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German language. 6.89x4.25x0.63 inches. In Stock.

A lifetime’s encounter with artists: from prehistoric cave painting to the presentJohn Berger, one of the world’s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists. In Portraits, Berger grounds the artists in their historical milieu in revolutionary ways, whether enlarging on the prehistoric paintings of the Chauvet caves or Cy Twombly’s linguistic and pictorial play. In penetrating and singular prose, Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world’s most incisive critical voices.

Paperback. The memoir of a deep friendship between two important intellectual figures bound by their interest in art and their experience of migration.In John Berger and Me, the eminent Australian sociologist Nikos Papastergiadis recalls his relationship with the late English writer and art critic John Berger. His memoir is both a portrait of their friendship, and an account of the work of his former mentor, one which combines Berger's abiding interest in migrants and migration, with Papastergiadis' reflections on his own family's experience of migration. Berger was a successful author and artist who lived in England before he moved to a peasant village in the Haute-Savoie. Papastergiadias' father was born in a peasant village in Greece and migrated to work in factories in Australia. The memoir covers a period of ten years in the 1990s when the younger Nikos spent many summer months with the distinguished author, living in the family house and sharing duties such as the gathering of the harvest. It draws on personal memories, his deep knowledge of Berger's work, which was the subject of his doctoral thesis, and anecdotes of life in the village, and beyond. The intertwining of their common experiences means that the book is both a biography and an autobiography, as well as a tribute to one of the most significant cultural thinkers of recent times. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

A major new work from the world’s leading writer on artLandscapes, the companion volume to John Berger’s highly acclaimed Portraits, explores what art tells us about ourselves. “Berger’s work is an invitation to reimagine; to see in different ways,” writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse pieces—essays, short stories, poems, translations—which spans a lifetime’s engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists—from the Renaissance to the present—while never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist’s eye makes him a storyteller in these essays, rather than a critic. With “landscape” as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger’s understanding of the world. Landscapes—alongside Portraits—completes a tour through the history of art that will be an intellectual benchmark for many years to come.

A major new book from one of the world’s leading writers and art criticsJohn Berger, one of the world’s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists. In Portraits, Berger grounds the artists in their historical milieu in revolutionary ways, whether enlarging on the prehistoric paintings of the Chauvet caves or Cy Twombly’s linguistic and pictorial play. In penetrating and singular prose, Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world’s most incisive critical voices.

From I to J is an international tribute to John Berger by filmmaker Isabel Coixet. A woman writes letters to a man who is in prison. Coixet has created an installation based on Berger s book From a to X, with the collaboration of architect Benedetta Tagliabue and some of the most acclaimed actresses working in film today. The book is accompanied by a DVD (PAL format), which includes a selection of letters from the novel From A to X read by Monica Bellucci, Sophie Calle, Patricia Clarkson, Penelope Cruz, Julie Delpy, Isabelle Huppert, Henning Mankell, Maria de Medeiros, Sarah Polley, Tilda Swinton, Leonor Watling and Carme Elias, as well as the recording of Isabel Coixet s interview with John Berger.

A major new work from the world’s leading writer on artLandscapes, the companion volume to John Berger’s highly acclaimed Portraits, explores what art tells us about ourselves. “Berger’s work is an invitation to reimagine; to see in different ways,” writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse pieces—essays, short stories, poems, translations—which spans a lifetime’s engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artists—from the Renaissance to the present—while never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist’s eye makes him a storyteller in these essays, rather than a critic. With “landscape” as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger’s understanding of the world. Landscapes—alongside Portraits—completes a tour through the history of art that will be an intellectual benchmark for many years to come.

Bento's Sketchbook is an exploration of the practice of drawing, as well as a meditation on how we perceive and seek to explore our ever-changing relationship with the world around us.

99 pages. 9.00x6.00x0.23 inches. In Stock.

A major new book from one of the world’s leading writers and art criticsJohn Berger, one of the world’s most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists. In Portraits, Berger grounds the artists in their historical milieu in revolutionary ways, whether enlarging on the prehistoric paintings of the Chauvet caves or Cy Twombly’s linguistic and pictorial play. In penetrating and singular prose, Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world’s most incisive critical voices.

A collection of writing by the John Berger, a well known art critic and historian which include major statements on painting and the philosophy of art (eg "The Moment of Cubism"), as well as essays on travel, love, story-telling, poetry, politics and writers. The papers have been gathered from a variety of sources and include some previously unpublished pieces (eg "The White Bird"). John Berger is an influential art critic and cultural historian, well-known for his TV series and book "Ways of Seeing". He won the 1972 Booker Prize for his novel "G". He has also written "Pig Earth", a collection of short stories, poems and sketches about life in a French peasant community.

Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them.This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.

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Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them.This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.

Buy with confidence! Book is in new, never-used condition 3.04

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Here are some highlights from an important new work by Master Da Free John with important information about the book an its author.

Here are some highlights from an important new work by Master Da Free John with important information about the book an its author.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

In shrink wrap! Looks like an interesting title!