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In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.

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"There is no better critic of Dickens living then Mr. Chesterton," T. S. Eliot declared; Chesterton's prefaces to Dickens's work, written for Everyman's Library between 1907 and 1911, contain some of his most vivid and penetrating criticism. These twenty-three essays are a landmark in Dickens criticism and provide lively exposition of Chesterton's own views and beliefs about literature, politics, and religion in Victorian and Edwardian England.

Two books have been particularly influential in contemporary philosophy of science: Karl R. Popper's Logic of Scientific Discovery, and Thomas S. Kuhn's Structure of Scientific Revolutions. Both agree upon the importance of revolutions in science, but differ about the role of criticism in science's revolutionary growth. This volume arose out of a symposium on Kuhn's work, with Popper in the chair, at an international colloquium held in London in 1965. The book begins with Kuhn's statement of his position followed by seven essays offering criticism and analysis, and finally by Kuhn's reply. The book will interest senior undergraduates and graduate students of the philosophy and history of science, as well as professional philosophers, philosophically inclined scientists, and some psychologists and sociologists.

The remains of classical literature contain a good deal of scattered literary theory, however difficult it may be to divine a consistent view among the conflicting interests of scholars, moralists and teachers of rhetoric. This book attempts to analyze the main themes against their historical background. It discusses ancient beliefs and theories relating to inspiration, the poet's message, imitation, the rhetorical approach to literature, classification of literary genres and the ancient sense of literary history. Aristotle, the Alexandrians, Longinus, Horace and other ancient critics have defined and influenced a critical terminology and technique for later generations of writers and critics. This edition should prove valuable to students of modern literary criticism and students of Greek and Latin.

From the New Criticism to Deconstruction   traces the transitions in American critical theory and practice from the 1950s   to the 1980s. It focuses on the influence of French structuralism and post-structuralism   on American deconstruction within a wide-ranging context that includes literary   criticism, philosophy, psychology, technology, and politics.  

Two books have been particularly influential in contemporary philosophy of science: Karl R. Popper's Logic of Scientific Discovery, and Thomas S. Kuhn's Structure of Scientific Revolutions. Both agree upon the importance of revolutions in science, but differ about the role of criticism in science's revolutionary growth. This volume arose out of a symposium on Kuhn's work, with Popper in the chair, at an international colloquium held in London in 1965. The book begins with Kuhn's statement of his position followed by seven essays offering criticism and analysis, and finally by Kuhn's reply. The book will interest senior undergraduates and graduate students of the philosophy and history of science, as well as professional philosophers, philosophically inclined scientists, and some psychologists and sociologists.

Two books have been particularly influential in contemporary philosophy of science: Karl R. Popper's Logic of Scientific Discovery, and Thomas S. Kuhn's Structure of Scientific Revolutions. Both agree upon the importance of revolutions in science, but differ about the role of criticism in science's revolutionary growth. This volume arose out of a symposium on Kuhn's work, with Popper in the chair, at an international colloquium held in London in 1965. The book begins with Kuhn's statement of his position followed by seven essays offering criticism and analysis, and finally by Kuhn's reply. The book will interest senior undergraduates and graduate students of the philosophy and history of science, as well as professional philosophers, philosophically inclined scientists, and some psychologists and sociologists.

A collection of extraordinary interviews with some of the most influential literary theorists of our time, such as Derrida, Frye, Bloom, Said and Kermode.

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This title offers commentary on the engagements with religion and theology by a range of Marxist philosophers and critics. The aim is to gather insights in order to develop a comprehensive theory of religion. Following on the heels of the acclaimed Criticism of Religion, this is the third of a five volume series called Criticism of Heaven and Earth

What were the boundaries between "official" and "subversive", "orthodox" and "dissenting" in the literary theory of the Middle Ages? This collection of new essays by major scholars examines medieval critical practices in relation to questions of orthodoxy and dissent within and between Latin and vernacular cultures. Specific topics include medieval teaching, theories of grammar and rhetoric, poetics and interpretation, academic "sciences", clerical professionalism, literacy, visual images, theology, and heresy.

This title offers commentary on the engagements with religion and theology by a range of Marxist philosophers and critics. The aim is to gather insights in order to develop a comprehensive theory of religion. Following on the heels of the acclaimed Criticism of Religion, this is the third of a five volume series called Criticism of Heaven and Earth

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Terry Eagleton is one of the most important—and most radical—theorists writing today. His witty and acerbic attacks on contemporary culture and society are read and enjoyed by many, and his studies of literature are regarded as classics of contemporary criticism.In this new edition of his groundbreaking treatise on literary theory, Eagleton seeks to develop a sophisticated relationship between Marxism and literary criticism.Ranging across the key works of Raymond Williams, Lenin, Trotsky, Brecht, Adorno, Benjamin, Lukacs and Sartre, he develops a nuanced critique of traditional literary criticism while producing a compelling theoretical account of ideology.Eagleton uses this perspective to offer fascinating analyses of canonical writers, including George Eliot, Charles Dickens, Joseph Conrad, Henry James, T.S. Eliot, W.B. Yeats, James Joyce and D.H. Lawrence.The new introduction sets this classic book in the context of its first appearance and Eagleton provides illuminating reflections on the progress of literary study over the years.

"Criticism and Social Change speaks with special timeliness to the role of the political intellectual (here embodied in Kenneth Burke). Lentricchia's provocative analysis demands serious reflection by American radicals."—Frederic Jameson "A profound meditation on relations obtaining among writing, political consciousness, and criticism—this last taken in its most general sense. It is written with passion and grace; it is shot through with learning, intimate knowledge of the critical tradition, and a deep (though by no means uncritical) understanding of the work (as well as social significance) of Kenneth Burke."—Hayden White

In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.

This enduring anthology is the only one to encompass the historic sweep of literary criticism — from Plato to the present — in a compact and affordable format.

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