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“Larvatus prodeo,” announced René Descartes at the beginning of the seventeenth century: “I come forward, masked.” Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence of this new culture of secrecy, and from Naples to the Netherlands controversy swirled for two centuries around the powers and limits of dissimulation, whether in affairs of state or affairs of the heart. This beautifully written work crisscrosses Europe, with a special focus on Italy, to explore attitudes toward the art of dissimulation in the sixteenth and seventeenth centuries. Discussing many canonical and lesser-known works, Jon R. Snyder examines the treatment of dissimulation in early modern treatises and writings on the court, civility, moral philosophy, political theory, and in the visual arts.

“Larvatus prodeo,” announced René Descartes at the beginning of the seventeenth century: “I come forward, masked.” Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence of this new culture of secrecy, and from Naples to the Netherlands controversy swirled for two centuries around the powers and limits of dissimulation, whether in affairs of state or affairs of the heart. This beautifully written work crisscrosses Europe, with a special focus on Italy, to explore attitudes toward the art of dissimulation in the sixteenth and seventeenth centuries. Discussing many canonical and lesser-known works, Jon R. Snyder examines the treatment of dissimulation in early modern treatises and writings on the court, civility, moral philosophy, political theory, and in the visual arts.

R200077512. DISSIMULATION DE PREUVES. 2007. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 285 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne

The religious persecution and intellectual intolerance of the sixteenth and seventeenth centuries compelled many heterodox groups and thinkers to resort to misdirection, hidden meaning, secrecy, and deceit. In this highly unusual interpretation, Perez Zagorin traces the theory and practice of religious leaders, philosophers, intellectuals, and men of letters who used deception to cloak dissident beliefs. Zagorin surveys some of the chief sources of early modern doctrines of dissimulation in the Bible and the works of theologians from Jerome and Augustine to Erasmus, Luther, and Calvin. Subjects covered include Nicodemism, the name given by Calvin to secret Protestants who concealed their faith behind a facade of conformity to Catholic worship; crypto-Judaism in Spain; and the hidden beliefs of English Catholics. Other topics include the Catholic doctrine of mental reservation; the place of dissimulation in English Protestant casuistry; occultism; and dissimulation of religious unbelief among philosophers and men of letters. In charting the widespread phenomenon of lying and deceit and by exploring its evolutions, Perez Zagorin has made an important contribution to the historiography of an intellectually roiling and perilous time. He adds a vital dimension to our understanding of the religious, intellectual, and cultural history of the epoch before the modern. Lacey Baldwin Smith finds this hook “an impressive and scholarly work of cultural synthesis that coins a fresh label for the sixteenth and seventeenth centuries: the age of dissimulation. Zagorin’s efforts to compare and contrast Catholic and Protestant styles of dissimulation and Nicodemism are important, casting a new perspective and focus on the religious and intellectual dissent of the era.”

The religious persecution and intellectual intolerance of the sixteenth and seventeenth centuries compelled many heterodox groups and thinkers to resort to misdirection, hidden meaning, secrecy, and deceit. In this highly unusual interpretation, Perez Zagorin traces the theory and practice of religious leaders, philosophers, intellectuals, and men of letters who used deception to cloak dissident beliefs. Zagorin surveys some of the chief sources of early modern doctrines of dissimulation in the Bible and the works of theologians from Jerome and Augustine to Erasmus, Luther, and Calvin. Subjects covered include Nicodemism, the name given by Calvin to secret Protestants who concealed their faith behind a facade of conformity to Catholic worship; crypto-Judaism in Spain; and the hidden beliefs of English Catholics. Other topics include the Catholic doctrine of mental reservation; the place of dissimulation in English Protestant casuistry; occultism; and dissimulation of religious unbelief among philosophers and men of letters. In charting the widespread phenomenon of lying and deceit and by exploring its evolutions, Perez Zagorin has made an important contribution to the historiography of an intellectually roiling and perilous time. He adds a vital dimension to our understanding of the religious, intellectual, and cultural history of the epoch before the modern. Lacey Baldwin Smith finds this hook “an impressive and scholarly work of cultural synthesis that coins a fresh label for the sixteenth and seventeenth centuries: the age of dissimulation. Zagorin’s efforts to compare and contrast Catholic and Protestant styles of dissimulation and Nicodemism are important, casting a new perspective and focus on the religious and intellectual dissent of the era.”

Vasily Rudich examines dissidence under Nero from both historical and psychological perspectives and inquires into the balance of the universal and historically conditioned components of political behaviour. The careers of numerous dissident individuals and their attempts at accomodation to a hostile reality are discussed.

Vasily Rudich examines dissidence under Nero from both historical and psychological perspectives and inquires into the balance of the universal and historically conditioned components of political behaviour. The careers of numerous dissident individuals and their attempts at accomodation to a hostile reality are discussed.

476 S. Neuwertiges Ex. / Fine Copy // Dans son recueil d'Aenigmata, le poète latin Symp(h)osius (IVeVe s.) fait précéder chaque énoncé d'un titre qui en indique la solution. Cette disposition, inhabituelle, semble priver le lectorat du processus de réflexion nécessaire à un réel jeu énigmatique. Pierre Siegenthaler propose de réévaluer l'expérience ludique qu'un tel livre pouvait malgré tout offrir. À travers une étude sélective du corpus, il démontre que Symposius a mis en place différentes stratégies visant à guider son lector vers une interprétation alternative et souvent autoréflexive du texte. La résolution de ce jeu cryptique permet d'accéder à un discours dissimulé par le poète et de mieux cerner son projet littéraire. L`étude offre également une nouvelle traduction française des Aenigmata, uvre rarement rendue accessible dans cette langue. ISBN: 9783796547317 Sprache: Französisch Gewicht in Gramm: 835