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Established for over 25 years and now in its 6th Edition, Corman’s Colon and Rectal Surgery has been thoroughly updated and abundantly illustrated to provide comprehensive coverage of all diseases and conditions affecting the colon, rectum, and anus. Step-by-step instructions on current operative procedures used to treat these disorders are underscored by the authoritative knowledge and expertise of leaders in the field. Three co-editors of international repute have participated in the creation of this updated volume, but the hand of Dr. Corman can be recognized throughout. The biographic sketches have been considerably expanded. This gold standard reference, often referred to as the ‘bible’ of the specialty, includes thorough reviews of anatomy, physiology, and related medical topics, as well as an extensive section on diagnostic studies, with a focus on the latest imaging modalities.New to this edition:· A full-color interior design that includes unique, detailed art depicting the steps in today’s operative procedures· Comprehensive coverage of the latest laparoscopic diagnostic and surgical management techniques in all areas of the specialty· A companion website that includes the fully searchable text

Established for over 25 years and now in its 6th Edition, Corman’s Colon and Rectal Surgery has been thoroughly updated and abundantly illustrated to provide comprehensive coverage of all diseases and conditions affecting the colon, rectum, and anus. Step-by-step instructions on current operative procedures used to treat these disorders are underscored by the authoritative knowledge and expertise of leaders in the field. Three co-editors of international repute have participated in the creation of this updated volume, but the hand of Dr. Corman can be recognized throughout. The biographic sketches have been considerably expanded. This gold standard reference, often referred to as the ‘bible’ of the specialty, includes thorough reviews of anatomy, physiology, and related medical topics, as well as an extensive section on diagnostic studies, with a focus on the latest imaging modalities.New to this edition:· A full-color interior design that includes unique, detailed art depicting the steps in today’s operative procedures· Comprehensive coverage of the latest laparoscopic diagnostic and surgical management techniques in all areas of the specialty· A companion website that includes the fully searchable text

A pioneer of independent cinema, Roger Corman is a fascinating study in contrasts. As the original King of the Exploitation Film, he has filled his movies with images of blood-sucking vampires, rampaging biker gangs, vigilante strippers, and abducting aliens, all while producing each of his four-hundred-plus films on a shoestring budget and making a profit on nearly every one. In the process, Corman became the role model for today’s independent filmmaker. This guru with a vision has also demonstrated an uncanny eye for talent, being among the first to recognize and employ the abilities of Jack Nicholson, Peter Fonda, Dennis Hopper, Francis Ford Coppola, Martin Scorsese, Jonathan Demme, Joe Dante, Ron Howard, John Sayles, and James Cameron to name but a few. Through interviews with eighty of Corman’s friends and associates and photographs, Beverly Gray takes you behind the cameras and into the heart of Cormanville for a firsthand, insider’s look at the man and the mogul, providing a compelling private and public perspective on this soft-spoken giant of the cinema.

Roger Corman (b. 1926) is known by many names-craftsman, artist, maverick, schlock-meister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more--is astonishing.Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. Roger Corman: Interviews brings into focus a life committed to the entertaining art of motion pictures.Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining (Not of This Earth), trendsetting (The Wild Angels), daring (The Intruder), workmanlike (Apache Woman), stylized (The Masque of the Red Death) and even profound (X: The Man with the X-Ray Eyes). In a single year, Corman famously shot a cult classic in two and a half days (The Little Shop of Horrors), reinvigorated the American horror film with a dash of Poe and Price (House of Usher)--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.

Roger Corman (b. 1926) is known by many names-craftsman, artist, maverick, schlock-meister, mini-mogul, mentor, cheapskate, and King of the B's. Yet his commitment to filmmaking remains inspired. He learned his craft at the end of the studio system, only to rebel against Hollywood and define himself as the true independent. And the list of directors and producers who learned under his tutelage--Francis Ford Coppola, Martin Scorsese, James Cameron, Jonathan Demme, and many more--is astonishing.Collected here are many of the most honest and revealing interviews of his epic career, several of which have never been seen in print. Roger Corman: Interviews brings into focus a life committed to the entertaining art of motion pictures.Corman's rare talent combined artistic drive with business savvy, ensuring a successful career that was constantly in motion. At a remarkable pace more akin to silent movies than modern Hollywood, he directed over fifty films in less than fifteen years, some entertaining (Not of This Earth), trendsetting (The Wild Angels), daring (The Intruder), workmanlike (Apache Woman), stylized (The Masque of the Red Death) and even profound (X: The Man with the X-Ray Eyes). In a single year, Corman famously shot a cult classic in two and a half days (The Little Shop of Horrors), reinvigorated the American horror film with a dash of Poe and Price (House of Usher)--and still turned out a few more films shot across the globe. Recently awarded an honorary Oscar for his lifetime contribution to cinema, the self-made Corman has created a legacy as a defining filmmaker.

Roger Corman reigns supreme as the godfather of independent filmmaking. Since 1954, he has produced four-hundred-plus movies on shoestring budgets, blending action, sex, humor, and social message into hip (and profitable) entertainments. He has also demonstrated an uncanny eye for talent, launching the Hollywood careers of Jack Nicholson, Peter Fonda, Martin Scorsese, Jonathan Demme, and James Cameron, to name just a few. Thanks to a campaign supported by generations of grateful alumni, he was honored with an Oscar in 2009. It was a fitting valedictory, but Corman himself is still going strong, churning out monster mash-ups like "Sharktopus" and promoting them via today’s social media. Beverly Gray served as Corman’s story editor for nearly a decade. Through far-reaching conversations with over one hundred fellow Cormanites, she takes you behind the cameras for an insider’s look at the man and the mogul. This third edition of Gray’s now-classic unauthorized biography, first published in 2000, advances the Corman saga into the present day. Previously suppressed material has been restored, and a new assortment of vintage photographs enhances this edition. Gray’s work has been hailed by critics like Steven Gaydos, Executive Editor of Weekly Variety, who wrote, “Beverly Gray's terrific bio of Corman explains his colorful career both as an amazing business tale and a strange, even mournful, personal journey. A development exec for Corman for many years, Gray knows both the business side of the low-budget mogul and something of Corman's almost-forgotten high-minded soul.”

Vince Lombardi High School is the wildest, most rockin' high school around! That is, until a thug of a principal, Miss Togar, comes along and tries to make the school a totalitarian state. With the help of The Ramones, the students battle Miss Togar's iron-fisted rule and take their battle to a truly rockin' conclusion in this 1979 cult classic.

Crotty Corman & Phipps Jazz Trio Crotty Corman and Phipps - CD 617765055642

Takes a look at a pioneering independent filmmaker who has produced more than 250 films on shoestring budgets (nearly all of them successful) and influenced a generation of filmmakers, including Quentin Tarantino and Martin Scorsese.

Madonna NYC 83 celebrates a moment in early 1980s New York that has been increasingly reappraised in recent years for its fecund interactions and overlaps between the worlds of fashion, art and music. Coming in the wake of punk and new wave, this economically fragile period gave rise to a vital, edgy restlessness in the city, spawning adventurous personal styles and music that merged rap, funk, punk and pop. Madonna represented this sensibility like no-one else. As this book makes amply clear, from the start she was determined to define a look for herself, and to carve out a space in the public imagination. After her countless subsequent incarnations over the past three decades, it is extraordinary to revisit these early years. Richard Corman met Madonna by chance in 1983 and created a bountiful collection of images that constitute a multifaceted portrait of the young Madonna and a New York that remains timelessly inspiring and significant. Madonna NYC 83 is not only an homage to Madonna and the early 80s, but also a collage of exuberance, humor, fashion, sexiness and performance. The book is designed by Yolande Cuomo Design.As a portrait photographer, Richard Corman has worked with subjects ranging from Nobel Peace Prize recipients (Nelson Mandela, James Dewey Watson) to actors (Robert De Niro, Paul Newman, Al Pacino), athletes (Michael Jordan, Derek Jeter, Muhammad Ali) and musicians of our time (Sting, Wynton Marsalis). A native New Yorker, Corman studied at Hunter College, later spending two years apprenticing with Richard Avedon in the early 1980s.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.22

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.56

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Photographs, script excerpts, and reviews are accompanied by extensive commentary by the Hollywood director and producer and many of the stars he discovered, including Jack Nicholson and Ellen Burstyn

Guide to the extensive movie career of Roger Corman.

The legendary Roger Corman is known for low budget, cult classics that provide a lasting impression. Showcased here are three of Corman's iconic works, beautifully restored in high definition from 35mm archival film elements. A Bucket of Blood (1959), Dementia 13 (1963), and The Terror (1963) are true Corman classics with reused sets, crew, and actors. A Bucket of Blood tells the story of Walter Paisley who, after accidentally killing his landlady's cat and covering the body in plaster to hide t

Roger Corman was one of the first American independent filmmakers to create work entirely on his own terms and turf. Much like producer Val Lewton in the 1940s at RKO, where he created his series of sensuously atmospheric horror films in that studio's "B" unit, Corman, once the film's title and the subject matter had been approved, answered to no one but himself, with guaranteed distribution for the finished product, and immediate financing for his next project. He started out in the last days of the classic studio system, but soon broke away to make films on his own, functioning as producer and director on all his most important works. At American International Pictures, Corman worked in the depth of poverty row, but each of his films had an individual signature, in his aggressive dolly work (reminiscent of Samuel Fuller in Underworld USA [1961]), his moody, atmospheric lighting, and his brutal, charcoal-sketch graphics. In addition, he never condescended to his audiences, or dealt with his characters at a distance. In many of his early films, Corman chose to use CinemaScope for added production value, but the end result was something much more intense than the vision offered by his contemporary big studio filmmakers. Corman's ceaselessly moving camera grabbed his audience by the scruff of their collective necks and dragged them into the action, willing or not. Alone among his '50s contemporaries, with the exceptions of Ida Lupino and Don Siegel, Corman's vision was raw, uncompromising, and defiantly unpolished. Where Douglas Sirk's immaculate melodramas were triumphs of set design and colour coordination, Corman was more interested in visceral emotion and conflict, and knew that he had no time to waste. The world he was documenting would disappear, and Corman wanted to capture as much of it on film as possible, from beatnik cafes to biker gangs, before the parade moved on.

Photographs, script excerpts, and reviews are accompanied by extensive commentary by the Hollywood director and producer and many of the stars he discovered, including Jack Nicholson and Ellen Burstyn

Lorine Niedecker (1903-70) was a poet of the objectivist school who loved a quiet, almost reclusive life on Black Hawk Island near Fort Atkinson, Wisconsin. Cid Corman, editor of the influential and pioneering literary journal Origin, learned of Niedecker from poet Louis Zukofsky. This annotated edition of the letters from Niedecker to her editor and fellow poet Corman charts the development of a warm and important literary friendship. These letters furnish some of the only biographical information available on the reticent Niedecker, reveal the literary process in progress, and demonstrate how much being a poet in America is a matter of choice, hard work, and a clearheaded commitment to the realities of time and place.The early letters were written before Niedecker's marriage and at a time when the poet had "more trees for friends than people." In these letters from Black Hawk Island, Niedecker sought a community of fellow poets. The following period, the Milwaukee years, form the bulk of the collection and saw the establishment of Niedecker's identity as a poet. From the city of "point-top towers," she wrote Corman frequently about poetry, other poets, current events, and daily life. After her return in 1969 to Black Hawk Island, relieved of earlier anxieties over publication, she was confidently at work on her sequences, her most serious poetic undertaking.

TNT Jackson: A young karate expert searches for her brother's killer in Hong Kong. Firecracker: A blonde femme fatale martial arts expert teaches the mafia a lesson. Too Hot to Handle: Sexy adventure film has an international hit lady involved in James Bond-ish escapades in Manila.