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In the 1960s the Architecture Principe group, formed by Claude Parent and Paul Virilio, designed and built the modern bunker church for Bernadette of Banlay in Nevers, as an experiment with a new rapport between man and his environment. With a series of texts and hitherto unpublished images this book traces the history and impact of this 20th century masterpiece.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including: speed virtualization war politics art. As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

Paul Virilio is a challenging and original thinker whose work on technology, state power and war is increasingly relevant today. Exploring Virilio's main texts from their political and historical contexts, and case studies from contemporary culture and media in order to explain his philosophical concepts, Ian James introduces the key themes in Virlio's work, including: speed virtualization war politics art. As technological and scientific innovations continue to set the agenda for the present and future development of culture, communications, international economy, military intervention and diverse forms of political organization, Virilio's unique theoretical and critical insights are of enormous value and importance for anyone wishing to understand the nature of modern culture and society.

If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is becoming indistinguishable from attack. For more than fifty years Virilio has offered incisive and provocative criticism on technology and its moral, political, and cultural implications. Yet until now, much of his work, originally published in French, remains elusive in full English translation. The Paul Virilio Reader collects for the first time English extracts reflecting the entire range of Virilio's diverse career. The book's introduction demonstrates that Virilio has produced an important―if controversial―"theory at the speed of light" that uncannily illuminates the impact of new information and communications technologies in a world that collapses time and distance as never before. The inventor of "dromology," which views speed as a defining concept for contemporary civilization, Virilio is noted for his proclamation that the logic of ever-increasing acceleration lies at the heart of the organization and transformation of the contemporary world. Arranged chronologically, the Reader illustrates the development and interconnectedness of Virilio's work. Each extract is prefaced by bibliographical and contextual commentary, and the book includes an innovative guide to reading Virilio.

Paul Virilio is one of the most significant and stimulating French cultural theorists writing today. Increasingly hailed as the ′archaeologist of the future′, Virilio is noted for his proclamation that the logic of ever increasing acceleration lies at the heart of the organization and transformation of the contemporary world. The first book to afford a properly critical evaluation of Virilio′s cultural theory, it includes an interview with Virilio; a recently translated example of his work; and a select bibliography of his writings. The commissioned contributions by leading cultural and social theorists examine Virilio′s work from his early speculations on military and urban space to his current writings on dromology, politics, ne

The Apostle Paul was the greatest early missionary of the Christian gospel. He was also, by his own admission, an Israelite. How can both these realities coexist in one individual? This book argues that Paul viewed his mission to the Gentiles, in and of itself, as the primary expression of his Jewish identity. The concept of Israel's divine vocation is used to shed fresh light on a number of much-debated passages in Paul's letter to the Romans.

Book is in NEW condition. 1.07

gallimard edition. 614 pages. French language. 6.85x4.25x1.10 inches. In Stock.

What do Louis Aragon, Antonin Artaud, Paul Éluard, Joan Miró, and André Masson have to do with the painter and Bauhaus master Paul Klee? This cross-genre and fascinating subject is examined for the first time in a multifaceted exhibition. The fact that the French Surrealists saw their key concepts such as “dreams,” “the cosmos,” and “vision” reflected in the magical, transcendental Klee's painting and even made him their spiritus rector, is remarkable considering the backdrop of Europe's political situation between the world wars. The exhibition and catalogue shed light on this fascinating chapter of the relationship between artists and expose its enormous art-historical dimension. Organized according to individual subject areas such as “Écriture automatique,” “The World as a Dream,” and “Portraits and Masks,” the book provides readers with information about this important interface between the literary and artistic avant-garde in Europe during a turbulent era. (French edition ISBN 978-3-7757-4155-2) An additional booklet contains further material in the original languages, primarily in French: extensive correspondence between Paul Klee and the Surrealists as well as other texts by important contemporaries such as Georges Bataille, Robert Desnos, Marcel Duchamp, Paul Éluard and others.Exhibition: Zentrum Paul Klee, Bern 18.11.2016–12.3.2017

4to(11"tall)colour pictorial wraps. First Printing, 1995. Fine but for slight edgewear and very minor rippling of last few leaves and rear cover.

184 pp., 166 illustrations 119 in color. Text is in German. Published on the occasion of the exhibition from the Kunsthalle Mannheim 23 March-16 June 1996. Dustjacket is protected with a mylar cover.

323 S. Buch ist neu, aus priv. Vorbesitz, ungelesen. 334 Abb., davon 54 farb., 280 in Duplex -----Inhalt:. Besondere Schwerpunkte bilden die konzeptuelle Kunst und die nicht minder radikalen Umwertungen der Neuen Malerei um 1980. Hinzu treten Werkgruppen einflussreicher Einzelkünstler wie Piero Manzoni, Giulio Paolini oder Anselm Kiefer sowie ausgesuchte Werke der Minimal Art und der Arte Povera. Arbeiten von Künstlern der achtziger und neunziger Jahre - von Keith Haring bis Sylvie Fleury, von Angela Bulloch bis Thomas Schütte - öffnen die Sammlung für die aktuelle Gegenwartskunst. Der von Hans Dickel bearbeitete wissenschaftliche Bestandskatalog bringt die vielfältigen Positionen und Tendenzen in eine undogmatische, aber schlüssige Ordnung. ISBN: 9783893229673 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 1600

A facsimile reproduction of the handwritten lecture by Klee for the 1924 exhibition, plus facsimile reproductions of other Klee documents and correspondence, along with printed transcripts, to accompany a 1999 exhibition in honor of the 75th anniversary of the 1924 Jena exhibition of the works of Paul Klee.

926 Seiten Sprache: Deutsch Gewicht in Gramm: 887

Chroniken aus der Zukunft: Die einzigartige Geschichte von Paul Amadeus Dienach 1.11

The result of an international interdisciplinary research project, this publication is the first comprehensive monograph of a ceramics factory in Lower Silesia, the Feinsteinzeugfabrik Julius Paul &Sohn in Bunzlau, active from 1893 to 1945. A particular challenge for the authors was the fact that no historic source material had survived, all the regional achives and librairies having been destroyed during the war. Only a few original documents, which withstood expulsion and flight, remained for evaluation. After the most thorough and wide-ranging researches, it became possible to reconstruct almost completely the factory's whole output on the basis of over 6,000 Julius Paul ceramics scattered among more than forty museums, collections and private owners in Poland, Germany, Austria and Holland, and finally to publish the results. This work seeks to trace the history of a small pottery that became a world-famous company. Through comparison of measurements, shapes and designs as well as product

Die Verfolgung Und Ermordung Jean Paul M (German Edition)

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Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.29

In the early 1970's, due to serious epistemological flaws, the demise of traditional New Testament research paradigms became imminent. A new generation of scholars started the search for a fresh approach, based on scientifically sound principles. Working within the stimulating atmosphere of the New Testament Society of South Africa, the author was one of the pioneers in developing a new, multi-dimensional research approach for New Testament studies. The articles in the present volume, written over a period of 25 years, reflect part of this journey, as viewed from a Pauline perspective. Combining the positive aspects of the traditional biblical research paradigms with the important insights of modern linguistics, literary science, semantics and pragmatics, particularly rhetoric, the author investigates the convergence of various influences in Paul's pre-christian career. He proposes new possibilities of understanding Paul's language and style, such as hyperbolical contrasts, typical of his Semitic background. Various aspects of his strategies of persuasion are investigated, such as creating an ethos, vilification, alienation and re-identification. The majority of articles concentrate on central elements in Pauline theology: belief in the resurrection of Jesus, the centrality of grace, the in Christ and related formulae, faith and obedience, justification in Romans, Christian identity, ethics and ethos, as portrayed in Romans.