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Publisher: Hate Cantz, Ostilfern, 1992. Three Volume Set. Three NEAR FINE softcover books in a NEAR FINE slipcase, as issued. Remainder mark. First Softcover Edition, Printing Unstated. Text in English. Due to weight, extra charges may be required for Priority or International shipping

In shrink wrap. Looks like an interesting title!

Optical notes from the edge of the most important exhibition of contemporary art, by artists, for home, on sale now incredible! "The edition of documenta 12 is an extract from a sum of photos that have been shot several artists. It's not about something unfinished, not a making-of, but artistic perspectives on a work that documenta means, "as its artistic director Roger M. Buergel. From the picture book, with its individual perspectives on the exhibition, was the present 'documenta 12 edition, "a selection of photographs compiled. It consists of 13 (partly verso) signed and pressure-numbered prints of artwork by Peter Friedl, Geneviève Frisson, George Hallett, Andrea Geyer, Hans Nevidal, George Osodi, Alejandra Riera, Martha Rosler, Allan Sekula, Margherita Spiluttini, Egbert Trogemann, Lidwien van de Ven and Edward Woodman. For young graphic or photo collectors and beginners the compilation of current, international photographic art is just right, a motif is anyway for everyone's taste. The complete series is now available at a sensational price offer!

Extensively illustrated, the Catalog contains an essay of the artistic director, Okwui Enwezor, contributions from members of the Documenta11 curatorial team: Ute Meta Bauer, Carlos Basualdo, Sarat Maharaj, Mark Nash, and Angelika Nollert as well as texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists will be featured with illustrations of representative works, and the documentation of selected artist's projects and writings will facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. This book will be avilable in the United States mid month June 2002.

Boxed slipcase of 3 softcover books - 1. Essays & Biographies, 2. A-K, 3. L-Z. - published on the occassion of Documenta IX at Kassel, 1992, with essays by Denys Zacharopoulos, Joyce Carol Oates, Claudia Herstatt et al., images in color and black & white throughout; 863 pages 10 5/8 x 7 1/2 x 1 in. each Published by: Edition Cantz, Stuttgart & Harry N. Abrams, NY

This monumental book--published to accompany the documenta X exhibition under the direction of Catherine David--brings together the work of more than 100 of the world's foremost thinkers, writers, and artists in an extraordinary anthology of seminal texts and images of, on, and about the development of Western cultural and critical theory since 1945.

Large ringbound volume, holding 1 perfect bound book contianing floorplans, bibliography and list of exhibited work, and 25 ringbound-only chapters of text and artworks, color and black & white images throughout; 694 pages 12 1/2 x 10 3/4 x 2 3/4 in Published by: documenta & C. Bertelsmann Verlag

Follow the 163 days of documenta 14 in this stunning daily record created by the event’s artists. documenta 14 promises to be one of the most exciting iterations in the exhibition’s 62 year history. Presented in the form of an artist’s daybook, this journal offers readers a panoramic view of the event through wide-ranging perspectives. Each “daily” spread is created by one of the exhibition’s artists. It features artwork created by the artist specifically for the book and specially commissioned texts by an impressive array of critics, curators, historians, poets, and novelists. Exquisitely designed and produced to echo the event’s diverse excellence, the documenta 14: Daybook offers an insider’s view of one of the art world’s most inventive and powerful exhibitions.

Published in conjunction with the Documenta 13 exhibition in Kassel, Germany, the Documenta notebook series 100 Notes,100 Thoughts ranges from archival ephemera to conversations and commissioned essays. These notebooks express director Carolyn Christov-Bakargiev’s curatorial vision for Documenta 13.

Extensively illustrated, the Catalog contains an essay of the artistic director, Okwui Enwezor, contributions from members of the Documenta11 curatorial team: Ute Meta Bauer, Carlos Basualdo, Sarat Maharaj, Mark Nash, and Angelika Nollert as well as texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists will be featured with illustrations of representative works, and the documentation of selected artist's projects and writings will facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. This book will be avilable in the United States mid month June 2002.

434 S., mit zahlr. zumeist s/w Illustr. Bayerisches Nationalmusuem München; Forschungshefte; 7. - Schutzumschlag teils etwas berieben und fingerfleckig sowie am Rücken mit kleinem Randeinriss; Buch selbst sehr gut erhalten. ISBN: 3422007199 Sprache: Deutsch Gewicht in Gramm: 1400 10 Beitr. in engl., 3 in franz. Sprache.

In both German and English, this book from the Asil Club looks at the Asil Arabian horse, discussing everything from character, health, and performance to its history and breeding.

Ausdrücklich ausgeklammert sind in der vorliegenden neuen Münchner Edition der Urkunden, Akten und Nachrichten die Marginalia von Copernicus in gedruckten Werken, seine astronomischen Beobachtungen, seine Rezepte und die Münzschriften, die den Bänden IV,1 und IV,2 (Opera minora""), die sich bereits in Vorbereitung befinden, vorbehalten bleiben.

This enlightening book, which takes the form of a “reader,” brings the 2017 documenta―its fourteenth iteration―to the page. First conceived in 1955 by Arnold Bode, the inaugural documenta exhibition endeavored to bring Germany back into artistic dialogue with the rest of the post-war world. More than sixty years later, documenta 14 returns to its initial motivation by extending its base in the city of Kassel, Germany to Athens, Greece. Accompanying documenta 14, this book functions as a “reader,” evoking the various meanings associated with that term. Emphasizing the importance of literature, storytelling, performance, and pedagogy, it features illustrations and critical writings that address and expand upon the exhibition’s theme of economic and cultural realities in a new world. As the current social and political trends in Europe and the world have divided people geographically and economically, this documenta returns to its roots―bringing to light another significant moment in world history.

Follow the 163 days of documenta 14 in this stunning daily record created by the event’s artists. documenta 14 promises to be one of the most exciting iterations in the exhibition’s 62 year history. Presented in the form of an artist’s daybook, this journal offers readers a panoramic view of the event through wide-ranging perspectives. Each “daily” spread is created by one of the exhibition’s artists. It features artwork created by the artist specifically for the book and specially commissioned texts by an impressive array of critics, curators, historians, poets, and novelists. Exquisitely designed and produced to echo the event’s diverse excellence, the documenta 14: Daybook offers an insider’s view of one of the art world’s most inventive and powerful exhibitions.

Optical notes from the edge of the most important exhibition of contemporary art, by artists, for home, on sale now incredible! "The edition of documenta 12 is an extract from a sum of photos that have been shot several artists. It's not about something unfinished, not a making-of, but artistic perspectives on a work that documenta means, "as its artistic director Roger M. Buergel. From the picture book, with its individual perspectives on the exhibition, was the present 'documenta 12 edition, "a selection of photographs compiled. It consists of 13 (partly verso) signed and pressure-numbered prints of artwork by Peter Friedl, Geneviève Frisson, George Hallett, Andrea Geyer, Hans Nevidal, George Osodi, Alejandra Riera, Martha Rosler, Allan Sekula, Margherita Spiluttini, Egbert Trogemann, Lidwien van de Ven and Edward Woodman. For young graphic or photo collectors and beginners the compilation of current, international photographic art is just right, a motif is anyway for everyone's taste. The complete series is now available at a sensational price offer!

La piedra arde / The Stone is Hot (Spanish Edition) [Jun 30, 2002] Galeano, Eduardo ...

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

Mm 130x215 Brossura editoriale di pagine 185 con 45 illustrazioni in bianco e nero e a colori su tavole fuori testo. Copertina leggermente impolverata. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art