The book contains some concrete illustrations of this idea as applied to several psychiatric diagnoses, such as paranoia, phobia, and psychopathy.Rationality and Compulsion is a highly original new work from a leading figure in the philosophy and psychiatry movement. It will advance our understanding of mental illness, and be valuable for psychiatrists, psychologists, as well as philosophers.

This book will help therapists understand and treat patients suffering from mild to dangerous forms of eating disorders, other compulsions and addictions, such as alcoholism, and even erotic attachments. The chapters help therapists think creatively about these types of patients who are coming to therapy more frequently than ever, and to see the effects of treatment. The problems that arise in therapy are explored in essays about dissociation, self-regulation, self-destructive behavior, enactment, and other clinical issues. The first half of the book addresses specific problems associated with patients who have eating disorders. The editors explore the patient's conflicts, affect regulation, transference, behavior, as well as the countertransference issues that inevitably arise in therapy. The second half broadens the scope and addresses a spectrum of addictions and associated issues such as creativity, sexuality and the transference.

The 1890s have long been thought one of the most male-oriented eras in American history. But in reading such writers as Frank Norris with Mary Wilkins Freeman and Charlotte Perkins Gilman with Stephen Crane, Jennifer L. Fleissner boldly argues that feminist claims in fact shaped the period's cultural mainstream. Women, Compulsion, Modernity reopens a moment when the young American woman embodied both the promise and threat of a modernizing world.Fleissner shows that this era's expanding opportunities for women were inseparable from the same modern developments—industrialization, consumerism—typically believed to constrain human freedom. With Women, Compulsion, and Modernity, Fleissner creates a new language for the strange way the writings of the time both broaden and question individual agency.

The 1890s have long been thought one of the most male-oriented eras in American history. But in reading such writers as Frank Norris with Mary Wilkins Freeman and Charlotte Perkins Gilman with Stephen Crane, Jennifer L. Fleissner boldly argues that feminist claims in fact shaped the period's cultural mainstream. Women, Compulsion, Modernity reopens a moment when the young American woman embodied both the promise and threat of a modernizing world.Fleissner shows that this era's expanding opportunities for women were inseparable from the same modern developments—industrialization, consumerism—typically believed to constrain human freedom. With Women, Compulsion, and Modernity, Fleissner creates a new language for the strange way the writings of the time both broaden and question individual agency.

2016 two CD set. Random Textures is a new instrumental album by cult Manchester group Crispy Ambulance, now issued as a double CD set with 2015 album Compulsion included as a bonus disc. Random Textures features material written by the band for a series of multi-media events in Manchester during 2015/16 and billed as the Subliminal Impulse Review. The producer is long-term collaborator Graham Massey of 808 State/Biting Tongues. "After a few years of playing our Factory back catalog it felt like

This groundbreaking book lifts the veil of secrecy from one of the most misunderstood compulsive disorders which drives people to steal objects they don't need and often don't use, for reasons they can't explain. Using research and his own case studies, Dr. Goldman provides insights into this disorder and the many myths that surround it, including the fact that almost 80% of all diagnosed kleptomaniacs are women. Most importantly, he explores treatment options and offers practical, compassionate information that can be found nowhere else.