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Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

This is an authentic, pre-owned Van Cleef & Arpels piece. It's possible that there may be some gentle wear. 18K-white gold Ring cannot be re-sized Our products are 100% genuine. In some cases we purchase merchandise from trusted independent suppliers and not directly from the brand owner. In all cases we stand by the authenticity of every product sold on our site.

Ancien livre de bibliothèque. Edition 1994. Editeur différent. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1994. Different publisher. Ammareal gives back up to 15% of this item's net price to charity organizations.

Livre Neuf, Envoi Rapide Et Soigné Sous Papier Bulle.

Chambery 2016. 1 Volume/1. -- Comme Neuf -- Broché collé. Format in-8°( 24 x 16 cm )( 260 gr ). ------ 165 pages . ****************** Présentation éditeur : "" Le terme de communs désigne des biens ou des ressources possédées et gérées de manière collective. Longtemps dénigrée par les responsables économiques, la gestion commune revient de nos jours en force sur le devant de la scène ne serait-ce qu avec la notion de « communs de la connaissance », illustrée par exemple par l encyclopédie Wikipédia. Or, les communs sont nés au Moyen Âge, entre le XIIe et le XVe siècle, lorsque l on passe des droits d usage coutumiers accordés par les seigneurs aux populations sur les eaux, les forêts et les alpages, à la véritable propriété communautaire sanctionnée par le droit savant. Dans les montagnes de Savoie, c est au XIVe et au XVe siècles que la mutation se produit. Une partie des communautés paroissiales, des communautés de villages et de quartiers ou des consortages, c est-à-dire des associations d exploitants, obtiennent des seigneurs des garanties concernant la possession des ressources de la montagne. Encore fallait-il établir les règles de gestion durable de ces ressources et à les défendre contre les monastères ou contre les communautés voisines. C est donc aux origines de la gestion collective des espaces montagnards de la Savoie qu invite « La naissance des communs . "" *********************** Fabrice Mouhton est membre du conseil d'administration de la SSHA, il est maître de conférences en Histoire médiévale à l Université de Savoie."" ******************** ya73 fav10-73

Rembrandt Harmensz. van Rijn (1606-1669) stands as one of the most important painters in Western art, but nowhere else do we encounter his inimitable talent more so than in his drawings and etchings. Hinged upon experimentation and expressive line work, they garnered him unparalleled recognition from his contemporaries.Each portrait or quotidian scene is elevated by his masterful treatment of light, shadow, and hatching. There is another world to be accessed within Rembrandt’s etchings―one that dwells within the intangibilities of moody midnight contemplation and the twilit countryside, these elusive moments fixed to the page with every stroke. Meanwhile, Rembrandt’s drawings display his emotional state with a candor unseen in other works. Using pen and brush, silverpoint and charcoal as well as colored chalks and ink, he drew on various types of paper which he also sometimes dyed beforehand.Commemorating the 350th anniversary of the artist’s death, this stunning XXL monograph is the first-ever collection gathering Rembrandt’s complete works on paper. Through the 708 drawings, brilliantly printed in color for the first time, and 314 etchings in pristine reproductions, we discover Rembrandt’s keen eye, deft hand, and boundless depth of feeling like never before; and above all, we witness that he was far more than just a painter.

{Size: 13.34 x 21.59 cms} Lang: - French, Pages 728. Reprinted in 2018 with the help of original edition published long back [1930]. This book is Printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Soft Cover {HARDCOVER EDITION IS ALSO AVAILABLE}, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume.We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions.

The most famous 18th-century copper engraver, Giovanni Battista Piranesi (1720–1778) made his name with etchings of ancient Rome. His startling, chiaroscuro images imbued the city’s archaeological ruins with drama and romance and became favorite souvenirs for the Grand Tourists who traveled Italy in pursuit of classical culture and education.Today, Piranesi is renowned not just for shaping the European imagination of Rome, but also for his elaborate series of fanciful prisons, Carceri, which have influenced generations of creatives since, from the Surrealists to Samuel Taylor Coleridge, Edgar Allan Poe, Jorge Luis Borges, and Franz Kafka.Loosely based on contemporary stage sets rather than the actual dingy dungeons of Piranesi’s day, these intricate images defy architectural reality to play instead with perspective, lighting, and scale. Staircases exist on two planes simultaneously; vast, vaulted ceilings seem to soar up to the heavens; interior and exterior distinctions collapse. With a low viewpoint and small, fragile figures, the prison scenes become monstrous megacities of incarceration, celebrated to this day as masterworks of existentialist drama.

Excerpt from Mémoires pour Servir A l'Histoire Générale des Eaux Minérales Sulfureuses Et des Eaux Thermales Il serait absolument impossible, dans letat actuel de leurs analyses, de tenter de les or donner suivant qu'elles offrent l'acide hydro sulfurique libre ou combiné dans tel ou tel état. Ces distinctions, si importantes pour les applica tions pratiques, sont généralement méconnues. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Piranesi’s fantastic worlds: The great 18th century architectural artist and master engraver   “Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens... he has imagined scenes that would startle geometry and exhaust the Indies to realize.” —Horace Walpole One of the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is best known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d’Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi’s romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway. Anyone who contemplates Piranesi’s etchings will confront the existential nightmare of human existence and its infinite mysteries.   Text in English, French, and German

Composer: Pierre Boulez Boulez Pierre Soleil Des Eaux In 16 Poche Ph224 Orchestra Score Publisher: Alphonse Leduc Category: Classical Series: ...

From the swirling waves of its opening movement "Les eaux," the yodelling mountaineers of "La montagne," the pastoral elegance of "Les Champs" with...

Rrose (Sandwell District, Eaux, Stroboscopic Artefacts) has found her own niche in the American techno underground. Her hypnotic tracks incorporate ideas from ambient and minimalist music as prominently as they do the history of dance music, operating in the same fruitful cross-section between techno and the abstract as many other Further Records releases. Rrose's debt to experimental music has never been more obvious than on September 20, 2012, when he performed legendary composer and electroni

« Cet ouvrage synthétise l'ensemble des interventions préventives et correctives dans les domaines les plus divers : eaux usées urbaines et industrielles, déchets industriels, sols contaminés, pollution atmosphérique, etc. On y trouve aussi un chapitre décrivant les aspects socioéconomiques de l'industrie de la protection de l'environnement. L'ouvrage s'adresse d'abord à des personnes qui ont des connaissances fondamentales en environnement, mais c'est aussi un ouvrage synthèse qui intéressera l'ensemble des intervenants oeuvrant dans le domaine de la protection de l'environnement, qu'ils soient biologistes, agronomes, ingénieurs ou diplômés de diverses disciplines scientifiques.»

Ian Fleming's literary debut of British Secret Service agent 007 is stylishly adapted to the sequential art medium by Van Jensen and Denis Calero in the official James Bond: Casino Royal graphic novel. Sent to a French casino in Royale-les-Eaux, Bond aims to eliminate the threat of the deadly Le Chiffre by bankrupting the ruthless SMERSH operative at the baccarat table. However, when the luck of the draw favors his enemy, 007 becomes the target of assassins and torturers in a high-stakes game of cat-and-mouse.

Dans ce jardin de la France baigné de lumière, le gris-bleu de l'ardoise et la blancheur de la pierre se reflètent dans le cours des eaux. Ebloui par la beauté de cette architecture qui porte la marque de tous les rêves, on se laisse conduire, au fil de la Loire, pour une promenade dans l'histoire. " Au luxe éblouissant des cours royales succède, après des siècles de fortunes diverses, l'entrée des châteaux de la très française vallée des rois et des reines dans l'ère contemporaine. Ils sont devenus la richesse du monde. " Pierre Miquel.---------------------

Arak and Mezze celebrates two of the Levant’s cherished traditions—the aniseed-flavored spirit that inspired the great eaux de vie of Europe, and the appetizers that have become a byword for all that is delicious and healthy in Lebanese food.Michael Karam and Norbert Schiller explore the roots of arak making, its place in the history of alcohol distillation, its role in Lebanese society, and the way in which it has shaped the Lebanese rural tradition.Michael Karam is Lebanon’s leading wine writer.Norbert Schiller is a prolific Middle East news photographer. His work is featured regularly in The New York Times and Der Spiegel.

Dover Publications, New York [Published date: 1982]. Soft cover, 76 pp. This Dover edition, first published in 1982, in association with the Lilly Library of Indiana University, Bloomington, contains all the illustrations from : Andre Suares, Passion/ Eaux-fortes originales en couleurs et bois dessines par Georges Rouault, originally published by Ambroise Vollard, Paris 1939, in an edition limited to 270 copies. The Introduction, by Timothy Mitchell, and the List of Illustrations were prepared specially for the present edition.

Vinyl LP pressing. The English trio The Staves and NYC-based ensemble yMusic join forces for The Way Is Read, a twelve-song album stemming from their 2016 collaboration at Justin Vernon's Eaux Claires Festival. "We wanted to feel like instruments and join in with some of yMusic's existing work," says Emily Staveley-Taylor, "using our voices in ways we hadn't previously explored." Rob Moose of yMusic adds: "It was as much a thrill to hear songs emerge organically over sections of intricate chambe

Au commencement, dieu créa le ciel et la terre. Or la terre était vide et vague, les ténèbres couvraient l'abîme et un vent de Dieu agitait la surface des eaux. Dieu dit : "Que la lumière soit" et la lumière fut. Dieu vit que la lumière était bonne, et Dieu sépara la lumière et les ténèbres. Dieu appela la lumière "jour" et les ténèbres "nuit". Il y eut un soir et il y eut un matin : premier jour. Ancien Testament - Nouveau Testament Edition révisée de la bible de Jérusalem 1998