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Take your video editing to the next level with the Media Composer Ultimate Video Editing Software, the industry-standard toolset used by professional editors in film, television, and broadcasting. This floating 1-year subscription renewal for 5 seats is specifically tailored for educational institutions, offering a comprehensive suite of editing capabilities for collaborative environments and MediaCentral integration.Media Composer Ultimate is designed to handle everything from high-resolution, HDR, and HD workflows to complex editorial collaboration. With this software, you gain access to all Media Composer options, enhancing your creative process and allowing you to tell compelling stories with precision and flair.Whether you're working on a feature film, a television series, or a broadcast project, Media Composer Ultimate equips you with the tools to shape your narrative from the first cut to the final finish. Embrace the power to work with any media resolution, including HDR and 3D content, and craft impactful scenes, effects, and soundtracks with unparalleled ease.Experience native editing of HD and high-res video, including support for a wide array of media codecs from industry leaders like Panasonic, Sony, RED, and Canon. Edit and deliver large volumes of high-res media swiftly, without the need for time-consuming transcoding or rendering.Media Composer Ultimate streamlines your workflow by automating complex tasks and managing media efficiently. Background rendering and simplification of high-res workflows mean you can focus on storytelling without technical distractions.The latest iteration of Media Composer Ultimate, the 2018 version, introduces new MediaCentral collaborative capabilities and high-efficiency workflows, breaking down barriers to real-time production. With included options like Media Composer PhraseFind, ScriptSync, Symphony, and NewsCutter, your subscription unlocks even greater value and workflow acceleration.Asset management is a breeze with Media Composer Ultimate, especially for small editorial teams working with Avid NEXIS. MediaCentral Editorial Management offers a straightforward and cost-effective solution to manage and share projects and media, including integration with Adobe Premiere editing workflows.Enhanced UHD performance is at your fingertips, with support for four real-time streams of XAVC-I media. This means less time spent on rendering and more time bringing your creative vision to life.Media Composer Ultimate is renowned for its editing and finishing speed, reliability, and ACE-certified tools. It's the go-to solution for professionals who need to deliver high-quality projects on tight deadlines. Collaborate seamlessly with anyone, anywhere, sharing media, projects, and bins to expedite project completion. Extend real-time production capabilities with Media Composer Cloud Remote.No matter the format - SD, HD, 2K to 8K, stereoscopic 3D, or HDR - Media Composer Ultimate welcomes the widest range of file...

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Video editors, podcasters, and content creators can work at the speed of thought with audio design desk Professional Perpetual, a digital audio wor...

Video editors, podcasters, and content creators can work at the speed of thought with audio design desk Professional Perpetual, a digital audio wor...

Also available in an open-access, full-text edition athttp://txspace.tamu.edu/bitstream/handle/1969.1/88024/Cambray_Synchronicity_9781603441438_txt.pdf?sequence=4 In 1952 C. G. Jung published a paradoxical hypothesis on synchronicity that marked an attempt to expand the western world’s conception of the relationship between nature and the psyche. Jung’s hypothesis sought to break down the polarizing cause-effect assessment of the world and psyche, suggesting that everything is interconnected. Thus, synchronicity is both "a meaningful event" and "an acausal connecting principle." Evaluating the world in this manner opened the door to "exploring the possibility of meaning in chance or random events, deciphering if and when meaning might be present even if outside conscious awareness." Now, after contextualizing Jung’s work in relation to contemporary scientific advancements such as relativity and quantum theories, Joseph Cambray explores in this book how Jung’s theories, practices, and clinical methods influenced the current field of complexity theory, which works with a paradox similar to Jung’s synchronicity: the importance of symmetry as well as the need to break that symmetry for "emergence" to occur. Finally, Cambray provides his unique contribution to the field by attempting to trace "cultural synchronicities," a reconsideration of historical events in terms of their synchronistic aspects. For example, he examines the emergence of democracy in ancient Greece in order "to find a model of group decision making based on emergentist principles with a synchronistic core."  

Also available in an open-access, full-text edition athttp://txspace.tamu.edu/bitstream/handle/1969.1/88024/Cambray_Synchronicity_9781603441438_txt.pdf?sequence=4 In 1952 C. G. Jung published a paradoxical hypothesis on synchronicity that marked an attempt to expand the western world’s conception of the relationship between nature and the psyche. Jung’s hypothesis sought to break down the polarizing cause-effect assessment of the world and psyche, suggesting that everything is interconnected. Thus, synchronicity is both "a meaningful event" and "an acausal connecting principle." Evaluating the world in this manner opened the door to "exploring the possibility of meaning in chance or random events, deciphering if and when meaning might be present even if outside conscious awareness." Now, after contextualizing Jung’s work in relation to contemporary scientific advancements such as relativity and quantum theories, Joseph Cambray explores in this book how Jung’s theories, practices, and clinical methods influenced the current field of complexity theory, which works with a paradox similar to Jung’s synchronicity: the importance of symmetry as well as the need to break that symmetry for "emergence" to occur. Finally, Cambray provides his unique contribution to the field by attempting to trace "cultural synchronicities," a reconsideration of historical events in terms of their synchronistic aspects. For example, he examines the emergence of democracy in ancient Greece in order "to find a model of group decision making based on emergentist principles with a synchronistic core."  

Also available in an open-access, full-text edition at http://repositories.tamu.edu/bitstream/handle/1969.1/86080/Marlin_585444251_Txt.pdf?sequence=1 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics.An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. (20100410)

Also available in an open-access, full-text edition at http://repositories.tamu.edu/bitstream/handle/1969.1/86080/Marlin_585444251_Txt.pdf?sequence=1 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics.An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. (20100410)