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The Samyang 14mm T3.1 ED AS IF UMC II, E Mount prime is a wide-angle, manual focus cine lens specially designed for video work on Sony's full-frame a7 models. It has been carefully designed for professional film and video work, with the focus gear ring allowing the use of follow focus systems. The decoupled aperture changes quietly and smoothly via another gear ring. The T number of 3.1 refers to the actual light transmission, while distance scales are marked on both sides of the lens to allow easy and precise control. A petal-shaped lens hood is also provided.

Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE Smart Adapter. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilisation of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.

Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE Smart Adapter. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilisation of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.

Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE Smart Adapter. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilisation of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.

Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE Smart Adapter. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilisation of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

New optical design: advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the Center all the way to the edges of the image.

The Canon CN-E 14.5-60mm T2.6 - PL Mount is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a PL mount, including Canon's EOS C300 PL. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.

The Canon CN-E 14.5-60mm T2.6 - PL Mount is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a PL mount, including Canon's EOS C300 PL. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.

The Metabones PL to Sony E-Mount Adapter mounts to your Sony E-Mount camera and allows you to use PL mount lenses.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.

The Sigma MC-11 Adapter Canon EF to Sony E on Sony E-mount mirrorless camera bodies, and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilisation. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full EXIF data to benefit post-production and file management.