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The BH-55 is the culmination of years of iterative development based on first-hand experience and abundant input from seasoned professionals and enthusiasts. Our goal was to build the best ball head out there. Our premise was that aesthetics didn't have to suffer for the sake of functionality - that operation should be intuitive and predictable. We also had you, the photographer, in mind in that we believe that your investment should be rewarded with years of satisfaction. The BH-55 offers up to 45 degrees of tilt in all directions, and up to 90-degrees in the two drop-notches. The knurled main lock knob independently controls the tension of the main ball joint. The midsize knurled knob features independent control of the panning base, which features laser engraved degree markers every 2.5 degrees. The smaller spade knob works in concert with the main lock knob to set a minimum amount of resistance on the ball joint at all times, independent of the main lock knob being fully loosened or not. Extensive field use has proven the utility of our innovative design. The BH-55 delivers solid performance in all weather and temperature ranges. Its low profile, precision control knobs, and rugged housing make our BH-55 the ballhead of choice for both seasoned professionals and enthusiastic amateurs.

The BH-55 is the culmination of years of iterative development based on first-hand experience and abundant input from seasoned professionals and enthusiasts. Our goal was to build the best ball head out there. Our premise was that aesthetics didn't have to suffer for the sake of functionality - that operation should be intuitive and predictable. We also had you, the photographer, in mind in that we believe that your investment should be rewarded with years of satisfaction. The BH-55 offers up to 45 degrees of tilt in all directions, and up to 90-degrees in the two drop-notches. The knurled main lock knob independently controls the tension of the main ball joint. The midsize knurled knob features independent control of the panning base, which features laser engraved degree markers every 2.5 degrees. The smaller spade knob works in concert with the main lock knob to set a minimum amount of resistance on the ball joint at all times, independent of the main lock knob being fully loosened or not. Extensive field use has proven the utility of our innovative design. The BH-55 delivers solid performance in all weather and temperature ranges. Its low profile, precision control knobs, and rugged housing make our BH-55 the ballhead of choice for both seasoned professionals and enthusiastic amateurs.

The digital mirror-less PENTAX K-01 has a unique design that has been developed by Marc Newson, one of the most acclaimed designers of his generation. In 2005 he was elected one of the 100 most influential people in the world by the Times and his works were exhibited at the MoMa in New York or at the Center Georges Pompidou in Paris. The K-01 incorporates the best technology, 16MP CMOS sensor, built-in stabilization, 3'' high definition LCD, Full HD video and much more.

The Pentax K-5 II Digital SLR Camera Body is the successor to the Pentax K-5 and builds upon many of the advanced features the K-5 was popular for, such as its high-quality image reproduction and compact, weather-sealed magnesium-alloy build. The Pentax K-5 II houses a newly developed, highly sensitive SAFOX AF module which ensures excellent focus tracking, better performance in low light conditions and improved AF accuracy, thanks to its ability to AF in a broader EV range (-3 to +18 EV). With its large 16MP CMOS sensor coupled with Pentax's PRIME II imaging engine, the K5 II delivers super-high resolution, rich-gradation digital images free of noise over a wide sensitivity range from ISO 100-12,800 (expandable from 80 to 51,200). The K5 II comes equipped with a 3.0” LCD (921k-dots) and a bright, clear optical viewfinder with a 100% field of view. Other features include high-speed continuous shooting of up to 7fps and full HD movie recording.

If there was ever a point-and-shoot that could do anything, the Panasonic Lumix DMC-FZ2500 Digital Camera comes close with an incredible mix of advanced photographic capabilities thanks to a 20.1MP 1" High Sensitivity MOS Sensor and outstanding video specs which include DCI 4K format video at a true 24.00 fps. Benefitting all of these functions is a versatile Leica DC Vario-Elmarit f/2.8-4.5 lens with a far-reaching 20x optical zoom. This optic uses numerous specialized elements to guarantee sharp images and offers an outstanding 24-480mm equivalent zoom range. On top of this, the camera features a DSLR-like body design that is very ergonomic, including manual control rings, a 0.74x 2.36m-dot OLED electronic viewfinder, and a 3.0" 1.04m-dot free-angle touchscreen LCD.

If there was ever a point-and-shoot that could do anything, the Panasonic Lumix DMC-FZ2500 Digital Camera comes close with an incredible mix of advanced photographic capabilities thanks to a 20.1MP 1" High Sensitivity MOS Sensor and outstanding video specs which include DCI 4K format video at a true 24.00 fps. Benefitting all of these functions is a versatile Leica DC Vario-Elmarit f/2.8-4.5 lens with a far-reaching 20x optical zoom. This optic uses numerous specialized elements to guarantee sharp images and offers an outstanding 24-480mm equivalent zoom range. On top of this, the camera features a DSLR-like body design that is very ergonomic, including manual control rings, a 0.74x 2.36m-dot OLED electronic viewfinder, and a 3.0" 1.04m-dot free-angle touchscreen LCD.

This compact telephoto zoom lens was exclusively designed for use with digital SLR cameras. The image circle was designed to match the size of the image sensors of digital SLR cameras that also allows compact body and lightweight. Characteristics of digital cameras were taken into consideration when designing the lens power layout, making high-quality images reality through the entire zoom range. Lightweight, high-performance, compact telephoto zoom lens, The image circle was designed to match the size of the image sensors of digital SLR cameras that also allows compact body and lightweight a maximum diameter of 71.5 mm and overall length of 87.1mm and weight of only 310g. It has a filter size of 55mm.

Macro lens are often designed for DSLR / digital SLR cameras tend to be big and bulky, particularly when adapted for use on mirrorless cameras systems. The Laowa 65mm f/2.8 2X Ultra Macro was designed with the mirrorless compacts in mind, designed for Fujifilm X-mount, Sony E. Users no longer need to use a big DSLR lens with adaptor. Additional this is the world’s first 2:1 macro lens (twice life size reproduction) designed specifically for mirrorless cameras.

Macro lens are often designed for DSLR / digital SLR cameras tend to be big and bulky, particularly when adapted for use on mirrorless cameras systems. The Laowa 65mm f/2.8 2X Ultra Macro was designed with the mirrorless compacts in mind, designed for Fujifilm X-mount, Sony E. Users no longer need to use a big DSLR lens with adaptor. Additional this is the world’s first 2:1 macro lens (twice life size reproduction) designed specifically for mirrorless cameras.

Macro lens are often designed for DSLR / digital SLR cameras tend to be big and bulky, particularly when adapted for use on mirrorless cameras systems. The Laowa 65mm f/2.8 2X Ultra Macro was designed with the mirrorless compacts in mind, designed for Fujifilm X-mount, Sony E. Users no longer need to use a big DSLR lens with adaptor. Additional this is the world’s first 2:1 macro lens (twice life size reproduction) designed specifically for mirrorless cameras.

The Leica 21mm f/3.4 ASPH 6-Bit Lens is a benchmark of quality. The light optimization was implemented on a high level, allowing backlit shots with crystal clear contrast. While designed for digital M-cameras, they Leica 21mm is compatible with all Leica analogue M-cameras since 1954! A fantastic tool for anyone passionate about Photography.

The Leica 21mm f/3.4 ASPH 6-Bit Lens is a benchmark of quality. The light optimization was implemented on a high level, allowing backlit shots with crystal clear contrast. While designed for digital M-cameras, they Leica 21mm is compatible with all Leica analogue M-cameras since 1954! A fantastic tool for anyone passionate about Photography.

The Powershot G9 was Canons flagship compact digital camera for advanced photographers before being replaced with the popular Canon G10 digital camera. This item is sold as seen for spares or repair. Please read the description in full before purchasing. Spares and repairs items do not come with a warranty but do represent potentially excellent value. All faults or issues are fully described. Cosmetically this item would be placed within our Well Used condition rating. Please Note: This item no longer powers on; even with a fully charged battery. For this reason, this item is being sold as spares and repairs.

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.

Once again Sekonic has answered the call when a more efficient and accurate meter is required. The Sekonic C-500R Prodigi color Meter was designed to meet the needs of today's digital market. This is the first meter to read the spectral sensitivity of color film, CDCD (CCD) and CMOS sensors used in current digital still and DV cine cameras. The C-500 and C-500R color meters are not exposure meters. Their main function is "pre-production" light source color control. With all the emphasis on color Management and Workflow done electronically and in the camera or in post production, today's digital photographers seem to have overlooked the first step and foundation of the whole process, namely the light that makes image creation possible.