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Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Hardcover. When the visual artist H.R. Giger, best known for his biomechanical creature and set design for seminal 1979 sci-fi-horror film Alien, encountered Debbie Harry, the punk icon and lead singer of globally successful New Wave band Blondie, the results were sublime.With photographs and words by Chris Stein, Harry's long-term collaborator, artefacts and sketches from the Giger archive, and an introduction by Debbie Harry, this is an essential behind-the-scenes insight into the processes of an incredible creative partnership.The cover art for the album was created by Swiss artist H.R. Giger, known for his design work on the 1979 sci-fi/horror film Alien. Based on a photograph of Harry taken by the renowned photographer Brian Aris, Giger created several variations of the cover (another of which is seen on the album's inner sleeve) in what Harry described as a combination of punk, acupuncture and sci-fi. A beautiful coffee table art book chronicling the extraordinary collaboration between Debbie Harry and H.R. Giger for Harry's 1981 solo album KooKoo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Blondie's emergence at New York's CBGB's and other haunts with lead singer and front woman Debbie Harry brought an instant glamour to punk and made superstars of the band. Harry, an ex-Playboy bunny, also made rock star wannabes of many fans. In this large-format book, famed international rock photographer Mick Rock documents the beginnings, the highs, and the lows of the group - with particular emphasis on Harry - in 150 powerful never-before-published images of Blondie at work and play. Included is a DVD that features an exclusive interview with the photographer and the lead singer. A foreword by Debbie Harry gives an insider perspective on the images and the heady times they portray.

Blondie's emergence at New York's CBGB's and other haunts with lead singer and front woman Debbie Harry brought an instant glamour to punk and made superstars of the band. Harry, an ex-Playboy bunny, also made rock star wannabes of many fans. In this large-format book, famed international rock photographer Mick Rock documents the beginnings, the highs, and the lows of the group - with particular emphasis on Harry - in 150 powerful never-before-published images of Blondie at work and play. Included is a DVD that features an exclusive interview with the photographer and the lead singer. A foreword by Debbie Harry gives an insider perspective on the images and the heady times they portray.

A unique look at the collaboration between famed rock photographer Mick Rock and Debbie Harry—one of music’s greatest stars—and the band Blondie.  “I’ve been photographed by a lot of different people since I started Blondie, but Mick is unforgettable.”—Deborah Harry   Blondie was the most successful rock act to emerge from New York’s seminal and anarchic downtown punk scene of the mid-1970s—and the band’s beautiful, multitalented lead singer, Debbie Harry, became one of the most photogenic and photographed rock performers of all time. During the same period, photographer Mick Rock lived and lensed cutting-edge culture in the city, shooting rock ’n’ roll greats like David Bowie and Lou Reed. The artistic collaboration between Rock and Harry yielded iconic photos that transcended and transformed the public perception of rock ’n’ roll imagery. This book—with a foreword written by Harry herself—explores in depth, both visually and verbally, the unique natural charm and charisma of Debbie's “punk Marilyn Monroe” persona in its prime, and her successful reinvention of that persona for Blondie’s glorious comeback of recent years. Mick Rock provides a vivid, memorable account of his larger-than-life adventures behind the camera, revealing just what made Debbie Harry and Blondie so distinctive.  

With guest appearances from Stevie Van Zandt, Debbie Harry, Genya Ravan, Cit ORiordan of The Pogues, Eddie Muoz of The Plimsouls, Kim Shattuck of The Muffs, Paul Collins, Peter Zaremba of The Fleshtones, Speedie John Carlucci of The Fuzztones, Ben Vaughn, and more!

Limited pink colored vinyl LP pressing. THE B GIRLS ARE BACK ON BOMP!... WHERE THEY BELONG!!! BAD not EVIL is The B Girls first full-length vinyl release. It includes the band's only single on Bomp!, plus studio recordings from 1977 up to 1981, and two live tracks. The songs are produced by Debbie Harry of Blondie, Mick Jones of The Clash, Craig Leon (The Ramones, Blondie, Richard Hell, Suicide, The Zeros), Liam Sternberg (Rachel Sweet, Kirsty McColl, The Bangles), Bob Segarini (The Wackers) and

INDIEFAB Book of the Year Awards -- 2014 FinalistOn the occasion of Blondie’s fortieth anniversary, Chris Stein shares his iconic and mostly unpublished photographs of Debbie Harry and the cool creatures of the ’70s and ’80s New York rock scene. While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

Drawing upon extensive new first hand interview material from Debbie Harry, Chris Stein and many other significant players in the band’s long history and a huge archive of personal materials and unpublished interviews, Blondie: Parallel Lines is the definitive eye-witness account of the group’s long and often tumultuous existence. Beginning with the band members' childhoods, backgrounds and influences, the book is also an evocative homage to the unique New York scene of the 1970s. It charts the development of Blondie to their massive popular success and eventual break up. It also details how Debbie Harry set her career aside to nurse Chris through a debilitating and life-threatening genetic disease. It recounts the group’s 1997 reformation, subsequent renaissance with their No Exit album, the controversies surrounding the 2006 induction to the Rock ‘n’ Roll Hall of Fame, ending in the present with the release of Panic of Girls. Co-author Kris Needs established a friendship with Harry, Stein and the rest of the band that endures to this day. As a trusted confidante, he now recounts the full story.

For the first time ever, Playboy presents the complete, official account of the iconic Playboy Bunny. Coinciding with the Bunny's 50th anniversary, this richly illustrated book presents stunning pictorials of famous and classic Bunnies from the likes of Debbie Harry, Lauren Hutton, and Gloria Steinem as well as rare images unearthed from the Playboy vault. A fascinating narrative charts the 50-year history of the Bunny, from the opening of the first Playboy club in Chicago to the making of a global empire. Former Bunnies and Playboy legends share insider secrets: a former "Bunny Mother" dishes on daily life in the clubs, Hugh Hefner reminisces on the swinging '60s, and his brother Keith discusses Bunny etiquette. With oodles of gorgeous Bunnies and a foreword by Hef himself, this is the perfect gift for any Playboy fan.

One of the most iconic groups of their generation, Blondie experienced an unparalleled rise to global superstardom during the late 1970s. Drawing upon extensive new firsthand interview material from Debbie Harry, Chris Stein, and many other significant players in the band's long history, Blondie: Parallel Lives is the definitive eye-witness account of the group's long and often tumultuous existence. Beginning with their childhoods and influences, the book is also an evocative homage to the unique New York scene of the 1970s. It charts the development of Blondie to their massive popular success and eventual break up and covers how Debbie Harry set her career aside to nurse Chris through a debilitating genetic disease. It recounts the group's 1997 renaissance with their No Exit album, the controversies surrounding the 2006 induction to the Rock n Roll Hall of Fame, and the most recent release of Panic of Girls.

In the photographs of Chris Stein and words of Debbie Harry, Making Tracks details the story of Blondie, whose career propelled them from the depths of the Bowery to international renown as the hottest rock group in the world. Victor Bockris aided in the formation of the text and selection of photographs, which also provides an intimate portrait of the unique collaboration between Debbie and Chris.

In 1977, at the height of the disco craze, a club opened at 254 West 54th Street in New York City. Studio 54 was―and, arguably, remains―the world's most renowned and legendary disco. Regularly attended by celebrities such as Andy Warhol, Elizabeth Taylor, Mick Jagger, Bianca Jagger, Jerry Hall, Debbie Harry, Grace Jones, Michael Jackson, Calvin Klein, Elton John, John Travolta, Brooke Shields and Tina Turner, the club fostered an atmosphere of unadulterated hedonism for New York's art and fashion set. Hasse Persson and his camera were frequent club guests from 1977–80. The images he photographed there have become legendary, capturing the club's famed revelers, dancers in costume and general, drunken exhilaration―and yet, incredibly, Studio 54 marks the first time in history that they have seen publication. Almost 35 years after the club's unceremonious and sudden closure, this beautiful hardback volume superbly documents the zeitgeist.Hasse Persson (born 1942) has had a long career as a photojournalist. Though Swedish born, he spent nearly a quarter century, from 1967 to 1990, working in New York. He has published five books on America and his photographs have appeared in such publications as The New York Times, Time, Newsweek and Life. He worked as the artistic director of the Hasselblad Center in Gothenburg and today he is the artistic director of Strandverket Konsthall in Marstrand, Sweden.

INDIEFAB Book of the Year Awards -- 2014 FinalistOn the occasion of Blondie’s fortieth anniversary, Chris Stein shares his iconic and mostly unpublished photographs of Debbie Harry and the cool creatures of the ’70s and ’80s New York rock scene. While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

debbie harry face official M-L unisex tee/2020 blondie bend oil/100% cotton tee/made in Nicaragua /NEW!/fit's loose/print say's M-L tee/tag attached.

In the photographs of Chris Stein and words of Debbie Harry, Making Tracks details the story of Blondie, whose career propelled them from the depths of the Bowery to international renown as the hottest rock group in the world. Victor Bockris aided in the formation of the text and selection of photographs, which also provides an intimate portrait of the unique collaboration between Debbie and Chris.

Documentary work, from the inside, of the 1970s New York City punk scene, with photographs of Andy Warhol, Tom Verlaine, Richard Hell, Debbie Harry, Grace Jones, Patti Smith, William Burroughs, David Bowie, Mick Jagger, Man Ray's passport, Divine, Marilyn Chambers, and more. Nudes. Photographs by Christopher Makos; introduction by Andrew J. Crispo. 98 pages with three multi-page gatefolds; profusely illustrated with b&w photographic plates; 9 x 12 inches.

In 1977, at the height of the disco craze, a club opened at 254 West 54th Street in New York City. Studio 54 was―and, arguably, remains―the world's most renowned and legendary disco. Regularly attended by celebrities such as Andy Warhol, Elizabeth Taylor, Mick Jagger, Bianca Jagger, Jerry Hall, Debbie Harry, Grace Jones, Michael Jackson, Calvin Klein, Elton John, John Travolta, Brooke Shields and Tina Turner, the club fostered an atmosphere of unadulterated hedonism for New York's art and fashion set. Hasse Persson and his camera were frequent club guests from 1977–80. The images he photographed there have become legendary, capturing the club's famed revelers, dancers in costume and general, drunken exhilaration―and yet, incredibly, Studio 54 marks the first time in history that they have seen publication. Almost 35 years after the club's unceremonious and sudden closure, this beautiful hardback volume superbly documents the zeitgeist.Hasse Persson (born 1942) has had a long career as a photojournalist. Though Swedish born, he spent nearly a quarter century, from 1967 to 1990, working in New York. He has published five books on America and his photographs have appeared in such publications as The New York Times, Time, Newsweek and Life. He worked as the artistic director of the Hasselblad Center in Gothenburg and today he is the artistic director of Strandverket Konsthall in Marstrand, Sweden.

Neu -Mit ihren strohblonden Haaren, dem coolen Sex-Appeal und lässigen Straßenimage ist Debbie Harry viel mehr als nur eine Frau in einer Band. Sie ist eine Mode-, Musik- und Kunstikone, das Gesicht einer ganzen Ära. Als Sängerin von Blondie führte sie eine der einflussreichsten und erfolgreichsten Bands der späten Siebziger und frühen Achtziger an, einer Zeit, als New York im Fokus der Aufmerksamkeit stand. Sie war Stammgast im Studio 54, auf dem Cover des Rolling Stone, Objekt von Warhols berühmten Siebdrucken und Anführerin der Musikvideo-Revolution. Harrys Einfluss auf die heutige Popkultur nicht zu unterschätzen. Sie selbst umgab sich immer mit der Aura des Mysteriösen und Unanahbaren und hielt bewusst Abstand zu den Medien und den Fans . bis jetzt! Denn in ihrer Autobiografie erzählt sie erstmals die ganze Geschichte - von den Tagen als Adoptivkind in New Jersey bis heute. 432 pp. Deutsch

Blast to the past with this copy of International Musician and Recording World! Featuring Debbie Harry, there's also articles on Santana, Judas Pri...