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Ancien livre de bibliothèque. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.

Wittgenstein a abondamment critique l'idee qu'il serait necessaire d'admettre l'existence d'un medium spatial alternatif ( l'espace visuel) pour rendre compte des differentes applications possibles de nos concepts geometriques et spatiaux. Notre objectif ici est de montrer la pertinence de cette critique. Pour ce faire, nous proposons une relecture des remarques qu'il consacre aux exemples visuels d'analyse dans les Carnets, aux aspects spatiaux de la theorie de l'image dans le Tractatus, a son propre projet phenomenologique de description de l'experience visuelle en 1929, ainsi qu'a la maniere, philosophiquement fallacieuse, de poser le probleme de l'application en termes d'interpretations semantiques.

This book presents, for the first time in English, selections from Ferdinand TsnniesO classic Kritik der sffentlichen Meinung (Critique of Public Opinion). Communication scholars Hanno Hardt and Slavko Splichal give a brief history of public opinion and provide the translation and original analyses of TsnniesO work, situating it theoretically and historically. Featuring an introduction by Gary T. Marx, this book highlights TsnniesO valuable contributions to past and current theories of society, communication, and public opinion.

Critique of Violence is a highly original and lucid investigation of the heated controversy between poststructuralism and critical theory. Leading theorist Beatrice Hanssen uses Walter Benjamin's essay 'Critique of Violence' as a guide to analyse the contentious debate, shifting the emphasis from struggle to dialogue between the two parties. Regarding the questions of critique and violence as the major meeting points between both traditions, Hanssen positions herself between the two in an effort to investigate what critical theory and poststructuralism have to offer each other. In the course of doing so, she assembles imaginative new readings of Benjamin, Arendt, Fanon and Foucault, and incisively explores the politics of recognition, the violence of language, and the future of feminist theory. This groundbreaking book will be essential reading for all students of continental philosophy, political theory, social studies and comparative literature. Also available in this series: Essays on Otherness Hb: 0-415-13107-3: £50.00 Pb: 0-415-13108-1: £15.99 Hegel After Derrida Hb: 0-415-17104-4: £50.00 Pb: 0-415-17105-9: £15.99 The Hypocritical Imagination Hb: 0-415-21361-4: £47.50 Pb: 0-415-21362-2: £15.99 Philosophy and Tragedy Hb: 0-415-19141-6: £45.00 Pb: 0-415-19142-4: £14.99 Textures of Light Hb: 0-415-14273-3: £42.50 Pb: 0-415-14274-1: £13.99 Very Little ... Almost Nothing Pb: 0-415-12821-8: £47.50 Pb: 0-415-12822-6: £15.99

Engagé dans un projet artistique d’envergure, le photographe Philippe Bazin propose une réflexion sur son travail à la lumière des photographies des autres. Il oriente sa pensée sur la question de la photographie comme document critique et réunit ses analyses d’œuvres de photographes importants comme Lewis Baltz, Allan Sekula, Martha Rosler ou encore Bruno Serralongue, en les rapprochant de photographes moins connus comme Géraldine Millo ou Mahaut Lavoine.Les articles rassemblés dans ce court volume sous le titre Pour une photographie documentaire critique témoignent d’une pensée féconde et cohérente prenant en compte les contextes historiques, esthétiques et idéologiques dans lesquels cette photographie se crée aujourd’hui. Chaque écrit ouvre une nouvelle facette d’un même objet d’étude. La conclusion unifie l’ensemble et propose de développer une méthodologie originale que l’auteur qualifie d’« attitude documentaire » inspirée des avant-gardes artistiques et inscrit la démarche d’écriture dans sa profondeur historique et expérimentale.Ainsi, tout le livre se veut un manifeste prospectif pour une ouverture pragmatique, dans le sens d’une politique des images, sur l’avenir de la photographie documentaire et le monde. Chez Bazin, une distance constante est recherchée, d’avec une forme d’humanisme qui ne serait plus que de l’humanitarisme condescendant, d’avec une pure satisfaction des émotions, au profit d’un travail collaboratif aussi bien lors de la production que de l’exposition, proposant un partage du sensible pouvant réintégrer une « émotion documentaire » (selon l’expression de Christiane Vollaire). Le livre ne recule pas devant ses possibles aspects polémiques et veut créer le débat autour des rapports des images à l’espace public et d’une photographie critique comme contre pouvoir.

Since the 1960s, Bernstein's work has been concerned with sociological explorations of the relationship between language, social class and education. This volume develops further the analysis of pedagogic discourse initiated in Bernstein's book "Class, Codes and Control". Here he analyses power and control in educational institutions and provides a theoretical model for how the social structures in classrooms and other cultural institutions are involved in the discourse formation of consciousness and identity, social commitments and everyday social interaction. He also provides examples of the pedagogic institutions from different cultures.

Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world―Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region’s most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism―theirs is a cinéma engagé.The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman.

The first volume in a series on interpreting genres of New Testament literature. McKnight critiques methods and suggests how students with some knowledge of Greek can benefit from different analyses.

Bayesian Data Analysis describes how to conceptualize, perform, and critique statistical analyses from a Bayesian perspective. Using examples largely from the authors' own experiences, the book focuses on modern computational tools and obtains inferences using computer simulations. Its unique features include thorough discussions of the methods for checking Bayesian models and the role of the design of data collection in influencing Bayesian statistical analysis.Bayesian Data Analysis offers the practicing statistician singular guidance on all aspects of the subject.

In Uneven Development, a classic in its field, Neil Smith offers the first full theory of uneven geographical development, entwining theories of space and nature with a critique of capitalist development. Featuring pathbreaking analyses of the production of nature and the politics of scale, Smith's work anticipated many of the uneven contours that now mark neoliberal globalization. This third edition features an afterword updating the analysis for the present day.

This hard-hitting, impeccably referenced book draws on academic theories and analyses of power and the author's personal experience both as client and practitioner to critique power within the psychotherapeutic relationship and within the organisations where therapy takes place. Accessible, political and severely critical of her own profession, Proctor provides an essential reminder to student, practitioner and researcher of the imperative to remain always mindful of the values and ethics of justice and responsibility. In this revised second edition, Gillian Proctor extends her discussion to the more recent challenges presented by the IAPT programme.

Few figures of interwar Germany were as influential as Leopold Schwarzschild, the brilliant editor of the liberal magazine 'Das Tage-Buch'. In the uncertain years of the Weimar Republic, Schwarzschild became famous for his perceptive political analyses and critique of the economic policies of successive governments in the twilight of Germany's first experiment with democracy. When he was forced to emigrate in 1933, following Hitler's rise to power, he pursued his analysis of developments in Germany from Paris, where he resumed publication of his journal under the new name 'Das Neue Tage-Buch', while also mounting a furious attack on the European powers taken by surprise by the Nazi ascendancy. 'One thing is already beyond question today...', he wrote in the spring of 1933, '...part of the new era is an unremitting descent into some kind of military conflagration'. Winston Churchill, a great admirer of Schwarzschild, made one of his later books required reading for the War Cabinet, yet his campaigning journalism has never before appeared in English.In bringing his writings to an English-speaking readership, Chronicle of a Downfall will restore Leopold Schwarzschild to his rightful place as one of the most poignant chroniclers of the fall of German democracy and the descent of Europe into World War II.

L'analyse scrupuleuse de la Première Recherche Logique nous fait découvrir la problématique qui est celle de Husserl dans le commencement de son philosopher. Sous l'égide de Bolzano et de Brentano, Husserl commence en effet une critique analytique de la connaissance qui relève d'un certain positivisme tablant sur la notion de signe. Sa phénoménologie est alors une théorie de la connaissance que Husserl élabore à l'intention du logicien.

Prenant appui sur l'herméneutique historique (P. Szondi) et la notion de subjectivité lyrique (W. Iser, K. Stierle) réexaminée de manière critique, l'auteur entend renouveler la compréhension de l'oeuvre de Meister au moyen d'une analyse parallèle des structures poétiques et théoriques qu'elle contient. De plus, les textes théoriques de Meister sont analysés pour la première fois en détail dans ce volume. Il apparaît que le poète a intégré progressivement à son oeuvre un questionnement philosophique. La sobriété de plus en plus marquée de son écriture fait ressortir les césures qui constellent les modes de représentation et de pensée propres à tout une tradition philosophique et poétique, débat qui conduit dans le voisinage de Heidegger et de Gadamer, mais aussi de Hölderlin, Celan ou Valéry.

This book analyses the laws that shaped modern European empires from medieval times to the twentieth century. Its geographical scope is global, including the Americas, Europe, Africa, Asia, Australia and the Poles. Andrew Fitzmaurice focuses upon the use of the law of occupation to justify and critique the appropriation of territory. He examines both discussions of occupation by theologians, philosophers and jurists, as well as its application by colonial publicists and settlers themselves. Beginning with the medieval revival of Roman law, this study reveals the evolution of arguments concerning the right to occupy through the School of Salamanca, the foundation of American colonies, seventeenth-century natural law theories, Enlightenment philosophers, eighteenth-century American colonies and the new American republic, writings of nineteenth-century jurists, debates over the carve up of Africa, twentieth-century discussions of the status of Polar territories, and the period of decolonisation.

This book analyses the laws that shaped modern European empires from medieval times to the twentieth century. Its geographical scope is global, including the Americas, Europe, Africa, Asia, Australia and the Poles. Andrew Fitzmaurice focuses upon the use of the law of occupation to justify and critique the appropriation of territory. He examines both discussions of occupation by theologians, philosophers and jurists, as well as its application by colonial publicists and settlers themselves. Beginning with the medieval revival of Roman law, this study reveals the evolution of arguments concerning the right to occupy through the School of Salamanca, the foundation of American colonies, seventeenth-century natural law theories, Enlightenment philosophers, eighteenth-century American colonies and the new American republic, writings of nineteenth-century jurists, debates over the carve up of Africa, twentieth-century discussions of the status of Polar territories, and the period of decolonisation.

Aesthetics is both a comprehensive introduction to the field and a broad, in-depth survey of Anglo-American aesthetic thought that provides a collection of 48 classic historical readings, influential scholarly works, and critical analyses. The text also offers unique “theory-and-critique” pairings that help students understand concepts and participate in philosophical debate.

This collection of outstanding essays employs a range of approaches to understanding `whiteness′ as a communication phenomenon. Contributors use analyses of media representations, social scientific data results, poststructuralist theoretical discussions and postcolonial critiques of whiteness. The editors conclude by summarizing not only specific claims about whiteness identity, but about how multimethodological approaches to communication offer new ways of considering research.

Conçu sous forme de brèves analyses et de thèses, Nous qui désirons sans fin fait l'examen critique d'une société marchande en déclin et d'une société vivante appelée à la dépasser.

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst Jünger’s The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. Jünger’s analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche’s philosophy. Martin Heidegger considered Jünger “the only genuine follower of Nietzsche,” singularly providing “an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the ‘will to power.’” In The Worker, Jünger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature. This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.