3 products were found matching your search for Dibenedetto Domenick First Call in 1 shops:

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.