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Brooke Alexander is in love with one of Washington, D.C.’s most prominent attorneys. Patrick is everything that dreams are made of—or so it seems. One day, Patrick can be loving and supportive, the next he is demeaning and angry at the world. Damon Johnson has been married to his wife, Carleigh, for four years. He is compassionate, honest, and worships the ground that she walks on. But Carleigh treats Damon like a trophy, allowing her friends to salivate over him and disrespect their happy home. Damon has dreams outside of his six-figure corporate job, and Carleigh treats his life aspirations like a joke. Her selfish nature makes Damon wonder if he made the right decision when he asked for her hand in marriage. A tragic event forces Brooke and Damon to become a part of each other’s lives. Through the darkest of times, they find the courage, strength, and perseverance to discover the true meaning of unconditional love as they experience a total eclipse of the heart.

These essays deal with physical labour - exhausting, demeaning, demanding - in the middle ages, viewed against the background of the familiar division of medieval society into those who ruled, those who prayed, and those who worked. The work of work is shown, in varied ways, to have been directed to one end - to maintaining the status quo. Subjects investigated include the opus Dei of monastic life and the sense of `vocation' in religious work; litigation against servants in the fifteenth century; links between slavery and women's status; and the effect of the Church on slavery as an institution. A multitude of Anglo-Saxon terms denoting labour and servitude is also revealed. Throughout the volume there is a conscious sense of the literary constructs underlying the portrayal of labour, and the origins of the attitudes that produced them. Contributors: ALLEN J. FRANTZEN, RUTH MAZO KARRAS, ELIZABETH STEVENS GIRSCH, JOHN RUFFING, GEORGE OVITT, JR, ROSS SAMSON, NIALL BRADY, DOUGLAS MOFFAT, DAVID AERS, LOUISE M. BISHOP, MADONNA J. HETTINGER

Misunderstandings about what it means for humans to be created in God's image have wreaked devastation throughout history -- for example, slavery in the U. S., genocide in Nazi Germany, and the demeaning of women everywhere.In Dignity and Destiny John Kilner explores what the Bible itself teaches about humanity being in God's image. He discusses in detail all of the biblical references to the image of God, interacts extensively with other work on the topic, and documents how misunderstandings of it have been so problematic.People made according to God's image, Kilner says, have a special connection with God and are intended to be a meaningful reflection of him. Because of sin, they don't actually reflect him very well, but Kilner shows why the popular idea that sin has damaged the image of God is mistaken. He also clarifies the biblical difference between being God's image (which Christ is) and being in God's image (which humans are). He explains how humanity's creation and renewal in God's image are central, respectively, to human dignity and destiny.Locating Christ at the center of what God's image means, Kilner charts a constructive way forward and reflects on the tremendously liberating impact that a sound understanding of the image of God can have in the world today.

Liberating today's chicken from cartoons, fast food, and other demeaning associations, The Chicken Book at once celebrates and explains this noble fowl. As it traces the rise and fall of Gallus domesticus from the jungles of ancient India to the assembly-line hatcheries sprawled across modern America, this original, frequently astounding book passes along a trove of knowledge and lore about everything from the chicken's biology and behavior to its place in legend and mythology. The book includes lively discussions of the chicken's role in literature and history, the cruel attractions of cockfighting, the medicinal uses of eggs and chicken parts, the details of the egg-laying process, the basics of the backyard coop, recipes, and much more. Entertaining and insightful, The Chicken Book will change the way we regard this too often underappreciated animal.

Because pyrotechnology was considered a demeaning craft, there is very little about its practice in ancient texts; our knowledge of early developments is based almost entirely on interpretation of artifacts recovered by archaeology during the past century and a half. Literature in archaeology and anthropology, however, tends to concentrate on the artifact found rather than on how it was produced - on the pot or spearhead rather than the kiln or furnace. There is thus surprisingly little information on the practice and importance of pyrotechnology. The Mastery and Uses of Fire in Antiquity, written by an engineer with fifty years of experience in industrial research and pyrotechnology, rectifies this lack. J.E. Rehder covers the kinds of furnaces, the nature of the fuel used, and the productions created - fired clay, lime from limestone, metals from the reduction of ores, and glass from sand. He also shows convincingly that previous arguments that early deforestation resulted from furnace use cannot be supported. The Mastery and Uses of Fire in Antiquity provides much-needed information for anyone interested in archaeology, anthropology, and pyrotechnology.

Because pyrotechnology was considered a demeaning craft, there is very little about its practice in ancient texts; our knowledge of early developments is based almost entirely on interpretation of artifacts recovered by archaeology during the past century and a half. Literature in archaeology and anthropology, however, tends to concentrate on the artifact found rather than on how it was produced - on the pot or spearhead rather than the kiln or furnace. There is thus surprisingly little information on the practice and importance of pyrotechnology. The Mastery and Uses of Fire in Antiquity, written by an engineer with fifty years of experience in industrial research and pyrotechnology, rectifies this lack. J.E. Rehder covers the kinds of furnaces, the nature of the fuel used, and the productions created - fired clay, lime from limestone, metals from the reduction of ores, and glass from sand. He also shows convincingly that previous arguments that early deforestation resulted from furnace use cannot be supported. The Mastery and Uses of Fire in Antiquity provides much-needed information for anyone interested in archaeology, anthropology, and pyrotechnology.

In a 1984 lecture on poetry and political violence, Seamus Heaney remarked that "the idea of poetry was itself that higher ideal to which the poets had unconsciously turned in order to survive the demeaning conditions." Jonathan Hufstader examines the work of Heaney and his contemporaries to discover how poems, combining conscious technique with unconscious impulse, work as aesthetic forms and as strategies for emotional survival.In his powerful study, Hufstader shows how a number of contemporary Northern Irish poets, including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon, Tom Paulin, Ciarán Carson and Medbh McGuckian, explore the resources of language and poetic form in their various responses to cultural conflict and political violence. Focusing on both style and social contexts, Hufstader explores the tension between solidarity and art, between the poet's need to belong and to rebel. He believes that an understanding of the power of lyric points towards an understanding of the source of social violence, and of its cessation.

A narcissistic partner is forever putting his or her own needs first and is also demeaning, manipulative, controlling, and competitive. After the early stages of a relationship, the non-narcissist is usually left questioning her value. In this first book for the intimate partners of narcissists, find empowering strategies you can use to limit the destructive effect of your partner's behavior and get what you need out of your relationship.Learn the five types of destructive narcissism and how to recognize their effects on your relationship. The book reassures you that you are not helpless, and that you needn't give up on your relationship. Instead, the book offers realistic tips on living so that both of your needs are met. Change your "fantasy" wishes into realistic expectations, create boundaries, listen and respond in a self-caring manner, and learn when to avoid and ignore especially bad behavior. The book teaches you how to stop feeding into a narcissist's self-focus with subtle behavior cues such as acting distracted when he or she vies for attention. Ultimately, you will achieve a degree of understanding and separation that will help you see both your partner and yourself in a new light.

The mesmerising New York Times bestseller! Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for...and the most demeaning. This year, there's a ninth. And instead of paper, she's made of fire . 'A timely reminder that, in the right hands, the fantasy genre has things to say about injustice and abuse of power in the real world' GUARDIAN Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by the royal guards, and her fate remains unknown. Now, the guards are back and this time it's Lei they're after - the girl with the golden eyes, whose rumoured beauty has piqued the king's interest. Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learn the skills and charm that befit a king's consort. There, Lei does the unthinkable - she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.

In an alternate reality a lot like our world, every person’s physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers.   Warner and his sister Prayer are destitute—and tiny. Their size is not just demeaning, but dangerous: day and night they face mortal dangers that bigger richer people don’t ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter—there’s no point, when no one that little has any purchasing power, and when salaried doctors and teachers would never fit in buildings so small. Warner and Prayer know their only hope is to scale up, but how can two littlepoors survive in a world built against them?   A brilliant, warm, funny trip, unlike anything else out there, and a social novel for our time in the tradition of 1984 or Invisible Man. Inequality is made intensely visceral by an adventure and tragedy both hilarious and heartbreaking.

A selection of well-known and rare poems from the great experimental poet. From the appearance in 1936 of Kenneth Patchen’s first book, the voice of this great poet has been protesting war and social injustice, satirizing the demeaning and barbarous inanities of our culture―entrancing us with an inexhaustible flow of humor and fantasy. With directness and simplicity, he has restored the exaltation of romantic love to its ancient bardic place beside an awareness of God’s living presence among all men. For this collection, assembled in his fifty-fourth year, Kenneth Patchen has drawn from the contents of twelve of his books. It provides the reader in many cases with the texts of poems no longer available even in rare editions.

Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect.

Christian women held captive by demeaning patriarchal attitudes? It happens all the time. This fresh and timely book by the editor of "Charisma" magazine takes a no-nonsense look at unscriptural mind-sets within the church--ways of thinking that have made women into "second-class citizens." A powerful expose, it will enlighten and free women to be all that God is calling them to be.

Woody Allen began his career writing jokes and scripts, then progressed to stand-up and acting, and finally wrote and directed his first film, Take the Money and Run, in 1969. This was a screwball comedy that starred Allen as a hapless and self-demeaning schlemiel who bumbles his way through preposterous and hilarious situations. His first serious recognition as a filmmaker came with the Oscar he was awarded for Annie Hall in 1977. Allen progressed from joke comedy to psychological comedy with films like Manhattan, Stardust Memories, and Hannah and Her Sisters. Allens work has also come to reveal the poignant emotional mix of tragicomedy in the charm and fantasy of The Purple Rose of Cairo, the nostalgia of Radio Days, the multiple plots of Crimes and Misdemeanors, and the bittersweet tone of Alice. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars.

Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect.

The submissive trainees at Pentagon Agency derive pleasure from even the most demeaning tasks. Their lives are dedicated to sexual servitude; they enjoy pain and humiliation on a daily basis. There is only one punishment they try to avoid: the black room. When private investigator Jo Valentine is assigned to infiltrate the Pentagon Agency, she is prepared to do anything to get results - but nothing can prepare her for what lies in the black room. The more she discovers about the agency, the more she learns of her passion for dark and bizarre sexual games that go beyond anything she has experienced before.

Chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning. The authors note that not all cartoonists have worn white hats many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues. Nonetheless, most cartoonists pride themselves on attacking honestly, if ruthlessly. This collection humorously recounts some direct hits, recalling the discomfort of the cartoon's targets and the delight of their readers. Annotation c. by Book News, Inc., Portland, Or.

If you want to be a more effective communicator in today’s diverse workplace, this book is for you. If your organization wants to ensure that employees avoid biased, stereotypical and demeaning communication at work, you will find the guidance you need in this book. Within the pages, you will discover: - Concrete guidelines for ensuring your message gets across to a diverse group of listeners; - The Six-Step Communication Recovery model for what to do when things go wrong and you have your foot in your mouth; - 12 effective techniques for speaking up in the face of demeaning comments, stereotypes or bias; - A Checklist for Communicating Respect and Inclusion

La Guma's powerful, firsthand account depicts the dedicated South African people who risked their lives in the underground movement against apartheid. The main characters, Beukes and Elias, are among others determined to undermine apartheid's blatant oppression and demeaning tactics. The author's knack for rich descriptions and weaving the past with the present transports readers to the grind of working in an underground political organization and the challenges of confronting hardships, change, and injustice on a daily basis. Other titles by African writers from Waveland Press: Ba, So Long a Letter (ISBN 9781577668060) Beti, The Poor Christ of Bomba (ISBN 9781577664185) Emecheta, Kehinde (ISBN 9781577664192) Equiano, Equiano's Travels (ISBN 9781577664871) Head, The Collector of Treasures and Other Botswana Village Tales (ISBN 9781478607601) Head, Maru (ISBN 9781478607618) Head, When Rain Clouds Gather (ISBN 9781478607595) Marechera, The House of Hunger (ISBN 9781478604730) Mofolo, Chaka (ISBN 9781478607151) Ngugi-Mugo, The Trial of Dedan Kimathi (ISBN 9781478611318) Nwapa, Efuru (ISBN 9781478611011) Oyono, Houseboy (ISBN 9781577669883) Oyono, The Old Man and the Medal (ISBN 9781478609582) p'Bitek, Song of Lawino & Song of Ocol (ISBN 9781478604723) Plaatje, Mhudi (ISBN 9781478609575) Rifaat, Distant Views of a Minaret and Other Short Stories (ISBN 9781478611288)