29 products were found matching your search for Conrads Karl Peter Verkehrsrecht in 4 shops:

(28,5 x 21,3 cm); 4°; 126 Seiten mit 120 zum Teil farbigen Abbildungen; Orig.-Pappband. Kanten und Kapitale minimal gestaucht. * Customers from outside the EU ask please for real DHL shipping costs! - Ask for more pics ! * 1200 gr.

Brian SS Jensen and Karl-Oskar Olsen’s Wood Wood continues to revolutionise wardrobes with looks just like this Conrad Cargo Overshirt. Exemplifying the label’s commitment to quality craftsmanship, this take on your usual button-down is cut from soft cotton - accented with subtle “with love” embroidery for a charming finish. 100% Cotton, Button Closure, 2 Chest Pockets, Wood Wood. Wood Wood Men's Conrad Cargo Overshirt in Off-White, Size Small

Brian SS Jensen and Karl-Oskar Olsen’s Wood Wood continues to revolutionise wardrobes with looks just like this Conrad Cargo Overshirt. Exemplifying the label’s commitment to quality craftsmanship, this take on your usual button-down is cut from soft cotton - accented with subtle “with love” embroidery for a charming finish. 100% Cotton, Button Closure, 2 Chest Pockets, Wood Wood. Wood Wood Men's Conrad Cargo Overshirt in Off-White, Size Large

Brian SS Jensen and Karl-Oskar Olsen’s Wood Wood continues to revolutionise wardrobes with looks just like this Conrad Cargo Overshirt. Exemplifying the label’s commitment to quality craftsmanship, this take on your usual button-down is cut from soft cotton - accented with subtle “with love” embroidery for a charming finish. 100% Cotton, Button Closure, 2 Chest Pockets, Wood Wood. Wood Wood Men's Conrad Cargo Overshirt in Off-White, Size Medium

John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link among his literary technique, philosophical presuppositions and socio-political views.

John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link among his literary technique, philosophical presuppositions and socio-political views.

These essays on the English manifestation of the emblem by Roy Strong, Clifford Davidson, Judith Dundas, Mary Silcox, Peter Daly, Denis Drysdall, Wendy Katz and John Horden. Collected in honour of Karl Josef Holtgen, they deal with Geoffrey Whitney, Henry Peacham, George Wither and others.

Book by Weiermair, Peter, Murray, Peter, Prantl, Karl

This book is about the radical transformation of British literary culture during the period 1880 to 1914 as seen through the early publishing careers of Joseph Conrad, Arnold Bennett and Arthur Conan Doyle. Peter D. McDonald examines the cultural politics of the period by considering the social structure of the literary world in which these writers worked. By tracing the complex network of relationships among writers, publishers, reviewers and readers, McDonald demonstrates the importance of social history and publishing to questions of critical interpretation.

This collection contains twelve of the greatest mystery shows ever broadcast during the golden age of radio! You'll hear Richard Widmark starring in Inner Sanctum Mysteries, Orson Welles in The Black Museum, Peter Lorre in Mystery in the Air, William Conrad in The Whistler, Ernest Chappell in Quiet, Please, Everett Clarke in Lights Out, Harry Bartell in Escape, and Fredric March in a tale well calculated to keep you in Suspense, plus such others as The Weird Circle, Molle Mystery Theatre, The Hall of Fantasy, and Crime Classics. Pull the covers up close and relive twelve of the best classic radio mystery shows from yesterday and the legendary stars who made them great in this incredible collection. Contents include: The Black Museum, ''A Lady's Shoe,'' starring Orson Welles Crime Classics, ''Blackbeard's Fourteenth Wife and Why She Was No Good for Him,'' starring Lou Merrill Escape, ''The Second Class Passenger,'' starring Harry Bartell The Hall of Fantasy, ''Death in the Bayous,'' starring Richard Thorne Inner Sanctum Mysteries, ''The Shadow of Death,'' starring Richard Widmark, with Paul McGrath (host) Lights Out!, ''The Battle of the Magicians,'' starring Everett Clark, written and directed by Wyllis Cooper Molle Mystery Theatre, ''Female of the Species,'' starring Lizabeth Scott Mystery in the Air, ''Beyond Good and Evil,'' starring Peter Lorre Quiet Please, ''The Thing on the Fourble Board,'' starring Ernest Chappell Suspense, ''Actor's Blood,'' starring Fredric March and Hans Conried The Weird Circle, ''The Murders in the Rue Morgue,'' by Edgar Allen Poe The Whistler, ''Whirlpool,''starring William Conrad

Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by “Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel.Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists―including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel―investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.

Taking place before the events of the original Conan #23 comic, writers Luke Lieberman and Peter David -- along with artist Will Conrad -- present this powerful four issue series that no Sonja or Conan fan can be without! Also includes the back-up story by the creative team originally published in Red Sonja #2, as well as a complete cover gallery featuring the work of Will Conrad and Gabriele Dell'Otto!

Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by “Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel.Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s and 1980s, the Department of Media Study at the State University of New York at Buffalo was the place to be. It was there, in 1973, well before any other university had a program explicitly devoted to media art, that Gerald O'Grady founded a media study program that is now legendary. Artists―including avant-garde filmmakers Hollis Frampton, Tony Conrad, and Paul Sharits, documentary maker James Blue, video artists Woody Vasulka and Steina, and Viennese action artist Peter Weibel―investigated, taught, and made media art in all forms, and founded the first Digital Arts Laboratory. These Buffalo faculty members were not just practicing artists, but also theorists who wrote and spoke on issues raised by their work. They set the terms for the development of media art and paved the way for the triumph of video installation art in the 1990s. The images and texts in Buffalo Heads bear witness to the groundbreaking events at the Buffalo Center for Media Study. The book presents not just a tribute to a famous media department finally receiving its due; it is a rich inventory of primary texts (many never before published), works that will improve our understanding of media, amplify our cultural memory, and offer a perspective on contemporary issues.

Book by Schneider, Joseph W., Conrad, Peter

SOME KEYWORDS: absolute religion; actuosity of spirit; Jean d' Alembert; allsufficiency of god; anthropo-dicy; pneumato-dicy; theodicy; P. Asveld; attributes of God; Karl Barth; Pierre Bayle; Henri Gergson; Peter Bertocci; Bietrich Bonhoeffer; Emil Brunner; G. L. Buffon; Ernst Cassirer; casuistry; catechesis; chiliasm; Carlos Cirne-Lima; concordia discors; corpus mysticum; cosmotheology; I. M. Crombie; cyclopism; Henry Dumery; Mircea Eliade; ethicotheology; Antony Flew; Thoedor Haering; Bernard haring; Herbert of Cherbury; Moses Hess; jansenism; etc., etc.

Neuware - Die Rekonstruktion einer erstaunlichen Lebensgeschichte zwischen Literatur, Theater und Wissenschaft.Als die von Max Reinhardt entdeckte Schauspielerin Kete Parsenow 1903 in Gorkis »Nachtasyl« in Wien auftrat, warben Peter Altenberg und Karl Kraus um sie, Adolf Loos war von ihrer Erscheinung hingerissen, und Frank Wedekind wollte sie ans Nürnberger Theater verpflichten. Zwischen Kraus und Parsenow entwickelte sich ein lebhafter Briefwechsel: 150 Briefe und Karten von Kete Parsenow an Karl Kraus haben sich aus den Jahren 1910 bis 1930 erhalten; seine Antworten sind verloren. Die charismatische Schauspielerin war seit 1914 mit dem Klassischen Philologen Walter F. Otto verheiratet, einem begeisterten Leser von Karl Kraus. Dieser schlug Kraus 1926 zum Nobelpreis vor. 1934 zog das Ehepaar nach Königsberg. Dort ging 1945 im Feuersturm der untergehenden Stadt alles verloren: Manuskripte, Briefe, die Bibliothek. Friedrich Pfäfflin hat diese erstaunliche Lebensgeschichte zwischen Literatur, Theater und Wissenschaft rekonstruiert. Ergänzt wird die Edition durch drei Anhänge: Ein Bericht über die Zerstörung der Königsberger Wohnung durch einen Mitbewohner, eine Übersicht zu Kete Parsenows Bühnentätigkeit und Briefe von zwei zurückgekehrten Emigranten, die sich der zauberhaften Erscheinung Kete Parsenows erinnern: Alfred Döblin und Julius Bab.

This is a fascinating, well illustrated and thoroughly documented response to the relentless anti-Christian propaganda that has been generated by Muslin and Marxist groups and by Hollywood film makers. As Karl Marx declared: “The first battlefield is the re-writing of History!” “Peter knows first hand the nature of the enemy the West is facing and exposes it brilliantly in this book on Islam. He begins by documenting the close relationship between Islam and slavery and then chapter by chapter reveals the terrible cost of thirteen centuries of Islamic invasion, conquest and brutalisation. This is a book that every Christian should read and pass along to friends; and one that every home-schooling family should require as part of their children’s curriculum.” Dr. Brian M. Abshire “Dr. Peter Hammond cuts through layers of misinformation and uncovers astonishing historical facts and details long buried by Islamic revisionists. You’ll find out their real agenda for tomorrow by discovering what they actually did yesterday – plus a field-tested plan of how to win Muslims to Christ.” Rev. Bill Bathman “For the sake of this generation, and coming ones, someone had to do what Dr. Peter Hammond has just done; setting the record straight on the different role players in the slave trade.” Rev. Fano Sibisi “Slavery, Terrorism & Islam, is must reading to all those who want to find out the roots of the Terrorism that is threatening global security.” Rev. Jeffreys Kayanga

Book by Eva Berger, Inge Jaehner, Peter Junk, Karl Georg Kaster, Manfred Meinz, Wendelin Zimmer

Anthology of original stories, speculating about future America. Foreword: Coming Attractions (essay) by Edward Bryant; Introduction: Flashforward to 2076 (essay) by Peter S. Alterman; "A Red, White and Blue Fourth of July" by Karl Hansen; "Escape Is No Accident" by Carol Emshwiller; "Feminine Demystification" (poem) by Jo Ann Harper; "The Dust of Evening" by Robert Crais; "The Death of Sappho" by Marge Piercy; "Like Snow-Humped Fields Afraid of Rain" (poem) by William Jon Watkins; "And I for an Eye" by James Stevens; "Emissary from Hamelin" by Harlan Ellison; "Corruption of Metals" (poem) by Sonya Dorman; "Aztecs" by Vonda N. McIntyre; "X-2076" (poem) by Peter Dillingham; " The Biological Revolution" by Robert E. Vardeman and Jeff Slaten; " One Road to Damascus" by James Sallis and David Lunde; " Welcome to the Tricentennial" by Patrick Henry Prentice.

Book by Eva Berger, Inge Jaehner, Peter Junk, Karl Georg Kaster, Manfred Meinz, Wendelin Zimmer