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German philosopher Friedrich Nietzsche has been the subject of many intellectual biographies, yet none thus far is as liberating as Nietzsche & the Jews, an in-depth examination of his relationships with Jews and Judaism.For the first time in any study of Nietzsche, Siegfried Mandel persuasively argues that this controversial 19th-century philosopher was truly ambivalent toward Jews, many of whom were quite influential in his intellectual and social pursuits.Incorporating writings and conversations by philosophers and others with whom Nietzsche interacted (e.g., Wagner, Schopenhauer, Gibbon, Freud, and others), the author liberates his subject from "venerators and detractors alike" by demonstrating that Nietzsche was both "philosemitic" and anti-Semitic. This dual attitude of praise and criticism adds to the complexity of Mandel's subject, an intellectual enigma who remains one of the most controversial and misunderstood thinkers in history. Forceful, lively, and original, this book incorporates a wealth of evidence that opens Nietzsche's life and works to more careful study and reflection.

Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.

Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.

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The body of this work was first published in the UK in 1988; this is a reprint of a 1992 edition (Guilford Press), which includes a brief foreword by Juliet Mitchell. Welldon (Tavistock and Portman NHS Trust, UK) is a psychiatrist specializing in sexual perversion; her book made waves when it first appeared, because it counters common assumptions about female psychopathology. She explores how a disturbed infant/mother relationship lies at the root of both male and female perversions, but is expressed in quite different ways in women, by self-mutiliation or child abuse. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Discusses forms of media distortion and deception from the use of subtle shadings of words, the use of favorable modifiers, and the instruments of denigration

Blasphemy--the denial or denigration of God--has a long history. Jesus was tried for blasphemy. Early Christians felt that the Jews in taking such action were themselves guilty of it. But it is not a story confined to the remote past. The publication in 2005 of 12 cartoons in a Danish newspaper linking the prophet Mohammed to terrorism sparked outrage in the global Islamic community. And that was not an instance of blasphemy intruding itself upon a Western society unused to such issues within Christianity. In many societies blasphemy remained an offence in law and the prosecution of artistic productions profaning the sacred was still a possibility. David Nash's new study focuses on the development of blasphemy in the Christian world. Tracing the subject from the Middle Ages to the present, he outlines the history of blasphemy as a concept, from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity. Investigating its appearance in speech, literature, popular publishing and the cinema, he disinters the likely motives and agendas of blasphemers themselves, as well as offering a glimpse of blasphemy's victims. In particular, he seeks to understand why this seemingly medieval offence has reappeared to become a distinctly modern presence in the West.

Taking particular plays and poems from Roman comic theatre and the genre of Latin satire, this book finds Rome sending up Roman culture - making a mess of drama, jesting at rustic gaucherie, caricaturing the cult of masculine aggression. Writing Down Rome explores the robust poetic of self-denigration. Henderson's essays celebrate the energetic self-mockery that powers much of Roman poetry. They range widely over comedy, lyric, bucolic, and, in particular, the Roman speciality of satire.

Flame of Yahweh offers a thorough exploration of gender relationships and sexual activity in the Old Testament. Topics include sexuality in Eden, the elevation vs. the denigration of women, exclusivity vs. adultery and premarital sex, permanence vs. divorce and remarriage, intimacy vs. incest, and sexuality in the Song of Songs. Written from a theologically conservative perspective, Richard Davidson provides a meticulously researched work which makes extensive use of other Ancient Near Eastern documents on subjects ranging from homosexuality to gender relations. At the same time, the author offers clear explanations of terms and historical context that make the work accessible to the reader.

Flame of Yahweh offers a thorough exploration of gender relationships and sexual activity in the Old Testament. Topics include sexuality in Eden, the elevation vs. the denigration of women, exclusivity vs. adultery and premarital sex, permanence vs. divorce and remarriage, intimacy vs. incest, and sexuality in the Song of Songs. Written from a theologically conservative perspective, Richard Davidson provides a meticulously researched work which makes extensive use of other Ancient Near Eastern documents on subjects ranging from homosexuality to gender relations. At the same time, the author offers clear explanations of terms and historical context that make the work accessible to the reader.

Blasphemy--the denial or denigration of God--has a long history. Jesus was tried for blasphemy. Early Christians felt that the Jews in taking such action were themselves guilty of it. But it is not a story confined to the remote past. The publication in 2005 of 12 cartoons in a Danish newspaper linking the prophet Mohammed to terrorism sparked outrage in the global Islamic community. And that was not an instance of blasphemy intruding itself upon a Western society unused to such issues within Christianity. In many societies blasphemy remained an offence in law and the prosecution of artistic productions profaning the sacred was still a possibility. David Nash's new study focuses on the development of blasphemy in the Christian world. Tracing the subject from the Middle Ages to the present, he outlines the history of blasphemy as a concept, from a species of heresy to modern understandings of it as a crime against the sacred and individual religious identity. Investigating its appearance in speech, literature, popular publishing and the cinema, he disinters the likely motives and agendas of blasphemers themselves, as well as offering a glimpse of blasphemy's victims. In particular, he seeks to understand why this seemingly medieval offence has reappeared to become a distinctly modern presence in the West.

Searingly powerful public addresses by a radical feminist expose the sexual violence, psychological abuse, and cultural denigration to which men have subjugated women

This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.

Roger Scruton is Britain's best known intellectual dissident, who has defended English traditions and English identity against an official culture of denigration. Although his writings on philosophical aesthetics have shown him to be a leading authority in the field, his defence of political conservatism has marked him out in academic circles as public enemy number one. Whether it is Scruton's opinions that get up the nose of his critics, or the wit and erudition with which he expresses them, there is no doubt that their noses are vastly distended by his presence, and constantly on the verge of a collective sneeze. Contrary to orthodox opinion, however, Roger Scruton is a human being, and Gentle Regrets contains the proof of it - a quiet, witty but also serious and moving account of the ways in which life brought him to think what he thinks, and to be what he is. His moving vignettes of his childhood and later influences illuminate this book. Love him or hate him, he will engage you in an argument that is both intellectually stimulating and informed by humour.>

Flame of Yahweh offers a thorough exploration of gender relationships and sexual activity in the Old Testament. Topics include sexuality in Eden, the elevation vs. the denigration of women, exclusivity vs. adultery and premarital sex, permanence vs. divorce and remarriage, intimacy vs. incest, and sexuality in the Song of Songs.Written from a theologically conservative perspective, Richard Davidson provides a meticulously researched work that makes extensive use of other ancient Near Eastern documents on subjects ranging from homosexuality to gender relations. At the same time, the author offers clear explanations of terms and historical context that make the work accessible to the reader.

Flame of Yahweh offers a thorough exploration of gender relationships and sexual activity in the Old Testament. Topics include sexuality in Eden, the elevation vs. the denigration of women, exclusivity vs. adultery and premarital sex, permanence vs. divorce and remarriage, intimacy vs. incest, and sexuality in the Song of Songs.Written from a theologically conservative perspective, Richard Davidson provides a meticulously researched work that makes extensive use of other ancient Near Eastern documents on subjects ranging from homosexuality to gender relations. At the same time, the author offers clear explanations of terms and historical context that make the work accessible to the reader.

Taking particular plays and poems from Roman comic theatre and the genre of Latin satire, this book finds Rome sending up Roman culture - making a mess of drama, jesting at rustic gaucherie, caricaturing the cult of masculine aggression. Writing Down Rome explores the robust poetic of self-denigration. Henderson's essays celebrate the energetic self-mockery that powers much of Roman poetry. They range widely over comedy, lyric, bucolic, and, in particular, the Roman speciality of satire.

There is no place, it seems, that feelings do not run high about feelings. Western civilization is still caught between adoration of the emotions as sublime and denigration of them as merely animal. Can we trust our feelings Should we suppress them or should we indulge them In what part of our persons do feelings occur Contemporary Christianity is no less vexed about emotions. The rise of the charismatic movement in the late twentieth century, with its emphasis on experiential Christianity, has led to an equally strong reaction of suspicion against talk of the emotions as significant for the Christian life. Though these questions have an everyday, practical importance, they also point to profound theological questions about the nature of the triune God and the ascription of emotions to him in the Bible. Does God himself have feelings This stimulating volume, based on the 2011 Moore College School of Theology, offers perspectives on emotions. Topics include a cultural overview, theological anthropology, the question of divine passions, the emotional life of Jesus, the Spirit's work in perfecting emotions, preaching the Gospels for divine effects, and the place of the emotions in corporate worship including connections with singing and music. The contributors are Rhys Bezzant, Peter Bolt, Gerald Bray, Andrew Cameron, Keith Condie, Richard Gibson, David Hhne, Michael Jensen, David Peterson and Robert Smith.

In this provocative work, Alvin H. Rosenfeld contends that the proliferation of books, films, television programs, museums, and public commemorations related to the Holocaust has, perversely, brought about a diminution of its meaning and a denigration of its memory. Investigating a wide range of events and cultural phenomena, such as Ronald Reagan's 1985 visit to the German cemetery at Bitburg, the distortions of Anne Frank's story, and the ways in which the Holocaust has been depicted by such artists and filmmakers as Judy Chicago and Steven Spielberg, Rosenfeld charts the cultural forces that have minimized the Holocaust in popular perceptions. He contrasts these with sobering representations by Holocaust witnesses such as Jean Améry, Primo Levi, Elie Wiesel, and Imre Kertész. The book concludes with a powerful warning about the possible consequences of "the end of the Holocaust" in public consciousness.

Volume 2 of this magisterial biography takes the story of Churchill from his election as Tory MP for Oldham to the outbreak of the Great War. When he took his seat on 14 February 1901, he was poised on the edge of a career whose Shakespearean scope would take him through success and denigration and years in the political wilderness when wilderness. This volume shows the forging of the mainspring that drove him throughout his career when, firm in his own beliefs, he refused to compromise.