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The books in this intriguing set provide students, teachers, and general readers with a readable and comprehensive account of current topics in the field of forensic science, covering all major areas of the topic, from their earliest uses to the modern laboratory and contemporary courtroom.

Zildjian K Sweet Crash Cymbals take the traditional K sound and bring it in an alternative direction with fresh tonal colors. The K Zildjian Sweet ...

Vintage Paiste Ludwig 14" Medium Heavy Hi Hats + (2) 18 Medium Thin Crash. This listing is for the pair of hats, and 2 crashes. Both crashes are k...

The STRATUS Promotional Pack, which features the 14 hi-hats, 16 crash, 18 crash, and 20 ride models from the STRATUS series. The 14 hats deliv...

If you're seeking to infuse your multimedia projects with the most thrilling and realistic soundscapes, look no further than the 703 Royalty Free Explosions, Disasters, and Crashes Sound Effects Library. This comprehensive collection, meticulously curated by the renowned Mike McDonough and presented by Sound Ideas, is the ultimate resource for audio professionals and enthusiasts alike.Crafted with precision, each sound effect in this library is designed to elevate your production with its dramatic and powerful auditory impact. From the smallest spark to the grandest explosion, this collection spans a vast array of meticulously recorded sounds. Experience the intensity of tiny, medium, large, distant, and close explosions that resonate with authenticity.The variety of disasters is equally impressive, featuring the raw force of avalanches, the unsettling rumble of earthquakes, and the crackling intensity of fires. These sound effects are not just heard; they are felt, ensuring that your audience is fully immersed in the experience.Crashes are represented in all their destructive glory, with a diverse selection of materials and scenarios. You'll find the shattering of glass, the splintering of wood, and the crunch of metal, as well as the catastrophic sounds of car and plane crashes. Each sound is captured with the clarity and detail that only high-quality digital recording can provide.Available for download in professional-grade 16/44.1, 16/48, or 24/48 kHz broadcast WAV files, these sounds are ready to be integrated into your projects with ease. Each file is embedded with useful metadata, streamlining your workflow and helping you find the perfect sound with precision.Recorded in the field at a pristine 24/48 kHz, the Explosions, Disasters, and Crashes Sound Effects Library is a testament to the expertise of Mike McDonough and the dedication of Sound Ideas to provide only the best in audio resources. Whether you're working on films, television, video games, or any other form of multimedia, these sounds will add the necessary depth and intensity to bring your scenes to life.Choose the 703 Royalty Free Explosions, Disasters, and Crashes Sound Effects Library for its unparalleled quality and variety, and let your projects resonate with the exciting, thrilling, and intense audio that only Adorama can provide.

Excellent set of lightly used 17" AA Viennese Orchestral crashes by Sabian. Straps included!Please contact us for an exact shipping rate.

Here we have a Meinl Matched Cymbal Pack!Bundle and Save!This pack features two Byzance Medium Crashes in the 18" and 20" Size!B18MCB20MCTraditiona...

Up for grabs are these Paiste crash cymbals from the 802 plus series in sizes 16 and 18 . These were made in Germany, they show some wear but no k...

Here we have a Meinl Matched Cymbal Pack!Bundle and Save!This pack features two Byzance Polyphonic Crashes in the 18" and 20" Size!B18POCB20POCExpr...

Experience the Modern Essence of Timekeeping Advancement with the Turkish META-B Brilliant 4-Piece Cymbal Pack - Ride, Crashes, and Hi-Hat The ...

Here we have a Meinl Matched Cymbal Pack!Bundle and Save!This pack features two Byzance Dual Crashes in the 16" and 18" Size!B16DUCB18DUCStunning c...

This is the second version of Crashes in Love. The songs are similar enough that when we were mastering the compilation, we sent the stereo first version of Crashes out to be cleaned and we got back this mono version from someone who had both We couldn't figure out how cleaning an album turned a stereo record into a mono one. We didn't notice that the stereo album has five songs and this one has four, dropping off the instrumental "Jungle Gods". And though the songs on both albums sound similar,

SABIAN DARK THIN CRASHES COUPLED AS HIGH HATS PAIRTO 14-IN CRASHES PUT TOGETHER660 G BOTTOM620 G TOPTOP CYMBAL HAS FINGERPRINTS, DIRT, DUST, STAINS...

Crashes in Love was the first album Onyeabor released in 1977. He actually released it twice. As with most things Onyeabor the story is a little vague, but it seems he needed to repress the album and had lost the parts. At least that is the story we heard. This is the first version and is what we call the 'acoustic' version. The later version has somewhat different sounding tracks of different lengths that have electronic instruments on them as well. That is William Onyeabor on the sax by the wa

A novel theory of organizational and technological change, illustrated by an account of the development and implementation of a computer-based simulation technology.Every workday we wrestle with cumbersome and unintuitive technologies. Our response is usually “That's just the way it is.” Even technology designers and workplace managers believe that certain technological changes are inevitable and that they will bring specific, unavoidable organizational changes. In this book, Paul Leonardi offers a new conceptual framework for understanding why technologies and organizations change as they do and why people think those changes had to occur as they did. He argues that technologies and the organizations in which they are developed and used are not separate entities; rather, they are made up of the same building blocks: social agency and material agency. Over time, social agency and material agency become imbricated―gradually interlocked―in ways that produce some changes we call “technological” and others we call “organizational.”Drawing on a detailed field study of engineers at a U.S. auto company, Leonardi shows that as the engineers developed and used a a new computer-based simulation technology for automotive design, they chose to change how their work was organized, which then brought new changes to the technology.Each imbrication of the social and the material obscured the actors' previous choices, making the resulting technological and organizational structures appear as if they were inevitable.Leonardi suggests that treating organizing as a process of sociomaterial imbrication allows us to recognize and act on the flexibility of information technologies and to create more effective work organizations.

Selected as one of the best investment books of all time by the Financial Times, Manias, Panics and Crashes puts the turbulence of the financial world in perspective. Here is a vivid and entertaining account of how reckless decisions and a poor handling of money have led to financial explosions over the centuries. Covering topics such as the history and anatomy of crises, speculative manias, and the lender of last resort, this book has been hailed as "a true classic . . . both timely and timeless." In this new, updated sixth edition, Kindleberger and Aliber expand upon the ideas presented in the previous edition to bring the history of the financial crisis up-to-date. It now includes two new chapters that provide an in-depth analysis of the causes, consequences and policy responses to the first global crisis of the 21st century, the Financial Crisis of 2007-2008. In addition, these new chapters also cover significant crises of the last fifteen years. The authors offer valuable lessons that will allow the reader to successfully navigate the financial crises of today and ones that lie ahead.

An incredible and utterly unique historical document. This book contains selections from the photographic collection of one Mell Kilpatrick, a news photographer from South California who relentlessly pursued his profession during the 40s and 50s, capturing images from the plentiful crime scenes and in particular automobile collisions that came his way. Kilpatrick was an obsessive witness to the effects of the post-war explosion of car culture in California, and through his lens he repeatedly viewed the fatal consequences of speed. technology and reckless abandon. His work might have remained lost and unknown, sealed away in his locked darkroom, untouched since his death in 1961, if it hadn't been brought to light by collector and dealer Jennifer Dumas, who Found the 5,000 negatives and realised she'd stumbled upon something very special. Although he covered other 'stories' apart from crashes, including shots of everyday life in the small towns he visited, it is the roadside images that dominate the collection. They are an unsparing archive of human tragedy. Picture after picture unveils yet another tableau of disaster with infinite variations -- the fragile shells of cars collapsed and upended, corpses hidden or fully revealed, stoic cops and laughing bystanders dealing in different ways with the reality of sudden death. It is this combination of the banal or ordinary and the appalling horror of the moment of impact that makes Kilpatrick's work a Fascinating experience.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.4

A novel theory of organizational and technological change, illustrated by an account of the development and implementation of a computer-based simulation technology.Every workday we wrestle with cumbersome and unintuitive technologies. Our response is usually “That's just the way it is.” Even technology designers and workplace managers believe that certain technological changes are inevitable and that they will bring specific, unavoidable organizational changes. In this book, Paul Leonardi offers a new conceptual framework for understanding why technologies and organizations change as they do and why people think those changes had to occur as they did. He argues that technologies and the organizations in which they are developed and used are not separate entities; rather, they are made up of the same building blocks: social agency and material agency. Over time, social agency and material agency become imbricated―gradually interlocked―in ways that produce some changes we call “technological” and others we call “organizational.”Drawing on a detailed field study of engineers at a U.S. auto company, Leonardi shows that as the engineers developed and used a a new computer-based simulation technology for automotive design, they chose to change how their work was organized, which then brought new changes to the technology.Each imbrication of the social and the material obscured the actors' previous choices, making the resulting technological and organizational structures appear as if they were inevitable.Leonardi suggests that treating organizing as a process of sociomaterial imbrication allows us to recognize and act on the flexibility of information technologies and to create more effective work organizations.

An incredible and utterly unique historical document. This book contains selections from the photographic collection of one Mell Kilpatrick, a news photographer from South California who relentlessly pursued his profession during the 40s and 50s, capturing images from the plentiful crime scenes and in particular automobile collisions that came his way. Kilpatrick was an obsessive witness to the effects of the post-war explosion of car culture in California, and through his lens he repeatedly viewed the fatal consequences of speed. technology and reckless abandon. His work might have remained lost and unknown, sealed away in his locked darkroom, untouched since his death in 1961, if it hadn't been brought to light by collector and dealer Jennifer Dumas, who Found the 5,000 negatives and realised she'd stumbled upon something very special. Although he covered other 'stories' apart from crashes, including shots of everyday life in the small towns he visited, it is the roadside images that dominate the collection. They are an unsparing archive of human tragedy. Picture after picture unveils yet another tableau of disaster with infinite variations -- the fragile shells of cars collapsed and upended, corpses hidden or fully revealed, stoic cops and laughing bystanders dealing in different ways with the reality of sudden death. It is this combination of the banal or ordinary and the appalling horror of the moment of impact that makes Kilpatrick's work a Fascinating experience.