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he Tiffen Image Maker Contrast Control Filter Kit is designed to control the lighting ratios when shooting either traditional film or video. It is Ideal for controlling the contrast in bright sunlit exteriors, while capturing lost detail in the shadow areas. The soft Contrast Filter allows for a reduction in contrast and like the Low Contrast filter, will cause slight amounts of flaring or halation. With a neutral gray appearance, it drops the exposure yet although it may seem to require it, Tiffen does not recommend exposure compensation as this will negate the effect of the filter The Ultra Contrast filter produces no flare or halation even shooting directly into the sun, while it reduces contrast by lightening shadows without overexposing highlights or by darkening highlights without further darkening the shadows. This eliminates washed-out, overly bright highlights, or shadows without detail. The Low Contrast Filter is designed for people who shoot video but want to achieve more of a film look to their photography. The effect grows with the amount of light, and as a usefull effect (great with a candle!) this filter creates a very slight flare or halation around hot spots and individual light sources

Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.

This is the first comprehensive history and directory of the American surgical instrument trade prior to 1900 and provides a wealth of information never before available. Though a great deal is known about the practice of surgery and the men who performed it in colonial and nineteenth-century America, very little is known about the makers and dealers who provided the tools for these great figures. Dr. Edmonson has created a much-needed resource for historians, curators, and instrument collectors alike. From the foreword by John Kirkup, M.D., F.R.C.S.: "In essence, this book provides a meticulous analysis of the medical, surgical, and dental instrument trades in America from the later years of the eighteenth century to the earliest years of our own . . .[T]he detailed Directory fills a notable hiatus with its exhaustive listing of companies . . . Here museum conservators, instrument collectors, and others will find answers to many questions of name, place, and time. This is complemented by an absorbing introductory essay which emphasizes the former close cooperation of instrument makers with leading doctors and medical schools and how this determined the location and commercial success of businesses . . . In an extensive appendix, Dr. Edmonson reviews instrument manufacture in the nineteenth century . . . It is a great pleasure to write this foreword to Jim Edmonson's pioneering analysis of a craft industry that illuminates so positively a unique period in both American and surgical history."

Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.

55 p. illus. 25 cm. Includes Illustrations. 0.0

NAG Press, Great Britain, 1981. Fourth edition. 688 pages. (LR)

With 30 brand new contemporary designs for modern window treatments and 26 updated illustrations, this revised and expanded fourth edition of The Curtain Design Directory offers even more ideas and solutions than ever before. Browse through the book and create your own beautiful window treatments, drawing inspiration from more than 400 hand-drawn black-and-white illustrations. This edition provides even more essential information; including a helpful window measuring sheet, detailed information about positioning fittings, how to determine the correct proportions for top treatments and estimating fabric quantities. The Curtain Design Directory is the must-have handbook for every interior designer and curtain maker.

Describes thousands of Japanese animated films and their availibility

The over 700 entries here provide the film's title, year of release, studio, starring cast members, category (Western, comedy, drama, etc.), source of the video, catalog number and the price as of December 1994. The directory provides name, address, and phone number for each of the video sources listed in the book.

This is a guide to over 1100 character actors and actresses. The people covered include John le Mesurier, Irene Handl, Dora Bryan and Sam Kydd from the British studios; and Elisha Cook, Iris Adrian, Hattie McDaniel and Irving Bacon from Hollywood. There is a portrait to accompany every entry. After a short account of each actor's career and characteristics, all their known film credits are given, including many fleeting appearances never previously recorded, plus shorts and TV movies. David Quinlan is also the author of "The Illustrated Directory of Film Stars", "The Illustrated Directory of Film Directors" and "British Sound Films 1928-1959".

Describes thousands of Japanese animated films and their availibility

This publication lists over 5,000 scientific instrument makers and retailers working in the British Isles, together with a further 10,000 names of apprentices and associates. The directory transforms our understanding of the history of the scientific instrument-making trades in Britain.Each entry includes estimated working dates, specific trades, addresses, training, apprentices, types of instruments made and brief biographical details. As such this volume not only provides essential information for collectors, dealers, museum curators and scholars, but it will also have much to offer economic, social and family historians, with its evidence about master-apprentice links, trade connections and family relationships.

This publication lists over 5,000 scientific instrument makers and retailers working in the British Isles, together with a further 10,000 names of apprentices and associates. The directory transforms our understanding of the history of the scientific instrument-making trades in Britain.Each entry includes estimated working dates, specific trades, addresses, training, apprentices, types of instruments made and brief biographical details. As such this volume not only provides essential information for collectors, dealers, museum curators and scholars, but it will also have much to offer economic, social and family historians, with its evidence about master-apprentice links, trade connections and family relationships.

With 30 brand new contemporary designs for modern window treatments and 26 updated illustrations, this revised and expanded fourth edition of The Curtain Design Directory offers even more ideas and solutions than ever before. Browse through the book and create your own beautiful window treatments, drawing inspiration from more than 400 hand-drawn black-and-white illustrations. This edition provides even more essential information; including a helpful window measuring sheet, detailed information about positioning fittings, how to determine the correct proportions for top treatments and estimating fabric quantities. The Curtain Design Directory is the must-have handbook for every interior designer and curtain maker.

An advanced exterior stain, combining the best features of oil and latex for superior color retention, adhesion, penetration and durability. It provides a film that is highly resistant to cracking, peeling, blistering, weathering, chalking and erosion. It cleans up easily with soap and water and can be applied over water-based or oil-based paint or primer. Color: Indian Sunset.

The BEHR Solid Color House and Fence Paint is a vertical use exterior stain, combining the best features of oil and latex for superior color retention, adhesion, penetration and durability. It provides a film that is highly resistant to cracking, peeling, blistering, weathering, chalking and erosion. It cleans up easily with soap and water and can be applied over water-based or oil-based paint or primer. Color: Indian Sunset.

Bollywood Bloodbath: The B-Music of the Indian Horror Film Industry Various Artists - LP 5060099503313

Tracing the origins and evolution of films with gay and lesbian characters and themes from the 1930s to their present proliferation, The Lavender Screen offers a startling review of more than 100 films, evaluating not only themes, but the director's attitudes and public and critical commentary as well.

Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.

The best-selling low-budget filmmaker's bible in the UK has now, at long last, been totally revamped for the American market. The two authors have interviewed hundreds of film industry insiders, resulting in, without doubt, the most comprehensive, entertaining, information-packed book available in America on how to produce a low-budget movie. The book has 3 main sections: Anatomy of a Movie, Case Studies, and The Toolkit. Anatomy of a Movie features in-depth, candid interviews with a huge cast of people already working in the film industry - from script readers to bank managers; from casting directors to costume providers; and from sound mixers to negative cutters. Case Studies tells the stories of a selection of low-budget movies, and how they were made. These include Chris and Genevieve's own films, as well as international successes like The Blair Witch Project and Lock, Stock and Two Smoking Barrels. The Toolkit is an amazing resource for new filmmakers, incorporating a huge range of sample legal contracts and agreements, as well as templates for production forms like locations checklists, shooting schedules, and call sheets.