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Renowned pastor-theologian Gregory A. Boyd proposes a revolutionary way to read the Bible in this epic but accessible study. His "cruciform hermeneutic" stands as a challenge to the field of biblical studies and to all thoughtful Christians. A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter Old Testament stories of God commanding horrendous violence. On the other hand, we read the unequivocally nonviolent teachings of Jesus in the New Testament. Reconciling these two has challenged Christians and theologians for two millennia. Throughout Christian history, various answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different "gods" to recent social, cultural, and literary theories that attempt to dispel the conflict. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an ambitious constructive investigation. Over two volumes, Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, he affirms the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a "cruciform hermeneutic," Boyd demonstrates how the Bible's violent images of God are reframed and their violence subverted when interpreted through the lens of the cross and resurrection. Indeed, when read in this way, Boyd argues that these violent depictions bear witness to the same self-sacrificial nature of God that was ultimately revealed on the cross.

Genuine Widow's Mite coin from 100 B.C. to 60 A.D. Handmade Roman nail over 2000 years oldDisplayed in a brown keepsake boxIncludes a history cardCertificate of Authenticity included Roman Crucifixion Period Widow's Mite Bronze Coin and Nail Collection

Faith Beautiful Mini Garden Flag Ornament Collection have variety of Garden Flag for all occasions. Uniquely design for hanging indoor or outdoor use. We are committed to offering you exceptional values. Our customers enjoy displaying our Garden Flag for longer periods.

Slug Christ is a rapper-producer based in Atlanta, Georgia. My style is very 808 heavy. I'm very trap influenced, I'd like to consider myself doing the next version of trap music, more abstract. Trap music boasts itself as some of today's most tightly sequenced hip-hop music, but Slug Christ's loose, drug-induced delivery has helped him establish his own style within the genre. If you miss the rawness that rap feels like it's missing these days, then look no further than Slug Christ. Features ap

In a language that is both precise and easy to understand, Dr. Zugibe presents his discoveries culled from years of exhaustive research. Documented with 95 illustrations that explore the impact of crucifixion on the body, he demonstrates the realities behind the crucifixion on the body, providing a virtual autopsy on Christ from across the centuries.

The tragic climax to the Gospel stories, the Crucifixion of Christ is the pivotal event of Christianity. In theological terms, it is God's sacrifice of Himself to redeem mankind; in human terms it is the ultimate tragedy and a hugely evocative symbol of suffering and human sacrifice. As Christianity's supreme image, the Crucifixion has been endlessly represented by artists throughout the centuries. This volume presents a chronological sequence of over 100 of the finest Crucifixion images produced by the greatest artists in the Christian tradition, ranging from the earliest catacomb art to the late twentieth century.The subject is always the same, the means of representing it always different -- in style, mood, medium, scale. Perusing this powerful volume, the reader is taken on a prolonged meditation, focusing on the universal themes of suffering, sacrifice and redemption, and reflecting on the power of art to transcend its grim subject matter and to create out of it works of compelling beauty.Sparing in words, stark and simple in presentation, this book is nevertheless eloquent -- a harrowing but ultimately inspiring commentary on divine and human sacrifice, and on the mysterious power of art to express both religious feeling and the extremes of human emotion.

John Granger Cook traces the use of the penalty by the Romans until its probable abolition by Constantine. Rabbinic and legal sources are not neglected. The material contributes to the understanding of the crucifixion of Jesus and has implications for the theologies of the cross in the New Testament. Images and photographs are included in this volume.

  Though the apostle Paul boldly proclaimed “Christ crucified” as the heart of the gospel, Fleming Rutledge notes that preaching about the cross of Christ is remarkably neglected in most churches today. In this book Rutledge addresses the issues and controversies that have caused pastors to speak of the cross only in the most general, bland terms, precluding a full understanding and embrace of the gospel by their congregations.             Countering our contemporary tendency to bypass Jesus’ crucifixion, Rutledge in these pages examines in depth all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She mines the classical writings of the Church Fathers, the medieval scholastics, and the Reformers as well as more recent scholarship, while bringing them all into contemporary context.             Widely known for her preaching, Rutledge seeks to encourage preachers, teachers, and anyone else interested in what Christians believe to be the central event of world history.  

Renowned pastor-theologian Gregory A. Boyd proposes a revolutionary way to read the Bible in this epic but accessible study. His "cruciform hermeneutic" stands as a challenge to the field of biblical studies and to all thoughtful Christians. A dramatic tension confronts every Christian believer and interpreter of Scripture: on the one hand, we encounter Old Testament stories of God commanding horrendous violence. On the other hand, we read the unequivocally nonviolent teachings of Jesus in the New Testament. Reconciling these two has challenged Christians and theologians for two millennia. Throughout Christian history, various answers have been proposed, ranging from the long-rejected explanation that these contrasting depictions are of two entirely different "gods" to recent social, cultural, and literary theories that attempt to dispel the conflict. The Crucifixion of the Warrior God takes up this dramatic tension and the range of proposed answers in an ambitious constructive investigation. Over two volumes, Gregory A. Boyd argues that we must take seriously the full range of Scripture as inspired, including its violent depictions of God. At the same time, he affirms the absolute centrality of the crucified and risen Christ as the supreme revelation of God. Developing a theological interpretation of Scripture that he labels a "cruciform hermeneutic," Boyd demonstrates how the Bible's violent images of God are reframed and their violence subverted when interpreted through the lens of the cross and resurrection. Indeed, when read in this way, Boyd argues that these violent depictions bear witness to the same self-sacrificial nature of God that was ultimately revealed on the cross.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

  Though the apostle Paul boldly proclaimed “Christ crucified” as the heart of the gospel, Fleming Rutledge notes that preaching about the cross of Christ is remarkably neglected in most churches today. In this book Rutledge addresses the issues and controversies that have caused pastors to speak of the cross only in the most general, bland terms, precluding a full understanding and embrace of the gospel by their congregations.             Countering our contemporary tendency to bypass Jesus’ crucifixion, Rutledge in these pages examines in depth all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She mines the classical writings of the Church Fathers, the medieval scholastics, and the Reformers as well as more recent scholarship, while bringing them all into contemporary context.             Widely known for her preaching, Rutledge seeks to encourage preachers, teachers, and anyone else interested in what Christians believe to be the central event of world history.  

Unread book in perfect condition.

According to the majority of modern Muslims and Christians, the Qur’an denies the crucifixion of Jesus, and with it, one of the most sacred beliefs of Christianity. However, it is only mentioned in one verse and contrary to popular belief, its interpretation has been the subject of fierce debate among Muslims for centuries. This innovative work is the first book devoted to the issue, delving deeply into largely ignored Arabic sources, which suggest that the origins of the denial may lie within the Christian Church. Arranged along historical lines, and covering various Muslim schools of thought, from Sunni to Sufi, The Crucifixion and the Qur’an will fascinate anyone interested in Christian-Muslim relations. Todd Lawson is Associate Professor at the Department of Near and Middle Eastern Civilizations, University of Toronto. He is the author of Reason and Inspiration in Islam: Theology, Philosophy and Mysticism in Muslim Thought.

This ground-breaking work offers a unique apologetic argument for the validity of the Gospel accounts of Jesus' death and resurrection. Dr. Bergeron's medical expertise allows him to examine the medical aspects of Jesus' death and as well as the "hallucination hypothesis" which attempts to discount Jesus' resurrection. This book explores the following areas: ? Jesus' claim to be the son of God and the Messiah of Hebrew prophetic literature ? Evidence of the trustworthiness of the Gospel as reliable eyewitness testimony ? The social and political context leading up to Jesus' execution? Roman crucifixion practices in public executions? Physiological mechanisms that ultimately led to Jesus' death ? A medical analysis of hallucination hypotheses for the disciples' belief in Jesus' resurrection and the inability of hallucination to explain away the biblical accounts of Jesus' resurrection

  Though the apostle Paul boldly proclaimed “Christ crucified” as the heart of the gospel, Fleming Rutledge notes that preaching about the cross of Christ is remarkably neglected in most churches today. In this book Rutledge addresses the issues and controversies that have caused pastors to speak of the cross only in the most general, bland terms, precluding a full understanding and embrace of the gospel by their congregations.             Countering our contemporary tendency to bypass Jesus’ crucifixion, Rutledge in these pages examines in depth all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She mines the classical writings of the Church Fathers, the medieval scholastics, and the Reformers as well as more recent scholarship, while bringing them all into contemporary context.             Widely known for her preaching, Rutledge seeks to encourage preachers, teachers, and anyone else interested in what Christians believe to be the central event of world history.  

The crucifixion of Christ has been richly portrayed by countless artists for hundred of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid–18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super–realism.

Unread book in perfect condition.

The tragic climax to the Gospel stories, the Crucifixion of Christ is the pivotal event of Christianity. In theological terms, it is God's sacrifice of Himself to redeem mankind; in human terms, it is the ultimate tragedy and a strikingly evocative symbol of suffering and human sacrifice. As Christianity's supreme image, the Crucifixion has been endlessly represented by artists throughout the centuries. This volume presents a chronological sequence of over 100 of the finest Crucifixion images produced by a selection of the greatest artists in the Christian tradition, ranging from the earliest catacomb art to the late twentieth century. The subject is always the same, the means of representing it always different in mood and medium, style and scale. Perusing this powerful volume, the reader is taken on a prolonged meditation, focusing on the universal themes of suffering, sacrifice and redemption, and reflecting on the breathtaking power of art to transcend its grim subject matter and to create out of it works of compelling beauty.

Crucifixion (Facets) [Paperback] [Sep 01, 1977] Martin Hengel and Martin Hengle

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