27 products were found matching your search for Cooper Vision Avaira Vitality in 3 shops:

Doctor of the Future offers a new direction for people longing to return to vibrant health and a lifestyle of happiness and fulfillment. Dr. Yachter, a chiropractor with a passion for healing, who has a family practice near Orlando, Fla., offers a vision of hope and the chance at achieving God-given potential. Dr. Dan delivers true family “health care” rather than the “sick care” on which the medical establishment and pharmaceutical treatment has long been based. Through traditional chiropractic care, combined with a wide range of nutritional  and lifestyle advice, Dr. Yachter shares his methods for restoring not only physical vitality and longevity, but also mental stamina and freedom from the ravages of stress. Doctor of  the Future offers patients and their families a second chance to live well. Doctor of the Future is a template of how you and your family can transform the future of American health care. It shows you what you need to know today to take better care of you and your family’s health tomorrow. It also illustrates how to use the body’s own power of self-healing to  produce greater health and vitality.

Tells how to use stretches, massage, and exercise to alleviate common ailments, and discusses breathing, circulation, the spine, muscles, nervous system, and vision

Describing Italy as “the only region of the earth that I truly love,” James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world.In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively.The response of his imagination to the light, color, forms, artifacts and figures of the Italian landscape and to the manifold significances they embody follows in joyful appreciation of the land, culture and people of a country that induced in him the desire “to enjoy the passing moment.”In Italy, Cooper refrained from commenting on politics, though he was an incorrigibly political man who responded to an insistent need to define the New World in defining the Old. The independence of his observations drew censure from American reviewers of the 1830s, who could not comprehend that his preference for the Bay for Naples over New York Harbor reflected his intellectual passion to rise above nationalistic feelings in matters of taste, morality and justice.

Describing Italy as “the only region of the earth that I truly love,” James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world.In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively.The response of his imagination to the light, color, forms, artifacts and figures of the Italian landscape and to the manifold significances they embody follows in joyful appreciation of the land, culture and people of a country that induced in him the desire “to enjoy the passing moment.”In Italy, Cooper refrained from commenting on politics, though he was an incorrigibly political man who responded to an insistent need to define the New World in defining the Old. The independence of his observations drew censure from American reviewers of the 1830s, who could not comprehend that his preference for the Bay for Naples over New York Harbor reflected his intellectual passion to rise above nationalistic feelings in matters of taste, morality and justice.

A trio of masterpieces by Gauguin, Cézanne, and Matisse are joined by works by other major artists in this exploration of the enduring vitality of the theme of Arcadia The notion of a golden age set in an earthly paradise has long kindled the human imagination. Virgil envisioned such a place of bucolic pleasures—erotic and unsullied, sometimes shadowed by blunted desires and doubts—in his Eclogues, set in the valley of Arcadia in ancient Greece. His poems defined for Western art and literature a theme that continues to this day. Their resonance as a foundation for European painters around 1900 is the subject of this beautifully illustrated catalogue, which focuses on three monumental paintings—Paul Gauguin's Where Do We Come From? What Are We? Where Are We Going? (1897-98), Paul Cézanne's The Large Bathers (1906), and Henri Matisse's Bathers by a River (1909-10, 1913, and 1916-17). Other masterpieces by Jean-Baptiste-Camille Corot, Nicolas Poussin, and Pierre Puvis de Chavannes establish the high value given to Arcadia in the history of French painting. These are joined by major works by Henri Edmond Cross, Robert Delaunay, André Derain, Pablo Picasso, Henri Rousseau, and Paul Signac, as well as paintings by Ernst Ludwig Kirchner, Franz Marc, and Natalia Goncharova to suggest the vitality of this subject outside the canonical French definitions. Distinguished scholars place these artists within the larger context of this inventive period in art history.

A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design.The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.

A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design.The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.

In nature, the tiger is the king of the jungle. Inspired by the grace and ferocity of this animal, this tiger bracelet was created. Symbolizing strength and bravery, this bracelet has the power to offer creative visions of the seductive and alluring tiger to the wearer. The red tiger's eye represents vitality and power with a lustrous red, this is a luxurious piece. Jewellery should be kept away from corrosive chemicals, such as perfume, body lotions, hairspray, or detergent. If your jewellery gets wet, dry it off with a soft cloth. You should also remove your jewellery while bathing, swimming, showering, or taking part in physical activities. Avoid extreme temperatures, direct sunlight, cold, and humidity. Sterling silver is prone to tarnishing, so it's important to store it in a cool, dry, air-tight place. You should also avoid exposing it to water, chlorine, or pollutants. It's important to keep our rhodium-plated meteorites away from high heat and water. You can use a polishing cloth to maintain the meteorite's lustrous appearance. If you see any white spots on your gemstone, can be easily removed by rubbing it with your fingers and "oiling" it. You can also use a damp cloth on the stone but avoid circular motions.

For the the eleventh volume of FRKWYS, an unrestricted series pairing contemporary artists with their influential predecessors, gifted guitar squire Steve Gunn meets roving, radiating legend Mike Cooper in Lisbon, Portugal. Sharing their vision over lengthy living room guitar sessions and evenings of cold wine in Fado taverns, Gunn and Cooper created Cantos de Lisboa, an album with variable vernacular shades and musical forms from Portugal's antiquity.

Play is the most effective way for children to develop critical life skills such as creative thinking and social problem solving. In this book, Betty Jones, well-known for her work on play, is joined by her colleague Renatta Cooper to offer a radical vision of early schooling―an antidote for the current pressure of standardized education.Practicing what it preaches, Playing to Get Smart will be a playful reading experience for teachers and parents alike. With jokes, riddles, and stories sprinkled throughout, the authors show how important play is for children of all ethnic and socioeconomic groups, from birth to age 8. A provocative challenge to teachers and parents of young children, Playing to Get Smart: Explains why teachers need to provide opportunities for quality play and why parents need to understand the benefits of play for their children. Demonstrates how play offers opportunities for initiative, leadership, conflict resolution, and peacemaking. Addresses the negative effects of traditional schooling, particularly on poor children.

Describing Italy as “the only region of the earth that I truly love,” James Fenimore Cooper used the style of picturesque impressionism to convey his vision of Italy as the microcosm of an ordered and a beautiful world.In theory, the picturesque style of writing could produce verbal sketches that embodied a visual complexity similar to that of the great Baroque and Romantic landscape paintings. In practice, the hundreds of travel books written in the picturesque style in the early 1900s communicated rapturous enthusiasm with blurred or even false reports of actual scenes. Cooper, with his scrupulous fidelity to the seen world, intended to alter this practice decisively.The response of his imagination to the light, color, forms, artifacts and figures of the Italian landscape and to the manifold significances they embody follows in joyful appreciation of the land, culture and people of a country that induced in him the desire “to enjoy the passing moment.”In Italy, Cooper refrained from commenting on politics, though he was an incorrigibly political man who responded to an insistent need to define the New World in defining the Old. The independence of his observations drew censure from American reviewers of the 1830s, who could not comprehend that his preference for the Bay for Naples over New York Harbor reflected his intellectual passion to rise above nationalistic feelings in matters of taste, morality and justice.

Originally planned as the town of Defiance, Glenwood Springs was renamed for its natural hot springs along the banks of the Colorado River and for Glenwood, Iowa, the hometown of Isaac Cooper. In the early 1880s, Cooper had the vision of a spa resort here but not the finances to turn his dream into a reality. He sold out to Walter Devereux and his investors, who saw the construction of the Hot Springs Pool, Hotel Colorado, and Vapor Caves completed. Once railroads arrived in 1887, Glenwood Springs became a playground for wealthy travelers who sought out the hot springs as well as other recreational opportunities, such as hunting, fishing, hiking, and horseback riding. With beautiful scenery, caves to explore, and community festivals, visitors today sustain Glenwood's economy. Located at the confluence of the Colorado and Roaring Fork Rivers, our community has also served as a retail hub for the surrounding area from the 1880s to the present.

Howard Thurman was a unique man-a black minister, philosopher, and educator whose vitality and vision touched the lives of countless people of all races, faiths, and cultures. Index; photographs.

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002–2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society riven by racism and inequality.In Connecting The Wire, Stanley Corkin presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show's depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire's creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social "givens." In The Wire's gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Corkin maps a web of relationships and forces that define urban social life, and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

In Entering the Healing Ground¸ author and soul activist Francis Weller, offers a new vision of grief and sorrow. He reveals the hidden vitality in grief, uncovered when the heart welcomes the sorrows of our life and those of the world. We are ripened in times of loss, made more human by the rites of grief. Through story, poetry and insightful reflections, Francis offers a meditation on the healing power of grief.

Originally planned as the town of Defiance, Glenwood Springs was renamed for its natural hot springs along the banks of the Colorado River and for Glenwood, Iowa, the hometown of Isaac Cooper. In the early 1880s, Cooper had the vision of a spa resort here but not the finances to turn his dream into a reality. He sold out to Walter Devereux and his investors, who saw the construction of the Hot Springs Pool, Hotel Colorado, and Vapor Caves completed. Once railroads arrived in 1887, Glenwood Springs became a playground for wealthy travelers who sought out the hot springs as well as other recreational opportunities, such as hunting, fishing, hiking, and horseback riding. With beautiful scenery, caves to explore, and community festivals, visitors today sustain Glenwood's economy. Located at the confluence of the Colorado and Roaring Fork Rivers, our community has also served as a retail hub for the surrounding area from the 1880s to the present.

“An exhilarating mix of unpredictable points of view . . . there’s real vitality in this anthology’s crazy-quilt vision of America.”—Kirkus Reviews   Is there such a thing as “American” culture? No, says Ishmael Reed, the editor of this refreshing anthology and a longtime critic of the mainstream media which, he insists, marginalizes non-Anglo, non-Yankee cultures. In this impressive collection of dissenting voices, Reed and other African-Americans, Native Americans, Asian-Americans, Italian-Americans, and Irish-Americans speak out against monoculturalism and provide perspectives from points of view frequently omitted from the discussion of race in the United States.   Addressing a broad variety of issues—including assimilation; racial conflicts between minorities and within the gay rights movement; victimization; and stereotyping—these essays by notable writers, teachers, students, and professionals take us far beyond the issues of black vs. white and often veer toward the controversial. Stimulating, unpredictable, and provocative, Multi-America introduces the authentic voices of Rainbow America in all their diverse, angry, proud, celebratory glory.   Contributors include: · Miguel Algarin · Amiri Baraka · Ana Castillo · Frank Chin · Earl Ofari Hutchinson · Jack Foley · Robert Elliot Fox · Daniela Gioseffi · Nathan Hare · Juan Felipe Herrera · Helen Barolini · Maulana Karenga · Martin Kilson · Elaine H. Kim · Bharati Mukherjee · Leslie Marmon Silko · Barbara Smith · Werner Sollors · Gerald Vizenor · William Wong

When Philadelphia's iconoclastic city planner Edmund N. Bacon looked into his crystal ball in 1959, he saw a remarkable vision: "Philadelphia as an unmatched expression of the vitality of American technology and culture." In that year Bacon penned an essay for Greater Philadelphia Magazine, originally entitled "Philadelphia in the Year 2009," in which he imagined a city remade, modernized in time to host the 1976 Philadelphia World's Fair and Bicentennial celebration, an event that would be a catalyst for a golden age of urban renewal.What Bacon did not predict was the long, bitter period of economic decline, population dispersal, and racial confrontation that Philadelphia was about to enter. As such, his essay comes to us as a time capsule, a message from one of the city's most influential and controversial shapers that prompts discussions of what was, what might have been, and what could yet be in the city's future.Imagining Philadelphia brings together Bacon's original essay, reprinted here for the first time in fifty years, and a set of original essays on the past, present, and future of urban planning in Philadelphia. In addition to examining Bacon and his motivations for writing the piece, the essays assess the wider context of Philadelphia's planning, architecture, and real estate communities at the time, how city officials were reacting to economic decline, what national precedents shaped Bacon's faith in grand forms of urban renewal, and whether or not it is desirable or even possible to adopt similarly ambitious visions for contemporary urban planning and economic development. The volume closes with a vision of what Philadelphia might look like fifty years from now.

In this bold and visionary book, two leading Christian thinkers explore the "alien" status of Christians in today's world and offer a compelling new vision of how the Christian church can regain its vitality, battle its malaise, reclaim its capacity to nourish souls, and stand firmly against the illusions, pretensions, and eroding values of today's world. Hauerwas and Willimon call for a radical new understanding of the church. By renouncing the emphasis on personal psychological categories, they offer a vision of the church as a colony, a holy nation, a people, a family standing for sharply focused values in a devalued world.

When Philadelphia's iconoclastic city planner Edmund N. Bacon looked into his crystal ball in 1959, he saw a remarkable vision: "Philadelphia as an unmatched expression of the vitality of American technology and culture." In that year Bacon penned an essay for Greater Philadelphia Magazine, originally entitled "Philadelphia in the Year 2009," in which he imagined a city remade, modernized in time to host the 1976 Philadelphia World's Fair and Bicentennial celebration, an event that would be a catalyst for a golden age of urban renewal.What Bacon did not predict was the long, bitter period of economic decline, population dispersal, and racial confrontation that Philadelphia was about to enter. As such, his essay comes to us as a time capsule, a message from one of the city's most influential and controversial shapers that prompts discussions of what was, what might have been, and what could yet be in the city's future.Imagining Philadelphia brings together Bacon's original essay, reprinted here for the first time in fifty years, and a set of original essays on the past, present, and future of urban planning in Philadelphia. In addition to examining Bacon and his motivations for writing the piece, the essays assess the wider context of Philadelphia's planning, architecture, and real estate communities at the time, how city officials were reacting to economic decline, what national precedents shaped Bacon's faith in grand forms of urban renewal, and whether or not it is desirable or even possible to adopt similarly ambitious visions for contemporary urban planning and economic development. The volume closes with a vision of what Philadelphia might look like fifty years from now.