27 products were found matching your search for Dynamik des Begehrens Clement in 2 shops:

473 S., zahlr. farb. Abb. - In sehr gutem Zustand / En très bon état. Sprache: Französisch Gewicht in Gramm: 1400

Expedition Sous 48 H En Suivi La Poste / Emballage Bullepack

Ancien livre de bibliothèque. Edition 2006. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations.

Clement Greenberg ha sido posiblemente el crítico de arte más influyente de los últimos tiempos. Apasionado especialmente por la pintura, ejerció de mentor del movimiento moderno americano hasta el punto de convertirse en el profeta de algunos grandes pintores del siglo XX, como Jackson Pollock, y de llegar a ostentar la hegemonía crítica en el mundo del arte a lo largo de varias generaciones. Greenberg se distanció del academicismo para cultivar una forma de crítica más periodística en la que la reflexión sobre el arte se mantiene próxima a las obras, en lugar de erigirse en una teoría general. Autor polémico, proclamaba maliciosamente que la labor del crítico consiste simplemente en mirar, aunque su mirada, asumiendo esta suerte de sofisticada inocencia, debe ser capaz de subvertir algunas de las ideas recibidas en torno al arte o a un artista en particular. Greenberg estaba convencido de que el mejor arte sólo puede ser aquel que cada uno considere el mejor, con la salvedad de que el valor de esta consigna supone espectadores activos, capaces de aprender constantemente y establecer comparaciones de continuo. Arte y cultura es una selección de artículos sobre pintura, literatura y arte en general, a través de los cuales el lector podrá comprobar hasta qué punto la capacidad crítica del autor rendía tributo a su espíritu provocador y a su voluntad polémica. Más allá de las obras y autores comentados, el interés de los escritos aquí reunidos radica en su vigor crítico, testimonio de una forma nueva de enfrentarse al arte que sin duda sentó precedente.

Excerpt from The Medici Popes (Leo X. And Clement VII.)I have treated of Giulio de' Medici, Pope Clement VII in a less detailed manner, for two reasons: first, because his life before obtaining the tiara is closely bound up with, and consequently covered by, the career of his more distinguished cousin, Leo X.; and second, because his private biography offers far less of general interest. Special attention has been drawn throughout the book to the various existing works of art in Florence and Rome which are connected with the personal history, or are due to the bountiful patron age of these two Medicean pontiffs. In accordance with the title chosen for this work, I have also added a brief account of the later Popes, Pius IV. And Leo XL, both of whom bore the historic name of Medici.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The pontificate of Clement VII (Giulio de' Medici) is usually regarded as amongst the most disastrous in history, and the pontiff characterized as timid, vacillating, and avaricious. It was during his years as pope (1523-34) that England broke away from the Catholic Church, and relations with the Holy Roman Emperor deteriorated to such a degree that in 1527 an Imperial army sacked Rome and imprisoned the pontiff. Given these spectacular political and military failures, it is perhaps unsurprising that Clement has often elicited the scorn of historians, rather than balanced and dispassionate analysis. This interdisciplinary volume, the first on the subject, constitutes a major step forward in our understanding of Clement VII's pontificate. Looking beyond Clement's well-known failures, and anachronistic comparisons with more 'successful' popes, it provides a fascinating insight into one of the most pivotal periods of papal and European history. Drawing on long-neglected sources, as rich as they are abundant, the contributors address a wide variety of important aspects of Clement's pontificate, re-assessing his character, familial and personal relations, political strategies, and cultural patronage, as well as exploring broader issues including the impact of the Sack of Rome, and religious renewal and reform in the pre-Tridentine period. Taken together, the essays collected here provide the most expansive and nuanced portrayal yet offered of Clement as pope, patron, and politician. In reconsidering the politics and emphasizing the cultural vitality of the period, the collection provides fresh and much-needed revision to our understanding of Clement VII's pontificate and its critical impact on the history of the papacy and Renaissance Europe.

The posthumous collection of writings by the seminal American art critic features his observations of Jackson Pollock, Hans Hofmann, Barnett Newman, Willem de Kooning, and others. (Fine Arts)

The pontificate of Clement VII (Giulio de' Medici) is usually regarded as amongst the most disastrous in history, and the pontiff characterized as timid, vacillating, and avaricious. It was during his years as pope (1523-34) that England broke away from the Catholic Church, and relations with the Holy Roman Emperor deteriorated to such a degree that in 1527 an Imperial army sacked Rome and imprisoned the pontiff. Given these spectacular political and military failures, it is perhaps unsurprising that Clement has often elicited the scorn of historians, rather than balanced and dispassionate analysis. This interdisciplinary volume, the first on the subject, constitutes a major step forward in our understanding of Clement VII's pontificate. Looking beyond Clement's well-known failures, and anachronistic comparisons with more 'successful' popes, it provides a fascinating insight into one of the most pivotal periods of papal and European history. Drawing on long-neglected sources, as rich as they are abundant, the contributors address a wide variety of important aspects of Clement's pontificate, re-assessing his character, familial and personal relations, political strategies, and cultural patronage, as well as exploring broader issues including the impact of the Sack of Rome, and religious renewal and reform in the pre-Tridentine period. Taken together, the essays collected here provide the most expansive and nuanced portrayal yet offered of Clement as pope, patron, and politician. In reconsidering the politics and emphasizing the cultural vitality of the period, the collection provides fresh and much-needed revision to our understanding of Clement VII's pontificate and its critical impact on the history of the papacy and Renaissance Europe.

Composer: Clement Cotterill Scholefield Evening Song Score and Parts Publisher: De Haske Publications Category: Band/Orchestra/Ensemble Series:...

Winner, William P. Clements Prize, Best Non-Fiction Book on Southwestern America, 2004Not quite the United States and not quite Mexico, La Junta de los Rios straddles the border between Texas and Chihuahua, occupying the basin formed by the conjunction of the Rio Grande and the Rio Conchos. It is one of the oldest continuously inhabited settlements in the Chihuahuan Desert, ranking in age and dignity with the Anasazi pueblos of New Mexico.In the first comprehensive history of the region, Jefferson Morgenthaler traces the history of La Junta de los Rios from the formation of the Mexico-Texas border in the mid-19th century to the 1997 ambush shooting of teenage goatherd Esquiel Hernandez by U.S. Marines performing drug interdiction in El Polvo, Texas. "Though it is scores of miles from a major highway, I found natives, soldiers, rebels, bandidos, heroes, scoundrels, drug lords, scalp hunters, medal winners, and mystics," writes Morgenthaler. "I found love, tragedy, struggle, and stories that have never been told." In telling the turbulent history of this remote valley oasis, he examines the consequences of a national border running through a community older than the invisible line that divides it.

When Luis de Molina died in Madrid in 1600, he had every reason to believe he was about to be anathametized by Pope Clement VIII. The Protestant Reformation was splitting Europe, tribunals of the Inquisition met regularly in a dozen Spanish cities, and the Pope had launched a commission two years earlier to investigate Molina’s writings.Molina was eventually vindicated, though the decision came seven years after his death. In the centuries that followed Molina was relegated to relatively minor status in the history of theology until a renaissance of interest in recent years. His doctrine of God’s “middle knowledge,” in particular, has been appropriated by a number of current philosophers and theologians, with apologist William Lane Craig calling it “one of the most fruitful theological ideas ever conceived.”In Luis de Molina: The Life and Theology of the Founder of Middle Knowledge, author Kirk R. MacGregor outlines the main contours of Molina’s subtle and far-reaching philosophical theology, covering his views on God’s foreknowledge, salvation and predestination, poverty and obedience, and social justice. Drawing on writings of Molina never translated into English, MacGregor also provides insight into the experiences that shaped Molina, recounting the events of a life fully as dramatic as any of the Protestant Reformers.With implications for topics as wide-ranging as biblical inerrancy, creation and evolution, the relationship between Christianity and world religions, the problem of evil, and quantum indeterminacy, Molina’s thought remains as fresh and relevant as ever. Most significantly, perhaps, it continues to offer the possibility of a rapprochement between Calvinism and Arminianism, a view of salvation that fully upholds both God’s predestination and human free will.As the first full-length work ever published on Molina, Kirk MacGregor’s Luis de Molina provides an accessible and insightful introduction for scholars, students, and armchair theologians alike.

*** Aux pages d’anthologie de la poésie française se rencontrent les cinquante-deux meilleurs poètes de l’histoire de la literature française. Les poètes: Eustache Deschamps (1346-1406) Charles d' Orleans (1394-1465) François Villon (1431 - 1463) Clément Marot (1496-1544) Maurice Scève (1510-1564) Joachim Du Bellay (1522-1560) Pierre de Ronsard (1524-1585) Louise Labè (1526-1566) Philippe Desportes (1546 -1606) Théodore Agrippa d'Aubigné (1552 –1630) François de Malherbe (1555 - 1628) Jean de Sponde (1557 – 1595) Mathurin Régnier (1573 – 1613) François Maynard (1582 - 1646) Honorat de Bueil, seigneur (dit marquis) de Racan (1589- 1670) Théophile de Viau (1590 –1626) Marc-Antoine Girard, sieur de Saint-Amant, (1594- 1661) Vincent Voiture ( 1597 – 1648) Tristan L'Hermite (1601-1655). Pierre Corneille (1606 -1684) Paul Scarron (1610- 1660) Jean de La Fontaine (1621 - 1695) Nicolás Boileau-Despréaux (1636 - 1711) Jean Racine (1639 - 1699) Jean-Baptiste Rousseau (1671- 1741) François Marie Arouet, Voltaire (1694 – 1778) Jacques Delille (1738-1813) Nicolás Gilbert (1751-1780) André Marie Chénier (1762 - 1794) Marceline Desbordes-Valmore (1786 – 1859) Alphonse de Lamartine (1790 – 1869) Alfred Victor de Vigny (1797 – 1863) Victor Hugo (1802 - 1885) Auguste Barbier (1805-1882) Gérard de Nerval (1808 1855) Alfred de Musset (1810-1857) Théophile Gautier ( 1811-1872) Leconte de Lisle (1818 –1894) Charles Baudelaire (1821 1867) Théodore de Banville (1823 - 1891) Sully Prudhomme (1839 -1907) José María de Hérédia Girard (1842 –1905) Stéphane Mallarmé (1842 – 1898) Paul Verlaine (1844 – 1896) Tristan Corbière (1845 – 1875) Arthur Rimbaud (1854 – 1891) Émile Verhaeren (1855 - 1916) Jean Moréas (1856 - 1910) Jules Laforgue (1860 – 1887) Paul-Jean Toulet (1867 - 1920) Charles Péguy (1873 1914) Guillaume Apollinaire (1880 – 1918)

*** Aux pages d’anthologie de la poésie française se rencontrent les cinquante-deux meilleurs poètes de l’histoire de la literature française. Les poètes: Eustache Deschamps (1346-1406) Charles d' Orleans (1394-1465) François Villon (1431 - 1463) Clément Marot (1496-1544) Maurice Scève (1510-1564) Joachim Du Bellay (1522-1560) Pierre de Ronsard (1524-1585) Louise Labè (1526-1566) Philippe Desportes (1546 -1606) Théodore Agrippa d'Aubigné (1552 –1630) François de Malherbe (1555 - 1628) Jean de Sponde (1557 – 1595) Mathurin Régnier (1573 – 1613) François Maynard (1582 - 1646) Honorat de Bueil, seigneur (dit marquis) de Racan (1589- 1670) Théophile de Viau (1590 –1626) Marc-Antoine Girard, sieur de Saint-Amant, (1594- 1661) Vincent Voiture ( 1597 – 1648) Tristan L'Hermite (1601-1655). Pierre Corneille (1606 -1684) Paul Scarron (1610- 1660) Jean de La Fontaine (1621 - 1695) Nicolás Boileau-Despréaux (1636 - 1711) Jean Racine (1639 - 1699) Jean-Baptiste Rousseau (1671- 1741) François Marie Arouet, Voltaire (1694 – 1778) Jacques Delille (1738-1813) Nicolás Gilbert (1751-1780) André Marie Chénier (1762 - 1794) Marceline Desbordes-Valmore (1786 – 1859) Alphonse de Lamartine (1790 – 1869) Alfred Victor de Vigny (1797 – 1863) Victor Hugo (1802 - 1885) Auguste Barbier (1805-1882) Gérard de Nerval (1808 1855) Alfred de Musset (1810-1857) Théophile Gautier ( 1811-1872) Leconte de Lisle (1818 –1894) Charles Baudelaire (1821 1867) Théodore de Banville (1823 - 1891) Sully Prudhomme (1839 -1907) José María de Hérédia Girard (1842 –1905) Stéphane Mallarmé (1842 – 1898) Paul Verlaine (1844 – 1896) Tristan Corbière (1845 – 1875) Arthur Rimbaud (1854 – 1891) Émile Verhaeren (1855 - 1916) Jean Moréas (1856 - 1910) Jules Laforgue (1860 – 1887) Paul-Jean Toulet (1867 - 1920) Charles Péguy (1873 1914) Guillaume Apollinaire (1880 – 1918)

English summary: This volume of The History of Christian Greek Literature covers all literary production from the third century. It contains exegesis, historiography, pastoral work, theological speculation, and religious polemics. Among the most important authors presented here are Clement of Alexandria, Origen, Hippolytus of Rome, Methodius of Olympus, and Eusebius of Caesarea. French description: Cette Histoire de la litterature grecque chretienne presente en six volumes l'ensemble des textes et des auteurs chretiens des premiers siecles, depuis les origines (les lettres de Paul, les evangiles) jusqu'au concile de Chalcedoine (451). L'importance et l'interet de ces differents ecrits ne sont plus guere contestes aujourd'hui, aussi bien pour connaitre la naissance et l'evolution des dogmes du christianisme, dont ils sont les principaux temoins, que pour apprecier son apport spirituel ou son heritage dans la culture occidentale. L'ensemble de ces volumes, contenant a la fois de substantielles notices sur chacun des auteurs dont l'oeuvre nous a ete conservee et des indications bibliographiques propres a susciter des recherches plus approfondies, constitue un instrument de travail indispensable pour l'etude des Peres.Le present tome couvre toute la production litteraire du IIIe siecle. L'exegese, l'historiographie, la pastorale, mais egalement les speculations theologiques et la polemique religieuse, y occupent une place essentielle. Parmi les auteurs les plus importants ici presentes figurent Clement d'Alexandrie, Origene, Hippolyte de Rome (ainsi que le corpus attache a son nom), Methode d'Olympe et Eusebe de Cesaree, qui, dans la diversite de leurs ecrits, ont donne non seulement a la pensee, mais aussi a la litterature chretienne ses premieres lettres de noblesse.

In 1307 King Philip the Fair of France and Pope Clement V brought to trial one of the most powerful institutions of the medieval world: the Order of the Knights of the Temple. Alain Demurger reopens the case and tells the story of the Order's Grand Master, Jacques de Molay. He examines the arrests, the trials, the transcripts of the inquisitions and Molay's own devastating confession in this study of one of the most gruesome episodes of European history.

When Luis de Molina died in Madrid in 1600, he had every reason to believe he was about to be anathametized by Pope Clement VIII. The Protestant Reformation was splitting Europe, tribunals of the Inquisition met regularly in a dozen Spanish cities, and the Pope had launched a commission two years earlier to investigate Molina’s writings.Molina was eventually vindicated, though the decision came seven years after his death. In the centuries that followed Molina was relegated to relatively minor status in the history of theology until a renaissance of interest in recent years. His doctrine of God’s “middle knowledge,” in particular, has been appropriated by a number of current philosophers and theologians, with apologist William Lane Craig calling it “one of the most fruitful theological ideas ever conceived.”In Luis de Molina: The Life and Theology of the Founder of Middle Knowledge, author Kirk R. MacGregor outlines the main contours of Molina’s subtle and far-reaching philosophical theology, covering his views on God’s foreknowledge, salvation and predestination, poverty and obedience, and social justice. Drawing on writings of Molina never translated into English, MacGregor also provides insight into the experiences that shaped Molina, recounting the events of a life fully as dramatic as any of the Protestant Reformers.With implications for topics as wide-ranging as biblical inerrancy, creation and evolution, the relationship between Christianity and world religions, the problem of evil, and quantum indeterminacy, Molina’s thought remains as fresh and relevant as ever. Most significantly, perhaps, it continues to offer the possibility of a rapprochement between Calvinism and Arminianism, a view of salvation that fully upholds both God’s predestination and human free will.As the first full-length work ever published on Molina, Kirk MacGregor’s Luis de Molina provides an accessible and insightful introduction for scholars, students, and armchair theologians alike.

Ces entretiens constituent un véritable état des lieux de la photographie contemporaine. Clément Chéroux y use d’une approche originale, menant une conversation rythmée qui lui permet de dévoiler les interrogations des photographes, leurs inspirations et les multiples facettes de leur travail. Au fur et à mesure des entretiens, il établit ainsi des liens entre les diverses séries, les photographes et les événements qu’ils ont vécus. Le lecteur entre alors dans l’intimité du processus créatif des artistes, invité à porter un regard renouvelé, toujours accompagné d’une pointe d’humour, sur le travail de ces grands témoins de la photographie.

Neuware -Geboren aus dem Geschlecht des Uranos, das vom Titanen Kronos abgetrennt und in den Ozean geworfen worden war, entstieg Aphrodite dem Meeresschaum und wurde zur Göttin der Liebe, der Schönheit und des Begehrens. Von da an entschieden ihre Launen über das Schicksal zahlreicher Menschen und Götter, denn Aphrodite hat die Macht, sie alle zu verführen. Doch sind nicht alle Liebschaften der Olympierin gleich geschaffen: Mit Ares verband sie eine stürmische Leidenschaft, aus der unter anderem die Brüder Phobos und Deimos hervorgingen, mit Hermes eine lockere Affäre, und ihm gebar sie den Hermaphroditos. Mit einem einfachen Sterblichen namens Anchises schließlich zeugte sie Aeneas, den Helden Trojas, dessen Schutz daraufhin zu Aphrodites höchstem Anliegen wurde. Selbst wenn sie dafür alles aufs Spiel setzt, was ihr lieb und teuer ist.Große Epen, mächtige Götter, phantastische Ungeheuer, außergewöhnliche Helden - die griechische Mythologie ist ein unerschöpflicher Quell wundervoller und aufregender Abenteuer. Auch heute können wir aus ihr lernen, und darum bildet sie immer noch ein Herzstück der humanistischen Bildung auf der ganzen Welt. »Mythen der Antike« lässt uns eine Reihe der wichtigsten Sagen als Comics neu entdecken. Unter der Leitung von Luc Ferry, dem ehemaligen französischen Bildungsminister, wurden die Originaltexte mit größter Sorgfalt adaptiert und graphisch brillant umgesetzt. Jeder Band präsentiert einen kompletten Mythos, dessen philosophisches und kulturelles Erbe in einem umfassenden Ergänzungsteil erläutert wird. 112 pp. Deutsch

Jede Fotosession ist wie eine einmalige Reise. Es ist die Kunst des Fotografen Mikhail Paramonov, die jungen Frauen genau in dem Moment zu fotografieren, in dem ihr Begehren erbluht. Vor seinem Objektiv fuhlen sie sich frei, ohne Scham. Ein BH, der fallt, ein Hoschen, das heruntergleitet. Immer starker und eindringlicher werden ihre erotischen Posen. Ihre Gesichter sind hitzig, ihre Backen errotet. Es ist weniger die Nacktheit als vielmehr der richtige Augenblick, der die Fotografien so eindringlich macht. Die symbolische Phase des Ubergangs und das Erkennen – zu lieben und geliebt zu werden. In diesem Bildband erscheint diese unsichtbare Schwelle in vielen Formen. Die fantastischen Fotografien von Paramonov sind vergleichbar mit dem Spektakel des Striptease: Sie haben eine Intensitat in der Weise, dass sie eine Art Mysterium bis zum letzten Moment bewahren. Dann luften die jungen Frauen ihre Schleier, offnen die Pforte zwischen ihren Schenkeln, spuren die neue Welt, die sich ihnen darbietet, und freuen sich ihrer eigenen Kuhnheit.

Jonathan Lasker's Complete Essays 1984-1998 provides us with an important historical document about the development of American abstract painting over the course of nearly two decades. Besides analyzing the work of Piet Mondrian, Willem de Kooning, and Eugne Leroy, and the critic Clement Greenberg, the artist discusses abstract painting's relationship to violence, sensation, the media, the physical and cognitive world of images, experience, reality, intentionality, beauty, consciousness and mortality in the contemporary world. In his thinking and work, as evidenced in these essays, Lasker explores "the unhappy marriages of the biomorphic and the decorative, the mark of the loaded brush and the geometric, the psyche and popular culture" -- and the intensely complex relation between substance and time, materiality and subjectivity, narrative and the means of abstraction in the context of meaning, the human condition, and the conditions of nature. Lasker writes: "I have underlined my intellectual personality in these essays not to show that I am a philosopher but rather that I seek only the truth of my desires, even if they go beyond provable reason."