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Melancholic and introspective, ironical and apolitical, the urban cynic is a myth of our time. A casualty of modernization? Or a product of postmodernism? In this original and provocative book, Timothy Bewes undertakes a descent into the modern cynical consciousness, and emerges with a critical assessment of the preoccupations of contemporary society. He charts the development of a culture of cynicism within postmodernity, in forms such as an obsession with finality and integrity, a widespread retreat into introspection and inertia, and a neurotic attachment to metaphysical truth. The inflated currency of the term “cynicism” reflects a very real crisis in the constitution and practice of the political; Cynicism and Postmodernity proposes a means of negotiating this terrain with the political sensibility intact.Immersed in the phenomena of contemporary culture, the recent history of postmodern theory, and the political and philosophical preoccupations of the modern age, this is a book for students of literature, philosophy and culture, and for all those fascinated, like the author, by the state of politics, critical thinking and the plight of the individual in society as a new century booms.

Cynicism began as a school of philosophy that was largely inspired by Socrates and often decried by popular commentators as a social pathology, a nihilistic rebellion against the foundations of civilization. Modern definitions of the cynic describe an individual who is negative and sarcastic, violently opposed to established authority and social convention, and dedicated to existentialism. This book attempts to vindicate cynicism, arguing that it is both a progressive approach to social dilemmas and an enlightened understanding of the human condition. Chapter One establishes the foundations of classical Greek cynicism, while later chapters illustrate the varied faces of the cynic phenomenon in the persons of such disparate characters as Machiavelli, Nietzsche, Diogenes, the Dadaists, George Bataille, Samuel Beckett, Auberon Waugh, the creators of South Park, and others. Nietzsche is portrayed as the most important representative of both classical and postmodern cynicism, as well as the pivotal link between the two. The book focuses on significant periods of historical change, such as the Renaissance, and the historical cynics responsible for several seminal social ideas, including cosmopolitanism (citizenship of the world), asceticism (personal growth through self-testing), and parrhesia (finding one’s voice in the presence of tyrannical forces). The! author claims that aspects of Greek cynicism are present in contemporary society, offering a positive strategy for living in a hostile world.

Cynicism began as a school of philosophy that was largely inspired by Socrates and often decried by popular commentators as a social pathology, a nihilistic rebellion against the foundations of civilization. Modern definitions of the cynic describe an individual who is negative and sarcastic, violently opposed to established authority and social convention, and dedicated to existentialism. This book attempts to vindicate cynicism, arguing that it is both a progressive approach to social dilemmas and an enlightened understanding of the human condition. Chapter One establishes the foundations of classical Greek cynicism, while later chapters illustrate the varied faces of the cynic phenomenon in the persons of such disparate characters as Machiavelli, Nietzsche, Diogenes, the Dadaists, George Bataille, Samuel Beckett, Auberon Waugh, the creators of South Park, and others. Nietzsche is portrayed as the most important representative of both classical and postmodern cynicism, as well as the pivotal link between the two. The book focuses on significant periods of historical change, such as the Renaissance, and the historical cynics responsible for several seminal social ideas, including cosmopolitanism (citizenship of the world), asceticism (personal growth through self-testing), and parrhesia (finding one’s voice in the presence of tyrannical forces). The! author claims that aspects of Greek cynicism are present in contemporary society, offering a positive strategy for living in a hostile world.

A guide for philosophy students covering the history of the ancient Greek school of thought who were called cynics which became a way of living as much as a way to think. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Real Lessons in Cynicism is the second full-length album by Washington, DC's SOCCER TEAM. It arrives 9 years after the band's debut, "Volunteered" Civility and Professionalism. Why did it take so long? Moves. Jobs. Skateboarding. Friendly scuffles between those who would favor analog over digital recording styles. Look, don't worry about it. They have crossed the finish line and that's what matters. RYAN NELSON (BEAUTY PILL, MINUTES) and MELISSA QUINLEY formed Soccer Team in 2005. They are long-

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a General Introduction to the Hellenistic Philosophy of Cynicism. in the Bristol Classical Paperback Series.

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a General Introduction to the Hellenistic Philosophy of Cynicism. in the Bristol Classical Paperback Series.

The Rise and Fall of Human Rights provides a groundbreaking ethnographic investigation of the Palestinian human rights world―its NGOs, activists, and "victims," as well as their politics, training, and discourse―since 1979. Though human rights activity began as a means of struggle against the Israeli occupation, in failing to end the Israeli occupation, protect basic human rights, or establish an accountable Palestinian government, the human rights industry has become the object of cynicism for many Palestinians. But far from indicating apathy, such cynicism generates a productive critique of domestic politics and Western interventionism. This book illuminates the successes and failures of Palestinians' varied engagements with human rights in their quest for independence.

We live in a cynical age. Cynicism is in the air we breathe; it is a cultural norm; it is the default setting and lens through which many of us view the world. Why is cynicism so pervasive? What does it promise? How does it work? And what does it deliver? In this thorough, interdisciplinary exploration of cynicism, Dick Keyes probes the intellectual and cultural underpinnings of cynicism in its modern and postmodern manifestations. In analyzing our cynicism toward individuals, institutions and God, he gives cynicism the scrutiny it deserves, arguing for its merits as a tool for discernment while pointing out its limitations. Keyes subjects cynicism to its own critique and ultimately looks beyond cynicism to alternatives that wrestle honestly with suspicion, trust and hope. Wide-ranging and vast in scope, Seeing Through Cynicism offers meaty, substantive perspectives for faithful living in a cynical world.

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A thought-provoking critique of contemporary liberalism and conservatism alike offers a detailed program for reinstituting a spiritually sensitive and ethical society and challenges the modern-day materialism and selfishness of today's market-driven culture.

William Desmond, taking issue with typical assessments of the ancient Cynics, contends that figures such as Antisthenes and Diogenes were not cultural outcasts or marginal voices in the classical culture of the fifth and fourth centuries B.C. Rather, the Cynic movement had deep and significant roots in what Desmond calls "the Greek praise of poverty." Desmond demonstrates that classical attitudes toward wealth were complex and ambivalent, and allowed for an implicit praise of poverty and the virtues it could inspire. From an economic and political point of view, the poor majority at Athens and elsewhere were natural democrats who distrusted great concentrations of wealth as potentially oligarchical or tyrannical. Hence, the poor could be praised in contemporary literature for their industry, honesty, frugality, and temperance. The rich, on the other hand, were often criticized as idle, unjust, arrogant, and profligate. These perspectives were reinforced by typical Greek experiences of war, and the belief that poverty fostered the virtues of courage and endurance. Finally, from an early date, Greek philosophers associated wisdom with the transcendence of sense experience and of such worldly values as wealth and honor. The Cynics, Desmond asserts, assimilated all of these ideas in creating their distinctive and radical brand of asceticism. Theirs was a startling and paradoxical outlook, but it had broad appeal and would persist to exert a manifold influence in the Hellenistic period and beyond.

William Desmond, taking issue with typical assessments of the ancient Cynics, contends that figures such as Antisthenes and Diogenes were not cultural outcasts or marginal voices in the classical culture of the fifth and fourth centuries B.C. Rather, the Cynic movement had deep and significant roots in what Desmond calls "the Greek praise of poverty." Desmond demonstrates that classical attitudes toward wealth were complex and ambivalent, and allowed for an implicit praise of poverty and the virtues it could inspire. From an economic and political point of view, the poor majority at Athens and elsewhere were natural democrats who distrusted great concentrations of wealth as potentially oligarchical or tyrannical. Hence, the poor could be praised in contemporary literature for their industry, honesty, frugality, and temperance. The rich, on the other hand, were often criticized as idle, unjust, arrogant, and profligate. These perspectives were reinforced by typical Greek experiences of war, and the belief that poverty fostered the virtues of courage and endurance. Finally, from an early date, Greek philosophers associated wisdom with the transcendence of sense experience and of such worldly values as wealth and honor. The Cynics, Desmond asserts, assimilated all of these ideas in creating their distinctive and radical brand of asceticism. Theirs was a startling and paradoxical outlook, but it had broad appeal and would persist to exert a manifold influence in the Hellenistic period and beyond.

What happens when a coffee-drinking, cigarette-smoking, steak-eating twenty-five-year-old atheist decides it is time to get in touch with her spiritual side? Not what you’d expect . . .   When Suzanne Morrison decides to travel to Bali for a two-month yoga retreat, she wants nothing more than to be transformed from a twenty-five-year-old with a crippling fear of death into her enchanting yoga teacher, Indra—a woman who seems to have found it all: love, self, and God.   But things don’t go quite as expected. Once in Bali, she finds that her beloved yoga teacher and all of her yogamates wake up every morning to drink a large, steaming mug . . . of their own urine. Sugar is a mortal sin. Spirits inhabit kitchen appliances. And the more she tries to find her higher self, the more she faces her cynical, egomaniacal, cigarette-, wine-, and chocolate-craving lower self.   Yoga Bitch chronicles Suzanne’s hilarious adventures and misadventures as an aspiring yogi who might be just a bit too skeptical to drink the Kool-Aid. But along the way she discovers that no spiritual effort is wasted; even if her yoga retreat doesn’t turn her into the gorgeously calm, wise believer she hopes it will, it does plant seeds that continue to blossom in surprising ways over the next decade of her life.

Drawing on ideas presented in the Bible, Jewish teachings, and his experience as a psychotherapist, Lerner examines the roots of the vague discontent felt by so many Americans about our political system and explains how values can be put back into these broken politics.

Sweeping in scope, penetrating in analysis, and generously illustrated with examples from the history of science, this new and original approach to familiar questions about scientific evidence and method tackles vital questions about science and its place in society. Avoiding the twin pitfalls of scientism and cynicism, noted philosopher Susan Haack argues that, fallible and flawed as they are, the natural sciences have been among the most successful of human enterprises-valuable not only for the vast, interlocking body of knowledge they have discovered, and not only for the technological advances that have improved our lives, but as a manifestation of the human talent for inquiry at its imperfect but sometimes remarkable best.This wide-ranging, trenchant, and illuminating book explores the complexities of scientific evidence, and the multifarious ways in which the sciences have refined and amplified the methods of everyday empirical inquiry; articulates the ways in which the social sciences are like the natural sciences, and the ways in which they are different; disentangles the confusions of radical rhetoricians and cynical sociologists of science; exposes the evasions of apologists for religious resistance to scientific advances; weighs the benefits and the dangers of technology; tracks the efforts of the legal system to make the best use of scientific testimony; and tackles predictions of the eventual culmination, or annihilation, of the scientific enterprise.Writing with verve and wry humor, in a witty, direct, and accessible style, Haack takes readers beyond the "Science Wars" to a balanced understanding of the value, and the limitations, of the scientific enterprise.

Vinyl LP pressing includes digital download. If Ages and Ages' debut album Alright You Restless declared independence from the cynicism and self-consciousness plaguing a generation; and the follow-up Divisionary was an exercise in confronting change, conflict, and loss; Something to Ruin addresses the debris of our collective failures and asks whether we might be better off letting go and starting over. Recorded at Isaac Brock's studio (Ice Cream Party), the band's fourth album is still full of

This gritty Film Noir is drenched in greed, cynicism and corruption of the soul, as embodied by John Garfield (THE POSTMAN ALWAYS RINGS TWICE) in one his most memorable roles. Garfield is perfectly cast as Joe Morse, a lawyer whose connection to a ruthless racketeer has nearly destroyed his sense of morality. His participation in a rigged numbers racket could prove disastrous for his high-strung brother (superbly played by Thomas Gomez), whose small-time policy bank stands to go broke when the r