19 products were found matching your search for Condescension in 1 shops:

When it comes to writing a text for non-music majors, Kamien knows the score. With the care you would expect from the concert pianist he is, Kamien introduces the musical elements and repertoire thoroughly and clearly, without assumptions of prior knowledge but also without condescension. As a teacher at Queens (NY) College, Kamien developed the concept of the Listening Outline, which he incorporated into the first edition of Music: An Appreciation and which he has refined and enhanced in every subsequent edition. This is a text with which students of all levels and backgrounds can feel comfortable.

Excerpt from The Groundwork of the Christian VirtuesNext to the God of all condescension, who is the lover of humble souls, to whom but to you should I dedicate this book? So long as your motto expresses your life, so long as you seek God alone, and find in Him the supreme object of your desires so long as you are earnest as well in the second object of your life, to draw to God the poor, the ignorant, and the suffering, whom Christ has redeemed; so long will the charity and sweet peace of God be with you, and the fragrance of your cheerful virtues will attract other souls to follow your example. This, my dear Sisters, is the earnest prayer of your devoted Father in Christ.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sentimentalism, Ethics and the Culture of Feeling defends feeling against customary distrust or condescension by showing that the affective turn of the eighteenth-century cult of sentiment, despite its sometimes surreal manifestations, has led to a positive culture of feeling. The very reaction against sentimentalism has taught us to identity sentimentality. Fiction, moreover, remains a principal means not just of discriminating quality of feeling but of appreciating its essentially imaginative nature.

Without a hint of condescension, this book with included audio offers the young classic guitarist a thorough grounding in reading standard notation in first position. This book was written in the Mel Bay tradition of providing only enough music theory to understand what is required of the student at any given point in the book. Numerous studies and folksong melodies are presented with suggested chord changes for accompaniment by a teacher or a second student guitarist. Includes guides to purchasing a classic guitar, proper posture and hand positions, tuning the guitar, and much more. Written in standard notation only. Includes access to online audio.

Sentimentalism, Ethics and the Culture of Feeling defends feeling against customary distrust or condescension by showing that the affective turn of the eighteenth-century cult of sentiment, despite its sometimes surreal manifestations, has led to a positive culture of feeling. The very reaction against sentimentalism has taught us to identity sentimentality. Fiction, moreover, remains a principal means not just of discriminating quality of feeling but of appreciating its essentially imaginative nature.

Unlike other institutions of central importance to working-class life, the fish-and-chip trade has not yet been rescued from what the author of this book regards as the massive condescension of posterity. In attempting to begin this process, he traces the origins of what was by 1914 an important national industry, setting the economic, social and political context of the trade, charting its spread and analyzing its sources and methods of supply. The book explores themes like: recruitment patterns of decentralized, provincial trades; methods of working; the role of women in the food industry of the period; and the aim, and effectiveness, of trade organizations. It also provides a survey of the effect of convenient, cheap, ready-cooked food on working-class diet, health, lifestyle, economy and politics.

W.E.H. Stanner's words changed Australia. Without condescension and without sentimentality, in essays such as 'The Dreaming' Stanner conveyed the richness and uniqueness of Aboriginal culture. In his Boyer Lectures he exposed a 'cult of forgetfulness practised on a national scale,' regarding the fate of the Aborigines, for which he coined the phrase 'the great Australian silence'. And in his essay 'Durmugam' he provided an unforgettable portrait of a warrior's attempt to hold back cultural change. 'He was such a man,' Stanner wrote. 'I thought I would like to make the reading world see and feel him as I did.' The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event. With an introductory essay by Robert Manne.

When it comes to writing a text for non-music majors, Kamien knows the score. With the care you would expect from the concert pianist he is, Kamien introduces the musical elements and repertoire thoroughly and clearly, without assumptions of prior knowledge but also without condescension. As a teacher at Queens (NY) College, Kamien developed the concept of the Listening Outline, which he incorporated into the first edition of Music: An Appreciation and which he has refined and enhanced in every subsequent edition. This is a text with which students of all levels and backgrounds can feel comfortable.

W.E.H. Stanner's words changed Australia. Without condescension and without sentimentality, in essays such as 'The Dreaming' Stanner conveyed the richness and uniqueness of Aboriginal culture. In his Boyer Lectures he exposed a 'cult of forgetfulness practised on a national scale,' regarding the fate of the Aborigines, for which he coined the phrase 'the great Australian silence'. And in his essay 'Durmugam' he provided an unforgettable portrait of a warrior's attempt to hold back cultural change. 'He was such a man,' Stanner wrote. 'I thought I would like to make the reading world see and feel him as I did.' The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event. With an introductory essay by Robert Manne.

David Martin's more than three decades as an educator and counselor greatly enrich the latest edition of this practical guide for beginning and experienced counselors. He unravels the complexities of the therapeutic process without condescension or intimidation, teaching helping professionals how to invest themselves to make clients feel deeply known and accepted. As in previous editions, Martin describes and encourages the use of evocative empathy an active process in which therapists listen to their clients intended message so they feel understood and gain the ability to be their own problem solver. Classic and contemporary research findings reinforce discussions of the skills and applications involved in becoming a competent therapist. Coverage of different therapy approaches, relationship building, the mind-body connection, ways that therapy can cause damage, the therapeutic alliance, mindfulness, cross-cultural counseling, and the need for therapists to take care of themselves is either new or thoroughly revised and updated. A completely new feature is a brief narrative, written by a client, relating her experiences during counseling. Full of innovative techniques and approaches to generate insight and achieve positive therapeutic outcomes, Counseling and Therapy Skills, 3/E guides counselors toward being intuitive, experiential, and full of presence as they build relationships with their clients. The Third Edition is accompanied by Observing Therapy--a five-hour-long DVD comprised of a brief introduction and videotaped excerpts of the author conducting actual therapy sessions with three clients. This provocative learning tool demonstrates evocative empathy and can be used by viewers to practice their own responses to clients.

Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American-Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s leading China expert.The rapturous reception that greeted The Good Earth―Pearl Buck’s novel about a Chinese peasant family―spawned a literary market for sympathetic writings about China. Stories of enterprising Americans making their way in a land with “four hundred million customers,” as Carl Crow said, found an eager audience as well. But on the margins―in Chinatowns, on Ellis Island, and inside FBI surveillance memos―a different conversation about the possibilities of a shared future was taking place.A Floating Chinaman takes its title from a lost manuscript by H. T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels during this time. Tsiang discovered the American literary market to be far less accommodating to his more skeptical view of U.S.-China relations. His “floating Chinaman,” unmoored and in-between, imagines a critical vantage point from which to understand the new ideas of China circulating between the world wars―and today, as well.

Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American-Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s leading China expert.The rapturous reception that greeted The Good Earth―Pearl Buck’s novel about a Chinese peasant family―spawned a literary market for sympathetic writings about China. Stories of enterprising Americans making their way in a land with “four hundred million customers,” as Carl Crow said, found an eager audience as well. But on the margins―in Chinatowns, on Ellis Island, and inside FBI surveillance memos―a different conversation about the possibilities of a shared future was taking place.A Floating Chinaman takes its title from a lost manuscript by H. T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels during this time. Tsiang discovered the American literary market to be far less accommodating to his more skeptical view of U.S.-China relations. His “floating Chinaman,” unmoored and in-between, imagines a critical vantage point from which to understand the new ideas of China circulating between the world wars―and today, as well.

Who were the Jacobins and what are Jacobinism's implications for today? In a book based on national and local studies--on Marseilles, Nîmes, Lyons, and Paris--one of the leading scholars of the Revolution reconceptualizes Jacobin politics and philosophy and rescues them from recent postmodernist condescension.Patrice Higonnet documents and analyzes the radical thought and actions of leading Jacobins and their followers. He shows Jacobinism's variety and flexibility, as it emerged in the lived practices of exceptional and ordinary people in varied historical situations. He demonstrates that these proponents of individuality and individual freedom were also members of dense social networks who were driven by an overriding sense of the public good. By considering the most retrograde and the most admirable features of Jacobinism, Higonnet balances revisionist interest in ideology with a social historical emphasis on institutional change. In these pages the Terror becomes a singular tragedy rather than the whole of Jacobinism, which retains value today as an influential variety of modern politics. Higonnet argues that with the recent collapse of socialism and the general political malaise in Western democracies, Jacobinism has regained stature as a model for contemporary democrats, as well as a sober lesson on the limits of radical social legislation.

-Jacob Bronowski truly educated an enormous number of members of that diffuse population usually referred to, with a hint of condescension, as educated laymen through his widely shared television series on the concepts of science and through such highly regarded books as The Identity of Man and The Ascent of Man. This volume extends the process to a further level of insight, and it may be more than suggestive that its final essay is entitled The Fulfillment of Man. Bronowski was an extraor

Without a hint of condescension, this book with included audio offers the young classic guitarist a thorough grounding in reading standard notation in first position. This book was written in the Mel Bay tradition of providing only enough music theory to understand what is required of the student at any given point in the book. Numerous studies and folksong melodies are presented with suggested chord changes for accompaniment by a teacher or a second student guitarist. Includes guides to purchasing a classic guitar, proper posture and hand positions, tuning the guitar, and much more. Written in standard notation only. Includes access to online audio.

Robert Byrne's The Dam (1981) pits the analysis of a brilliant but inexperienced junior engineer against the condescension of senior colleagues more concerned with their reputations and status than with the truth.

W.E.H. Stanner's words changed Australia. Without condescension and without sentimentality, in essays such as 'The Dreaming' Stanner conveyed the richness and uniqueness of Aboriginal culture. In his Boyer Lectures he exposed a 'cult of forgetfulness practised on a national scale,' regarding the fate of the Aborigines, for which he coined the phrase 'the great Australian silence'. And in his essay 'Durmugam' he provided an unforgettable portrait of a warrior's attempt to hold back cultural change. 'He was such a man,' Stanner wrote. 'I thought I would like to make the reading world see and feel him as I did.' The pieces collected here span the career of W.E.H. Stanner as well as the history of Australian race relations. They reveal the extraordinary scholarship, humanity and vision of one of Australia's finest essayists. Their revival is a significant event. With an introductory essay by Robert Manne.

When critics seek a defining term to describe Elizabeth Gaskell, charm seems the indispensable word. It carries praise with just that degree of condescension most often found in critical discourse. To be charming, after all, means to be pleasing, with the reservation that the pleasure is essentially indefinable and therefore inconsequential. When Gaskell is commended, and the critical tide is now turning in her favor, it is generally in language that could be used as a reference for a good domestic - honest, sanguine, and industrious. There have been few attempts to explore her narrative skills and aesthetic principles, to find the relationship between the novels and one of the most convincing biographies ever written. The tendentious could well argue that if Charlotte Brontë wrote Jane Eyre, Elizabeth Gaskell created Charlotte Brontë. Certainly Charlotte Brontë as the subject of fiction and popular opinion owes more to Gaskell than to any critical comment.

Disapproving scolds. Sexist condescension. Odd theories about the effect of exercise on reproductive organs. Though baseball began as a gender-neutral sport, girls and women of the nineteenth century faced many obstacles on their way to the diamond. Yet all-female nines took the field everywhere. Debra A. Shattuck pulls from newspaper accounts and hard-to-find club archives to reconstruct a forgotten era in baseball history. Her fascinating social history tracks women players who organized baseball clubs for their own enjoyment and found roster spots on men's teams. Entrepreneurs, meanwhile, packaged women's teams as entertainment, organizing leagues and barnstorming tours. If the women faced financial exploitation and indignities like playing against men in women's clothing, they and countless ballplayers like them nonetheless staked a claim to the nascent national pastime. Shattuck explores how the determination to take their turn at bat thrust female players into narratives of the women's rights movement and transformed perceptions of women's physical and mental capacity.