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The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% silk necklace, brass , steel and silver metal joints

Why do Italians believe that they have a national character and that this character is a major reason for their political woes? Why is their self-image so frequently derogatory? In this meticulous study of the role of national character in Italian political and social discourse, Silvana Patriarca reconstructs the genealogy of a pervasive idea in the culture of modern Italy. Using sources ranging from political pamphlets to newspapers and films, this book shows how self-representations of national character and its vices were shaped by foreign perceptions and stereotypes, internal political struggles, and changing intellectual paradigms. Investigating the politics of these representations, their ideological content, and their uses, the author recasts the study of Italian patriotism and nationalism as discourses and sheds light on Italian political culture and on the rhetoric of nationalism more generally.

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass, steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain cat sculpture with 14k gold plated ring

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass, steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% silk necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass, steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% silk necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain cat sculpture with 14k gold plated ring

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass, steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% silk necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% silk necklace, brass , steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain pendant, 100% freshwater pearl necklace, brass, steel and silver metal joints

The Angry Puss series is a bold and defiant collection that challenges the traditional derogatory uses of the word "puss" in language and culture, where it often connotes female genitalia and disparages traits labeled as weak and cowardly. Our designs feature the unrestrained and fierce expressions of cats, symbolising our rebellious attitude towards the misogyny embedded in coarse language. Porcelain cat sculpture with 14k gold plated ring

Inspired by earth spiders, Requiem For Black Night And Earth Spiders is the 2016 album by Chihei Hatakeyama. Sourced from only a sound file of electric guitar. Earth spider is called in Japan Tsuchigumo. It is a historical Japanese derogatory term for renegade local clans, and also the name for a race of spider-like yokai in Japanese folklore. Hatakeyama thought earth spiders are people who were conquered by Yamato Imperial court at the end of Yayoi Period (3rd Century).

Set in Soweto outside Johannesburg, Between Two Worlds is one of the most important novels of South Africa under apartheid. Originally published under the title Muriel at Metropolitan, the novel was for some years banned (on the grounds of language derogatory to Afrikaners) even as it received worldwide acclaim. It was later issued in the Longman African Writers Series, but has for some years been out of print and unavailable. This Broadview edition includes a new introduction by the author describing the circumstances in which she wrote Between Two Worlds.

Why do Italians believe that they have a national character and that this character is a major reason for their political woes? Why is their self-image so frequently derogatory? In this meticulous study of the role of national character in Italian political and social discourse, Silvana Patriarca reconstructs the genealogy of a pervasive idea in the culture of modern Italy. Using sources ranging from political pamphlets to newspapers and films, this book shows how self-representations of national character and its vices were shaped by foreign perceptions and stereotypes, internal political struggles, and changing intellectual paradigms. Investigating the politics of these representations, their ideological content, and their uses, the author recasts the study of Italian patriotism and nationalism as discourses and sheds light on Italian political culture and on the rhetoric of nationalism more generally.

From the 1870s to the 1930s, American cartoonists devoted much of their ink to outlandish caricatures of immigrants and minority groups, making explicit the derogatory stereotypes that circulated at the time. Members of ethnic groups were depicted as fools, connivers, thieves, and individuals hardly fit for American citizenship, but Jews were especially singled out with visual and verbal abuse. In The Implacable Urge to Defame, Baigell examines more than sixty published cartoons from humor magazines such as Judge, Puck, and Life and considers the climate of opinion that allowed such cartoons to be published. In doing so, he traces their impact on the emergence of anti-Semitism in the American Scene movement in the 1920s and 1930s.