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From the man who has brought you twenty books of dark fiction and fantasy, unforgettable horror movies such HELLRAISER and CANDYMAN, and countless paintings and illustrations, this is the first-ever collection of Clive Barker s nonfiction. Representing nearly 30 years of writing, THE PAINTER, THE CREATURE, AND THE FATHER OF LIES covers the inspirations for his works, insights into the creative process, and musings on art and the horror genre. Not currently scheduled to be published anywhere else, don t miss this landmark collection from a modern master of horror and dark fantasy.

Neuware - Der Basler Maler Rudolf Maeglin (1892-1971) ist bis heute einer der grossen Unbekannten der Schweizer Kunstgeschichte geblieben. Aus grossbürgerlichen Verhältnissen stammend, entschied er sich zu einer Laufbahn als Künstler und gehörte zu den Gründungsmitgliedern der antifaschistischen Gruppe 33. Seit 1947 im Basler Arbeiterviertel Klybeck wohnhaft, verdingte er sich in Fabriken und auf Baustellen und malte in der Nacht, was er tagsüber erlebt hatte. Durch seine Baustellenbilder avancierte er zum Dokumentaristen seiner sich rasant verändernden Heimatstadt. So entstand zwischen 1930 und 1970 ein unverkennbares und vielfältiges Werk, das gleichwohl bislang wenig erschlossen ist.Mit zahlreichen Abbildungen von Werken aus allen Schaffensphasen sowie kunsthistorischen und literarischen Texten stellt diese zweisprachige Monografie Maeglins Werk und Leben erstmals einer breiten, internationalen Öffentlichkeit vor und bildet den Auftakt zu weiterer Auseinandersetzung.

EA, 27x18 cm, 135 S., OKart. m. OU., sehr gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

235 S., Opbd. /gebunden, verlagsneu, original in Folie verschweißt. Versand in stabiler Buchverpackung mit der Deutschen Post oder DHL. Rechnung liegt bei.

American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are really objects more than paintings.”Sarah Crowner: Patterns is the second artist’s book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012’s Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner’s recent work, specifically her recent paintings, murals and tiled floors.

American painter Sarah Crowner (born 1974) revisits the art historical legacy of abstract painting in a language of collage and domestic craft, piecing together gorgeous geometric abstractions and vibrant color fields out of stitched-together cloth fragments of different colors. “It’s a way of creating form by joining material,” Crowner says of her process. “They are really objects more than paintings.”Sarah Crowner: Patterns is the second artist’s book in a series that Crowner has been developing around the formal aspects of her painting practice; the first was 2012’s Format. In this publication, Crowner devotes her attention to patterns from a range of sources: from those found in nature and the built environment to fashion and the plastic arts. Juxtaposed throughout this selection are images from Crowner’s recent work, specifically her recent paintings, murals and tiled floors.

Em Hansen, the popular heroine at the center of Sarah Andrews's unique geology mystery series, has landed a new job, although an unusual one: a client affiliated with a museum wants Em to investigate a painting by the famed western painter Frederick Remington. The client believes it's a fake, but Em must explore the painting's provenance to find out. The project takes her through Wyoming, Utah, Washington DC and Pennsylvania, and halfway through the trip Em finds she's also chasing a murderer: someone seems to be slowly poisoning her client's family. Before long, her innocent research project has taken a sinister twist, and it's up to Em to find out what's going on in time to save her own skin. All in all, Earth Colors is another smart, inventive mystery from Sarah Andrews, a fan favorite.

Published on the occasion of Michael Krebber's Cologne exhibition of the same name, this volume includes 96 drawings and paintings by the German conceptual painter born in 1954 and known in the 80s and 90s as the antithesis of other Berlin and Cologne painters like Baselitz, Lupertz, Kippenberger and Oehlen.

A remarkably versatile man, Jan van der Heyden (1637-1712) was the preeminent painter of cityscapes in the Netherlands and the first artist to capture all the beauty of the urban scene. Notwithstanding his achievements as an artist, Van der Heyden was even more famous in his own time as an inventor and engineer: he invented firefighting equipment that set the standard throughout Europe for two centuries, and he perfected the streetlamp. This is the first book in English devoted to Van der Heyden. It includes recent discoveries about his fascinating life and offers an introduction to his ravishing art.The book includes a general discussion of Van der Heyden’s work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.

Since the 1970s, Anselm Kiefer has explored existential issues in monumental canvases, woodcuts, photo sequences and lead-bound tomes. He is one of the most important and best-known post-war German painters. This volume explores two recent bodies of work, Hermann's Battle and The Women of the French Revolution.

A staple in the collections of Roy Lichtenstein, Sarah Morris, Sigmar Polke, and Sol LeWitt, the halftone technique of creating an image through a series of dots dates back to ancient times, and this comprehensive reference explores the history, use, and meanings of halftones throughout time, particularly in the fine arts after 1945. Included are details about the technique's heyday in the 1960s when it became one of the crucial features of minimalist and pop art; rare insight into the relationship between halftones, music, and architecture; and extensive interviews with involved artists.

Testifying to the life-changing and joy-giving power of the sacraments, Catholic author Nancy Jo Sullivan shares how moments in her life and that of her late daughter Sarah--who had Down syndrome--unexpectedly triggered a renewed faith and deeper relationship with God and others.With startling and courageous clarity, Nancy Jo Sullivan recalls the journey that led her to renew and reclaim the faith of her childhood that had gone dormant until she experienced it through the eyes of Sarah, her child with Down syndrome. Her artfully told story challenges us to see the sacraments anew, deepening our own faith and reminding us of the beauty in each sacrament. Small events in Sarah's life--in which her daughter's vision and voice helped those around her to realize the preciousness of their life and faith--trigger Sullivan's reflections on moments in her own life and on the sacraments. Childhood memories of almost drowning surface at Sarah's baptism, as Sullivan feels the same powerlessness at the thought of raising her disabled daughter that she felt when she thrashed desperately in the water. Through the words of the priest as he pours the baptismal waters on Sarah, Sullivan realized how Baptism draws us from the overwhelming waters in our life to the light of life with God. Our journey with Sullivan continues through the sacraments until the end of Sarah's life, when memories of Sullivan's father's fatal heart attack collide with her internal debate of whether it is time for Sarah to receive the sacrament of the Anointing of the Sick. Sullivan realizes that this sacrament, so often associated with death, is really meant to give us life and hope.

Pieter Bruegel the Elder, his sons Pieter the Younger and Jan Brueghel the Elder: for several generations, the Flemish family of painters enraptured the collectors of sixteenth and seventeenth-century Europe. The Alte Pinakothek, one of the most important museums in the world, here presents its fascinating and varied Brueghel collection.

Rogier van der Weyden (1400–1464) was an early Flemish painter. His surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. Although his life was generally uneventful, he was highly successful and internationally famous in his lifetime. In this volume, numerous large-sized illustrations showcase the artist’s oeuvre, and authoritative texts illustrate the decisive stages in the artist’s life and in the development of his work, explaining their significance in the context of his time and for the following generations of artists.

A remarkably versatile man, Jan van der Heyden (1637-1712) was the preeminent painter of cityscapes in the Netherlands and the first artist to capture all the beauty of the urban scene. Notwithstanding his achievements as an artist, Van der Heyden was even more famous in his own time as an inventor and engineer: he invented firefighting equipment that set the standard throughout Europe for two centuries, and he perfected the streetlamp. This is the first book in English devoted to Van der Heyden. It includes recent discoveries about his fascinating life and offers an introduction to his ravishing art.The book includes a general discussion of Van der Heyden’s work, entries on 40 of his paintings, illustrations of about 100 of his paintings, as well as supplemental drawings and prints. Focusing mainly on the bustling city of Amsterdam, he also recorded other Dutch, Flemish, and German cities with a brilliant palette and exceptionally detailed technique. Often innovative in his composition, he was the first artist to create imaginary scenes by rearranging existing city views and known buildings.

The representation of domestic interiors has always been an important subject toBerlin-based German painter Albert Oehlen. In collaboration with Fredi Fischli andNiels Olsen, Oehlen assembled an exhibition (2014) surveying approaches to thepainting of interiors in contemporary art. His most recent artist book, In derWohnung (In the Apartment), from Studiolo artist book series, is a record of hisart historical journey. The book opens onto undulating black-and-white perspectivalline drawings of landscapes sparsely populated with fragments of work by RichardArtschwager, Mike Kelley and Martin Kippenberger, among others, which the artistuses in his own paintings. Arriving at a building set into the landscape, we encounter arecent Klebebild by Oehlen Pop art panels featuring Oehlen s collages. Severalclose-ups of the final artworks are also shown on display. A survey of Oehlen swork is being presented at the New Museum, NY, later this year.

Rogier van der Weyden 1400-1464: Master of Passion' highlights the body of work of, alongside Jan van Eyck, one of the most important Flemish painters of the fifteenth century.

Pieter Bruegel the Elder, his sons Pieter the Younger and Jan Brueghel the Elder: for several generations, the Flemish family of painters enraptured the collectors of sixteenth and seventeenth-century Europe. The Alte Pinakothek, one of the most important museums in the world, here presents its fascinating and varied Brueghel collection.

Rogier van der Weyden 1400-1464: Master of Passion' highlights the body of work of, alongside Jan van Eyck, one of the most important Flemish painters of the fifteenth century.

Lucas Cranach the Younger (1515 - 1586) was long overshadowed by his famous father Lucas Cranach the Elder. The most recent research, presented in the catalogue and conference proceedings, reveals the son to have been an artistically innovative painter, graphic artist, businessman and politician who reflected the extensive transformations of the age of Reformation and confessionalization.