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The Architecture in Detail series comprises books that focus on individual buildings noted for their exceptional character, innovative design or technical virtuosity. Each volume contains a text by a respected author, a sequence of colour and black-and-white photographs and a set of technical drawings and working details.

All inclusive set of bathroom accessories features intricate detailing for a luxurious and astonishing style. Any bathroom will be given an added boost of opulence from these coordinated pieces. 2-towel bars, towel ring, robe hook, and a toilet paper holder are included for all of your hanging storage needs. Available in multiple, durable finishes. Color: Polished Chrome. Material: Stainless Steel.

This all-inclusive set of bathroom accessories features intricate detailing for a luxurious and astonishing style. Any bathroom will be given an added boost of opulence from these coordinated pieces. 2-towel bars, towel ring, robe hook and a toilet paper holder are included for all of your hanging storage needs. Available in multiple, durable finishes. Color: Matte Black. Material: Stainless Steel.

This all-inclusive set of bathroom accessories features intricate detailing for a luxurious and astonishing style. Any bathroom will be given an added boost of opulence from these coordinated pieces. 2-towel bars, towel ring, robe hook and a toilet paper holder are included for all of your hanging storage needs. Available in multiple, durable finishes. Color: Brushed Brass. Material: Stainless Steel.

This all-inclusive set of bathroom accessories features intricate detailing for a luxurious and astonishing style. Any bathroom will be given an added boost of opulence from these coordinated pieces. 2-towel bars, towel ring, robe hook and a toilet paper holder are included for all of your hanging storage needs. Available in multiple, durable finishes. Color: Brushed Nickel. Material: Stainless Steel.

With the Bauhaus in Dessau, Walter Gropius created a building in 1925/26 that represented a "demonstration of architectural Modernism". (Wolfgang Pehnt). During the few years of its original use as a school with studios, until it was closed down by the Nazis in 1932, it had also become a center of crystalization for the creative forces of its times. Today, the Dessau Bauhaus Foundation again makes the famous building, which has been undergoing extensive restoration since 1997, a center for cultural activities: numerous projects and events at the occasion of the eightieth anniversary of the Bauhaus' foundation in Weimar (1999) and the EXPO 2000 will provide the building with even more public attention. The book documents all phases of the Bauhaus Building's history, use and constructive changes. The authors look at its meaning for contemporary architecture, culture and politics, and describe its history during the Weimar Republic, the Third Reich, the GDR and up to the present. The themes range from the first architectural design to the future of the Bauhaus as a monument. With contributions by members of the Dessau Bauhaus as well as by independent specialists, and with picture documentation that also goes back to unpublished materials from the Bauhaus Foundation archives, the multifaceted book represents the new standard volume on the Bauhaus Building.

Walter Gropius's Bauhaus Dessau was, from 1925 to 1932, the headquarters of the famous Bauhaus School of Design. After a dozen years of National Socialist use and then half a century's worth of restoration, it is now a UNESCO world cultural-heritage site, attracting some 80,000 visitors a year who seek the roots of twentieth century Modernism. This is the first book of photographs to document Gropius's masterpiece since its renovation, and it features more than 110 black-and-white images of the building and its wide range of architectural and artistic textures. It illustrates its history, its architectural elements and the interior design created for it by the Bauhaus artists, as well as its functions then and since: Bauhaus Dessau describes the work carried out in the former workshops and their most important products. For its original denizens--and again, at last, for those who visit today--the architecture, design and philosophy of the Bauhaus itself are inseparably connected to one another.

This book is focused on the objects and materials in the collection of the Bauhaus Dessau campus from all the phases of the renowned institution, including student works by Marianne Brandt, Josef Albers and Marcel Breuer, as well as works by Paul Klee, Wassily Kandinsky and Gunta Stölzl.The vast breadth of creation in the short-lived school's history is represented in works by Anni Albers, Alfred Arndt, Herbert Bayer, Max Bill, Franz Ehrlich, Friedrich Engemann, Lyonel Feininger, Carl Fieger, Walter Gropius, Ludwig Hirschfeld-Mack, Johannes Itten, Peter Keler, Benita Koch-Otte, Otto Lindig, Gerhard Marcks, Hannes Meyer, Ludwig Mies van der Rohe, Lucia Moholy, László Moholy-Nagy, Walter Peterhans, Grete Reichardt, Hajo Rose, Reinhold Rossig, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt and Wilhelm Wagenfeld.

Hrsg. für die Stiftung Bauhaus Dessau von Lutz Schöbe, Wolfgang Thöner und Claudia Perren. Mit Texten von Peter Bernhard, Torsten Blume, Alexander Farenholtz, Monika Markgraf, Lutz Schöbe, Josipa Spehar, Wolfgang Thöner, Hortensia Völckers und Sylvia Ziegner. Übersetzung: James Bell, Cressida Joyce, Amy Klement, Wendy Wallis und Rebecca Michelle Williams. In diesem Band wird die zweitgrößte Bauhaussammlung weltweit umfassend präsentiert. Gezeigt werden Objekte aus allen Phasen und Bereichen der berühmten Institution, wie Schülerarbeiten von Marianne Brandt, Josef Albers oder Marcel Breuer und Werke von Paul Klee, Wassily Kandinsky oder Gunta Stölzl. Auch Gegenstände und Materialien der in Dessau befindlichen Bauhausbauten werden gezeigt: des Bauhausgebäudes, der Meisterhäuser, des Arbeitsamtes sowie der Siedlung Dessau-Törten. Darüber hinaus stellt der Band eine Einführung in die Geschichte und Entwicklung der Schule dar. Gezeigt werden Künstler wie Anni Albers, Josef Albers, Alfred Arndt, Herbert Bayer, Max Bill, Marianne Brandt, Marcel Breuer, Franz Ehrlich, Friedrich Engemann, Lyonel Feininger, Carl Fieger, Walter Gropius, Ludwig Hirschfeld-Mack, Johannes Itten, Wassily Kandinsky, Peter Keler, Paul Klee, Benita Koch-Otte, Otto Lindig, Gerhard Marcks, Hannes Meyer, Ludwig Mies van der Rohe, Lucia Moholy, László Moholy-Nagy, Walter Peterhans, Grete Reichardt, Hajo Rose, Reinhold Rossig, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt, Lotte Stam-Beese, Gunta Stölzl, Otto Umbehr und Wilhelm Wagenfeld. 519 Seiten mit 456 Farb- und 88 s/w-Abb., Großformat, Leinen (Kerber Culture/Edition Bauhaus; Band 55/Kerber Verlag 2019) oberer Teil des Einbandes nachgedunkelt, Schutzumschlag zur Schnittkante abgeschnitten. Früher EUR 59,00. Gewicht: 2549 g - Gebunden/Gebundene Ausgabe - Sprache: Deutsch

Available again in a boxed hardcover edition, the definitive work on Bauhaus.Bauhaus has established itself with designers and architects as a standard work and the most comprehensive collection of documents and visual material ever published on this famous school of design. Now this definitive work on Bauhaus is available again in a boxed hardcover edition.Documents in Bauhaus are taken from a wide array of sources―public manifestos, private letters, internal memoranda, jotted-down conversations, minutes of board and faculty meetings, sketches and schemata, excerpts from speeches and books, newspaper and magazine articles, Nazi polemics, official German government documents, court proceedings, budgets, and curricula. The illustrations include architectural plans and realizations, craft and industrial model designs (furniture, ceramics, metalwork, textiles, stained glass, typography, wallpaper), sculpture, paintings, drawings, etchings, woodcuts, posters, programs, advertising brochures, stage settings, and formal portraits of such Bauhaus masters as Walter Gropius, Lyonel Feininger, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, Josef Albers, Hebert Bayer, Marcel Breuer, and Ludwig Mies van der Rohe.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback version. Schirmer/Mosel, Munich, 1989. . Binding: Softcover. Book Condition: Good Condition. Size: 4to - over 9¾" - 12" tall. Text is in German. Text unmarked. Light foxing to edges of text-block. Black & white photographs. Wraps lightly bumped and shelf worn at corners, edges and spine ends. Wraps lightly rubbed. Light scratching to front free endpage.

Zust.: Sehr gutes Exemplar. Mit Vorbesitzereintrag. Mit zahlreichen Abbildungen, 277 Seiten, Deutsch 1460g

Available again in a boxed hardcover edition, the definitive work on Bauhaus.Bauhaus has established itself with designers and architects as a standard work and the most comprehensive collection of documents and visual material ever published on this famous school of design. Now this definitive work on Bauhaus is available again in a boxed hardcover edition.Documents in Bauhaus are taken from a wide array of sources―public manifestos, private letters, internal memoranda, jotted-down conversations, minutes of board and faculty meetings, sketches and schemata, excerpts from speeches and books, newspaper and magazine articles, Nazi polemics, official German government documents, court proceedings, budgets, and curricula. The illustrations include architectural plans and realizations, craft and industrial model designs (furniture, ceramics, metalwork, textiles, stained glass, typography, wallpaper), sculpture, paintings, drawings, etchings, woodcuts, posters, programs, advertising brochures, stage settings, and formal portraits of such Bauhaus masters as Walter Gropius, Lyonel Feininger, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, Josef Albers, Hebert Bayer, Marcel Breuer, and Ludwig Mies van der Rohe.

Swiss architect Hannes Meyer (1889–1954) was the second director of the Bauhaus (then at its Dessau location) from 1928 to 1930. Though he held the post but briefly, Meyer made substantial changes to the school’s educational program and teaching approach, notably by prioritizing concrete social issues in the design process.Building on recent research, this book offers an in-depth assessment of Meyer’s major contributions to the Bauhaus curriculum, investigating the intellectual background to his approach through contributions from 31 authors, including former teachers and students at the school.With over 250 illustrations, the book also examines the impact of Meyer’s work beyond the Bauhaus, specifically at the Ulm School of Design (founded by one of Meyer’s former students, Max Bill) and in Mexico, where Meyer worked for the government’s Instituto del Urbanismo y Planificación from 1939 to 1941.

This book is focused on the objects and materials in the collection of the Bauhaus Dessau campus from all the phases of the renowned institution, including student works by Marianne Brandt, Josef Albers and Marcel Breuer, as well as works by Paul Klee, Wassily Kandinsky and Gunta Stölzl.The vast breadth of creation in the short-lived school's history is represented in works by Anni Albers, Alfred Arndt, Herbert Bayer, Max Bill, Franz Ehrlich, Friedrich Engemann, Lyonel Feininger, Carl Fieger, Walter Gropius, Ludwig Hirschfeld-Mack, Johannes Itten, Peter Keler, Benita Koch-Otte, Otto Lindig, Gerhard Marcks, Hannes Meyer, Ludwig Mies van der Rohe, Lucia Moholy, László Moholy-Nagy, Walter Peterhans, Grete Reichardt, Hajo Rose, Reinhold Rossig, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt and Wilhelm Wagenfeld.

Neu -Berlin 2005. Ausgangspunkt der Studie ist das Paradox, dass das 1926 von Walter Gropius errichtete Bauhausgebäude zweckmäßig erscheint, obwohl es faktisch nicht zweckmäßig ist. Ästhetisch kann Zweck jedoch nicht allein konstatiert werden, wenn ein Objekt tatsächlich zweckmäßig ist, sondern auch wenn Zweck nur visuell angedeutet wird. Dieser vom Bewußtsein des Betrachters abhängige Umstand hat grundlegende Folgen für das Verständnis des Bauhausgebäudes wie für die Architektur der 1920er Jahre überhaupt. Der Autor gewinnt seine Erkenntnisse über Wahrnehmungszusammenhänge und Denkinhalte des Bauhausgebäudes anhand der ästhetischen Kategorien Zweck, Form und Inhalt. 211 pp. Deutsch

Available again in a boxed hardcover edition, the definitive work on Bauhaus.Bauhaus has established itself with designers and architects as a standard work and the most comprehensive collection of documents and visual material ever published on this famous school of design. Now this definitive work on Bauhaus is available again in a boxed hardcover edition.Documents in Bauhaus are taken from a wide array of sources―public manifestos, private letters, internal memoranda, jotted-down conversations, minutes of board and faculty meetings, sketches and schemata, excerpts from speeches and books, newspaper and magazine articles, Nazi polemics, official German government documents, court proceedings, budgets, and curricula. The illustrations include architectural plans and realizations, craft and industrial model designs (furniture, ceramics, metalwork, textiles, stained glass, typography, wallpaper), sculpture, paintings, drawings, etchings, woodcuts, posters, programs, advertising brochures, stage settings, and formal portraits of such Bauhaus masters as Walter Gropius, Lyonel Feininger, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, Josef Albers, Hebert Bayer, Marcel Breuer, and Ludwig Mies van der Rohe.

The Bauhaus building in Dessau, designed by Walter Gropius and built in 1926, is the built manifestation of a revolution in design and education. Today, it is accepted worldwide as the ultimate symbol of 'white modernism'. But what is it that gives it its lasting stylistic influence? How is Gropius‘s play with transparency, lightness and colour achieved? How was the building used, and how has it changed over the decades since its inauguration? This architectural guide looks behind the distinctive curtain wall, quite literally examines what lies beneath the building‘s facade and reveals frequently overlooked facets of this illustrious building. In concise chapters, the book takes the reader on a tour of the Bauhaus building and its history and thereby prompts an invitation ot visit on a journey of rediscovery. The small and handy books, designed by the Berlin-based graphic designer Eike König, accompany the exhibitions and are also intended as practical guidebooks for the Bauhaus buildings. The Bauhaus paperback 5 on the Bauhaus Dessau is the first to also appear in English.

Swiss architect Hannes Meyer (1889–1954) was the second director of the Bauhaus (then at its Dessau location) from 1928 to 1930. Though he held the post but briefly, Meyer made substantial changes to the school’s educational program and teaching approach, notably by prioritizing concrete social issues in the design process.Building on recent research, this book offers an in-depth assessment of Meyer’s major contributions to the Bauhaus curriculum, investigating the intellectual background to his approach through contributions from 31 authors, including former teachers and students at the school.With over 250 illustrations, the book also examines the impact of Meyer’s work beyond the Bauhaus, specifically at the Ulm School of Design (founded by one of Meyer’s former students, Max Bill) and in Mexico, where Meyer worked for the government’s Instituto del Urbanismo y Planificación from 1939 to 1941.