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In Copying It Down, Harvey Dorfman recounts his experiences in the world of sports. From his childhood sickbed, Dorfman went on to achieve a myriad of successes, including goalie on a national co-champion soccer team and coach of a high school basketball team that won a state championship, and is a possessor of four World Series Rings (three with Oakland; and one with Florida). He eventually attained a status of world renown in the field of sport psychology. Here, in the second of three volumes, Dorfman shares anecdotes that include the fourteen years spent in the dugouts of three major league teams. The book concludes in 1998, when his professional associations with major league baseball organizations ended.

Copy paper offers a high brightness and acid-free construction for archival quality. The virgin pulp used is elemental chlorine-free (ECF). Copy paper features 20 lb. basis weight with 30 percent post-consumer recycled content. Paper comes in a reclosable box and contains no inner ream wrap. The small box is perfect for spaces ranging from small office cubicles to large copy centers and weighs only 25 lb. This environmentally responsible packaging is made from recycled materials and contains no staples, tape or glue.

Copy paper offers a high brightness and acid-free construction for archival quality. The virgin pulp used is elemental chlorine-free (ECF). Copy paper features 20 lb. basis weight with 30 percent post-consumer recycled content. Paper comes in a reclosable box and is ream-wrapped. The small box is perfect for spaces ranging from small office cubicles to large copy centers and weighs only 25 lb. This environmentally responsible packaging is made from recycled materials and contains no staples, tape or glue.

Take your copying and scanning tasks to the next level with the Book Holder 44/51, a durable and versatile tool designed for precision and convenience. This sturdy device features a glass pressure plate, perfect for exact positioning when copying from books, magazines, and newspapers. It's not just a book holder, but also an essential tool in the photo lab, suitable for making contact prints from negatives on photographic paper and for exploring alternative photographic processes using contact printing.The Book Holder 44/51 is built with a solid base plate, equipped with a non-slip coating on top and non-slip feet underneath, ensuring stability and preventing unwanted movement during use. The glass pressure plate, 6 mm (0.2 in.) thick, is both foldable and adjustable in height, allowing you to work more ergonomically and efficiently.For optimal comfort and precision, the glass pressure plate can be locked into a position between 0 and 145 mm (5.7 in.), catering to your specific needs. The device also includes several 28 x 18 cm (11 x 7.1 in.) preformed foam elements of various thicknesses to compensate for the height of an open book, ensuring a flat, even surface for copying.To prevent print from the back or subjacent side from shining through the paper, black cardboard sheets can be placed under the page you want to copy. This functional feature enhances the clarity of your copies, making the Book Holder 44/51 a reliable choice for all your copying and scanning needs.

Copying the Master and Stealing His Secrets examines the transmission of painting traditions in Japan from one generation to the next. The contributors emphasize the relationship between inborn abilities and those skills taught in the course of learning how to paint. They focus their discussion on a group of painting masters loosely associated with the prestigious Kano painting atelier, Japan's de facto painting academy throughout the Tokugawa period (1615-1868) and into the early modern era. By delving into why, how, and what these painters transmitted to students through their teaching, readers gain insight into artistic and aesthetic sensibilities active in Japanese painting and a fuller appreciation of extant paintings within their cultural and historical contexts.

An in-depth guide to copying slides, photographs, paintings, line art, and more. Illustrates photographic restoration techniques for successfully copying faded or damaged prints. Discusses basic and advanced setups, such as copy stands, copyboards, and lighting equipment. Also provides detailed instructions for making internegatives and duplicating transparencies. Includes comparison photos to help you decide what film and process to use. Completely updated with a new chapter on using digital imaging for copying and duplicating. 144 pages (over 145 illustrations), 8-1/2 x 11.

Before the west was widely settled, photographs provided the first glimpse white society had of the aboriginal people who occupied the hinterlands of the continent. Copying People - a phrase borrowed from the Haida of the Queen Charlotte Islands that means "camera" - is a collection of historical photographs chosen from the vast number of images in museums and archives across North America. Taken by professional photographers, surveyors, anthropologists, civil servants, and tourists, these fascinating images show how early non-Native photographers "pictured" First Nations people and influenced the outside world's perceptions of them. Many of these photographs attempt to document the "traditional" Indian, with their subjects dressed up in wigs, costumes, and other props provided by the photographer. In an effort to record for posterity what they viewed as a doomed race, the photographers helped construct the "idea" of the Indian in the collective mind of white society. Other photographers used images of Native people for commercial purposes, or pictured their subjects in suits and dresses, hoping to appeal to an audience eager for evidence that Natives were becoming "civilized." Depicting Native societies under a great deal of stress at a time of tremendous change in their way of life and their environment, the photographs also reveal societies struggling to preserve their cultures and successfully adapting to new economic opportunities. And despite what we might think of their motives, many photographers produced images of remarkable power and enduring beauty. Covering all of British Columbia, the book represents the work of every important photographer dealing with aboriginal people in the province before World war II. With 140 archival images, Copying People offers a privileged glimpse of British Columbia's original inhabitants.

Holding device with glass pressure plate for the exact positioning when doing copy work from books, magazines and newspapers. In the photo lab the book holder is also suitable for making contact prints from negatives on photographic paper and for alternative photographic processes using contact printing. Solid base plate with non-slip coating on top and non-slip feet underneath. 6 mm (0.2 in.) thick glass pressure plate, foldable and variable in height. To work more ergonomically, more efficiently and original-friendly at a particular height, you can lock the glass pressure plate into a position between 0 and 145 mm (5.7 in.). Several 28 x 18 cm (11 x 7.1 in.) preformed foam elements of various thickness are used to compensate for the height of an open book. Black cardboard sheets can be placed under the page you want to copy so that the print on the back side or subjacent side cannot shine through the paper.

Copying the Master and Stealing His Secrets examines the transmission of painting traditions in Japan from one generation to the next. The contributors emphasize the relationship between inborn abilities and those skills taught in the course of learning how to paint. They focus their discussion on a group of painting masters loosely associated with the prestigious Kano painting atelier, Japan's de facto painting academy throughout the Tokugawa period (1615-1868) and into the early modern era. By delving into why, how, and what these painters transmitted to students through their teaching, readers gain insight into artistic and aesthetic sensibilities active in Japanese painting and a fuller appreciation of extant paintings within their cultural and historical contexts.

Book is in NEW condition. 0.72

This unique album presents drawings made by best Russian Academy students in 18-19 centuries. Many of these drawings, which were kept in the Academy Museum for centuries, were given to other museums and libraries after the 1917 Revolution and thus were lost for the Academy forever. For the first time these drawings are collected together in one publication that not only presents perfect reproductions but - thanks to modern technologies - provides unique closeups of all of the drawings printed there. === FROM THE PUBLISHER === A creation of this album was made possible by a tremendous work done by its originator Prof. V.A. Mogilevtsev who within two years was searching for and selecting works from museums and archives of the Academy of Arts, the Russian State Museum and the Tretyakov Gallery. As a result of his effort was a possibility to finally present many very valuable and unique drawings, which are often stored in archives and appear on public display only during major exhibitions. Enlarged details of all illustrations in this book provide a unique opportunity for studying and copying even the smallest details of drawings. Large format book, matte coated paper, hard cover, bi-lingual edition (Russian and English), 132 pages with 155 of highest quality images. -- About Author: V. A. Mogilevtsev is a leading professor and a Head of the Drawing Department at the Russian Academy of Arts (aka Repin Institute), where he is teaching senior students since 1995. In 2011, Professor Mogilevtsev received Gold and Silver Medals for his teaching achievements and for his books Academic Drawings & Sketches (ISBN: 978-5904957018) and Fundamentals of Drawing (ISBN: 978-5904957056).

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Copyright law, as conventionally understood, serves the public interest by regulating the production and dissemination of works of authorship, though it recognizes that the requirements of the public interest are in tension. Incentives for creation must be provided, but protections granted authors must not prevent the fruits of creativity and knowledge from spreading. Copyright law, therefore, should balance the needs of creators and users―or so the theory goes.Challenging this widely accepted view, What’s Wrong with Copying? disentangles copyright theory from its focus on the economic value of an authored work as a commodity or piece of property. In his analysis of copyright doctrine, Abraham Drassinower frames an author’s work as a communicative act and asserts that copyright infringement is best understood as an unauthorized appropriation of another person’s speech. According to this interpretation, copyright doctrine does not guarantee an author’s absolute rights over a work but only such rights as are consistent with both the nature of the work as speech and with the structure of the dialogue in which it participates. The rights protecting works of authorship are confined to communicative uses of the work and to uses consistent with the communicative rights of others―for example, unauthorized reproduction of a work is lawful when responding to the work requires its reproduction.What’s Wrong with Copying? offers a new way to interpret and criticize existing copyright law and to think about the relation between copyright and digital technology as well as broader juridical, social, and cultural concerns.

New! This book is in the same immaculate condition as when it was published 0.7

Book is in NEW condition. 0.62

Copyright law, as conventionally understood, serves the public interest by regulating the production and dissemination of works of authorship, though it recognizes that the requirements of the public interest are in tension. Incentives for creation must be provided, but protections granted authors must not prevent the fruits of creativity and knowledge from spreading. Copyright law, therefore, should balance the needs of creators and users―or so the theory goes.Challenging this widely accepted view, What’s Wrong with Copying? disentangles copyright theory from its focus on the economic value of an authored work as a commodity or piece of property. In his analysis of copyright doctrine, Abraham Drassinower frames an author’s work as a communicative act and asserts that copyright infringement is best understood as an unauthorized appropriation of another person’s speech. According to this interpretation, copyright doctrine does not guarantee an author’s absolute rights over a work but only such rights as are consistent with both the nature of the work as speech and with the structure of the dialogue in which it participates. The rights protecting works of authorship are confined to communicative uses of the work and to uses consistent with the communicative rights of others―for example, unauthorized reproduction of a work is lawful when responding to the work requires its reproduction.What’s Wrong with Copying? offers a new way to interpret and criticize existing copyright law and to think about the relation between copyright and digital technology as well as broader juridical, social, and cultural concerns.

The authors cover the art and history of mechanical copying from the dawn of the industrial revolution to the remarkable founding of the Xerox Corporation.This work presents the first scholarly study of the precursors of today's high-tech, high-speed copiers. Its illustrations offer an incredible array of copying equipment from U.S. Patent Office documents, vintage photographs, and 19th century company catalogs.Before Photocopying is an important addition to the libraries of all copybook conservators, collectors, and historians of American and British business history.

Limited Copies Available - Very Good Condition - May Have School Stamp And/or Student Names - May Have Some Cover Wear - Does Not Include Any Cds or Access Codes If Applicable

New 2007 Copyright In Softcover Format, Harcourt Language Arts, Grade 4: Reteach Activities Copying Masters With Reproducible Student Pages, Skills Index, Illustrations, 74 Pages, Pictorial Turquoise Cover Featuring Cougar (2007 Copyright) D1

2nd reprint. 127, (1) S. Ill. Orig.-Broschur mit Orig.-Bauchbinde. - Sehr guter Zustand innen und außen.