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This 1973 "Black Beauty" Les Paul Custom is super resonant and plays great with a replaced nut and frets for an updated feel; A welcome departure f...

A masterful, phrase-by-phrase examination of the book of Romans from a pastoral perspective: 4 Volumes, More than 900 pages. Using the Book of Romans as expositional studies, Donald Grey Barnhouse carefully examines Paul's letter phrase by phrase, plumbing its immediate meaning as well as placing it in the larger context of Scripture. This allows Scripture to be interpreted by Scripture, bringing all the correlated truths of the Word to bear on each line and word of the epistle. This set is a wealth of interpretive material from a master exegete. Sometimes overlooked, Barnhouse's commentary on Romans is fundamentally conservative on doctrine, but presented with a pastor's heart for effectively communicating the sometimes difficult theological concepts of Romans with passion and in every-day language.

A masterful, phrase-by-phrase examination of the book of Romans from a pastoral perspective: 4 Volumes, More than 900 pages. Using the Book of Romans as expositional studies, Donald Grey Barnhouse carefully examines Paul's letter phrase by phrase, plumbing its immediate meaning as well as placing it in the larger context of Scripture. This allows Scripture to be interpreted by Scripture, bringing all the correlated truths of the Word to bear on each line and word of the epistle. This set is a wealth of interpretive material from a master exegete. Sometimes overlooked, Barnhouse's commentary on Romans is fundamentally conservative on doctrine, but presented with a pastor's heart for effectively communicating the sometimes difficult theological concepts of Romans with passion and in every-day language.

Departures is Paul Zweig’s celebration of life and love. Zweig thought of himself as a sojourner, a contemporary Wandering Jew, a man with “a loose wire in his genes.” He led a number of distinct lives: as a Jewish child in Brooklyn and on a farm in the Catskills; as a literature student at Columbia; as a young exile who spent a decade in Paris transforming himself into a French intellectual, absorbing the language, sex, culture, and leftist politics; and as an American man-of-letters who produced a steady stream of poems, essays, and wide-ranging works of literary scholarship and criticism. In 1978, at the age of forty-three, he abruptly entered a new life—”the life of the dying”—which he inhabited for the next six years. His writing was guided by a steely determination to hold the more pressing and distorting sentiments—self-pity, regret, anger, fear—at bay for the sake of his lucidity, which became his way through the world of cancer. This memoir stands as a testament to the passion and spirit with which Zweig lived and to the dignity that he brought to his final years.

This abundantly illustrated two-volume publication presents the photographic documentation of Frigate and Houseboat, two pirate-themed works by Paul McCarthy and his son Damon McCarthy, alongside a new text by John C. Welchman analyzing the McCarthys’ work. Taking the lawlessness of piracy as a departure point, these works explore the ways bodies, sex and violence all find themselves enmeshed in networks of cultural references that span from American consumerism to Disney and classical cinema. “DISNEY DOWN DOO THE HOLE DEATH AT THE BOTTOM OF THE HOLE begins begin begin began downward downward," McCarthy writes of this work; "hell is but a float liken a dead circus caucus past the restraint restaurant know one at the helm at the helm mate fantasy matting four abreast in a suburb boat begins with float float life is but a dream past your favorite sushi sexy house bar down you go know one knows ho ho....”

This abundantly illustrated two-volume publication presents the photographic documentation of Frigate and Houseboat, two pirate-themed works by Paul McCarthy and his son Damon McCarthy, alongside a new text by John C. Welchman analyzing the McCarthys’ work. Taking the lawlessness of piracy as a departure point, these works explore the ways bodies, sex and violence all find themselves enmeshed in networks of cultural references that span from American consumerism to Disney and classical cinema. “DISNEY DOWN DOO THE HOLE DEATH AT THE BOTTOM OF THE HOLE begins begin begin began downward downward," McCarthy writes of this work; "hell is but a float liken a dead circus caucus past the restraint restaurant know one at the helm at the helm mate fantasy matting four abreast in a suburb boat begins with float float life is but a dream past your favorite sushi sexy house bar down you go know one knows ho ho....”

Excerpt from The Genealogy of the Benedicts in AmericaWhile the Compiler is conscious of no self-reproach for lack of patience in the preparation of the book, he confesses that it has been hurried in the publication. He has, in fact, delayed his departure from the country to allow himself to print what he had collected and prepared, in order to secure it against loss or dispersion in his absence. This haste excludes from the present volume the Military Roll of the family - a proud one - and certain other tabular statements, for which abundant material exists, and most of which he has collected.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

After the murder of controversial talk-show host Paul Drury, Lieutenant Columbo must unravel the thirty-year-old mystery of the assassination of President Kennedy, a crime whose perpetrator Drury had been about to expose on his final show

Limited 180gm vinyl LP repressing. McCartney is the debut studio album by Paul McCartney. It was issued on Apple Records in April 1970 after McCartney had resisted attempts by his fellow Beatles to have the release delayed to allow for Apple's previously scheduled titles, notably the band's Let It Be album. McCartney recorded this solo album during a period of depression and confusion, following John Lennon's private announcement on September 20, 1969 that he was leaving the Beatles, and the con

This volume, Paul Grice’s first book, includes the long-delayed publication of his enormously influential 1967 William James Lectures. But there is much, much more in this work. Grice himself has carefully arranged and framed the sequence of essays to emphasize not a certain set of ideas but a habit of mind, a style of philosophizing.Grice has, to be sure, provided philosophy with crucial ideas. His account of speaker-meaning is the standard that others use to define their own minor divergences or future elaborations. His discussion of conversational implicatures has given philosophers an important tool for the investigation of all sorts of problems; it has also laid the foundation for a great deal of work by other philosophers and linguists about presupposition. His metaphysical defense of absolute values is starting to be considered the beginning of a new phase in philosophy. This is a vital book for all who are interested in Anglo-American philosophy.

Paul Cantor presents a clearly structured introduction to Shakespeare's most famous tragedy. After examining Hamlet's status as tragic hero and central enigma of delayed revenge in light of the play's Renaissance context, Cantor discusses its dramatic and poetic techniques. He considers the uniquely varied reception of the play on the stage and in literature from the seventeenth century to the present day.

This volume, Grice's first hook, includes the long-delayed publication of his enormously influential 1967 William James Lectures. But there is much, much more in this work. Paul Grice himself has carefully arranged and framed the sequence of essays to emphasize not a certain set of ideas but a habit of mind, a style of philosophizing. Grice has, to be sure, provided philosophy with crucial ideas. His account of speaker-meaning is the standard that others use to define their own minor divergences or future elaborations. His discussion of conversational implicatures has given philosophers an important tool for the investigation of all sorts of problems; it has also laid the foundation for a great deal of work by other philosophers and linguists about presupposition. His metaphysical defense of absolute values is starting to be considered the beginning of a new phase in philosophy. This is a vital book for all who are interested in Anglo-American philosophy.

"I love the book because it transcends fashion and style. . . . It’s fantastic."—Paul Morley, BBC 2 TV Newsnight ReviewA man pulls back from the brink of suicide when his application to buy a gun with which to shoot himself is -delayed. Instead of throwing his life away, he decides to spend all his time and effort disposing of those who he feels deserve to die. With a renewed zest for living, he embarks on a joyful killing spree, having found the true purpose of his existence."Like all great writers, Selby does not answer questions. He only raises them to a pitch so intense that only a scream or a prayer can stop the pain."—San Francisco Chronicle

This volume, Paul Grice’s first book, includes the long-delayed publication of his enormously influential 1967 William James Lectures. But there is much, much more in this work. Grice himself has carefully arranged and framed the sequence of essays to emphasize not a certain set of ideas but a habit of mind, a style of philosophizing.Grice has, to be sure, provided philosophy with crucial ideas. His account of speaker-meaning is the standard that others use to define their own minor divergences or future elaborations. His discussion of conversational implicatures has given philosophers an important tool for the investigation of all sorts of problems; it has also laid the foundation for a great deal of work by other philosophers and linguists about presupposition. His metaphysical defense of absolute values is starting to be considered the beginning of a new phase in philosophy. This is a vital book for all who are interested in Anglo-American philosophy.

This volume, Grice's first hook, includes the long-delayed publication of his enormously influential 1967 William James Lectures. But there is much, much more in this work. Paul Grice himself has carefully arranged and framed the sequence of essays to emphasize not a certain set of ideas but a habit of mind, a style of philosophizing. Grice has, to be sure, provided philosophy with crucial ideas. His account of speaker-meaning is the standard that others use to define their own minor divergences or future elaborations. His discussion of conversational implicatures has given philosophers an important tool for the investigation of all sorts of problems; it has also laid the foundation for a great deal of work by other philosophers and linguists about presupposition. His metaphysical defense of absolute values is starting to be considered the beginning of a new phase in philosophy. This is a vital book for all who are interested in Anglo-American philosophy.

Limited 180gm vinyl LP repressing. Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Its commercial performance was aided by two hit singles "Jet" and "Band on the Run" such that it became the top-selling studio album of 1974 in the United Kingdom and Australia; in addition to revitalizing McCartney's critical standing. It remains McCartney's most su

Limited 180gm vinyl LP repressing. McCartney II is the second completely solo studio album by Paul McCartney, and the first since the formation of Wings in 1971. It was released in 1980, a year before the band's dissolution and while their future lay in limbo. The album is a significant departure for McCartney, as much of it relies heavily on synthesizers and studio experimentation. After the release of what turned out to be Wings' final album, Back to the Egg, McCartney went north to his farm i

The 2009 debut self-titled album by Bristol-based project Emptyset (James Ginzburg and Paul Purgas), reissued here, formed the initial departure for the duo's ongoing exploration of time, structure, and analog technology. The album highlights the project's development and the foundation of it's studio-based production process, forming the first part of a triptych spanning Demiurge (SUB 001CD/010LP, 2011) and Recur (R-N 151CD, 2013). Emptyset creates the first point within this narrative, initiat

Drawing inspiration from disparate musical and poetic sources, two British Mercury Prize nominees have come together in a playful departure from their respective work with Field Music and Maximo Park. Based around text from Paul Smith's travel writing, and Peter Brewis's chamber-band arrangements, the pair have collaborated on a suite of songs, creating a restrained yet richly descriptive sound-world. The music wraps itself around the words and the places they chronicle. The locations become tan

In 1886 Paul Cézanne left Paris permanently to settle in his native Aix-en-Provence. Nina M. Athanassoglou-Kallmyer argues that, far from an escapist venture like Gauguin's stay in Brittany or Monet's visits to Normandy, Cézanne's departure from Paris was a deliberate abandonment intimately connected with late-nineteenth-century French regionalist politics.Like many of his childhood friends, Cézanne detested the homogenizing effects of modernism and bourgeois capitalism on the culture, people, and landscapes of his beloved Provence. Turning away from the mainstream modernist aesthetic of his impressionist years, Cézanne sought instead to develop a new artistic tradition more evocative of his Provençal heritage. Athanassoglou-Kallmyer shows that Provence served as a distinct and defining cultural force that shaped all aspects of Cézanne's approach to representation, including subject matter, style, and technical treatment. For instance, his self-portraits and portraits of family members reflect a specifically Provençal sense of identity. And Cézanne's Provençal landscapes express an increasingly traditionalist style firmly grounded in details of local history and even geology. These landscapes, together with images of bathers, cardplayers, and other figures, were key facets of Cézanne's imaginary reconstruction of Provence as primordial and idyllic—a modern French Arcadia.Highly original and lavishly illustrated, Cézanne and Provence gives us an entirely new Cézanne: no longer the quintessential icon of generic, depersonalized modernism, but instead a self-consciously provincial innovator of mainstream styles deeply influenced by Provençal culture, places, and politics.