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Bologna, Nuova Alfa Editoriale, 1989, 8vo quadrato, brossura con copertina illustrata a colori, pp. 195 complet. ill. (Catalogo della mostra tenutasi a Comacchio. 7 maggio/17 dicembre 1989)

100% Satisfaction is Guaranteed! There are no problems in page content and in the paper. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time.

As the perpetual stranger Dionysos is the embodiment of strangeness. He is nowhere at home, and yet in another sense the world is his home. Detienne evokes the manic activity of Dionysos in myths that connect him with the shedding of blood, the pouring of wine, and the ejaculation of semen.

No other god of the Greeks is as widely present in the monuments and nature of Greece and Italy, in the sensuous tradition of antiquity, as Dionysos. In myth and image, in visionary experience and ritual representation, the Greeks possessed a complete expression of indestructible life, the essence of Dionysos. In this work, the noted mythologist and historian of religion Carl Kerényi presents a historical account of the religion of Dionysos from its beginnings in the Minoan culture down to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerényi constructs a picture of Dionysian worship, always underlining the constitutive element of myth. Included in this study are the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. The way in which the Athenian people received and assimilated tragedy in its immanent connection with Dionysos is seen as the greatest miracle in all cultural history. Tragedy and New Comedy are seen as high spiritual forms of the Dionysian religion, and the Dionysian element itself is seen as a chapter in the religious history of Europe.

Dionysos, der "fremde" oder der "kommende" Gott, der viele Gegensatze in sich vereinte, faszinierte nicht nur die Griechen, sondern ist auch noch in der Moderne einer der interessantesten antiken Gotter. Zu seinen Wirkungsbereichen gehorten Wein und Ekstase, oft verbunden mit Musik, Tanz und ausgelassener Sexualitat, aber auch die Maske und das Theater. Als Mysteriengott versprach er zudem Seligkeit im Jenseits.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos – one of the most studied figures of the ancient Greek gods. Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before. As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

No other god of the Greeks is as widely present in the monuments and nature of Greece and Italy, in the sensuous tradition of antiquity, as Dionysos. In myth and image, in visionary experience and ritual representation, the Greeks possessed a complete expression of indestructible life, the essence of Dionysos. In this work, the noted mythologist and historian of religion Carl Kerényi presents a historical account of the religion of Dionysos from its beginnings in the Minoan culture down to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerényi constructs a picture of Dionysian worship, always underlining the constitutive element of myth. Included in this study are the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. The way in which the Athenian people received and assimilated tragedy in its immanent connection with Dionysos is seen as the greatest miracle in all cultural history. Tragedy and New Comedy are seen as high spiritual forms of the Dionysian religion, and the Dionysian element itself is seen as a chapter in the religious history of Europe.

No other god of the Greeks is as widely present in the monuments and nature of Greece and Italy, in the sensuous tradition of antiquity, as Dionysos. In myth and image, in visionary experience and ritual representation, the Greeks possessed a complete expression of indestructible life, the essence of Dionysos. In this work, the noted mythologist and historian of religion Carl Kerényi presents a historical account of the religion of Dionysos from its beginnings in the Minoan culture down to its transition to a cosmic and cosmopolitan religion of late antiquity under the Roman Empire. From the wealth of Greek literary, epigraphic, and monumental traditions, Kerényi constructs a picture of Dionysian worship, always underlining the constitutive element of myth. Included in this study are the secret cult scenes of the women's mysteries both within and beyond Attica, the mystic sacrificial rite at Delphi, and the great public Dionysian festivals at Athens. The way in which the Athenian people received and assimilated tragedy in its immanent connection with Dionysos is seen as the greatest miracle in all cultural history. Tragedy and New Comedy are seen as high spiritual forms of the Dionysian religion, and the Dionysian element itself is seen as a chapter in the religious history of Europe.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos – one of the most studied figures of the ancient Greek gods. Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before. As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

100% Satisfaction is Guaranteed! There are no problems in page content and in the paper. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time.

"There was 'no god more present' than Dionysos: that is, out of all the ancient gods Dionysos was one of the few who people felt that they could reach out and touch" ~ Chapter 4: A God of Many FormsDionysos: Exciter to Frenzy is a phenomenal scholarly exploration of one of the most complex, liminal and paradoxical gods of the ancient world. In this journey through the realms of Dionysos, the author Vikki Bramshaw guides the reader through the mysterious world of the multifaceted Dionysos, revealing his hidden faces and forms, demonstrating his presence in different cultures, the growth cycles of nature, the establishment of theatre and even the ancient Greek calendar.The roots of the wine god Dionysos, like his vines, spread throughout the ancient world. From the Cretan Zagreus, to the Thracian Sabazios and the Egyptian Iachen, his stories permeated the myths and traditions of both the untamed wilderness and the culture of cities such as Athens. Joined by slaves and rulers, wild flesh-ripping Maenads and vegetarian Orphics, wine-makers and hunters, the thrice-born Dionysos danced his way through the challenges of rebirth and initiation, with the liberating ecstasy of trance and possession.The god Dionysos unites opposites, he is many-formed, dying yet eternal, chthonian and heavenly. His ancient myths, mystical symbols, pagan rites and incarnations represent a uniquely detailed and relevant perspective of the transformation he brings through prophecy and personal liberation which is still relevant today.

Dionysos and the Pirates is the seventh in a collection of hymns, known as the Homeric Hymns, which were used by Greek minstrels as introductions to their longer songs. This is a simplified translation for young readers, accompanied by Barbara Cooney's illustrations.

Covering a wide range of issues which have been overlooked in the past, including mystery, cult and philosophy, Richard Seaford explores Dionysos – one of the most studied figures of the ancient Greek gods. Popularly known as the god of wine and frenzied abandon, and an influential figure for theatre where drama originated as part of the cult of Dionysos, Seaford goes beyond the mundane and usual to explore the history and influence of this god as never before. As a volume in the popular Gods and Heroes series, this is an indispensible introduction to the subject, and an excellent reference point for higher-level study.

Bologna, Nuova Alfa Editoriale, 1989, 8vo quadrato, brossura con copertina illustrata a colori, pp. 195 complet. ill. (Catalogo della mostra tenutasi a Comacchio. 7 maggio/17 dicembre 1989)

These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.

Dionysos carried the blessing of wine to the whole world, and his triumphant return from India became a popular subject for the arts of Greece and Rome in many media. It became associated with Alexander the Great’s comparable victories and later served as a message of immortality for any mortal prince. The iconography survived the ancient world into Renaissance and neo-Classical arts, and may even have contributed to the practices of modern circus parades with their wild animals, maenad-snake-charmers and clown-satyrs: an unusual, indeed unique, survival.Table of ContentsPrefaceTHE DIONYSIAC PROCESSION IN EARLY GREECETHE EGYPTIAN CONNECTION: STAGING THE TRIUMPHDIONYSOS AND ALEXANDER THE GREAT IN THE EASTTHE PROCESSION IN HELLENISTIC AND ROMAN ART AND LIFETHE ORIENTAL SUCCESSIONTHE RENAISSANCETHE MODERN WORLD

The gift of grace, coming to us as beauty, cannot be ordered or owned, only acknowledged and served. When events take on a mythical dimension and reverberate in the soul, then we feel grace. The three images of divinity guiding this book express the often unconscious pagan grace present in our daily lives. With this book, Ginette Paris continues the work of Pagan Meditations in reviving individual, cultural, and social life by reawakening their archetypal roots.

Dionysos carried the blessing of wine to the whole world, and his triumphant return from India became a popular subject for the arts of Greece and Rome in many media. It became associated with Alexander the Great’s comparable victories and later served as a message of immortality for any mortal prince. The iconography survived the ancient world into Renaissance and neo-Classical arts, and may even have contributed to the practices of modern circus parades with their wild animals, maenad-snake-charmers and clown-satyrs: an unusual, indeed unique, survival.Table of ContentsPrefaceTHE DIONYSIAC PROCESSION IN EARLY GREECETHE EGYPTIAN CONNECTION: STAGING THE TRIUMPHDIONYSOS AND ALEXANDER THE GREAT IN THE EASTTHE PROCESSION IN HELLENISTIC AND ROMAN ART AND LIFETHE ORIENTAL SUCCESSIONTHE RENAISSANCETHE MODERN WORLD

The metaphysical center of Plato’s work has traditionally been taken to be his Doctrine of Forms; the epistemological center, the Doctrine of Recollection. The Symposium has been viewed as one of the clearest explanations of the first and Meno as one of the clearest explanations of the other. The Masks of Dionysos challenges these traditional interpretations.

From the contents: A crisis of confidence.- Dionysiac revelry.- Frenzy and delusion.- God and man.- Body, soul and mind.- Dionysos and the mysteries.- the cult of Dionysos.- Festivals of Dyonisos.- Pentheus the man.- Perception.- Respect.- Wisdom.- Tranquility. dynamic analysis.