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Domenico Tiepolo studied under his famous father, Giovanni Battista Tiepolo. His tour de force, done at the end of lifeprobably for his own pleasureis this series of 104 drawings depicting the life and adventures of the popular commedia dell'arte character, Punchinello. In 1921 the set was sold and dispersed. Through the efforts of Gealt and the publisher, 77 of the drawings were tracked down and are reproduced in exquisite facsimile. The rest are in black and white. Domenico's iconography is often enigmatic, at odds with the conventional Punch scenario. One astonishing drawing is of a Punchinello firing squad executing three Punchinello prisoners; it anticipates Goya's Third of May, 1808 . A wonderful album, highly recommended for all art collections. Eleanor Riley, Getty Conservation Inst. Lib., Marina del Rey, Cal.

Domenico is a flat brimmed, western-style crown fedora. Made of Espresso Brown, polished, heavy-gauge wool felt. Finished with an Espresso Brown suede band, featuring our signature leather press logo. Interior cotton sweatband for extra comfort. It is inevitable that your wool hat will attract dust & lint. Use a soft bristled brush to gently brush away the lint. Use small motions, with a light hand. If necessary, brush against the nap of the wool, but always finish brushing in the direction of the natural grain. ​ If your wool hat's crown becomes dented or misshaped, lightly steam the inside of the crown, & reshape using your hands. Let air dry; do not use a blowdryer. ​ If your brim becomes bent, you can lay a clean cotton towel on top of the brim, and very lightly iron the brim flat for just a few seconds. It is extremely important that you not apply too much pressure; light use of steam is key. Note that it only takes a few seconds of moist heat to reactivate the stiffener. Too much time under heat can over stiffen the hat's brim & possibly discolor the wool. Err on the side of less time under the iron. Air dry on a flat surface. ​ Avoid getting your wool hat wet, it can leave water marks! ​ To remove stains or dirt, we suggest using wool or felt spot treatment. Dry cleaning may be in option in some cases

Domenico is a flat brimmed, western-style crown fedora. Made of Espresso Brown, polished, heavy-gauge wool felt. Finished with an Espresso Brown suede band, featuring our signature leather press logo. Interior cotton sweatband for extra comfort. It is inevitable that your wool hat will attract dust & lint. Use a soft bristled brush to gently brush away the lint. Use small motions, with a light hand. If necessary, brush against the nap of the wool, but always finish brushing in the direction of the natural grain. ​ If your wool hat's crown becomes dented or misshaped, lightly steam the inside of the crown, & reshape using your hands. Let air dry; do not use a blowdryer. ​ If your brim becomes bent, you can lay a clean cotton towel on top of the brim, and very lightly iron the brim flat for just a few seconds. It is extremely important that you not apply too much pressure; light use of steam is key. Note that it only takes a few seconds of moist heat to reactivate the stiffener. Too much time under heat can over stiffen the hat's brim & possibly discolor the wool. Err on the side of less time under the iron. Air dry on a flat surface. ​ Avoid getting your wool hat wet, it can leave water marks! ​ To remove stains or dirt, we suggest using wool or felt spot treatment. Dry cleaning may be in option in some cases

Domenico is a flat brimmed, western-style crown fedora. Made of Espresso Brown, polished, heavy-gauge wool felt. Finished with an Espresso Brown suede band, featuring our signature leather press logo. Interior cotton sweatband for extra comfort. It is inevitable that your wool hat will attract dust & lint. Use a soft bristled brush to gently brush away the lint. Use small motions, with a light hand. If necessary, brush against the nap of the wool, but always finish brushing in the direction of the natural grain. ​ If your wool hat's crown becomes dented or misshaped, lightly steam the inside of the crown, & reshape using your hands. Let air dry; do not use a blowdryer. ​ If your brim becomes bent, you can lay a clean cotton towel on top of the brim, and very lightly iron the brim flat for just a few seconds. It is extremely important that you not apply too much pressure; light use of steam is key. Note that it only takes a few seconds of moist heat to reactivate the stiffener. Too much time under heat can over stiffen the hat's brim & possibly discolor the wool. Err on the side of less time under the iron. Air dry on a flat surface. ​ Avoid getting your wool hat wet, it can leave water marks! ​ To remove stains or dirt, we suggest using wool or felt spot treatment. Dry cleaning may be in option in some cases

Domenico is a flat brimmed, western-style crown fedora. Made of Espresso Brown, polished, heavy-gauge wool felt. Finished with an Espresso Brown suede band, featuring our signature leather press logo. Interior cotton sweatband for extra comfort. It is inevitable that your wool hat will attract dust & lint. Use a soft bristled brush to gently brush away the lint. Use small motions, with a light hand. If necessary, brush against the nap of the wool, but always finish brushing in the direction of the natural grain. ​ If your wool hat's crown becomes dented or misshaped, lightly steam the inside of the crown, & reshape using your hands. Let air dry; do not use a blowdryer. ​ If your brim becomes bent, you can lay a clean cotton towel on top of the brim, and very lightly iron the brim flat for just a few seconds. It is extremely important that you not apply too much pressure; light use of steam is key. Note that it only takes a few seconds of moist heat to reactivate the stiffener. Too much time under heat can over stiffen the hat's brim & possibly discolor the wool. Err on the side of less time under the iron. Air dry on a flat surface. ​ Avoid getting your wool hat wet, it can leave water marks! ​ To remove stains or dirt, we suggest using wool or felt spot treatment. Dry cleaning may be in option in some cases

Enhance your culinary experience with our premium Streamline 36 in. Domenico Ducted Undermount Range Hood in Grit Black. Boasting a powerful 80 CFM airflow, it offers a 3-speed push-button control for precise ventilation tailored to your needs. An integrated LED light illuminates your cooking space, while the robust aluminum mesh filters effectively trap grease and impurities. With the convenience of a 3-prong 120-Volt power cord, installation is a seamless endeavor. Marrying sleek aesthetics with unmatched performance, this range hood is the essence of modern kitchen luxury.

Complete Keyboard Sonatas: Domenico Scarlatti 4 Scarlatti, D. / Grante, Carlo - CD 017685129322

Very noble master guitar by Domenico Pizzonia 2020 finely built and spectacular sounding concert guitar!Domenico Pizzonia has been a guitar playe...

Unread book in perfect condition.

Pintura (75 Gnoli, Domenico (064.3)) Domenico Gnoli: últimas obras 1963-1969 Fundación Caja de Pensiones. Madrid. 1990. 30 cm. 151 p. principalmente fot. col. Encuadernación en tapa blanda de editorial. Exposiciones. Gnoli, Domenico. 1933-1970. Fundació "la Caixa" . ISBN: 8476642482 (=3297964=) PH136

1997; Opera con copertina morbida in brossura. Numerose illustrazioni a colori e b/n nt e ft. Pag. 308LRD10 

Domenico Tiepolo studied under his famous father, Giovanni Battista Tiepolo. His tour de force, done at the end of lifeprobably for his own pleasureis this series of 104 drawings depicting the life and adventures of the popular commedia dell'arte character, Punchinello. In 1921 the set was sold and dispersed. Through the efforts of Gealt and the publisher, 77 of the drawings were tracked down and are reproduced in exquisite facsimile. The rest are in black and white. Domenico's iconography is often enigmatic, at odds with the conventional Punch scenario. One astonishing drawing is of a Punchinello firing squad executing three Punchinello prisoners; it anticipates Goya's Third of May, 1808 . A wonderful album, highly recommended for all art collections. Eleanor Riley, Getty Conservation Inst. Lib., Marina del Rey, Cal.

From the Preface: Domenico Scandella, the quixotic, free-thinking and outspoken Friulan miller was executed by order of the Inquisition in 1599 as a relapsed heretic. This modest figure, virtually unknown in his day outside the borders of Montereale Valcellina, a tiny hamlet nestled at the foot of the mountains, and a few other neighboring villages, suddenly was brought out of centuries-long obscurity and was made one of the heroes of modern historiography by Carlo Ginzburg's now classic The Cheese and the Worms. Ginzburg told a fascinating tale that whetted our appetites to known more about "Menocchio," and an early reviewer of his work expressed the hope that the two voluminous Inquisitorial trials against him, Ginzburg's principal source in the reconstruction of the miller's life and intellectual world, would some day be published in their entirety. This arduous task has finally been accomplished by Andrea Del Col, a historian attached to the University of Trieste, in an edition that is a model of its kind. It is a pleasure now to present to a new audience in its English vestment a book that has enjoyed notable success since it first appeared in Italy in 1990. Del Col's contribution goes well beyond his formidable philological and paleographical labors in bringing to press, in a critical edition, the complete transcripts of two trials conducted over long intervals of time by a branch of the Roman Inquisition. Few such records have seen the light of day in their original languages; they are even scarcer in English translation. The volume provides us with previously unknown and unused documents which further illuminate Menocchio's trafic life; and Del Col's long, scholarly introduction discusses in detail the special relations which prevailed in Friulan peasant society and the cycles and rituals of its agricultural year. It also provides one of the fullest explications of the organization of an Inquisitorial tribunal and its intricate judicial procedures.

Volume in condizioni molto buone. La sovraccoperta presenta tracce di polvere e leggerissima usura alle estremità del dorso, lievemente ingiallito.Il cofanetto in cartoncino rigido presenta tracce di polvere e leggerissimi segni di ingiallimento e usura lungo i bordi.

Volume I of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata I to Sonata XXX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices and ease of playing.

Giambattista and Domenico Tiepolo documents an important collection of master drawings donated by an individual to the Sidney and Lois Eskenazi Museum of Art at Indiana University, including five drawings by the celebrated Venetian genius Giambattista Tiepolo and sixteen drawings by his most famous son, Domenico Tiepolo. Twelve of the sixteen form part of Domenico’s most important drawing series―his exhaustive visual exploration of the New Testament. Also included are two drawings discovered after the 2006 publication of Domenico Tiepolo: A New Testament and seen here for the first time. Gealt and Knox are world-renowned experts on the Tiepolos and this book will serve as a useful reference to understanding their work as draftsmen. This beautiful illustrated volume will appeal to art lovers, biblical scholars, and those who value the unique work of the Tiepolos.

Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This book offers a new interpretation of Ghirlandaio's life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day.

Volume II of this critically acclaimed three-part collection features introductory text and performance notes to 30 Scarlatti sonatas, from Sonata XXXI to Sonata LX. The works appear in chronological order and with Kirkpatrick numbers. This Urtext edition preserves the sonatas' original presentation, save for the addition of accidentals and the inversion of treble and bass clefs, in accordance with modern practices and ease of playing.

Book is in NEW condition. 3.09

New Book. Shipped From Uk. This Book Is Printed On Demand. Established Seller Since 2000.