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Weary of routine cases, private investigator--and ex-policewoman--Anna Lee jumps at the chance to investigate the automobile death of fledgling movie director Deirdre Jackson

Color/pattern: black Approximately 43in from shoulder to hem Model is 5'11 and is wearing a size small. Measurements may vary slightly by size. Design details: crewneck, 3/4-length raglan sleeve, and high-low hem Keyhole button closure Shell 1: 100% polyester Shell 2: 50% viscose, 50% polyester Machine Wash Imported

EZ Dupe's 2-target Blu-ray duplication system includes two BD-R/DVD+/-RW writers and a premium 500GB hard drive. Only carefully selected and tested materials are employed in EZ Dupe's professional line up of Blu-ray systems.Features:Includes a premium 500GB hard driveBurn approximately two Blu-ray disc (25GB) at 2X per hour!Burn approximately 14 DVDs (4.7GB) at 12X per hour!Supports BD-R, BD-RE, BD-R DL, BD-RE DL, DVD+/-R, DVD+/-RW, DVD RAM, DVD+/-R DL, CD-R and CD-RW blank media formats

Suggests that American Progressives, ranging from Franklin Delano Roosevelt to John Kerry, have been manipulated by Communists to take stands that weaken the United States.

Weary of routine cases, private investigator and ex-policewoman Anna Lee jumps at the chance to investigate the automobile death of fledgling movie director Deirdre Jackson

Terence Hill stars as 'Nobody' - the fastest gun in the West, in a film which takes a more satirical view of how things really happened than the history books would suggest. Superb supporting roles by Klaus Kinski as 'Doc Foster' and Patrick McGoohan.

Buy with confidence! Book is in new, never-used condition 0.71

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.97

EZ Dupe's seven target DVD duplication system includes a DVD-ROM drive and seven DVD+/-RW writers. Only carefully selected and tested materials are employed in EZ Dupe's professional line up of Gold Series systems. Features:Burn approximately 70 DVDs (4.7GB) at 16X per hour! Supports DVD+R/RW, DVD-R/RW and DL DVD blank media formats Automatically performs a self-diagnostics test upon boot up No cool down period between runs Duplicator will automatically recognize format of source discs S

EZ Dupe's 7-target SD duplication system conveniently copies the most popular digital media formats (Secure Digital) without a computer. Only carefully selected and tested materials are employed in EZ Dupe's professional line up of SD Series systems.Features:Standalone turnkey system; no computer required.No warm-up and cool-downUser friendly interface and simple operation.Real-time display of detailed information on bright LCD screen.Support all file formats, file size and card/drive ca

EZ Dupe's 7-target USB duplication system features user friendly 4-key control with LCD, high speed USB duplication and bit-by-bit Compare function to confirm successful copies. Only carefully selected and tested materials are employed in EZ Dupe's professional line up of USB Series systems.Features:Standalone system; no computer required. User friendly interface and simple operation. Real-time display of detailed information on bright LCD screen. Support all file formats, file size and

Brand New HD Master From a 4K Scan of the 35mm Safety Dupe Negative by Paramount Pictures Archive! Byron Haskin (The War of the Worlds, Too Late for Tears) directed this classic film noir about two bootleggers on the lam. Partners Frankie (Burt Lancaster, Elmer Gantry) and Noll (Kirk Douglas, The Devils Disciple) split up to evade capture by the police. Frankie is caught and jailed, but Noll manages to escape and open a posh New York City nightclub. Years later Frankie is released from the cl

Mastered in HD from a 35mm dupe negative preserved by the UCLA Film & Television Archive - Film noir great Dick Powell (Murder, My Sweet) plays an ex-vet living the American dream with a beautiful home, loving wife (Jane Wyatt, Lost Horizon), wonderful kid (Jimmy Hunt, Invaders From Mars) and a great job as an insurance executive. But Powell like many returning servicemen exhibits a restlessness experienced by many veterans, his penchant for excitement leads him on an illicit affair with sexy bo

Blu-Ray pressing. Long considered lost until a complete dupe negative was identified in the vaults of la Cinmathque franaise last year, this William Gillette film is a vital missing link in the history of Sherlock Holmes on screen. By the time it was produced at Essanay Studios in 1916, Gillette had been established as the world's foremost interpreter of Holmes on stage-having played him approximately 1300 times since his 1899 debut. This newly-restored edition, thanks to the monumental effor

for 6 men, 4 women. Picture a charming home in the South. Into this peaceful scene put the prosperous, despotic Hubbard family-Ben, possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo, weak and unprincipled; Regina wickedly clever-each trying to outwit the other. In contrast, meet lonely intimidated Birdie, whom Oscar wed for her father's cotton fields; wistful Alexandra, Regina's daughter; and Horace, ailing husband of Regina, between whom a breach has existed for years. The conflict in these lives has been caused by Ben's ambition to erect a cotton mill. The brothers still lack $75,000 to complete the transaction. This, they hope, will come from Horace, who has been in a hospital with a heart ailment. Horace is beset by his relatives the first hour of his homecoming, but refuses to commit himself. Desperate, Leo and his father, Oscar, plan for Leo to take $80,000 worth of bonds from Horace's safe-deposit box. However, knowing that he is to be short-lived, Horace has his box brought to him. Discovering the theft, he informs his wife that he has willed the bonds to her. He promises to say nothing about the theft, calling it a loan. Cruelly, Regina recalls their unhappy married life, causing Horace to be stricken with a severe attack. Regina refuses to get his medicine upstairs, hoping that the effort of climbing may prove fatal. Horace collapses. Then Regina blackmails her brothers into giving her 75% of the business instead of their planned 33 1/3%, or she will reveal their theft. We feel, however, that crafty Ben holds the trump card by his parting remark, "What was a man in a wheelchair doing on a staircase?"

"Get a life" William Shatner told Star Trek fans. Yet, as Textual Poachers argues, fans already have a "life," a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests.  Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers and skilled manipulators of program meanings, as nomadic poachers constructing their own culture from borrowed materials, as an alternative social community defined through its cultural preferences and consumption practices. Written from an insider's perspective and providing vivid examples from fan artifacts, Textual Poachers offers an ethnographic account of the media fan community, its interpretive strategies, its social institutions and cultural practices, and its troubled relationship to the mass media and consumer capitalism.  Drawing on the work of Michel de Certau, Jenkins shows how fans of Star Trek, Blake's 7, The Professionals, Beauty and the Beast, Starsky and Hutch, Alien Nation, Twin Peaks, and other popular programs exploit these cultural materials as the basis for their stories, songs, videos, and social interatctions. Addressing both academics and fans, Jenkins builds a powerful case for the richness of fan culture as a popular response to the mass media and as a challenge to the producers' attempts to regulate textual meanings.  Textual Poachers guides readers through difficult questions about popular consumption, genre, gender, sexuality, and interpretation, documenting practices and processes which test and challenge basic assumptions of contemporary media theory.

In stories ranging from subtle creation myths to derisive, off-color tales, the Kalapalo Indians of central Brazil demonstrate a fascination with deception and its many functions. In myths about tricksters and dupes, they explore the ambiguity of human experience, showing how important to human understanding is a sense of illusion, paradox, and contradiction. Ellen Basso's new study of these stories considers their relationship to other kinds of Kalapalo activities involving deception and features a unique collection of South American Indian narratives translated directly from performances by master storytellers in their original Carib language. Combining an ethnopoetic, performance-focused approach to storytelling with an action-oriented psychology, Basso arrives at an ethnographic understanding of Kalapalo trickster myths and Kalapalo ideas about deception. The commentary on the translations considers matters of theme, discourse, narrative progression, and performance context. The dialogical, interactive nature of Kalapalo storytelling, the development of characters through their conversations with one another, and the many ways storytelling and ordinary life enrich one another are examined to reveal the complex psychology of trickster myths and the special tricksterish quality of day-to-day Kalapalo behavior.

Il avait lâché le journal, qui s'était d'abord déployé sur ses genoux puis qui avait glissé lentement avant d'atterrir sur le parquet ciré. On aurait cru qu'il venait de s'endormir si, de temps en temps, une mince fente ne s'était dessinée entre ses paupières.Est-ce que sa femme était dupe ? Elle tricotait, dans son fauteuil bas, de l'autre côté du foyer. Elle n'avait jamais l'air de l'observer, mais il savait depuis longtemps que rien ne lui échappait, pas mème le tressaillement à peine perceptible d'un de ses muscles.

King of the barnyard, Chanticleer struts about all day. When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom. Winner, 1959 Caldecott MedalNotable Children's Books of 1940–1970 (ALA)Winner, 1992 Kerlan Award

King of the barnyard, Chanticleer struts about all day. When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom. Winner, 1959 Caldecott MedalNotable Children's Books of 1940–1970 (ALA)Winner, 1992 Kerlan Award