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Primo's Da Silva Fork comes straight from the mind of Miki Fleck, with all the features and geometry he needs. This heavy-duty, heavy hitting, all-purpose fork is built from post-weld heat treated 4130 chromoly that's insanely strong and durable. Tapered legs, and integrated headset bearing race and 7mm thick custom molded dropouts finish the Da Silva Forks. ###section### Product Specs Steerer Length: 164mm Steerer Diameter: 1 1/8" Wheel Size: 20" Material: 100% chromoly Dropout Size: 10mm Offset: 28mm Weight: TBC

Tome seul du catalogue raisonné. In-folio reliure éd. sous jaquette 34 cm sur 25. 733 pages. Édition originale. Très bon état d'occasion.

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Usually dispatch in 4/5 days --- Pages: 270 --- Editora: Afluente --- Sinopse: Chico da Silva foi um fenômeno sem precedentes no meio artístico do Brasil. Foi autor de uma pintura que quase todos nossos pais e avós tinham na parede de suas casastrazidas como souvenir de uma viagem ao exótico e ensolarado Nordeste brasileiro dos a

In this engaging memoir, Brazilian cabinet member Benedita da Silva shares the inspiring story of her life as an advocate for the rights of women, people of color, and the poor, and argues persuasively for economic and social human rights in Brazil and everywhere.

Júnia Ferreira Furtado offers a fascinating study of the world of a freed woman of color in a small Brazilian town where itinerant merchants, former slaves, Portuguese administrators, and concubines interact across social and cultural lines. The child of an African slave from the Costa da Mina and a Brazilian military nobleman of Portuguese descent, Chica da Silva won her freedom using social and matrimonial strategies. But the story of Chica da Silva is not merely the personal history of a woman, or the social history of a colonial Brazilian town. Rather, it provides a historical perspective on a woman's agency, the cultural universe she inhabited, and the myths that were created around her in subsequent centuries, as Chica de Silva came to symbolize both an example of racial democracy and the stereotype of licentiousness and sensuality always attributed to the black or mulatta female in the Brazilian popular imagination.

The homicide case that convicted young Kevin Shea and sent him to the slammer looked hopeless - and the perfect puzzle for Jane da Silva. Under the terms of an eccentric uncle's will, Jane has to right a wrong and solve an uncrackable conundrum twice a year before she can inherit the estate. With her fortieth birthday looming in the not-so-distant future and a so-so career as a cabaret singer in the fast-fading past, Jane has both an unslaked champagne taste and a willingness to risk her pretty neck snooping where nice girls don't...and earn her inheritance the hard way.As for Kevin Shea, he has had one foot firmly planted in trouble all his life. Formerly a pill-head and going-nowhere teenager, he graduated to armed robbery at a local drugstore, botching the attempt and leaving a woman dead. Kevin says he didn't shoot her. Even his own mother doesn't believe him and the DA tagged it an open and shut case. All Jane has to reopen it is a call from Kevin's lawyer. It seems there's a remote possibility that a key witness exists - somewhere.

Maria Elena Vieira da Silva, French, b. 1908 ""When I paint a landscape or a seascape, I'm not very sure it's a landscape or a seascape. It's a thought form rather than a realistic form."" Thus did Maria Elena Vieira da Silva explain her approach to her art, which is almost always completely abstract. Although she was generally regarded as Portugal's greatest contemporary artist, Vieira da Silva spent six decades of her life in France, where she became a naturalized citizen in 1956. Born in Lisbon, Vieira da Silva began seriously studying drawing and painting at that city's Academia de Belas- Artes when she was only 11. At 16, she expanded her artistic interests to include the study of sculpture. Three years later she moved to Paris.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.92

Aonia edizioni. Il notaio Francesco da Silva roga a Castelgenovese (odierno Castelsardo) e nel territorio di pertinenza, l'Anglona, fra il 1321 ed il 1326. Attraverso l'edizione e l'analisi del cartulare (un complesso di 106 atti), Alessandro Soddu e Enrico Basso offrono un quadro nitido sulla società, l'economia, il popolamento e le istituzioni della Sardegna nord-occidentale del primo quarto del XIV secolo. Enrico Basso propone uno studio articolato della fonte sotto l'aspetto paleografico e diplomatistico, esaminando la vita e l'attività pubblica del Da Silva, nella duplice veste di notaio privato e di cancelliere di Brancaleone Doria. Alla signoria dei Doria a Castelgenovese e in Anglona è dedicato il saggio di Alessandro Soddu, che ricostruisce l'origine delle fortune della casata genovese in Sardegna e analizza quindi i caratteri del loro dominio locale, puntualizzandone gli aspetti sociali ed economici, sullo sfondo delle vicende mediterranee del Trecento.

Aonia edizioni. Il notaio Francesco da Silva roga a Castelgenovese (odierno Castelsardo) e nel territorio di pertinenza, l'Anglona, fra il 1321 ed il 1326. Attraverso l'edizione e l'analisi del cartulare (un complesso di 106 atti), Alessandro Soddu e Enrico Basso offrono un quadro nitido sulla società, l'economia, il popolamento e le istituzioni della Sardegna nord-occidentale del primo quarto del XIV secolo. Enrico Basso propone uno studio articolato della fonte sotto l'aspetto paleografico e diplomatistico, esaminando la vita e l'attività pubblica del Da Silva, nella duplice veste di notaio privato e di cancelliere di Brancaleone Doria. Alla signoria dei Doria a Castelgenovese e in Anglona è dedicato il saggio di Alessandro Soddu, che ricostruisce l'origine delle fortune della casata genovese in Sardegna e analizza quindi i caratteri del loro dominio locale, puntualizzandone gli aspetti sociali ed economici, sullo sfondo delle vicende mediterranee del Trecento.

Everyone in Cape Verde knows Senor da Silva. Successful entrepreneur, owner of the island's first automobile, a most serious, upright, and self-made businessman, Senor da Silva is the local success story. Born an orphan, he never married, he never splurged--one good suit was good enough for him--and he never wandered from the straight and narrow. Or so everyone thought. But when Senor da Silva's 387-page Last Will and Testament is read aloud--a marathon task on a hot afternoon which exhausts reader after reader--there's eye-opening news, and not just for the smug nephew so certain of inheriting all Senor da Silva's property. With his will, Senor da Silva leaves a memoir that is a touching web of elaborate self-deceptions. He desired so ardently to prosper, to be taken seriously, to join (perhaps, if they'll have him) the exclusive Gremio country club, and, most of all, to be a good man. And yet, shady deals, twists of fate, an illegitimate child: such is the lot of poor, self-critical Senor da Silva. A bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Svevo's Zeno (a little pompous, a little old-fashioned, and often hapless), Senor da Silva moves along a deliciously blurry line between farce and tragedy: a self-important buffoon becomes a fully human, even tragic, figure in the arc of this hilarious and touching novel - translated into Spanish, German, French, Italian, Dutch, Norwegian, Swedish, and now, at last, English.

Vieira da Silva: L' il du labyrinthe est un ouvrage incontournable pour tous les admirateurs de l'artiste portugaise. Ce catalogue d'exposition retrace le parcours exceptionnel de Vieira da Silva, figure majeure de l'art moderne. À travers une analyse approfondie de son uvre, ce livre explore les thèmes récurrents de son art : les labyrinthes, les villes, les paysages intérieurs. Une plongée dans l'univers envoûtant d'une artiste qui a su réinventer la peinture. Reliure : Cartonnée contrecollée Pages : 256 Format : 24 x 19 cm Langue : Français / English EAN/ISBN : 9782382030639

Composer: Antonio da Silva-Leite 41 Duets Guitar Duo Publisher: Editio Musica Budapest Category: Classical Series: EMB Format: Paperback 41...

Mad About Records present the first worldwide reissue of Zeca Do Trombone & Roberto Sax, originally released in 1976. Another Brazilian funk landmark made by two of the most exceptional instrumentalists of the soul funk scene of the '70s. Jos da Silva, better known under the pseudonym of Zeca do Trombone, is a trombone player who has worked with a multitude of Brazilian artists, including Tim Maia and Carlos Daf, Elizeth Cardoso, Beth Carvalho, Milton Nascimento. Roberto Sax, or Z Roberto Sim

Island Ana Da Silva - LP 5024545821116

In an attempt to find the cause of her adopted daughter's sleepwalking, young mother Rose Da Silva (Radha Mitchell) takes her to Silent Hill, an abandoned West Virginia town whose name the girl wakes up screaming. Rendered unconscious when they arrive, Rose comes to and finds her daughter is gone, sending her on a frantic search that leads her to a ghostly child, a bizarre religious cult, and a frightening alternate reality. Video game-based shocker also stars Laurie Holden, Deborah Kara Unger,

The extraordinary story of one Life photo-essay by Gordon Parks and its impactThis book explores a once-popular picture story by Gordon Parks and the extraordinary chain of events it prompted. Published in Life magazine in June 1961 as “Poverty: Freedom’s Fearful Foe,” this empathetic photo-essay profiled the da Silva family, living in a hillside favela near a wealthy enclave of Rio de Janeiro. Focused primarily on the eldest son Flavio, an industrious 12-year-old suffering from crippling asthma, Parks’ story elicited more than 3,000 letters and $25,000 in donations from Life readers to help the family and the favela.In Brazil the story sparked controversy; one news magazine, O Cruzeiro, retaliated against Life and sent photographer Henri Ballot to document poverty in New York City. Undeterred, Life embarked on a multi-year “rescue” effort that involved moving Flavio to a Denver hospital, relocating the family to a new home and administering funds to support the favela. The story, as well as Parks’ relationship to Flavio, continued to develop over many years. The details of this extraordinary history provide a fascinating example of US exceptionalism during the early 1960s and a revealing look inside the power and cultural force of the “Great American Magazine.”

It is impossible to separate the content of a book from its form. In this study, Filipe Carreira da Silva and Mónica Brito Vieira expand our understanding of the history of social and political scholarship by examining how the entirety of a book mediates and constitutes meaning in ways that affect its substance, appropriation, and reception over time.Examining the evolving form of classic works of social and political thought, including W. E. B. Du Bois’s The Souls of Black Folk, G. H. Mead’s Mind, Self, and Society, and Karl Marx’s 1844 Economic and Philosophic Manuscripts, Carreira da Silva and Brito Vieira show that making these books involved many hands. They explore what publishers, editors, translators, and commentators accomplish by offering the reading public new versions of the works under consideration, examine debates about the intended meaning of the works and discussions over their present relevance, and elucidate the various ways in which content and material form are interwoven. In doing so, Carreira da Silva and Brito Vieira characterize the editorial process as a meaning-producing action involving both collaboration and an ongoing battle for the importance of the book form to a work’s disciplinary belonging, ideological positioning, and political significanceTheoretically sophisticated and thoroughly researched, The Politics of the Book radically changes our understanding of what doing social and political theory—and its history—implies. It will be welcomed by scholars of book history, the history of social and political thought, and social and political theory.

The extraordinary story of one Life photo-essay by Gordon Parks and its impactThis book explores a once-popular picture story by Gordon Parks and the extraordinary chain of events it prompted. Published in Life magazine in June 1961 as “Poverty: Freedom’s Fearful Foe,” this empathetic photo-essay profiled the da Silva family, living in a hillside favela near a wealthy enclave of Rio de Janeiro. Focused primarily on the eldest son Flavio, an industrious 12-year-old suffering from crippling asthma, Parks’ story elicited more than 3,000 letters and $25,000 in donations from Life readers to help the family and the favela.In Brazil the story sparked controversy; one news magazine, O Cruzeiro, retaliated against Life and sent photographer Henri Ballot to document poverty in New York City. Undeterred, Life embarked on a multi-year “rescue” effort that involved moving Flavio to a Denver hospital, relocating the family to a new home and administering funds to support the favela. The story, as well as Parks’ relationship to Flavio, continued to develop over many years. The details of this extraordinary history provide a fascinating example of US exceptionalism during the early 1960s and a revealing look inside the power and cultural force of the “Great American Magazine.”