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Excerpt from The Difficulties of RomanismUnless the chain of Witnesses extend to the apostolic age, the evidence is incomplete: and, since its whole strength depends upon its completeness, if incomplete, it is altogether worthless.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Maximos the Confessor (580-662) occupies a unique position in the history of Byzantine philosophy, theology, and spirituality. His profound spiritual experiences and penetrating theological vision found complex and often astonishing expression in his unparalleled command of Greek philosophy, making him one of the most challenging and original Christian thinkers of all time. So thoroughly did his thought come to influence the Byzantine theological tradition that it is impossible to trace the subsequent history of Orthodox Christianity without knowledge of his work. The Ambigua (or "Book of Difficulties") is Maximos's greatest philosophical and doctrinal work, in which his daring originality, prodigious talent for speculative thinking, and analytical acumen are on lavish display. In the Ambigua, a broad range of theological topics--cosmology, anthropology, the philosophy of mind and language, allegory, asceticism, and metaphysics--are transformed in a synthesis of Aristotelian logic, Platonic metaphysics, Stoic psychology, and the arithmetical philosophy of a revived Pythagoreanism. The result is a labyrinthine map of the mind's journey to God that figured prominently in the Neoplatonic revival of the Komnenian Renaissance and the Hesychast Controversies of the Late Byzantine period. This remarkable work has never before been available in a critically based edition or English translation.

This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

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Eight essays by the literary critic probe the history and formal structure of inward speech as well as the relationship between linguistics and poetics and between language and literature

Maximos the Confessor (580-662) occupies a unique position in the history of Byzantine philosophy, theology, and spirituality. His profound spiritual experiences and penetrating theological vision found complex and often astonishing expression in his unparalleled command of Greek philosophy, making him one of the most challenging and original Christian thinkers of all time. So thoroughly did his thought come to influence the Byzantine theological tradition that it is impossible to trace the subsequent history of Orthodox Christianity without knowledge of his work. The Ambigua (or "Book of Difficulties") is Maximos's greatest philosophical and doctrinal work, in which his daring originality, prodigious talent for speculative thinking, and analytical acumen are on lavish display. In the Ambigua, a broad range of theological topics--cosmology, anthropology, the philosophy of mind and language, allegory, asceticism, and metaphysics--are transformed in a synthesis of Aristotelian logic, Platonic metaphysics, Stoic psychology, and the arithmetical philosophy of a revived Pythagoreanism. The result is a labyrinthine map of the mind's journey to God that figured prominently in the Neoplatonic revival of the Komnenian Renaissance and the Hesychast Controversies of the Late Byzantine period. This remarkable work has never before been available in a critically based edition or English translation.

Maximos the Confessor (ca. 580-662) is now widely recognized as one of the greatest theological thinkers, not simply in the entire canon of Greek patristic literature, but in the Christian tradition as a whole. A peripatetic monk and prolific writer, his penetrating theological vision found expression in an unparalleled synthesis of biblical exegesis, ascetic spirituality, patristic theology, and Greek philosophy, which is as remarkable for its conceptual sophistication as for its labyrinthine style of composition. On Difficulties in Sacred Scripture, presented here for the first time in a complete English translation (including the 465 scholia), contains Maximos's virtuosic theological interpretations of sixty-five difficult passages from the Old and New Testaments. Because of its great length, along with its linguistic and conceptual difficulty, the work as a whole has been largely neglected. Yet alongside the Ambigua to John, On Difficulties in Sacred Scripture: The Responses to Thalassios deserves to be ranked as the Confessor's greatest work and one of the most important patristic treatises on the interpretation of Scripture, combining the interconnected traditions of monastic devotion to the Bible, the biblical exegesis of Origen, the sophisticated symbolic theology of Dionysius the Areopagite, and the rich spiritual anthropology of Greek Christian asceticism inspired by the Cappadocian Fathers.

Torrey examines some of the difficulties surrounding the Bible, and he explains how we should deal with them when they arise. Each chapter focuses on a different passage of Scripture and provides an illuminating perspective on the biblical text. Torrey will draw you into his exploration of the truth and the real facts of the Scriptures.

Unread book in perfect condition.

Long beloved of Catholics worldwide, this book helps you conquer the obstacles that confront most people when they begin to try to pray regularly. Eugene Boylan discusses the nature and ways of prayer, the difficulties that you’re likely to face if you don’t pray, the purpose of meditation, and more. He examines all this not from a theoretical standpoint, but from the perspective of the individual Catholic who’s trying to pray better. As such, this book offers you solid encouragement to press on in prayer.

Maximos the Confessor (580-662) occupies a unique position in the history of Byzantine philosophy, theology, and spirituality. His profound spiritual experiences and penetrating theological vision found complex and often astonishing expression in his unparalleled command of Greek philosophy, making him one of the most challenging and original Christian thinkers of all time. So thoroughly did his thought come to influence the Byzantine theological tradition that it is impossible to trace the subsequent history of Orthodox Christianity without knowledge of his work. The Ambigua (or "Book of Difficulties") is Maximos's greatest philosophical and doctrinal work, in which his daring originality, prodigious talent for speculative thinking, and analytical acumen are on lavish display. In the Ambigua, a broad range of theological topics--cosmology, anthropology, the philosophy of mind and language, allegory, asceticism, and metaphysics--are transformed in a synthesis of Aristotelian logic, Platonic metaphysics, Stoic psychology, and the arithmetical philosophy of a revived Pythagoreanism. The result is a labyrinthine map of the mind's journey to God that figured prominently in the Neoplatonic revival of the Komnenian Renaissance and the Hesychast Controversies of the Late Byzantine period. This remarkable work has never before been available in a critically based edition or English translation.

Minor scratches to rear cover, tight and clean.

The first collection of short fiction by England's Poet Laureate may be read as an accompaniment to Ted Hughes's poetry, or independently as an example of craft and linguistic vigor. Taken frmo forty years of occasional story writing, Ted Hughes's amazing descriptive powers and preoccupation with themes of violence and estrangement are vividly present in every tale.

Writer, filmmaker, visual artist, and celebrated leader of the French avant-garde, Jean Cocteau (1889–1963) once announced, "One must know how to go too far." The astounding scope of his work stands as a testament to that revolutionary spirit. Throughout his life he boldly experimented in almost every medium and achieved enduring success in them all: novels like Les Enfants Terribles; films such as The Blood of a Poet, Beauty and the Beast, and Orphee; as well as plays, ballets, drawings, poems, and even an opera of Oedipus Rex (written with Stravinsky). Cocteau regarded The Difficulty of Being as the key to his oeuvre and as a daring act of self-revelation. With terse skill he explores the innermost frontiers of his personality, from childhood memories to his creative wrestlings, from incisive portraits of Proust, Gide, Nijinsky, Picasso, and Stravinsky to reflections on death, friendship, dreams, youth, pain, beauty, haunted houses, and of course, on being without being. But no matter what he is writing about, he goes straight to the mark, illuminating a thought, subject, or personal reminiscence with precision and vitality. A magazine once asked Cocteau, If his house were burning and he could take only one thing, what would it be? "I'd take the fire," he answered. In The Difficulty of Being Cocteau does just that.

Patrick Standish finds himself at the center of a whirlwind of woman trouble involving his neighbors, his coworkers, and his lovely wife, Jenny

Maximos the Confessor (ca. 580-662) is now widely recognized as one of the greatest theological thinkers, not simply in the entire canon of Greek patristic literature, but in the Christian tradition as a whole. A peripatetic monk and prolific writer, his penetrating theological vision found expression in an unparalleled synthesis of biblical exegesis, ascetic spirituality, patristic theology, and Greek philosophy, which is as remarkable for its conceptual sophistication as for its labyrinthine style of composition. On Difficulties in Sacred Scripture, presented here for the first time in a complete English translation (including the 465 scholia), contains Maximos's virtuosic theological interpretations of sixty-five difficult passages from the Old and New Testaments. Because of its great length, along with its linguistic and conceptual difficulty, the work as a whole has been largely neglected. Yet alongside the Ambigua to John, On Difficulties in Sacred Scripture: The Responses to Thalassios deserves to be ranked as the Confessor's greatest work and one of the most important patristic treatises on the interpretation of Scripture, combining the interconnected traditions of monastic devotion to the Bible, the biblical exegesis of Origen, the sophisticated symbolic theology of Dionysius the Areopagite, and the rich spiritual anthropology of Greek Christian asceticism inspired by the Cappadocian Fathers.

Written between 1969 and 1999, these essays in political philosophy examine the standards by which social and political institutions should be justified and appraised. The collection includes the classic essays "Preference and Urgency", "A Theory of Freedom of Expression", and "Contractualism and Utilitarianism", as well as other essays that have not been generally accessible until now. The volume will be essential reading for all studying these topics from the perspective of political philosophy, politics, and law.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Writer, filmmaker, visual artist, and celebrated leader of the French avant-garde, Jean Cocteau (1889–1963) once announced, "One must know how to go too far." The astounding scope of his work stands as a testament to that revolutionary spirit. Throughout his life he boldly experimented in almost every medium and achieved enduring success in them all: novels like Les Enfants Terribles; films such as The Blood of a Poet, Beauty and the Beast, and Orphee; as well as plays, ballets, drawings, poems, and even an opera of Oedipus Rex (written with Stravinsky). Cocteau regarded The Difficulty of Being as the key to his oeuvre and as a daring act of self-revelation. With terse skill he explores the innermost frontiers of his personality, from childhood memories to his creative wrestlings, from incisive portraits of Proust, Gide, Nijinsky, Picasso, and Stravinsky to reflections on death, friendship, dreams, youth, pain, beauty, haunted houses, and of course, on being without being. But no matter what he is writing about, he goes straight to the mark, illuminating a thought, subject, or personal reminiscence with precision and vitality. A magazine once asked Cocteau, If his house were burning and he could take only one thing, what would it be? "I'd take the fire," he answered. In The Difficulty of Being Cocteau does just that.

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