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he Tiffen Image Maker Contrast Control Filter Kit is designed to control the lighting ratios when shooting either traditional film or video. It is Ideal for controlling the contrast in bright sunlit exteriors, while capturing lost detail in the shadow areas. The soft Contrast Filter allows for a reduction in contrast and like the Low Contrast filter, will cause slight amounts of flaring or halation. With a neutral gray appearance, it drops the exposure yet although it may seem to require it, Tiffen does not recommend exposure compensation as this will negate the effect of the filter The Ultra Contrast filter produces no flare or halation even shooting directly into the sun, while it reduces contrast by lightening shadows without overexposing highlights or by darkening highlights without further darkening the shadows. This eliminates washed-out, overly bright highlights, or shadows without detail. The Low Contrast Filter is designed for people who shoot video but want to achieve more of a film look to their photography. The effect grows with the amount of light, and as a usefull effect (great with a candle!) this filter creates a very slight flare or halation around hot spots and individual light sources

Describes thousands of Japanese animated films and their availibility

55 p. illus. 25 cm. Includes Illustrations. 0.0

This is the first comprehensive history and directory of the American surgical instrument trade prior to 1900 and provides a wealth of information never before available. Though a great deal is known about the practice of surgery and the men who performed it in colonial and nineteenth-century America, very little is known about the makers and dealers who provided the tools for these great figures. Dr. Edmonson has created a much-needed resource for historians, curators, and instrument collectors alike. From the foreword by John Kirkup, M.D., F.R.C.S.: "In essence, this book provides a meticulous analysis of the medical, surgical, and dental instrument trades in America from the later years of the eighteenth century to the earliest years of our own . . .[T]he detailed Directory fills a notable hiatus with its exhaustive listing of companies . . . Here museum conservators, instrument collectors, and others will find answers to many questions of name, place, and time. This is complemented by an absorbing introductory essay which emphasizes the former close cooperation of instrument makers with leading doctors and medical schools and how this determined the location and commercial success of businesses . . . In an extensive appendix, Dr. Edmonson reviews instrument manufacture in the nineteenth century . . . It is a great pleasure to write this foreword to Jim Edmonson's pioneering analysis of a craft industry that illuminates so positively a unique period in both American and surgical history."

Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.74

The over 700 entries here provide the film's title, year of release, studio, starring cast members, category (Western, comedy, drama, etc.), source of the video, catalog number and the price as of December 1994. The directory provides name, address, and phone number for each of the video sources listed in the book.

This is a guide to over 1100 character actors and actresses. The people covered include John le Mesurier, Irene Handl, Dora Bryan and Sam Kydd from the British studios; and Elisha Cook, Iris Adrian, Hattie McDaniel and Irving Bacon from Hollywood. There is a portrait to accompany every entry. After a short account of each actor's career and characteristics, all their known film credits are given, including many fleeting appearances never previously recorded, plus shorts and TV movies. David Quinlan is also the author of "The Illustrated Directory of Film Stars", "The Illustrated Directory of Film Directors" and "British Sound Films 1928-1959".

Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.

Describes thousands of Japanese animated films and their availibility

This publication lists over 5,000 scientific instrument makers and retailers working in the British Isles, together with a further 10,000 names of apprentices and associates. The directory transforms our understanding of the history of the scientific instrument-making trades in Britain.Each entry includes estimated working dates, specific trades, addresses, training, apprentices, types of instruments made and brief biographical details. As such this volume not only provides essential information for collectors, dealers, museum curators and scholars, but it will also have much to offer economic, social and family historians, with its evidence about master-apprentice links, trade connections and family relationships.

Unread book in perfect condition.

NAG Press, Great Britain, 1981. Fourth edition. 688 pages. (LR)

With 30 brand new contemporary designs for modern window treatments and 26 updated illustrations, this revised and expanded fourth edition of The Curtain Design Directory offers even more ideas and solutions than ever before. Browse through the book and create your own beautiful window treatments, drawing inspiration from more than 400 hand-drawn black-and-white illustrations. This edition provides even more essential information; including a helpful window measuring sheet, detailed information about positioning fittings, how to determine the correct proportions for top treatments and estimating fabric quantities. The Curtain Design Directory is the must-have handbook for every interior designer and curtain maker.

With 30 brand new contemporary designs for modern window treatments and 26 updated illustrations, this revised and expanded fourth edition of The Curtain Design Directory offers even more ideas and solutions than ever before. Browse through the book and create your own beautiful window treatments, drawing inspiration from more than 400 hand-drawn black-and-white illustrations. This edition provides even more essential information; including a helpful window measuring sheet, detailed information about positioning fittings, how to determine the correct proportions for top treatments and estimating fabric quantities. The Curtain Design Directory is the must-have handbook for every interior designer and curtain maker.

This publication lists over 5,000 scientific instrument makers and retailers working in the British Isles, together with a further 10,000 names of apprentices and associates. The directory transforms our understanding of the history of the scientific instrument-making trades in Britain.Each entry includes estimated working dates, specific trades, addresses, training, apprentices, types of instruments made and brief biographical details. As such this volume not only provides essential information for collectors, dealers, museum curators and scholars, but it will also have much to offer economic, social and family historians, with its evidence about master-apprentice links, trade connections and family relationships.

From D.W. Griffith's The Birth of a Nation to Spike Lee's Malcolm X, Ed Guerrero argues, the commercial film industry reflects white domination of American society. Written with the energy and conviction generated by the new black film wave, Framing Blackness traces an ongoing epic―African Americans protesting screen images of blacks as criminals, servants, comics, athletes, and sidekicks. These images persist despite blacks' irrepressible demands for emancipated images and a role in the industry. Although starkly racist portrayals of blacks in early films have gradually been replaced by more appealing characterizations, the legacy of the plantation genre lives on in Blaxpoitation films, the fantastic racialized imagery in science fiction and horror films, and the resubordination of blacks in Reagan-era films. Probing the contradictions of such images, Guerrero recalls the controversies surrounding role choices by stars like Sidney Poitier, Eddie Murphy, Whoopie Goldberg, and Richard Pryor. Throughout his study, Guerrero is attentive to the ways African Americans resist Hollywood's one-dimensional images and superficial selling of black culture as the latest fad. Organizing political demonstrations and boycotts, writing, and creating their own film images are among the forms of active resistance documented. The final chapter awakens readers to the artistic and commercial breakthrough of black independent filmmakers who are using movies to channel their rage at social injustice. Guerrero points out their diverse approaches to depicting African American life and hails innovative tactics for financing their work. Framing Blackness is the most up-to-date critical study of how African Americans are acquiring power once the province of Hollywood alone: the power of framing blackness. In the series Culture and the Moving Image, edited by Robert Sklar.

The main part of this reference consists of an alphabetical listing of many hundreds of artists, with details on band personnel, instrumentation, location, titles performed, sources, and other relevant notes included in each listing. Cross-referenced appendices include program and film titles and pr

African Film Studies: An Introduction is an accessible and authoritative textbook on African cinema as a field of study. The book provides a succinct and comprehensive study of the history, aesthetics, and theory of sub-Saharan African cinematic productions that is grounded in the field of film studies instead of textual interpretations from other disciplines. Bringing African cinema out of the margins into the discipline of mainstream film studies and showcasing the diverse cinematic expressions of the continent, the book covers: Overview of African cinema(s):  Questions our assumptions about the continent’s cinematic productions and defines the characteristics of African cinema across linguistic, geographic, and filmic divides. History of African and African-American cinema: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’ to the quest for individuality. It also establishes parallels in the historical development of black African cinema and African-American cinema. Aesthetics: Introduces new research on previously unexplored aesthetic dimensions such as cinematography, animation, and film music. Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinema All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge with no prior knowledge of African cinema required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.

African Film Studies: An Introduction is an accessible and authoritative textbook on African cinema as a field of study. The book provides a succinct and comprehensive study of the history, aesthetics, and theory of sub-Saharan African cinematic productions that is grounded in the field of film studies instead of textual interpretations from other disciplines. Bringing African cinema out of the margins into the discipline of mainstream film studies and showcasing the diverse cinematic expressions of the continent, the book covers: Overview of African cinema(s):  Questions our assumptions about the continent’s cinematic productions and defines the characteristics of African cinema across linguistic, geographic, and filmic divides. History of African and African-American cinema: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’ to the quest for individuality. It also establishes parallels in the historical development of black African cinema and African-American cinema. Aesthetics: Introduces new research on previously unexplored aesthetic dimensions such as cinematography, animation, and film music. Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinema All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge with no prior knowledge of African cinema required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.