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Join Dan Sartain Dan Sartain - LP 827954074006

ART DESCRIPTION: This minimalistic artwork explores the concept of division through abstract forms and textures and shades of sage and grey. The artist skillfully creates a sense of separation and disconnection, inviting viewers to contemplate the complexities of division in our world. This Amanti Art canvas art print was created by Dan Hobday and printed by Amanti Art in Madison WI. The canvas is stretched by hand and finished with a float frame. Individually made using traditional custom framing techniques, it has the quality you would expect from your local frame shop. Because of our attention to detail and focus on artistry, architects, interior designers, and homeowners alike choose this framed canvas artwork to create beautiful living spaces. Color: Sylvie Beaded White.

Art Description: This minimalistic artwork explores the concept of division through abstract forms and textures and shades of sage and grey. The artist skillfully creates a sense of separation and disconnection, inviting viewers to contemplate the complexities of division in our world. This Amanti Art canvas art print was created by Dan Hobday and printed by Amanti Art in Madison WI. The canvas is stretched by hand and finished with a float frame. Individually made using traditional custom framing techniques, it has the quality you would expect from your local frame shop. Because of our attention to detail and focus on artistry, architects, interior designers, and homeowners alike choose this framed canvas artwork to create beautiful living spaces. Color: Sylvie Beaded White.

Book by Angela Vettese, Giuseppe Panza di Biumo, Mattioli Laura Rossi, Dan Flavin

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order couplers and downrods separately. Couplers are available in all ceiling fan finishes. Color: Brushed Nickel. Material: Aluminum.

Meet the Parisian duo, Hedi and Thami Nabil. The two brothers are masters of illustration and animation, each with their own distinct style. Thami's creations embody the beauty of the human form, while Hedi's visionary approach pushes the boundaries of experimentation. Their exceptional talent seamlessly intertwines the elegance of European aesthetics with the captivating charm of Japanese influences. The Edwin Dans La Tempête hoodie is an oversized fit hoodie made from 100% cotton.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Gloss White. Material: Steel.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Gloss Black. Material: Steel.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Bronze. Material: Steel.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Oil Rubbed Bronze. Material: Steel.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Matte Black. Material: Steel.

Fan Downrod couplers can be used to join 2 downrods together to create longer lengths. Order separately. Couplers are available in all fan finishes. Color: Matte White. Material: Steel.

Photojournalist Dan Eldon left behind much more than the astonishing illustrated journals that would form The Journey is the Destination when he lost his life at age twenty-two while on assignment in Somalia. He also bequeathed a life story that has inspired students, teachers, artists, and creative activists€”as well as a forthcoming film, an apparel line, and the Spring 2011 collection from Tom's Shoes. Raised in Kenya, Dan grew up with a unique outlook on life. Through adventurous safaris and benevolent crusades around the world, he crafted a philosophy of curiosity, creativity, and charity. This unique visual biography showcases previously unpublished artwork from Dan's acclaimed journals, letters, and snapshots that takes readers on a journey through Dan's life and beyond, exploring the impact made by this remarkable artist on everyone who has encountered his story.

The best selling Complete Tang Soo Do Manual series represents Grand Master Ho Sik Pak's 37 years of experience in the art of Tang Soo Do and other martial arts styles. This volume covers the techniques from 2nd Dan to 6th Dan Black Belt and includes for the first time a total of five Chil Sung Hyungs (forms). The requirements chapters include step-by-step photos of the forms—self-defense, breaking, sparring, and endurance—for each Dan level. As a bonus chapter, Grand Master Pak includes the Healing Form, which he created to increase the flow of oxygen to the body, develop chi, and promote healing. Volume 2 is a full-color book with more than 2,000 photographs that were shot against beautiful backgrounds in Korea, New Zealand, and the United States. This is a book for every serious martial artist, regardless of style!

In 1960, renowned art historian and cultural anthropologist Eberhard Fischer traveled to West Africa to film the workings of a group of Dan tribesmen from Liberia as they carved the wooden masks that constitute one of the Dan’s most important forms of art. Signifiers of spiritual forces, the masks—adorned with raffia, fur, and feathers—play an important role in the festive performances that structure Dan village life. But beyond the masks, Fischer grew increasingly fascinated with the artists who created them, and he began collecting their stories in addition to documenting in detail the creation of their work.             The result is four fascinating biographies, available here for the first time in English. Anthropologists and collectors of African art have long been fascinated with Dan masks but never before have the artists themselves been so thoroughly recognized—an especially important contribution to our understanding of this form of West African art since the masks must often be carved in secret. Originally published in 1963, Dan Artists brings together Fischer’s original writings, photographs, and film with many additional images and a new epilogue by Fischer in which he reflects on his journey and research.

When Sheriff Dan Rhodes is asked to join the Clearview Barbershop Chorus, he suspects that there's an ulterior motive, mainly because he can't sing a note. He's momentarily distracted by a rogue alligator on the loose, but shortly afterward, Lloyd Berry, the director of the chorus, is murdered. Berry is suspected of embezzling money, and he's leaked the information that a member of the chorus ordered a singing valentine for a woman who isn't his wife. Later, Rhodes discovers that Berry has been gambling on eight-liners at Rollin' Sevens, a barely legal operation in a strip center on the outskirts of town.Rhodes also must deal with the usual assortment of small-town crimes: a man dressed in his underpants and cowboy boots picketing a law office, dogfood theft, and attempts on the life of a man who likes to root through garbage. Rhodes sorts through clues that involve geocaching and barbershop singing with the help of a few oddball local characters before he solves the crime.

This item is printed on demand - it takes 3-4 days longer - Neuware -Peter Huchel (Berlin/Groß-Lichterfelde 1903 - Staufen-en-Brisgau 1981) connaît la notoriété dès l'entre-deux-guerres. Directeur artistique à Radio-Berlin (Est) après la guerre, il dirige la revue Sinn und Form de 1945 à 1962. Limogé et assigné à résidence, il ne peut émigrer à l'Ouest qu'en 1971. Malmené par les crises de la modernité et l'histoire événementielle, il inscrit d'abord son malaise au coeur du paysage brandebourgeois. Mais, contrairement à d'autres et malgré un changement de paradigme après 1945, il n'abandonnera jamais l'enracinement dans le milieu naturel. À la croisée de problématiques anciennes et de souffles novateurs, sa poésie explore les rapports complexes qu'entretient l'écriture avec l'illusion lyrique propre à l'héritage du romantisme et le réel contingent. La double composante du réalisme magique illustre une réflexion polymorphe à la recherche d'un langage qui fonde une subjectivité critique et indépendante. Traumatismes engendrés par la guerre ou conflits avec le pouvoir et situation précaire de la poésie, rien ne se dit, chez Peter Huchel, sans le couvert de la métaphore. L'oeuvre occupe incontestablement une place de premier ordre dans l'histoire du lyrisme allemand du XXe siècle. 736 pp. Französisch, Deutsch

Transforming color into light is one of the great themes of painting. Dan Flavin (19331996) used light as color and material. Employing ordinary neon light tubes, he developed a radical new form of art that freed the picture from its frame and turned it into a luminous, space-consuming color object. Expanding the wall painting by turning it into a light installation corresponded with the liberation of light from its traditionally spiritual meaning. Flavins works recall neon signs from urban nightlife or commonplace living-room lamps. Viewers find themselves immersed in a splendid play of light and color that allows the physical experience of unrestrained art. This publication elucidates the development of Flavins oeuvrefrom the visual objects, the so-called Icons, to the spatial installations with neon tubesand explains their genesis based on drawings and prints, an independent group of works that testifies to the artists visual sensitivity. (English edition ISBN 978-3-7757-3523-0) Exhibition schedule: mumok. museum moderner kunst stiftung ludwig, Vienna, October 13, 2012February 3, 2013 Kunstmuseum St. Gallen, FebruaryJune 2013

A Guggenheim Museum Publication Dan Flavin (1933-1996) was hailed for his pioneering use of light and color divorced from traditional artistic contexts. Employing only commercial fluorescent lights, Flavin devised a radical new art form that circumvented the limits imposed by frames, pedestals, and other conventional means of display. His embrace of the unadorned fluorescent light as an aesthetic object placed him at the forefront of Minimal art. This book, published on the occasion of an exhibition at the Deutsche Guggenheim Berlin, draws upon the Solomon R. Guggenheim Museum's extensive holdings of Flavin's work, which includes representative examples of each of the formats he developed over the course of his career. Flooded with color on every page, this volume provides a wide-ranging view of Flavin's work and intellectual thought, bringing together contributions by a number of critics and art historians, and including excerpted writings by the artist. illustrated in full color, 9 1/4 x 11 3/4" J. FIONA RAGHEB is associate curator for Collections and Exhibitions at the Solomon R. Guggenheim Museum, New York. EXHIBITION SCHEDULE The Deutsche Guggenheim Berlin Nov. 6, 1999-Feb. 13, 2000

A Guggenheim Museum Publication Dan Flavin (1933-1996) was hailed for his pioneering use of light and color divorced from traditional artistic contexts. Employing only commercial fluorescent lights, Flavin devised a radical new art form that circumvented the limits imposed by frames, pedestals, and other conventional means of display. His embrace of the unadorned fluorescent light as an aesthetic object placed him at the forefront of Minimal art. This book, published on the occasion of an exhibition at the Deutsche Guggenheim Berlin, draws upon the Solomon R. Guggenheim Museum's extensive holdings of Flavin's work, which includes representative examples of each of the formats he developed over the course of his career. Flooded with color on every page, this volume provides a wide-ranging view of Flavin's work and intellectual thought, bringing together contributions by a number of critics and art historians, and including excerpted writings by the artist. illustrated in full color, 9 1/4 x 11 3/4" J. FIONA RAGHEB is associate curator for Collections and Exhibitions at the Solomon R. Guggenheim Museum, New York. EXHIBITION SCHEDULE The Deutsche Guggenheim Berlin Nov. 6, 1999-Feb. 13, 2000