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Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.74

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

Henri Bergson is one of the truly great philosophers of the modernist period, and his work is undergoing a renaissance of interest. This collection of his essays and lectures from the period 1901-13, features ideas on life and consciousness, soul and body, mind and brain that remain highly pertinent to contemporary work in the philosophy of mind.

Henri Bergson is one of the truly great philosophers of the modernist period, and his work is undergoing a renaissance of interest. This collection of his essays and lectures from the period 1901-13, features ideas on life and consciousness, soul and body, mind and brain that remain highly pertinent to contemporary work in the philosophy of mind.

"In recent years, we have grown accustomed to philosophical language that is intensely self-conscious and rhetorically thick, often tragic in tone. It is enlivening to read Bergson, who exerts so little rhetorical pressure while exacting such a substantial effort of thought.... Bergson's texts teach the reader to let go of entrenched intellectual habits and to begin to think differently―to think in time.... Too much and too little have been said about Bergson. Too much, because of the various appropriations of his thought. Too little, because the work itself has not been carefully studied in recent decades."―from Thinking in TimeHenri Bergson (1859–1941), whose philosophical works emphasized motion, time, and change, won the Nobel Prize for Literature in 1927. His work remains influential, particularly in the realms of philosophy, cultural studies, and new media studies. In Thinking in Time, Suzanne Guerlac provides readers with the conceptual and contextual tools necessary for informed appreciation of Bergson's work. Guerlac's straightforward philosophical expositions of two Bergson texts, Time and Free Will (1888) and Matter and Memory (1896), focus on the notions of duration and memory―concepts that are central to the philosopher's work. Thinking in Time makes plain that it is well worth learning how to read Bergson effectively: his era and our own share important concerns. Bergson's insistence on the opposition between the automatic and the voluntary and his engagement with the notions of "the living," affect, and embodiment are especially germane to discussions of electronic culture.

Unread book in perfect condition.

New! This book is in the same immaculate condition as when it was published 1.19

This volume brings together generous selections from his major texts: Time and Free Will, Matter and Memory, Creative Evolution, Mind-Energy, The Creative Mind, The Two Sources of Morality and Religion and Laughter. In addition it features material from the Melanges never before translated in English, such as the correspondence between Bergson and William James. The volume will be an excellent textbook for pedagogic purposes and a helpful source book for philosophers working across the analytic/continental divide.

In 1909, renowned artist Pablo Picasso (1881–1973) embarked on a series of stylistic experiments that had a dramatic effect on modern art. This book examines the ways in which Picasso’s art of 1909 intertwines and engages with the larger intellectual framework of his time and sheds light on how the writings of Gertrude Stein, the philosophy of Henri Bergson, the theories of Albert Einstein, and even American comic strips played a role in the development of Picasso’s unique artistic style. With an insightful, interdisciplinary approach that focuses on how European society was grappling with the larger issues of how to conceptualize, write about, and visualize a rapidly modernizing culture, Painting 1909 presents a methodical exploration of Picasso’s stylistic choices and proposes new reasons for the development of radical modernist art that led to Cubism and, eventually, absolute abstraction. 

Der Schriftsteller, Gesellschaftskritiker und Freund Maxim Gorkis - Leonid Nikolajewitsch Andrejew (1871-1919) - gilt als Begründer des Expressionismus der russischen Literatur. Das Buch "Das rote Lachen" erschien Ende 1904 und schildert die Greueltaten des Krieges und die schauderhafte Verwandlung der humanistischen Gesellschaft in die Anarchie. Obwohl der Krieg als ein abstrakter Wahnsinn der Zerstörung dargestellt wird, wurde dieses Werk als eine Antwort auf die schrecklichen und tragischen Ereignisse des Russisch-Japanischen Krieges verfasst.

This volume brings together generous selections from his major texts: Time and Free Will, Matter and Memory, Creative Evolution, Mind-Energy, The Creative Mind, The Two Sources of Morality and Religion and Laughter. In addition it features material from the Melanges never before translated in English, such as the correspondence between Bergson and William James. The volume will be an excellent textbook for pedagogic purposes and a helpful source book for philosophers working across the analytic/continental divide.

Explores the thought of Henri Bergson, highlighting his compelling theories on the nature of consciousness and its relationship to the physical world.Living Consciousness examines the brilliant, but now largely ignored, insights of French philosopher Henri Bergson (1859–1941). Presenting a detailed and accessible analysis of Bergson’s thought, G. William Barnard highlights how Bergson’s understanding of the nature of consciousness and, in particular, its relationship to the physical world remain strikingly relevant to numerous contemporary fields. These range from quantum physics and process thought to philosophy of mind, depth psychology, transpersonal theory, and religious studies. Bergson’s notion of consciousness as a ceaselessly dynamic, inherently temporal substance of reality itself provides a vision that can function as a persuasive alternative to mechanistic and reductionistic understandings of consciousness and reality. Throughout the work, Barnard offers “ruminations” or neo-Bergsonian responses to a series of vitally important questions such as: What does it mean to live consciously, authentically, and attuned to our inner depths? Is there a philosophically sophisticated way to claim that the survival of consciousness after physical death is not only possible but likely?

Excerpt from Amiel's Journal, Vol. 1: The Journal Intime of Henri-Frédéric AmielThus modestly announced, the little vol ume made its quiet début. It contained nothing, or almost nothing, of ordinary biographical material. M. Scherer's Intro.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 4.59

On April 6, 1922, in Paris, Albert Einstein and Henri Bergson publicly debated the nature of time. Einstein considered Bergson's theory of time to be a soft, psychological notion, irreconcilable with the quantitative realities of physics. Bergson, who gained fame as a philosopher by arguing that time should not be understood exclusively through the lens of science, criticized Einstein's theory of time for being a metaphysics grafted on to science, one that ignored the intuitive aspects of time. The Physicist and the Philosopher tells the remarkable story of how this explosive debate transformed our understanding of time and drove a rift between science and the humanities that persists today.Jimena Canales introduces readers to the revolutionary ideas of Einstein and Bergson, describes how they dramatically collided in Paris, and traces how this clash of worldviews reverberated across the twentieth century. She shows how it provoked responses from figures such as Bertrand Russell and Martin Heidegger, and carried repercussions for American pragmatism, logical positivism, phenomenology, and quantum mechanics. Canales explains how the new technologies of the period―such as wristwatches, radio, and film―helped to shape people’s conceptions of time and further polarized the public debate. She also discusses how Bergson and Einstein, toward the end of their lives, each reflected on his rival’s legacy―Bergson during the Nazi occupation of Paris and Einstein in the context of the first hydrogen bomb explosion.The Physicist and the Philosopher is a magisterial and revealing account that shows how scientific truth was placed on trial in a divided century marked by a new sense of time.

On April 6, 1922, in Paris, Albert Einstein and Henri Bergson publicly debated the nature of time. Einstein considered Bergson's theory of time to be a soft, psychological notion, irreconcilable with the quantitative realities of physics. Bergson, who gained fame as a philosopher by arguing that time should not be understood exclusively through the lens of science, criticized Einstein's theory of time for being a metaphysics grafted on to science, one that ignored the intuitive aspects of time. The Physicist and the Philosopher tells the remarkable story of how this explosive debate transformed our understanding of time and drove a rift between science and the humanities that persists today.Jimena Canales introduces readers to the revolutionary ideas of Einstein and Bergson, describes how they dramatically collided in Paris, and traces how this clash of worldviews reverberated across the twentieth century. She shows how it provoked responses from figures such as Bertrand Russell and Martin Heidegger, and carried repercussions for American pragmatism, logical positivism, phenomenology, and quantum mechanics. Canales explains how the new technologies of the period―such as wristwatches, radio, and film―helped to shape people’s conceptions of time and further polarized the public debate. She also discusses how Bergson and Einstein, toward the end of their lives, each reflected on his rival’s legacy―Bergson during the Nazi occupation of Paris and Einstein in the context of the first hydrogen bomb explosion.The Physicist and the Philosopher is a magisterial and revealing account that shows how scientific truth was placed on trial in a divided century marked by a new sense of time.

Henri Bergson, central to European philosophy at the beginning of the C20th, is returning to that position at the beginning of the C21st. Bergson's legacy reaches across the disciplines of philosophy, humanities and the arts, and has especial relevance for recent film and video studies (in the area of time, change and difference). This collection includes an original essay by Gilles Deleuze, translated into English for the first time. Hugely impressive international cast including not only Deleuze, but also Worms, Gunter, Ansell Pearson and Timothy S. Murphy. The first in the acclaimed Angelaki Humanities series.

On April 6, 1922, in Paris, Albert Einstein and Henri Bergson publicly debated the nature of time. Einstein considered Bergson's theory of time to be a soft, psychological notion, irreconcilable with the quantitative realities of physics. Bergson, who gained fame as a philosopher by arguing that time should not be understood exclusively through the lens of science, criticized Einstein's theory of time for being a metaphysics grafted on to science, one that ignored the intuitive aspects of time. The Physicist and the Philosopher tells the remarkable story of how this explosive debate transformed our understanding of time and drove a rift between science and the humanities that persists today.Jimena Canales introduces readers to the revolutionary ideas of Einstein and Bergson, describes how they dramatically collided in Paris, and traces how this clash of worldviews reverberated across the twentieth century. She shows how it provoked responses from figures such as Bertrand Russell and Martin Heidegger, and carried repercussions for American pragmatism, logical positivism, phenomenology, and quantum mechanics. Canales explains how the new technologies of the period―such as wristwatches, radio, and film―helped to shape people’s conceptions of time and further polarized the public debate. She also discusses how Bergson and Einstein, toward the end of their lives, each reflected on his rival’s legacy―Bergson during the Nazi occupation of Paris and Einstein in the context of the first hydrogen bomb explosion.The Physicist and the Philosopher is a magisterial and revealing account that shows how scientific truth was placed on trial in a divided century marked by a new sense of time.

On April 6, 1922, in Paris, Albert Einstein and Henri Bergson publicly debated the nature of time. Einstein considered Bergson's theory of time to be a soft, psychological notion, irreconcilable with the quantitative realities of physics. Bergson, who gained fame as a philosopher by arguing that time should not be understood exclusively through the lens of science, criticized Einstein's theory of time for being a metaphysics grafted on to science, one that ignored the intuitive aspects of time. The Physicist and the Philosopher tells the remarkable story of how this explosive debate transformed our understanding of time and drove a rift between science and the humanities that persists today.Jimena Canales introduces readers to the revolutionary ideas of Einstein and Bergson, describes how they dramatically collided in Paris, and traces how this clash of worldviews reverberated across the twentieth century. She shows how it provoked responses from figures such as Bertrand Russell and Martin Heidegger, and carried repercussions for American pragmatism, logical positivism, phenomenology, and quantum mechanics. Canales explains how the new technologies of the period―such as wristwatches, radio, and film―helped to shape people’s conceptions of time and further polarized the public debate. She also discusses how Bergson and Einstein, toward the end of their lives, each reflected on his rival’s legacy―Bergson during the Nazi occupation of Paris and Einstein in the context of the first hydrogen bomb explosion.The Physicist and the Philosopher is a magisterial and revealing account that shows how scientific truth was placed on trial in a divided century marked by a new sense of time.

Henri Bergson has been the subject of keen interest within French philosophy ever since being championed by Gilles Deleuze and others. Yet his influence extends well beyond European philosophy, especially within Africa and South Asia. Postcolonial Bergson traces the influence of Bergson’s thought through the work of two major figures in the postcolonial struggle, Muhammad Iqbal and Léopold Sédar Senghor. Poets and statesmen as well as philosophers, both of these thinkers―the one Muslim and the other Catholic―played an essential political and intellectual role in the independence of their respective countries. Both found, in Bergson’s work, important support for their philosophical, cultural, and political projects.For Iqbal, a founding father of independent Pakistan, Bergson’s conceptions of time and creative evolution resonated with the need for the “reconstruction of religious thought in Islam,” a religious thought newly able to incorporate innovation and change. For Senghor, Bergsonian ideas of perception, intuition, and élan vital―filtered in part through the work of the French philosopher Pierre Teilhard de Chardin―proved crucial for thinking about African art, as well as foundational for his formulations of African socialism and his visions of an unalienated African future.At a moment of renewed interest in Bergson’s philosophy, this book, by a major figure in both French and African philosophy, gives an expanded idea of the political ramifications of Bergson’s thought in a postcolonial context.