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Identity and Pleasure: The Politics of Indonesian Screen Culture critically examines what media and screen culture reveal about the ways urban-based Indonesians attempted to redefine their identity in the first decade of this century. Through a richly nuanced analysis of expressions and representations found in screen culture (cinema, television and social media), it analyses the waves of energy and optimism, and the disillusionment, disorientation and despair, that arose in the power vacuum that followed the dramatic collapse of the militaristic New Order government.         While in-depth analyses of identity and political contestation within the nation are the focus of the book, trans-national engagements and global dimensions are a significant part of the story in each chapter. The author focuses on contemporary cultural politics in Indonesia, but each chapter contextualizes current circumstances by setting them within a broader historical perspective.

This sophisticated study, now brought back into print as the second book in Equinox Publishing’s Classic Indonesia series, delineates the ideology of the Indonesian Communist Party (PKI) during a crucial period in its history. After sketching the evolution of the Party’s doctrines between 1951 and 1959, Professor Mortimer analyzes the ideas, programs, and policies of the PKI during Guided Democracy, showing how they developed and were implemented. Mortimer thoroughly examines the relationship between the Party and President Sukarno and offers new interpretations of the events leading up to the abortive coup and the bloody destruction of the PKI in 1965. Specialists and students of modern Indonesia and of Asian nationalism will welcome this first history of Indonesian communism during an era that began with spectacular expansion and ended in disaster.

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Philosophy in the middle of the 20th Century, between 1920 and 1968, responded to the cataclysmic events of the time. Thinkers on the Right turned to authoritarian forms of nationalism in search of stable forms of collective identity, will, and purpose. Thinkers on the Left promoted egalitarian forms of humanism under the banner of international communism. Others saw these opposed tendencies as converging in the extinction of the individual and sought to retrieve the ideals of the Enlightenment in ways that critically acknowledged the contradictions of a liberal democracy racked by class, cultural, and racial conflict. Key figures and movements discussed in this volume include Schmitt, Adorno and the Frankfurt School, Arendt, Benjamin, Bataille, French Marxism, Black Existentialism, Saussure and Structuralism, Levi Strauss, Lacan and Late Pragmatism. These individuals and schools of thought responded to this 'modernity crisis' in different ways, but largely focused on what they perceived to be liberal democracy's betrayal of its own rationalist ideals of freedom, equality, and fraternity.

The lifetime of Jacques-Louis David (1748-1825) coincides with the most tumultuous period in the history of France and much of the Western world. And David's life was closely bound up with the changes that were taking place in French politics, society, and culture. Although most other scholars have focused either on David's artistic activity or on his political career, Warren Roberts examines the connections between these two aspects of his life. Using a historical approach, Roberts provides an interpretation of David's art that illuminates David the man.Roberts presents David's art as a personal record that is an extension of his inner life and a product of historical conditions. David's art, like his character and his actions, cannot be fully understood without understanding the changes that led to and then flowed from the French Revolution. Roberts here considers these changes and their impact on David from the perspectives of the historian and the art historian, and he comes to conclusions that are important for both.

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This collection of essays growing out of in-depth research on David Duke examines the controversial Louisiana politician's past, his electoral success, his appeal, and his constituency. The contributors, including political scientists, journalists, historians, and activists, conclude that Duke appeals to a vast group of middle-class, white voters who feel that they have been ignored by the political scene and bypassed in economic terms.Originally published in 1992.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Black and white illustrations throughout. A full-color pull-out of the work appears at the end of the book. Bibliography. Index. The Lictors Bring to Brutus the Bodies of His Sons (1789) is a work in oils by the French artist Jacques-Louis David. It was unveiled in the politically charged era of the French Revolution and is a bold allegory of civic virtue.

Eliash examines the relationship between Ireland and the Zionist movement, and the state of Israel from the context of Palestine’s partition and the delay in Ireland’s recognition of the State of Israel until 1963. Analyzing the Irish attitude to the partition of Palestine through an analogy with that of Ireland, this engaging text compares both the Irish and Zionist views on the partition plans of 1937 and 1947. The study underscores the contrast between Ireland’s separatist policy and its sparse diplomatic connections on the one hand, and Israel’s global diplomacy on the other, and discusses how this gap contributed to Ireland’s delay in recognizing the State of Israel. Shedding light on Irish and Israeli foreign policy, the book also calls into question the ability of small states to form independent foreign policy, the Vatican’s influence on devout Catholic states like Ireland, and the role of Irish and Jewish diasporas in the US.

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In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland. The book, though, is far more than a narrative history of the movement. Brundage effectively weaves into his account a number of the analytical themes and perspectives that have transformed the study of nationalism over the last two decades. The most important of these perspectives is the "imagined" or "invented" character of nationalism. A second theme is the relationship of nationalism to the waves of global migration from the early nineteenth century to the present and, more precisely, the relationship of nationalist politics to the phenomenon of political exile. Finally, the work is concerned with Irish American nationalists' larger social and political vision, which sometimes expanded to embrace causes such as the abolition of slavery, women's rights, or freedom for British colonial subjects in India and Africa, and at other times narrowed, avoiding or rejecting such "extraneous" concerns and connections. All of these themes are placed within a thoroughly transnational framework that is one of the book's most important contributions.Irish nationalism in America emerges from these pages as a movement of great resonance and power. This is a work that will transform our understanding of the experience of one of America's largest immigrant groups and of the phenomenon of diasporic or "long-distance" nationalism more generally.

In this incisive examination of lead poisoning during the past half century, Gerald Markowitz and David Rosner focus on one of the most contentious and bitter battles in the history of public health. Lead Wars details how the nature of the epidemic has changed and highlights the dilemmas public health agencies face today in terms of prevention strategies and chronic illness linked to low levels of toxic exposure. The authors use the opinion by Maryland’s Court of Appeals which considered whether researchers at Johns Hopkins University’s prestigious Kennedy Krieger Institute (KKI) engaged in unethical research on 108 African-American children as a springboard to ask fundamental questions about the practice and future of public health. Lead Wars chronicles the obstacles faced by public health workers in the conservative, pro-business, anti-regulatory climate that took off in the Reagan years and that stymied efforts to eliminate lead from the environments and the bodies of American children.

Combining essential themes in the discipline of comparative politics with a country-by-country analysis, author David S. Sorenson provides a complete and accessible introduction to the modern Middle East. While emphasizing politics, the text dedicates separate chapters specifically to the history, religions, and political economy of the region. These introductory chapters together constitute an important thematic overview and orientation for each of the book's individual country chapters, including countries of the Persian (Arabian) Gulf, the Eastern Mediterranean, and North Africa. In each country chapter, a brief political history is followed by discussions of democratization, religious politics, women's issues, civil society, economic development, privatization, and foreign relations. Throughout the book, Images”-short vignettes based on the author's personal observations during his extensive travels in the Middle East-offer readers a chance for personal reflection on the topics discussed in each chapter.

Since the collapse of the Soviet Union, nationality groups have claimed sovereignty in the new republics bearing their names. With the ascendance of these titular nationality groups, Russian speakers living in the post-Soviet republics face a radical crisis of identity. That crisis is at the heart of David D. Laitin's keenly awaited book. Laitin portrays these Russian speakers as a "beached diaspora" since the populations did not cross international borders; the borders themselves receded. He asks what will become of these populations. Will they learn the languages of the republics in which they live and prepare their children for assimilation? Will they return to a homeland many have never seen? Or will they become loyal citizens of the new republics while maintaining a Russian identity? Through questions such as these and on the basis of ethnographic field research, discourse analysis, and mass surveys, Laitin analyzes trends in four post-Soviet republics: Estonia, Latvia, Kazakhstan, and Ukraine. Laitin concludes that the "Russian-speaking population" is a new category of identity in the post-Soviet world. This conglomerate identity of those who share a language is analogous, Laitin suggests, to such designations as "Palestinian" in the Middle East and "Hispanic" in the United States. The development of this new identity has implications both for the success of the national projects in these states and for interethnic peace.

Now available for the first time in paperback, Lincoln and the Indians remains the only thorough treatment of a much-neglected aspect of Lincoln's presidency.Placing Indian affairs in the broad context of Civil War politics and the settling of the West, David A. Nichols covers the Sioux War of 1862 in Minnesota, the forced removal of the Navajos from their homeland to the deadly concentration camp at Bosque Redondo, and the massacre of Cheyennes by volunteer troops at Sand Creek. He also examines Lincoln's inept handling of the Five Civilized Tribes in Indian Territory and the corrupt "Indian System" of government aid that mainly benefited ambitious whites.

Sasaks, a people of the Indonesian archipelago, cope with one of the country's worst health records by employing various medical traditions, including their own secret ethnomedical knowledge. But anxiety, in the presence and absence of illness, profoundly shapes the ways Sasaks use healing and knowledge. Hay addresses complex questions regarding cultural models, agency, and other relationships to conclude that the ethnomedical knowledge they use to cope with their illnesses ironically inhibits improvements in their health care. M. Cameron Hay is a NSF Advance Fellow and an Assistant Adjunct Professor at the UCLA Center for Culture and Health.

This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history.Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced—and was influenced by—politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.

As Director of the Office of Management and Budget in the early 1980s, David Stockman was a chief architect of the Reagan Revolution—a bold plan to cut taxes and reduce the scope and cost of government. The Triumph of Politics was Stockman's frontline report of the miscalculations, manipulations, and political intrigues that led to its failure. A major publishing event and New York Times bestseller in its day, The Triumph of Politics is still startling relevant to the conduct of Washington politics today.

Northern whites in the post-World War II era began to support the principle of civil rights, so why did many of them continue to oppose racial integration in their communities? Challenging conventional wisdom about the growth, prosperity, and racial exclusivity of American suburbs, David M. P. Freund argues that previous attempts to answer this question have overlooked a change in the racial thinking of whites and the role of suburban politics in effecting this change. In Colored Property, he shows how federal intervention spurred a dramatic shift in the language and logic of residential exclusion-away from invocations of a mythical racial hierarchy and toward talk of markets, property, and citizenship. Freund begins his exploration by tracing the emergence of a powerful public-private alliance that facilitated postwar suburban growth across the nation with federal programs that significantly favored whites. Then, showing how this national story played out in metropolitan Detroit, he visits zoning board and city council meetings, details the efforts of neighborhood "property improvement" associations, and reconstructs battles over race and housing to demonstrate how whites learned to view discrimination not as an act of racism but as a legitimate response to the needs of the market. Illuminating government's powerful yet still-hidden role in the segregation of U.S. cities, Colored Property presents a dramatic new vision of metropolitan growth, segregation, and white identity in modern America.