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Brochure à rabats. 21x28cm. 347pp. Plis lisses de lecture au dos, sinon très bon état

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Z : 2 Bände, leinengebunden mit Schutzumschlag in bedrucktem Schuber, total 696 Seiten, 1504 fabrige und 210 sw Abbildungen 24 x 30 cm - Cuno Amiet (1868 1961) gehörte zu Beginn des 20. Jahrhunderts zu den Erneuerern der Schweizer Malerei und spielte bald eine bedeutende Rolle unter den Künstlern des Symbolismus und der Klassischen Moderne. Amiets Bildwelt beinhaltet vornehmlich Landschaften, Gärten, Porträts und Stillleben. Dabei war er einer der Ersten, der der Farbe den Vorrang in der Komposition gab. Durch die enorme Preissteigerung für Schweizer Kunst gelangen mittlerweile zahlreiche, teilweise unbekannte Frühwerke von Amiet auf den Markt, darunter auch manche Fälschung. Der Catalogue raisonné des gemalten Frühwerks fächert Amiets Oeuvre chronologisch bis ins Jahr 1919 auf und schliesst damit eine eklatante Forschungslücke. Ein Referenzwerk für Forschung, Kunsthandel und Sammler.

After Cuno Massey's business partner is murdered by a gang of outlaws, he takes to the trail to find the killers. But Cuno's mission of vengeance becomes a rescue mission when he learns that the outlaws have kidnapped a young Chinese woman.

German language. 11.30x8.98x0.67 inches. In Stock.

In this comprehensive study of the transpersonal dimension of Jewish spiritualism, the author reveals the fascinating conception of “I” according to the ancient wisdom of the kabbalah. The result is a clear, detailed, and scientifically rigorous picture of the ways the human psyche can grow though more elevated states of consciousness.Esta obra representa un completísimo estudio de la dimensión transpersonal de la espiritualidad judía. Contrastando teorías psicológicas modernas con las más antiguas tradiciones del misticismo judío (en especial el potente símbolo del Árbol de la Vida y sus diferentes dimensiones), Mario J. Saban nos va desvelando una fascinante imagen del «yo» según la ha entendido la antigua sabiduría de la cábala. Naturalmente, se trata de un «yo» que abarca y trasciende la psique. Lo que emerge es un detallado cuadro –expuesto con un rigor científico y claridad encomiables– de cómo la psique humana puede crecer a través de estados más elevados de conciencia. Una obra imprescindible sobre el misticismo judío y el conocimiento espiritual del ser humano.

Interior label indicatesFecit ad Forman Hiezronym Amati PestiniRepaired 1906 by Joseph Cuno Eondon (sp?)Full-size with hard caseYou will likely wa...

A prison wagon of caged killers means hell on wheels for Cuno Massey... Cuno Massey is determined to start a new, peaceful life. But when he comes across a prison wagon under attack, he canÂ't just ride on. A gang of outlaws is hell-bent on granting four hardened convicts an early release, and with two other lawmen down, the marshal is badly outnumbered. Dispensing frontier justice from the barrel of his Colt .45, Cuno does his best to even the odds and keep the murderous animals where they belong—in their cage.

The Tailor sH eart swelled with Pride and Joy Frontispiece He Decided to Follow Them 62 An Old Woman came slowly across theM arket-P lace 112 She stood Leaning upon herS taff waiting for Cuno ig6 Charcoal Peter and the Glass-man 232 It had turned into anE normous Dolphin 316 BLACK AND WHITE ILLUSTRATIONS FACING PAGB The Owl Warned them to be asS ilent as the Grave 22 He made for theD oor Screaming lustily for Help .40 He had unearthed a Pot full of Golden Coins .. 72 Choosing the Caskets 104 They told each other theirS adS tories 140 They ran Here and There in Wild Disorder .. .154 The Slave held anE normous Dictionary 168 Faster andF aster they Went 184 This, thought he, must surely be the A bode of the Glass-man 214 She saw a Little Old Man coming along 258 He saw a Little Man bending over him 292 ,,I Came to Look for the Carmilhan, he said ..(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.

A two-book omnibus edition featuring the famed .45-Caliber series featuring Cuno Massey. In .45-Caliber Town Under Siege, a gang of cutthroats who call themselves "the Boys" led by the savage killer Cecil Craig run Cuno's freight wagon off the road and into a canyon, killing the young freighter's mules and setting him afoot. That's only the start of the desperados' depredations. In .45-Caliber Left to Die, Cuno is passing through central New Mexico when he's ambushed by town tamer Lawton Briggs and three other men and one pretty but angry young woman, Stacey Ramos. Believing Massey is part of a gang of stage robbers, they strip him naked, lay him out spread-eagle and tied to ground-sunk stakes, and leave him to die.

This item is printed on demand - it takes 3-4 days longer - Neuware -La presente obra contiene once artículos con distintos enfoques teóricos y metodológicos, en los que se abordan variados campos relativos a los estudios sefardíes, es decir, a esa fascinante variedad de cuño hispano que es la lengua judeoespañola y a su producción literaria, en cuyos textos se plasman aspectos de su cultura, de sus tradiciones y de su historia social. Los estudios se basan en obras producidas mayoritariamente en el ámbito de los Balcanes, a lo que hay que sumar la ciudad de Viena, y con un arco cronológico que va desde el siglo XVIII al XX. En cuanto a los temas, amén de los artículos de contenido extrictamente lingüístico, en esta obra se recogen estudios literarios sobre rabínica sefardí, prensa, coplas, teatro y narrativa. 276 pp. Spanisch