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Unread book in perfect condition.

Einband leicht beschädigt. Seitlicher Schnitt mit Kratzspuren.

UK collection that is comprised of musical selections from Kubrick's central masterpieces, complimented by pieces which the director used as 'temp tracks' during the production and by all accounts with every intention of using these in the film, only to decide to replace them late on. In 2001, the scherzo from Felix Mendelssohn's 'Midsummer Night's Dream' (used for scenes of weightlessness) and Vaughan Williams 'Antarctica Suite' (for the Stargate effects and scenes on the moon) were both used i

The archive of the Egibi family from the 6th century BC originates in Babylon and covers a time span of more than 100 years and five generations. It is known as the largest and most important private archive from the Neo-Babylonian period. Although nearly 800 tablets were already published in cuneiform copies by the end of the 19th century, no comprehensive text edition and study of this archive has been completed so far. This book presents the first step and focuses on the purchase of land (date orchards and arable land) by the Egibi family. About 240 records (property titles and related debt notes, receipts, field plans, etc.) form the core of the archive and are closely interrelated with other aspects of the family's business. Nearly half of them were previously unpublished. The book provides transliterations ans translations of all texts, as well as copies of new material including hitherto unknown sealings of published tablets. The study shows how the Egibi family managed to accumulate considerable wealth in real estate over a relatively short period of time. The impact of inheritance and marriages and the way the estates were damaged are also examined.

The archive of the Egibi family from the 6th century BC originates in Babylon and covers a time span of more than 100 years and five generations. It is known as the largest and most important private archive from the Neo-Babylonian period. Although nearly 800 tablets were already published in cuneiform copies by the end of the 19th century, no comprehensive text edition and study of this archive has been completed so far. This book presents the first step and focuses on the purchase of land (date orchards and arable land) by the Egibi family. About 240 records (property titles and related debt notes, receipts, field plans, etc.) form the core of the archive and are closely interrelated with other aspects of the family's business. Nearly half of them were previously unpublished. The book provides transliterations ans translations of all texts, as well as copies of new material including hitherto unknown sealings of published tablets. The study shows how the Egibi family managed to accumulate considerable wealth in real estate over a relatively short period of time. The impact of inheritance and marriages and the way the estates were damaged are also examined.

Unread book in perfect condition.

Stanley Kubrick (USA, 1928-99) was a master who took the art of filmmaking further than any other contemporary director, a creative perfectionist whose work now fascinates new generations. He started out as a photographer before moving into film noir aged barely 25, after which the power and originality of his work soon brought him box-office success. In the 1960s, he lived and worked in London, away from the scandal caused by his adaptation of Lolita (1962) and from the major studios, from which, uniquely, he was able to wrest total control of his films. He made only a dozen features in 50 years, each of which displays an extraordinary degree of technical and aesthetic invention. From the sci-fi 2001: "A Space Odyssey" (1968) onwards, each of his masterpieces explores new genres and controversial topics, such as Vietnam ("Full Metal Jacket", 1987), violence ("A Clockwork Orange", 1971), horror ("The Shining", 1980) and sexuality ("Eyes Wide Shut", 1999).

Unread book in perfect condition.

~~Missing film strip~~Good+ 1st edition enormous, high quality Taschen hardback edition with interview CD at front but missing the film strip. Some fading to edges of spine of boards, some corner curling and shelf-wear to pages from usage, binding tight, internally unmarked. More Kubrick books available. Size: 13.25 x 3 x 19.25 inches. 544 pages. Quantity Available: 1. Category: Film, Radio & Television; Films, Cinema; ISBN: 3822822841. ISBN/EAN: 9783822822845. Dewey Code: 791.430233092. The book is available to view in-person at our Cambridge hub. The photos provided are of the actual book for sale, further condition-specific photos may be arranged upon request. Inventory No: 089773. This book is extra heavy, and may involve extra shipping charges to some countries.

Wer sich mit Stasi-Unterlagen befasst, wird mit einer eigentumlichen Sprache und undurchsichtigen Informationswegen konfrontiert. Diese zu verstehen, ist fur die Aufarbeitung der Stasi-Tatigkeit unentbehrlich. Dieses Nachschlagewerk erklart Begriffe und Kurzbezeichnungen aus dem Kontext der zentralen Erfassung von Personen, der Registrierung von Vorgangen, der zahlreichen Aktenkategorien der Geheimpolizei und der Aktenablage im sogenannten Zentralarchiv. Es erlautert zudem die wichtigsten einschlagigen Befehle und Weisungen aus 40 Jahren MfS. Die Darstellung aus archivarischer Perspektive stutzt sich auf umfangreiche Quellen und Erfahrungen der letzten 20 Jahre. Es durfte allen Nutzern von Stasi-Unterlagen eine wertvolle Hilfe sein.

Wer sich mit Stasi-Unterlagen befasst, wird mit einer eigentumlichen Sprache und undurchsichtigen Informationswegen konfrontiert. Diese zu verstehen, ist fur die Aufarbeitung der Stasi-Tatigkeit unentbehrlich. Dieses Nachschlagewerk erklart Begriffe und Kurzbezeichnungen aus dem Kontext der zentralen Erfassung von Personen, der Registrierung von Vorgangen, der zahlreichen Aktenkategorien der Geheimpolizei und der Aktenablage im sogenannten Zentralarchiv. Es erlautert zudem die wichtigsten einschlagigen Befehle und Weisungen aus 40 Jahren MfS. Die Darstellung aus archivarischer Perspektive stutzt sich auf umfangreiche Quellen und Erfahrungen der letzten 20 Jahre. Es durfte allen Nutzern von Stasi-Unterlagen eine wertvolle Hilfe sein.

Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. Featuring around 300 images, many previously unseen, as well as rare Look magazine tear sheets, this release coincides with a major show at the Museum of the City of New York and includes an introduction by noted photography critic Luc Sante.These still photographs attest to Kubrick’s innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.

Studies the style and themes of the films of Stanley Kubrick. The second edition of Mario Falsetto's extensive analysis of Kubrick's films carefully examines the filmmaker's oeuvre in its entirety. .from smaller, early films (The Killing) through mi

In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience... I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules.Accompanying the visual and archival material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick’s best interviews. The result is a visual, archival, and scholarly journey through masterworks of 20th-century cinema and the meticulous mind of the director behind them.

Edited by Danel Olson (The Exorcist: Studies in the Horror Film), with seventeen new interviews by Justin Bozung and recent Paris/London conversations with co-screenwriter Diane Johnson and the legendary Shining Twins by Catriona McAvoy, this study is the first featuring recent reminiscences with cast & crew of The Shining and original interdisciplinary essays by top critics. This landmark edition also includes rare and unpublished photographs, archival material, seminal reprints, and galleries of artwork & posters inspired by the Kubrick film, all on heavy acid-free paper in two full-color, brilliantly-designed Smyth-sewn paperback.

Hardcover. An engrossing biography of one of the most influential filmmakers in cinematic history"A cool, cerebral book about a cool, cerebral talent. . . . A brisk study of [Kubrick's] films, with enough of the life tucked in to add context as well as brightness and bite.Dwight Garner, New York Times"An engaging and well-researched primer to the work of a cinematic legend."Library Journal Kubrick grew up in the Bronx, a doctors son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a selftaught filmmaker and selfproclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubricks Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, evercurious polymath immersed in friends and family. Drawing on interviews and new archival material, David Mikics for the first time explores the personal side of Kubricks films. "Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes readers on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films."--Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

We've all heard the rumors.He was a hermit. He refused to fly and wouldn't be driven at more than thirty miles an hour. He avoided having his picture taken and was terrified of being assassinated. As a filmmaker, he was obsessed with perfection. He insisted on total control of every facet of the process. Simple scenes required one hundred takes. No wonder he made only six movies in the past thirty-five years. But what was he really like?For more than two years, Frederic Raphael collaborated closely with Stanley Kubrick on the screenplay of what was to be the director's final movie, Eyes Wide Shut. Over time, as his professional caution was replaced by a certain affection, Kubrick lowered his guard for Raphael as he never had with journalists or biographers, to reveal much about his early life in the cinema and of the reverses and humiliations he had to endure. They spoke for hours about a variety of subjects, from Julius Caesar to the Holocaust, from Kubrick's views about other directors to reminiscences of the many stars with whom both men had worked (or nearly worked)--Kirk Douglas, Audrey Hepburn, James Mason, Peter Sellers, Marisa Berenson, Sterling Hayden, Marlon Brando, and Gregory Peck.Here, with his own distinctly cinematic style, Raphael chronicles their often fiery exchanges, capturing Kubrick's voice as no one else could. Disdaining false veneration, he opens our eyes to the mind and art of a truly complex and hitherto elusive twentieth-century genius.

Middlesex. 1972. Penguin Books. 18x11. 143p.

Based on William Makepeace Thackeray’s picaresque novel of 1844, Barry Lyndon tells the story of a social-climbing opportunist (Ryan O’Neal) who succeeds in marrying a beautiful aristocrat far above his social station (Marisa Berenson), only to see his gains eventually undone by avarice and spite. Meticulously conceived and sumptuously photographed―using a specially-modified lens and almost exclusively lit by candles and natural light―Barry Lyndon is at once a satirical and sympathetic portrayal of a strangely endearing antihero. (Because “he has charm and courage,” said Kubrick, “it's impossible not to like him despite his vanity, his insensitivity, and his weakness.”)Despite underwhelming audiences and critics alike when it was released in 1975, a time when period pieces were not all the rage, Barry Lyndon has quietly risen in the ranks of Kubrick’s canon and is now widely considered to be not only among his finest achievements but a cinematic masterpiece without equal. This collection is part of the Making of a Masterpiece series, offering a behind-the-scene glimpse into movie milestones.This set includes:film stills, behind-the-scenes photographs, screenplay drafts, and other exclusive material from Stanley Kubrick’s archivesbackground about the making of the film, interviews with Kubrick, and an illustrated biography and filmographya fold-out film postera DVD of the remastered film

This is the first book to present the previously unpublished photographs of the renowned filmmaker Stanley Kubrick (1928-1999), taken between 1945 and 1950 and printed from recently discovered original negatives. Shortly after graduating from high school and before making his first films, Kubrick shot roughly 12,000 images as a staff photographer for the New York-based Look magazine.