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Original boards, dust jacket, illustrated with numerous (foldable) colour photographs, pictorial slipcase, 4to.

Jewish identity in German culture remains in a critical state of flux. Analyzing its construction and perception in public discourse, the contributors of this volume discuss the works of a number of authors―from Kafka to new writers such as Irene Dische and Maxim Biller. In addition, topics covered include: American-Jewish writers in Germany, minority culture, homosexuality, and Jewish magazines.

Whether working in urban areas with high levels of cultural diversity, providing art therapy to 'unique' populations such as prisoners or asylum seekers, or introducing art therapy programs to parts of the world in which it is not yet established, it is essential that therapists understand the importance of practicing in a culturally sensitive manner. This comprehensive book considers how culture impacts the practice of art therapy in a variety of settings.With contributions from experienced art therapists who have worked in diverse environments, this book attempts to understand and highlight the specific cultural, subcultural and ethnic influences that inform art therapy treatment. It addresses variable factors including setting, population, environment and ability, and how they influence art therapy approaches. It also considers how cultural differences can impact physical art making through choices of color, symbol and metaphor. Each chapter provides a framework showing how art therapy techniques have been used in order to successfully work with distinct populations. This book will provide practitioners with ideas for how to adapt art therapy training and approaches to suit the setting and meet the needs of a vast range of populations.Full of informative case studies, this book will be invaluable reading for art therapists and students of art therapy.

Paperback. Adjusting to a new culture and getting along with the local people can be a challenge for everyone who lives and works abroad. Whether in business, diplomacy, education, or as a long-term visitor, anyone can be blind-sided by a lack of international knowledge and experience and be caught at a disadvantage.In this completely revised and expanded third edition, Craig Storti outlines the personal challenges of adjusting to the change - anticipating differences, managing the temptation to withdraw, and gradually adjusting expectations of behaviour to fit reality - and shows what it takes to encounter a new culture head-on and succeed. Now an established bestseller, The Art of Crossing Cultures is a one-of-a-kind guidebook to bridging the cultural divide, incorporating an easy-to-understand model of cultural adjustment, and tips on how to master the process and develop adaptive strategies. This timely new edition focuses on how to deal with country and culture shock and includes many examples of cross-cultural misunderstandings. As well as revisions throughout, it includes a brand new chapter on crossing cultures at home."As enlightening to the university student as it is to the practical-minded businessperson." L. Robert Kohls, author of Survival Kit for Overseas Living In this completely revised and expanded third edition of The Art of Crossing Cultures, Craig Storti shows what it takes to encounter a new culture head-on and succeed. This is one-of-a-kind guidebook to bridging the cultural divide. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

A monograph on André Fu, one of the world's leading interior architects and designers, this book collects his major projects highlighting his East-meets-West aesthetic.André Fu is one of Asia’s leading interiors designers. When his design for the world-renowned The Upper House hotel in Hong Kong opened ten years ago, he became an overnight sensation around the world. As one of Asia’s most widely sought-after interior designers, the Hong Kong–based designer has gone on to create forward-thinking interiors for other major hotels, restaurants and leading brands, including Louis Vuitton, The Berkeley (London) and Waldorf hotels.This showcase of his works to date features eighteen recent projects around the world and provides fresh insights into Fu’s creative process, including his hand-drawn sketches and mood boards, as well as an introductory essay that explores Fu’s key influences and the importance of his unique and highly refined East-meets-West aesthetic. With an illustrated chronology of all the designer’s works to date, this rich overview presents the award-winning vision of interior design’s rising star, not only in Asia but across the world. 300 color illustrations

Distinguished historian / anthropologist Greg Dening here revisits the island beaches of Oceania in an extended essay on first encounters and the peoples they brought together. An imaginative exploration of the symbolic strip where ocean meets island, Dening's meditation reflects upon the bloody history of the Marquesas in the South Pacific: its inhabitants and its combatants, the author's own time spent there and in study of his subject. This is a book to treasure and to reflect upon.First encounters are usually written about as the history of explorers and the anthropology of "others." It is Greg Dening's project to produce a history and anthropology of both, "on the beach," where so many of these exchanges between peoples began. Dening imaginatively reconstructs the first interactions among explorers, missionaries, and natives—mostly in the Marquesas, the primary focus of his scholarly work. He examines fictional accounts of these encounters as well as the written record, revisiting the experiences of Captain Bligh and Gauguin, Melville's seafarers as well as some famous castaways. Each featured beach crossing is prefaced with an introduction placing the encounter in its historical context.Beach Crossings is for Greg Dening a summary work, the apex of a fifty-year career that has taken him across many beaches and oceans. The author of the seminal volume Mr. Bligh's Bad Language, Dening writes here an intensely personal, compelling reflection upon his crossings, his subjects'—and ours.

A monograph on André Fu, one of the world's leading interior architects and designers, this book collects his major projects highlighting his East-meets-West aesthetic.André Fu is one of Asia’s leading interiors designers. When his design for the world-renowned The Upper House hotel in Hong Kong opened ten years ago, he became an overnight sensation around the world. As one of Asia’s most widely sought-after interior designers, the Hong Kong–based designer has gone on to create forward-thinking interiors for other major hotels, restaurants and leading brands, including Louis Vuitton, The Berkeley (London) and Waldorf hotels.This showcase of his works to date features eighteen recent projects around the world and provides fresh insights into Fu’s creative process, including his hand-drawn sketches and mood boards, as well as an introductory essay that explores Fu’s key influences and the importance of his unique and highly refined East-meets-West aesthetic. With an illustrated chronology of all the designer’s works to date, this rich overview presents the award-winning vision of interior design’s rising star, not only in Asia but across the world. 300 color illustrations

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This work of comparative philosophy envisions a cosmological whole that celebrates difference.In this book, Katrin Froese juxtaposes the Daoist texts of Laozi and Zhuangzi with the thought of Nietzsche and Heidegger to argue that there is a need for rethinking the idea of a cosmological whole. By moving away from the quest for certainty, Froese suggests a way of philosophizing that does not seek to capture the whole, but rather becomes a means of affirming a connection to it, one that celebrates difference rather than eradicating it.Human beings have a vague awareness of the infinite, but they are nevertheless finite beings. Froese maintains that rather than bemoaning the murkiness of knowledge, the thinkers considered here celebrate the creativity and tendency to wander through that space of not knowing, or “in-between-ness.” However, for Neitzsche and the early Heidegger, this in-between-ness can often produce a sense of meaninglessness that sends individuals on a frenetic quest to mark out space that is uniquely their own. Laozi and Zhuangzi, on the other hand, paint a portrait of the self that provides openings for others rather than deliberately forging an identity that it can claim as its own. In this way, human beings can become joyful wanderers that revel in the movements of the Dao and are comfortable with their own finitude. Froese also suggests that Nietzsche and Heidegger are philosophers at a crossroads, for they both exemplify the modern emphasis on self-creation and at the same time share the Daoist insight into the perils of excessive egoism that can lead to misguided attempts to master the world.

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Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands. To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings. Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies.Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger

14th Annual Outreach Magazine Resource of the Year, Cross-Cultural Category From Genesis to Revelation, the Bible is a crosscultural book. Scripture is full of narratives of God's people crossing cultures in pursuit of God's mission. Biblical texts shed light on mission dynamics: Sarah and Hagar functioning in an honor-shame culture, Moses as a multicultural leader, Ruth as a crosscultural conversion, David and Uriah illustrating power distance, the queen of Sheba as an international truth-seeker, Daniel as a transnational student, Paul in Athens as a model of contextualization, and much more. Missionary and missions professor Marvin Newell provides a biblical theology of culture and mission, mining the depths of Scripture to tease out missiological insights and crosscultural perspectives. Unlike other such books that are organized topically, this text is organized canonically, revealing how the whole of Scripture speaks to contemporary mission realities. Comprehensive in scope, filled with biblical insight and missional expertise, this book is an essential resource for students and practitioners of crosscultural ministry and mission.

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This work of comparative philosophy envisions a cosmological whole that celebrates difference.In this book, Katrin Froese juxtaposes the Daoist texts of Laozi and Zhuangzi with the thought of Nietzsche and Heidegger to argue that there is a need for rethinking the idea of a cosmological whole. By moving away from the quest for certainty, Froese suggests a way of philosophizing that does not seek to capture the whole, but rather becomes a means of affirming a connection to it, one that celebrates difference rather than eradicating it.Human beings have a vague awareness of the infinite, but they are nevertheless finite beings. Froese maintains that rather than bemoaning the murkiness of knowledge, the thinkers considered here celebrate the creativity and tendency to wander through that space of not knowing, or “in-between-ness.” However, for Neitzsche and the early Heidegger, this in-between-ness can often produce a sense of meaninglessness that sends individuals on a frenetic quest to mark out space that is uniquely their own. Laozi and Zhuangzi, on the other hand, paint a portrait of the self that provides openings for others rather than deliberately forging an identity that it can claim as its own. In this way, human beings can become joyful wanderers that revel in the movements of the Dao and are comfortable with their own finitude. Froese also suggests that Nietzsche and Heidegger are philosophers at a crossroads, for they both exemplify the modern emphasis on self-creation and at the same time share the Daoist insight into the perils of excessive egoism that can lead to misguided attempts to master the world.

Martyred saints, Moors, Jews, viragoes, hermaphrodites, sodomites, kings, queens, and cross-dressers comprise the fascinating mosaic of historical and imaginative figures unearthed in Queer Iberia. The essays in this volume describe and analyze the sexual diversity that proliferated during the period between the tenth and the sixteenth centuries when political hegemony in the region passed from Muslim to Christian hands. To show how sexual otherness is most evident at points of cultural conflict, the contributors use a variety of methodologies and perspectives and consider source materials that originated in Castilian, Latin, Arabic, Catalan, and Galician-Portuguese. Covering topics from the martydom of Pelagius to the exploits of the transgendered Catalina de Erauso, this volume is the first to provide a comprehensive historical examination of the relations among race, gender, sexuality, nation-building, colonialism, and imperial expansion in medieval and early modern Iberia. Some essays consider archival evidence of sexual otherness or evaluate the use of “deviance” as a marker for cultural and racial difference, while others explore both male and female homoeroticism as literary-aesthetic discourse or attempt to open up canonical texts to alternative readings. Positing a queerness intrinsic to Iberia’s historical process and cultural identity, Queer Iberia will challenge the field of Iberian studies while appealing to scholars of medieval, cultural, Hispanic, gender, and gay and lesbian studies.Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger

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The Arctic—with its twenty-four-hour daylight, surprisingly curious animals and inexplicable humming noises—is a world of constant danger and limitless possibility. This unforgiving landscape is home to the Inuit (the name they prefer to “Eskimos”), whose complex and little-studied society is fascinating in its divergence from as well as its assimilation into Western culture. Jonathan Waterman’s 2,200-mile journey across the roof of North America took him through Inuit communities in Alaska to Nunavut, Canada’s new, 770,000-square-mile, self-governed territory. His story, at once illuminating and alarming, offers firsthand observations of their life, language and beliefs; records their reactions to global modernization; documents their centuries of unjust treatment at the hands of Kabloona (bushy-eyebrowed whites); and witnesses unemployment, teen suicide and such persistent plagues as spousal violence and substance abuse. From the perspective of his 1997–1999 voyage—as the Inuit stand on the brink of a more hopeful, independent future—he also looks into a past marked by famous (or infamous) Arctic explorers, government cover-ups and environmental destruction.This beautifully written work of intrepid reporting and even scholarship also reveals the physical risks and psychological perils of crossing the legendary Northwest Passage. Utterly alone for weeks at a time, Waterman struggles against freezing conditions, the tricks played on him by his own mind and dangers more complex than aggressive bears, stormy seas and mosquito blizzards. Following the advice of an Inuit shaman, who said that “those things hidden from others” are discovered only “far from the dwellings of men, through privation and suffering,” Waterman kayaks, skis, dogsleds and sails across the Great Solitudes in a thrilling and ultimately successful quest for this “true wisdom,” arriving at a profound understanding of environment and culture.

When reading Michael's book, I literally ran out of superlatives to describe each chapter. Early on, I predicted that it would easily be the best book ever written on culture and race from both biblical and practical perspectives... Gordon Ferguson, teacher, Dallas Church of Christ As a black man who has been a disciple for thirty-five years and served seventeen years in the full-time ministry, I just wanted to read the entire book without stopping. Everything I read addressed a concern I had but did not know how to express. I no longer have to be the voice of reason on race. Michael's book does it for me with far more palatable language and exponentially more spirituality. Tony Chukes, Denver, Colorado In this book, Michael Burns opens the doorway into dialogue and discussion of race and its impact on the culture and Kingdom of God. Issues of racism, race, and culture bring out deep passion and potential conflict in the world; and because disciples live in this world, they affect us, our mission, and our unity. Every potential problem like this, though, can be a pitfall or a platform. It can be our undoing or an amazing opportunity to put the power and wisdom of the true gospel on display. The real problems that threaten division within the body are not race or skin color as such, but history, culture, perspective, and the solutions that are typically offered by the world. Michael examines these agents of division before delving into the true answers found in God's word. The good news is that perhaps the biggest cause of internal strife and division in the early church was the issue of ethnicity and culture. That means that the New Testament Scriptures are full of principles and teaching that will propel us forward in our search to be the unified people of God that he has called us to be.

Crossing Borders tells the intriguing but largely unfamiliar story of the exchange of culture and knowledge between Jews and non-Jews in the Muslim and Christian worlds during the late Middle Ages as part of the preparation of Hebrew manuscripts.  The book is composed of ten narratives, each of which brings to light a different aspect of Jewish life in a non-Jewish medieval society—highlighting the practical cooperation, social interaction, and religious toleration that was surprisingly common between the groups involved in the early enterprise of book production.            Alongside the narratives, Crossing Borders is beautifully illustrated with images from the Hebrew holdings at the Bodleian Library—one of the largest and most important collections of Hebrew manuscripts worldwide. The art includes Christian codex fragments from the third century, a copy of Moses Maimonides’ Mishneh Torah signed by Maimonides himself, a thirteenth century German Jewish prayer book, and lavishly illuminated Spanish Bible manuscripts from the fifteenth century. This exquisitely illustrated book takes a fascinating look at the often-ignored role of Jews in the written transmission of culture and science throughout medieval Europe.