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Encompassing more than 370 diverse areas - including vast tracts of wilderness, spectacular scenery and habitat, historic places, and urban parks - the U.S. National Park System is the envy of the world. This exhaustive illustrated Encyclopedia is the most comprehensive look at the history and development of the park system ever published. Noted environmental scholar Hal Rothman and Sara Dant Ewert explore the history, issues, and legacy of the National Park System, beginning with the passage of the Antiquities Act of 1906 right up to the twenty-first century. An introductory essay details the history of the National Park System and wilderness preservation organizers; biographies examine the most influential historical figures and personalities who shaped and influenced the park system; and A-to-Z entries provide in-depth information on the history of more than 350 national parks, historic sites, monuments, battlefields, recreation areas, parklands, memorials, trails, and preserves. Entries provide detailed accounts of each park area's founding and history and also cover issues surrounding park use and environmental management. Each entry also includes acreage, date established, contact information, location and events, Website address, and further reading lists.

First edition, first printing as stated of this important LGBTQ anthology edited by Dennis Cooper. A paperback original as issued, approximately 400 pages with dozens of contributions by important queer writers and artists. Cover designed by Nayland Blake. A clean unmarked copy, just some rubbing and light soiling to covers. Uncommon.

From “one of his generation’s most inventive and gifted writers” (The New York Times), intimate and sharply observed commentary on life, art, politics, and “the war on terror.” Mohsin Hamid’s brilliant, moving, and extraordinarily clever novels have not only made him an international bestseller, they have earned him a reputation as a “master critic of the modern global condition” (Foreign Policy). His stories are at once timeless and of-the-moment, and his themes are universal: love, language, ambition, power, corruption, religion, family, identity. Here he explores this terrain from a different angle in essays that deftly counterpoise the personal and the political, and are shot through with the same passion, imagination, and breathtaking shifts of perspective that gives his fiction its unmistakable electric charge. A “water lily” who has called three countries on three continents his home—Pakistan, the birthplace to which he returned as a young father; the United States, where he spent his childhood and young adulthood; and Britain, where he married and became a citizen—Hamid writes about overlapping worlds with fluidity and penetrating insight. Whether he is discussing courtship rituals or pop culture, drones or the rhythms of daily life in an extended family compound, he transports us beyond the scarifying headlines of an anxious West and a volatile East, beyond stereotype and assumption, and helps to bring a dazzling diverse global culture within emotional and intellectual reach.

What Du Bois noted has gone largely unstudied until now. In this book, Evelyn Brooks Higginbotham gives us our first full account of the crucial role of black women in making the church a powerful institution for social and political change in the black community. Between 1880 and 1920, the black church served as the most effective vehicle by which men and women alike, pushed down by racism and poverty, regrouped and rallied against emotional and physical defeat. Focusing on the National Baptist Convention, the largest religious movement among black Americans, Higginbotham shows us how women were largely responsible for making the church a force for self-help in the black community. In her account, we see how the efforts of women enabled the church to build schools, provide food and clothing to the poor, and offer a host of social welfare services. And we observe the challenges of black women to patriarchal theology. Class, race, and gender dynamics continually interact in Higginbotham's nuanced history. She depicts the cooperation, tension, and negotiation that characterized the relationship between men and women church leaders as well as the interaction of southern black and northern white women's groups. Higginbotham's history is at once tough-minded and engaging. It portrays the lives of individuals within this movement as lucidly as it delineates feminist thinking and racial politics. She addresses the role of black Baptist women in contesting racism and sexism through a "politics of respectability" and in demanding civil rights, voting rights, equal employment, and educational opportunities. Righteous Discontent finally assigns women their rightful place in the story of political and social activism in the black church. It is central to an understanding of African American social and cultural life and a critical chapter in the history of religion in America.

Passionate Discontent is an erudite study of the relationship between gender and genius in late nineteenth-century French Symbolism. Born in an era of crisis, the Symbolist art movement was characterized by withdrawal to a mystical, antibourgeois world of the mind and spirit. While Symbolists idealized the "poète maudit," a creative, mad genius exhibiting an emotional state of heightened awareness and "passionate discontent," female artists displaying similar symptoms were dismissed as hysterical.Art historian Patricia Mathews traverses the artistic, social, and scientific discourses of fin-de-siècle France in order to illuminate the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. Along the way, Mathews proffers important new readings of the art of such Symbolists as Gauguin, van Gogh and Moreau, as well as that of their female contemporaries Camille Claudel and Suzanne Valadon. Passionate Discontent is an important contribution to art historical and women's studies.

Early hominids lived in an animal harmony with nature, free of the existential suffering we Homo sapiens experience. Evolutionary changes to our ancestors' bodies and brains endowed us with an increased capacity for creative productivity and the discontent that comes with disconnection from our environment. This duality of our evolution sets us apart from other species and inspires our most profound intellectual and spiritual yearning.Science and spiritual practice have long been considered mutually exclusive, and yet they are both methods of investigating the universe in which we live. Dismantling Discontent offers a provocative perspective on our existential suffering from the metaphorical viewpoints of Darwin and Buddha, synthesizing their two approaches-science and meditation-into a powerful union and shattering previous assumptions about the incompatibility of these two very different ways of knowing. His daring, grounded in years of solid research and sincere practice, has cleared the path to an inspired new middle way for us humans to be at greater peace with our selves, each other, and the world in which we live.

The 2016 presidential election was unlike any other in recent memory, and Donald Trump was an entirely different kind of candidate than voters were used to seeing. He was the first true outsider to win the White House in over a century and the wealthiest populist in American history. Democrats and Republicans alike were left scratching their heads-how did this happen?In American Discontent, John L. Campbell contextualizes Donald Trump's success by focusing on the long-developing economic, racial, ideological, and political shifts that enabled Trump to win the White House. Campbell argues that Trump's rise to power was the culmination of a half-century of deep, slow-moving change in America, beginning with the decline of the Golden Age of prosperity that followed the Second World War. The worsening economic anxieties of many Americans reached a tipping point when the 2008 financial crisis and Barack Obama's election, as the first African American president, finally precipitated the worst political gridlock in generations. Americans were fed up and Trump rode a wave of discontent all the way to the White House.Campbell emphasizes the deep structural and historical factors that enabled Trump's rise to power. Since the 1970s and particularly since the mid-1990s, conflicts over how to restore American economic prosperity, how to cope with immigration and racial issues, and the failings of neoliberalism have been gradually dividing liberals from conservatives, whites from minorities, and Republicans from Democrats. Because of the general ideological polarization of politics, voters were increasingly inclined to believe alternative facts and fake news. Grounded in the underlying economic and political changes in America that stretch back decades, American Discontent provides a short, accessible, and nonpartisan explanation of Trump's rise to power.

With this lucid, judicious and vividly written exposition of the ideological foundations of the Islamic revolution, Dabashi has rendered the educated public a valuable service.-- Said A. Arjomand, author of The Turban for the CrownIn brilliant, figural strokes, Dabashi arrays EuroAmerican sociological theory as the crucial backdrop to a deeper, fuller understanding of contemporary Iranian history ... Even while recognizing all ideologies as `terrible simplifiers' and particular ideologies as exhausted, Dabashi stresses the recurrent human need to locate meaning along the spectrum of possibility from ideology to utopia. His is at once a comparativist and interdisciplinary tour de force. Though the symbolic force of Iranian Shi'ism remains inexhaustible, insofar as it can be kneaded into words, Theology of Discontent succeeds as no other work can or will in the English language.-- Bruce B. LawrenceDuke UniversityWith resolute dispassion, Hamid Dabashi argues that the eight key figures who helped construct the rhetoric of the 1978 Iranian revolution, while intellectually shallow, had tremendous rhetorical force which came not from their depth or exactitude of knowledge, but through a series of articulations of protest which they built into a theology of discontent. A welcome contribution to the recognition that the Iranian revolution was an outcome of contesting perspectives, partially analyzed discontents and understandings of society, and various roots of identity and belief. -- Michael M. J. Fischer, Rice University

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Holding fast to traditional values in the face of unprecedented economic hardship, nearly a million American women joined right-wing organizations during the Great Depression and World War II. Days of Discontent provides a new perspective for understanding why the far right appealed to these women, whose political self-awareness grew with the tumultuous times. Influenced by the conventional image of women as mothers and nurturers, many women viewed the right-wing movement as a way to protect and maintain American morality. The radical right leaders, such as Elizabeth Dilling and Grace Wick, held ideas in common with European fascists but based their politics on a uniquely American mixture of nativism, anticommunism, anti-Semitism, and racism. Benowitz's insight into their motivations sheds new light on the interaction between women's daily lives and national politics.

What Du Bois noted has gone largely unstudied until now. In this book, Evelyn Brooks Higginbotham gives us our first full account of the crucial role of black women in making the church a powerful institution for social and political change in the black community. Between 1880 and 1920, the black church served as the most effective vehicle by which men and women alike, pushed down by racism and poverty, regrouped and rallied against emotional and physical defeat. Focusing on the National Baptist Convention, the largest religious movement among black Americans, Higginbotham shows us how women were largely responsible for making the church a force for self-help in the black community. In her account, we see how the efforts of women enabled the church to build schools, provide food and clothing to the poor, and offer a host of social welfare services. And we observe the challenges of black women to patriarchal theology. Class, race, and gender dynamics continually interact in Higginbotham’s nuanced history. She depicts the cooperation, tension, and negotiation that characterized the relationship between men and women church leaders as well as the interaction of southern black and northern white women’s groups.Higginbotham’s history is at once tough-minded and engaging. It portrays the lives of individuals within this movement as lucidly as it delineates feminist thinking and racial politics. She addresses the role of black Baptist women in contesting racism and sexism through a “politics of respectability” and in demanding civil rights, voting rights, equal employment, and educational opportunities.Righteous Discontent finally assigns women their rightful place in the story of political and social activism in the black church. It is central to an understanding of African American social and cultural life and a critical chapter in the history of religion in America.

Passionate Discontent is an erudite study of the relationship between gender and genius in late nineteenth-century French Symbolism. Born in an era of crisis, the Symbolist art movement was characterized by withdrawal to a mystical, antibourgeois world of the mind and spirit. While Symbolists idealized the "poète maudit," a creative, mad genius exhibiting an emotional state of heightened awareness and "passionate discontent," female artists displaying similar symptoms were dismissed as hysterical.Art historian Patricia Mathews traverses the artistic, social, and scientific discourses of fin-de-siècle France in order to illuminate the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. Along the way, Mathews proffers important new readings of the art of such Symbolists as Gauguin, van Gogh and Moreau, as well as that of their female contemporaries Camille Claudel and Suzanne Valadon. Passionate Discontent is an important contribution to art historical and women's studies.

W. E. B. Du Bois is an improbable candidate for a project in religion. His skepticism of and, even, hostility toward religion is readily established and canonically accepted. Indeed, he spent his career rejecting normative religious commitments to institutions and supernatural beliefs. In this book, Jonathon Kahn offers a fresh and controversial reading of Du Bois that seeks to overturn this view. Kahn contends that the standard treatment of Du Bois turns a deaf ear to his writings. For if we're open to their religious timbre, those writings-from his epoch-making The Souls of Black Folk to his unstudied series of parables that depict the lynching of an African American Christ-reveal a virtual obsession with religion. Du Bois's moral, literary, and political imagination is inhabited by religious rhetoric, concepts and stories. Divine Discontent recovers and introduces readers to the remarkably complex and varied religious world in Du Bois's writings. It's a world of sermons, of religious virtues such as sacrifice and piety, of jeremiads that fight for a black American nation within the larger nation. Unlike other African American religious voices at the time, however, Du Bois's religious orientation is distinctly heterodox-it exists outside the bounds of institutional Christianity. Kahn shows how Du Bois self-consciously marshals religious rhetoric, concepts, typologies, narratives, virtues, and moods in order to challenge traditional Christian worldview in which events function to confirm a divine order. Du Bois's antimetaphysical religious voice, he argues, places him firmly in the American tradition of pragmatic religious naturalism typified by William James. This innovative reading of Du Bois should appeal to scholars of American religion, intellectual history, African American Studies, and philosophy of religion.

In shrink wrap. Looks like an interesting title!

The nuclear freeze movement grew more quickly than even the most optimistic activists thought possible, as large numbers of Americans became convinced that there was something wrong with United States defense policy and that they could do something about it. This analysis provides the first comprehensive history of the nuclear freeze movement, approaching it from three distinct perspectives. Changes in the politics and policy of nuclear weapons created an opportunity for a dissident movement. Intermediating forces in American politics influenced the situation. The efforts of activists and organizations to build a protest movement and their interaction with American political institutions provide the third perspective. A Winter of Discontent addresses both the broad spectrum of movement activity and the political context surrounding it.The text explores the challenge of the nuclear freeze movement to the content of United States national security policy and the policy making process. By analyzing the freeze, a theoretical framework for understanding the origins, development and potential political influence of other protest movements in the United States can be developed. The book also strives to integrate analysis of peace movements into an understanding of the policy context in which they emerge. This volume is essential for courses in social movements, strategic policy, American politics and political sociology. Antinuclear freeze activists and students of peace studies will also find this work invaluable.

This fifth volume of the 'International Yearbook of Political Behavior Research' is representative of the interdisciplinary orientation in the study of politics. Edited by a scholar of comparative politics, contains contributions by political scientists, anthropologists, a social psychologist, and a sociologist. CONTENTS: Ideology and Discontent (Apter) * Ideology as a Cultural System (Geertz) * National Loyalties of a Newly Independent Nation (Elder) * Ideology and Modernization: The Japanese Case (Scalapino) * Ideological Foundations of Egyptian-Arab Nationalism (Binder) * Democracy and Socialism: Ideologies of African Leaders (Andrain) * The Nature of Belief Systems in Mass Publics (Converse) * America's Radical Right: Politics and Ideology (Wollfinger, Prewitt, & Rosenack) * The Age of Ideology: Persistent and Changing (Bendix)

In the wake of a disappearing “Modernism” and with an unpredictable “post-Modernism” confounding the art establishment, a world-renowned critic proposes a new vision for the critical enterprise. Thomas McEvilley confronts, in these six straightforward essays, the ideas and philosophies which have exalted art above constructive involvement in the world for two centuries. The formalist aesthetics of Clive Bell, Roger Fry, Clement Greenberg, and Susan Sontag are specifically criticized, revealing their buried assumptions and agenda. The persistence of the Romantic idea of Self is discovered at the heart of Modernism along with ideas of Spirit secretly enshrined in the distinction between abstraction and representation. Mr. McEvilley goes on to shed new light on the roots of Modernism, the collapse of the idea of history, and the subsequent development of a global discourse. He brings to Art & Discontent a commanding knowledge of Greek and Egyptian art, Western and non-Western philosophies, and the most avant garde of contemporary art and artists. In explaining why our Modernism was not unique and why it is being superseded, McEvilley suggests the functions that art can perform in a post-Modern culture and offers compelling reasons why the history of art needs to be rewritten from a thoroughly renewed perspective.

Holding fast to traditional values in the face of unprecedented economic hardship, nearly a million American women joined right-wing organizations during the Great Depression and World War II. Days of Discontent provides a new perspective for understanding why the far right appealed to these women, whose political self-awareness grew with the tumultuous times. Influenced by the conventional image of women as mothers and nurturers, many women viewed the right-wing movement as a way to protect and maintain American morality. The radical right leaders, such as Elizabeth Dilling and Grace Wick, held ideas in common with European fascists but based their politics on a uniquely American mixture of nativism, anticommunism, anti-Semitism, and racism. Benowitz's insight into their motivations sheds new light on the interaction between women's daily lives and national politics.