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This book proposes a fresh and original interpretation of Keats' use of classical mythology in his verse. Dr Aske argues that classical antiquity appears to Keats as a supreme fiction, authoritative yet disconcerting, and his poems represent hard endeavours to come to terms with the influence of that fiction. The major poems (most notably Endymion, Hyperion, the Ode on a Grecian Urn and Lamia) form a stage, as it were, upon which is played out a psychic drama between the modern poet and his classical muse. The study is especially bold in its assimilation of historical scholarship and literary theory to a close reading of the texts. Individual poems are discussed in the context of late Enlightenment and Romantic attitudes towards antiquity and in the light of recent critical theory, in particular the theory of literary history and influence formulated by Harold Bloom and Geoffrey Hartman. Keats emerges as a significant example of the way in which a poet tries to establish a distinct identity under the burden of history and of literary tradition.

"This book is about the small and large ways we hurt each other in the greatest competition on the face of the earth: Love. Buy it. It belongs on that shelf of books you will return to again and again."-Harry Crews "Shriver confronts some disconcerting truths that defy a pat, politically correct resolution."-The New York Times Book Review "Love me, love my game" says twenty-three year-old Willy Novinsky. Ever since she picked up a racquet at the age of four, tennis has been Willy's one love, until the day she meets Eric Oberdorf. She's a middle-ranked professional tennis player and he's a Princeton graduate who took up playing tennis at the age of eighteen. Low-ranked but untested, Eric, too, aims to make his mark on the international tennis circuit. Willy beholds compatibility spiced with friendly rivalry, and discovers her first passion outside a tennis court. They marry. Married life starts well but animated shop talk and blissful love-making soon give way to full-tilt competition over who can rise to the top first. In this captivating book, Shriver dissects the hazards of a two-career relationship in this brilliantly perceptive novel about the price both men and women pay for prizing achievement over love. Born and raised in North Carolina, Lionel Shriver is the author of seven novels, a Guardian columnist, and a contributor to the Wall Street Journal, Philadelphia Inquirer, and Economist. She lives in London. We Need To Talk About Kevin won the Orange Prize for Fiction in 2005.

What counts? In work, as in other areas of life, it is not always clear what standards we are being judged by or how our worth is being determined. This can be disorienting and disconcerting. Because of this, many organizations devote considerable resources to limiting and clarifying the logics used for evaluating worth. But as David Stark argues, firms would often be better off, especially in managing change, if they allowed multiple logics of worth and did not necessarily discourage uncertainty. In fact, in many cases multiple orders of worth are unavoidable, so organizations and firms should learn to harness the benefits of such "heterarchy" rather than seeking to purge it. Stark makes this argument with ethnographic case studies of three companies attempting to cope with rapid change: a machine-tool company in late and postcommunist Hungary, a new-media startup in New York during and after the collapse of the Internet bubble, and a Wall Street investment bank whose trading room was destroyed on 9/11. In each case, the friction of competing criteria of worth promoted an organizational reflexivity that made it easier for the company to change and deal with market uncertainty. Drawing on John Dewey's notion that "perplexing situations" provide opportunities for innovative inquiry, Stark argues that the dissonance of diverse principles can lead to discovery.

This is the most comprehensive look to date at the work of Atta Kim, one of Korea's most distinctive contemporary artists. Born in 1956, Kim uses photography to create dramatic, large-scale works that reflect his fascination with philosophical questions. The "Deconstruction Series" (1992-95) features disconcerting images of seemingly lifeless men and women whose naked bodies are scattered like seeds in open fields and desolate natural settings. In the "Museum Project" (1995-2002), Kim poses people drawn from a wide range of social types in clear acrylic boxes lit like museum vitrines and placed in a variety of urban and natural locations. These images of what he ironically calls "contemporary treasures" provide an unusual perspective on contemporary approaches to sexuality, materialism, politics and religion. For the large-scale, visually spectacular color photographs of the "On-Air Project" (2002 to the present), Kim employed extended exposures--sometimes as long as eight hours--to explore fundamental questions of time and perception. Using such varied subjects as parliamentary sessions, soccer games, outdoor military exercises and erotic unions, he suggests the ephemerality of human existence, and that it is possible for us to perceive the passage of time in radically different ways. Atta Kim includes a career-spanning interview with the artist by ICP curator Christopher Phillips.

The conclusions of critical biblical scholarship often pose a disconcerting challenge to traditional Christian faith. Between the two poles of uncritical embrace and outright rejection of these conclusions, is there a third way? Can evangelical believers incorporate the insights of biblical criticism while at the same time maintaining a high view of Scripture and a vital faith? In this provocative book, Kenton Sparks argues that the insights from historical and biblical criticism can indeed be valuable to evangelicals and may even yield solutions to difficult issues in biblical studies while avoiding pat answers. This constructive response to biblical criticism includes taking seriously both the divine and the human aspects of the Bible and acknowledging the diversity that exists in the biblical texts.

Although dyslexia affects 10 to 15 percent of the U.S. population, only 5 out of every 100 dyslexics are recognized and receive assistance. If you're the parent of a child with dyslexia, this statistic can be disconcerting, especially when it comes to your child's academic performance and developing social skills. The Everything Parent's Guide to Children with Dyslexia gives you a complete understanding of what dyslexia is, how to identify the signs, and what you can do to help your child. This authoritative book seeks to alert parents to the special needs associated with this learning disability and offers practical suggestions for getting involved in the classroom.The Everything Parent's Guide to Children with Dyslexia shows you how to:Select the right treatment programs for your childSecure an IEPChoose a school and reduce homework strugglesDevelop your child's skills with the use of assistive technologyMaintain open communication and offer supportThe Everything Parent's Guide to Children with Dyslexia is your first step in facing the challenges of dyslexia with a positive attitude.

Hardcover. A major monograph of the American realist artist, descendant of one of Americas most revered artistic families, and painter of dark and uneasy subjects.This book traces a persistent vein of intriguing, often disconcerting, imagery over the career of renowned artist Jamie Wyeth (b. 1946), famous for his hyperrealist paintings of farm animals and Maine lighthouses. The focus in this volume is on the chilling thread that runs through his work, present but not overwhelming, and ever-evolving with his style and subjects. Whether he is introducing curious characters or surveying strange landscapes, Wyeth is at home with uneasy subjects and a master of the unsettled mood.Like his father, Andrew Wyeth, and grandfather N. C. Wyeth before him, Jamie Wyeth splits his time between the Brandywine River Valley of Pennsylvania and Delaware and the mid-coast of Maine. In these two locales Wyeth has passed through many obsessions, as he calls his favored subjects: farm tools brimming with the potential for violence, eccentric portraits and unnerving figure studies, haunted places, and possessed plants and animals. In addition to the main essay, contributors explore the creation of similarly unsettling moods in film, dance, sound artistry, and classical music. A major monograph of the American realist artist, descendant of one of America s most revered artistic families, and painter of dark and uneasy subjects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Kenzaburo Oe was awarded the Nobel Prize in Literature for creating "an imagined world, where life and myth condense to form a disconcerting picture of the human predicament today." In Death by Water, his recurring protagonist and literary alter-ego returns to his hometown village in search of a red suitcase fabled to hold documents revealing the details of his father’s death during WWII: details that will serve as the foundation for his new, and final, novel.Since his youth, renowned novelist Kogito Choko planned to fictionalize his father’s fatal drowning in order to fully process the loss. Stricken with guilt and regret over his failure to rescue his father, Choko has long been driven to discover why his father was boating on the river in a torrential storm. Though he remembers overhearing his father and a group of soldiers discussing an insurgent scheme to stage a suicide attack on Emperor Mikado, Choko cannot separate his memories from imagination and his family is hesitant to reveal the entire story. When the contents of the trunk turn out to offer little clarity, Choko abandons the novel in creative despair. Floundering as an artist, he’s haunted by fear that he may never write his tour de force. But when he collaborates with an avant-garde theater troupe dramatizing his early novels, Kogito is revitalized by revisiting his formative work and he finds the will to continue investigating his father’s demise.Diving into the turbulent depths of legacy and mortality, Death by Water is an exquisite examination of resurfacing national and personal trauma, and the ways that storytelling can mend political, social, and familial rifts.

The science behind the debate raging in modern physics over the disconcerting and uncomfortable realization that just maybe there is, as astronomer Fred Hoyle put it, some sort of "superintellect that has monkeyed with the physics". Written with the non-scientist in mind, this exploration of Big Bang, Schroedinger's Cat, the Chaos of 9/11, the Complexity of the mimic octopus and the blister beetle, and the strong Anthropic Principle is accessible to anyone bright enough to be interested. Ultimately, tucked in here somewhere is a middle ground between evolution and creation that will leave nobody happy, but everyone intrigued.

The message of To Believe in Jesus is heartening, if disconcerting, for it stands a common assumption of religious writing on its head. The way to holiness is not through dramatic renunciation, and holiness itself is not just for the 'specialists,' clergy and religious. Holiness cannot be struggled for or won - it can only be given, and all that is necessary is that we should ask. As soon as we cease to strive for virtue, concentrating attention uselessly on ourselves, and instead recognize our weakness, our need, the way is open to encounter God and the holiness of Jesus, which is his gift.

Arriving in Paris in 1924, Brassaï rapidly became a shrewd observer of nocturnal Parisian life. He sensed that photography was the tool that would allow him to document his vision of a dying society.Fascinated by the night, which he found disconcerting, enigmatic, and suggestive, Brassaï photographed its every aspect, from police to prostitutes to the homeless to socialites, all in a dreamlike and mysterious manner. In sixty-four images, Brassaï succeeded in remarkably capturing this unique ambience. This book, meticulously assembled by Brassaï himself, signifies the birth of the artist.Brassaï, originally from Hungary, traveled to Paris in 1924, where he began to associate with the avant-garde artist community, in particular with Picasso and the Parisian surrealist circles. He quickly established himself as one of the most original photographers of his generation.

Whether depicting desolate landscapes, the homeless, or the bodies of Cuban prostitutes, Kander’s photos illuminate the fragile, the ephemeral, and the disconcerting. Whatever the subject, Kander’s work shuns traditional categories.

Attorney Sabre O. Brown takes on three disconcerting new cases, each with its own illusion: a woman claiming she's been impregnated by a ghost, a threatening parent prone to violence, and a child bride with a heart-breaking First Amendment issue. At the same time, Sabre tries to protect her mother who is dating a suspicious widower she met on online. In Sabre’s search for justice, she is found near death after a magician’s illusion deviously goes wrong

Lydia Lunch and Cypress Grove previously unsettled the conventionally calm and respectful world of the cover song with a number of fractured productions. As you might expect, the choice of songs on this collection is a disconcerting array of material ranging from the hugely popular to the wildly obscure; from Jon Bon Jovi to Nashville troubadour Aaron Lee Tasjan, Doors and many others.

This book outlines everything a designer or a garment manufacturer needs to know about producing a garment from start to finish. The book includes all the steps they can perform to avoid disconcerting incidents, such as chargebacks and late deliveries. In 1996, I lead a group of people that worked in a large production facility. It was then that I began to put together the pieces of this manual. Everyday, I saw things slip through the cracks and problems occur. I thought, if I can develop a book that would help avoid the everyday problems, it would be beneficial to me and my team. I put the manual together, and as the years progressed and my position in the industry changed, I used the manual and passed it on to the people that I worked with each year. Being able to offer co-workers guidelines when creating a garment and offering factories solutions to problems prior to them occurring, really made this grueling process less complex than it had been in years. Let s face it, the fashion

Arriving in Paris in 1924, Brassaï rapidly became a shrewd observer of nocturnal Parisian life. He sensed that photography was the tool that would allow him to document his vision of a dying society.Fascinated by the night, which he found disconcerting, enigmatic, and suggestive, Brassaï photographed its every aspect, from police to prostitutes to the homeless to socialites, all in a dreamlike and mysterious manner. In sixty-four images, Brassaï succeeded in remarkably capturing this unique ambience. This book, meticulously assembled by Brassaï himself, signifies the birth of the artist.Brassaï, originally from Hungary, traveled to Paris in 1924, where he began to associate with the avant-garde artist community, in particular with Picasso and the Parisian surrealist circles. He quickly established himself as one of the most original photographers of his generation.

A nuanced satire--both hilarious and disconcerting--that probes the blurred lines between empowerment, spirituality, and consumerism in our online lives.Lilian Quick is 40, single, and childless, working as a pet portrait artist. She paints the colored light only she can see, but animal aura portraits are a niche market at best. She's working hard to build her brand on social media and struggling to pay the rent.Her estranged cousin has become internet-famous as "Eleven" Novak, the face of a massive feminine lifestyle empowerment brand, and when Eleven comes to town on tour, the two women reconnect. Despite twenty years of unexplained silence, Eleven offers Lilian a place at The Temple, her Manhattan office. Lilian accepts, moves to New York, and quickly enrolls in The Ascendency, Eleven's signature program: an expensive, three-month training seminar on leadership, spiritual awakening, and marketing. Eleven is going to help her cousin become her best self: confident, affluent, and self-actualized.In just three months, Lilian's life changes drastically: She learns how to break her negative thought patterns, achieves financial solvency, grows an active and engaged online following, and builds authentic friendships. She finally feels seen for who she really is. Success! . . . But can Lilian trust everything Eleven says? This compelling, heartfelt satire asks us: How do we recognize authenticity when storytelling and magic have been co-opted by marketing?

This book proposes a fresh and original interpretation of Keats' use of classical mythology in his verse. Dr Aske argues that classical antiquity appears to Keats as a supreme fiction, authoritative yet disconcerting, and his poems represent hard endeavours to come to terms with the influence of that fiction. The major poems (most notably Endymion, Hyperion, the Ode on a Grecian Urn and Lamia) form a stage, as it were, upon which is played out a psychic drama between the modern poet and his classical muse. The study is especially bold in its assimilation of historical scholarship and literary theory to a close reading of the texts. Individual poems are discussed in the context of late Enlightenment and Romantic attitudes towards antiquity and in the light of recent critical theory, in particular the theory of literary history and influence formulated by Harold Bloom and Geoffrey Hartman. Keats emerges as a significant example of the way in which a poet tries to establish a distinct identity under the burden of history and of literary tradition.

This book looks at the ever-present anxieties associated with language change. Focusing on English from Alfred the Great to the present, Tim Machan offers a fresh perspective on the history of language. He reveals amusing and sometimes disconcerting aspects of our linguistic and social behavior and suggests that anxiety about language has sometimes allowed us to avoid the issues we really find disturbing: when speakers of English worry over grammar, sounds, or words the real source of their anxiety is often not language at all but issues like immigration or social instability. Drawing on an array of evidence from archives, literature, history, polemics, and the press, as well as centuries of legislation, Tim Machan uncovers the perennial nature of concerns about the poverty and purity of English. There has never been a time, he shows, when we weren't worried about the corruption of language and its apparent connections with educational standards, the morality of youth, the integrity of society, and the identity of our nations. This is a fascinating story, told here in consummate fashion, combining insight and anecdote, and learning with wit - a book for everyone interested in languages and the people who speak them.

This book outlines everything a designer or a garment manufacturer needs to know about producing a garment from start to finish. The book includes all the steps they can perform to avoid disconcerting incidents, such as chargebacks and late deliveries. In 1996, I lead a group of people that worked in a large production facility. It was then that I began to put together the pieces of this manual. Everyday, I saw things slip through the cracks and problems occur. I thought, if I can develop a book that would help avoid the everyday problems, it would be beneficial to me and my team. I put the manual together, and as the years progressed and my position in the industry changed, I used the manual and passed it on to the people that I worked with each year. Being able to offer co-workers guidelines when creating a garment and offering factories solutions to problems prior to them occurring, really made this grueling process less complex than it had been in years. Let s face it, the fashion