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As companion to the Dowager Duchess of Crewe, Catherine was surprised to find she was expected to please the Duchess' gentleman friends. And when the Marquess of Bessacarr picked her for his plaything, Catherine knew she would have to fight not only his shameful advances but her own shameful responses. Regency romance reissue.

Wolfgang Amadeus Mozart (1756-1791) was disdainful of the flute, and instrument of which he wrote at the time he "cannot bear," and he was indiffer...

The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne.Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a 'Schlieffen plan'.

This hilarious masterpiece of Japanese literature recounts the adventures of a disdainful cat accidentally cohabiting with a group of grotesque characters, all members of Tokyo’s sanctimonious middle class during the Meiji era. THese characters include the dyspeptic professor Kushami and his family, who are theoretical owners of the house where the cat lives; the teacher’s best friend; the irritating charlatan Meite; and the young scholar Kangetsu. A satire with acerbic wit and sardonic perspective, this novel runs through the vicissitudes of a fickle cat philosopher who never tires of making the most incisive comments on the disparate band of human beings with whom he lives. Esta hilarante obra maestra de la literatura japonesa relata las aventuras de un gato desdeñoso que cohabita por casualidad con un grupo de personajes grotescos, todos miembros de la clase media tradicional de Tokío durante la era Meiji. Estos personajes incluyen el descontento profesor Kushami y su familia, quienes son los propietarios teóricos de la casa donde vive el gato; el mejor amigo del maestro; el charlatán irritante Meite y el estudioso jóven Kangetsu. Una sátira con un ingenio mordaz y un punto de vista sarcástico, esta novela cubre las vicisitudes de un gato filósofo voluble que no se cansa de hacer los comentarios más incisivos sobre la banda dispar de seres humanos con los que vive.

Wolfgang Amadeus Mozart (1756-1791) was disdainful of the flute, and instrument of which he wrote at the time he "cannot bear," and he was indiffer...

This book examines how early juridical and theological debates on the translatability of the Qur'an informed the development of Persian translations and commentaries of the Qur'an. While it is generally believed that Muslims in the eighth to twelfth centuries were disdainful of translating the Qur'an, the historical record proves to be much more nuanced. Although the philosophy of some schools of law was that the divine nature of the Qur'an could not be conveyed in a language other than Arabic, the reality was that Persian exegetical translations were considered acceptable for use by new converts to Islam. These translations preserved the Arabic text of the Qur'an and, interlinearly, wove Persian commentaries between its lines and verses, thereby preserving the sacred script while expanding on and making the text available to a wider audience. The author gives a thorough overview of the development of Persian exegetical writing, from rhyming translations to major commentaries, starting with the emergence of New Persian literature in the tenth century and continuing on until the institutionalisation of Persian as a language that rivalled Arabic in courts and educational institutions. Through a series of detailed case studies, this book offers new insight into the development of Qur'anic hermeneutics and its relationship to vernacular cultures, religious elites, institutions of education, and dynastic authority. Presented for the first time to an English readership is a broad array of archival material, spanning five centuries and drawn from across the Middle East, Central Asia and South Asia.

Albert Einstein was initially skeptical and even disdainful of the Zionist movement, yet he affiliated himself with this controversial political ideology and today is widely seen as an outspoken advocate for a modern Jewish homeland in Palestine. What enticed this renowned scientist and humanitarian, who repeatedly condemned nationalism of all forms, to radically change his views? Was he in fact a Zionist? Einstein Before Israel traces Einstein's involvement with Zionism from his initial contacts with the movement at the end of World War I to his emigration from Germany in 1933 in the wake of Hitler's rise to power. Drawing on a wealth of rare archival evidence--much of it never before published--this book offers the most nuanced picture yet of Einstein's complex and sometimes stormy relationship with Jewish nationalism. Ze'ev Rosenkranz sheds new light on Einstein's encounters with prominent Zionist leaders, and reveals exactly what Einstein did and didn't like about Zionist beliefs, objectives, and methods. He looks at the personal, cultural, and political factors that led Einstein to support certain goals of Jewish nationalism; his role in the birth of the Hebrew University; his impressions of the emerging Jewish settlements in Palestine; and his reaction to mounting violence in the Arab-Jewish conflict. Rosenkranz explores a host of fascinating questions, such as whether Zionists sought to silence Einstein's criticism of their movement, whether Einstein was the real manipulator, and whether this Zionist icon was indeed a committed believer in Zionism or an iconoclast beholden to no one.

Albert Einstein was initially skeptical and even disdainful of the Zionist movement, yet he affiliated himself with this controversial political ideology and today is widely seen as an outspoken advocate for a modern Jewish homeland in Palestine. What enticed this renowned scientist and humanitarian, who repeatedly condemned nationalism of all forms, to radically change his views? Was he in fact a Zionist? Einstein Before Israel traces Einstein's involvement with Zionism from his initial contacts with the movement at the end of World War I to his emigration from Germany in 1933 in the wake of Hitler's rise to power. Drawing on a wealth of rare archival evidence--much of it never before published--this book offers the most nuanced picture yet of Einstein's complex and sometimes stormy relationship with Jewish nationalism. Ze'ev Rosenkranz sheds new light on Einstein's encounters with prominent Zionist leaders, and reveals exactly what Einstein did and didn't like about Zionist beliefs, objectives, and methods. He looks at the personal, cultural, and political factors that led Einstein to support certain goals of Jewish nationalism; his role in the birth of the Hebrew University; his impressions of the emerging Jewish settlements in Palestine; and his reaction to mounting violence in the Arab-Jewish conflict. Rosenkranz explores a host of fascinating questions, such as whether Zionists sought to silence Einstein's criticism of their movement, whether Einstein was the real manipulator, and whether this Zionist icon was indeed a committed believer in Zionism or an iconoclast beholden to no one.

The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne. Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a `Schlieffen plan'.

This book examines how early juridical and theological debates on the translatability of the Qur'an informed the development of Persian translations and commentaries of the Qur'an. While it is generally believed that Muslims in the eighth to twelfth centuries were disdainful of translating the Qur'an, the historical record proves to be much more nuanced. Although the philosophy of some schools of law was that the divine nature of the Qur'an could not be conveyed in a language other than Arabic, the reality was that Persian exegetical translations were considered acceptable for use by new converts to Islam. These translations preserved the Arabic text of the Qur'an and, interlinearly, wove Persian commentaries between its lines and verses, thereby preserving the sacred script while expanding on and making the text available to a wider audience. The author gives a thorough overview of the development of Persian exegetical writing, from rhyming translations to major commentaries, starting with the emergence of New Persian literature in the tenth century and continuing on until the institutionalisation of Persian as a language that rivalled Arabic in courts and educational institutions. Through a series of detailed case studies, this book offers new insight into the development of Qur'anic hermeneutics and its relationship to vernacular cultures, religious elites, institutions of education, and dynastic authority. Presented for the first time to an English readership is a broad array of archival material, spanning five centuries and drawn from across the Middle East, Central Asia and South Asia.

The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne.Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a 'Schlieffen plan'.

Mild, harmless and ugly to behold, the impoverished Pons is an ageing musician whose brief fame has fallen to nothing. Living a placid Parisian life as a bachelor in a shared apartment with his friend Schmucke, he maintains only two passions: a devotion to fine dining in the company of wealthy but disdainful relatives, and a dedication to the collection of antiques. When these relatives become aware of the true value of his art collection, however, their sneering contempt for the parasitic Pons rapidly falls away as they struggle to obtain a piece of the weakening man's inheritance. Taking its place in the Human Comedy as a companion to Cousin Bette, the darkly humorous Cousin Pons is among of the last and greatest of Balzac's novels concerning French urban society: a cynical, pessimistic but never despairing consideration of human nature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Excerpt from History of Wayne CountyTheir homely joys, and destiny obscure Nor Grandeur hear with a disdainful smile, The short and simple annals of the poor.Judge Woodward regretted that he had not begun at an earlier day to collect materials for his history, which might have been obtained from the old settlers themselves. But those old settlers are now all gone, and but very few of their children survive. If their history is ever written it must be done soon. Already some of it is fragmentary and uncertain; but such as it is, I have concluded, after much hesitation, to pre sent what I have collected; not for fame, but as a tribute of respect to the people of my native county.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The existence of the Schlieffen plan has been one of the basic assumptions of twentieth-century military history. It was the perfect example of the evils of German militarism: aggressive, mechanical, disdainful of politics and of public morality. The Great War began in August 1914 allegedly because the Schlieffen plan forced the German government to transform a Balkan quarrel into a World War by attacking France. And, in the end, the Schlieffen plan failed at the battle of the Marne. Yet it has always been recognized that the Schlieffen plan included inconsistencies which have never been satisfactorily explained. On the basis of newly discovered documents from German archives, Terence Zuber presents a radically different picture of German war planning between 1871 and 1914, and concludes that, in fact, there never really was a `Schlieffen plan'.

"Her hair was black and fell to her shoulders. She had high cheekbones and a sensual mouth, and wore a dress of white silk. Her eyes were blue, alight and disdainful, but, as they gazed into his with a touch of humour, Bond realized that they contained a message. Solitaire watched his eyes on her and nonchalantly drew her forearms together so that the valley between her breasts deepened. The message was unmistakable." Beautiful, fortune-telling Solitaire is the prisoner (and tool) of Mr Big—master of fear, artist in crime and Voodoo Baron of Death. James Bond has no time for superstition—he knows that this criminal heavy hitter is also a top SMERSH operative and a real threat. More than that, after tracking him through the jazz joints of Harlem, to the everglades and on to the Caribbean, 007 has realized that Big is one of the most dangerous men that he has ever faced. And no-one, not even the mysterious Solitaire, can be sure how their battle of wills is going to end...

This hilarious masterpiece of Japanese literature recounts the adventures of a disdainful cat accidentally cohabiting with a group of grotesque characters, all members of Tokyo’s sanctimonious middle class during the Meiji era. THese characters include the dyspeptic professor Kushami and his family, who are theoretical owners of the house where the cat lives; the teacher’s best friend; the irritating charlatan Meite; and the young scholar Kangetsu. A satire with acerbic wit and sardonic perspective, this novel runs through the vicissitudes of a fickle cat philosopher who never tires of making the most incisive comments on the disparate band of human beings with whom he lives. Esta hilarante obra maestra de la literatura japonesa relata las aventuras de un gato desdeñoso que cohabita por casualidad con un grupo de personajes grotescos, todos miembros de la clase media tradicional de Tokío durante la era Meiji. Estos personajes incluyen el descontento profesor Kushami y su familia, quienes son los propietarios teóricos de la casa donde vive el gato; el mejor amigo del maestro; el charlatán irritante Meite y el estudioso jóven Kangetsu. Una sátira con un ingenio mordaz y un punto de vista sarcástico, esta novela cubre las vicisitudes de un gato filósofo voluble que no se cansa de hacer los comentarios más incisivos sobre la banda dispar de seres humanos con los que vive.

You've changed my mind for me so often it's a miracle I've got one left. Attorney Stephen Holland (Herbert Marshall) has had it with manipulative, disdainful wife Cynthia (Mary Astor) arranging his life like a windup toy - to the point that he storms out of his unhappy home and straight to divorce court. After the blistering break, he meets and marries Maris Kent (Virginia Bruce), whose love for him is as self-sacrificing as his ex-spouse's was smothering. But the newlyweds, unwisely moving ba