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Bring luxury to your home bathroom with this beautiful square acrylic soaking tub. There is no need to compromise on style or comfort with its elegant ergonomic design. It is designed to provide comfortable back support for complete relaxation and deep soaking. In addition, the square shape of this tub gives an incredibly wide and spacious bathing area. This freestanding bathroom centerpiece is seamlessly jointed and has a high gloss finish. With its clean lines and sleek styling, this bath will complement any bathroom. Color: Glossy White.

A Man on a MissionEx-military man and Canadian patriot Kevin Phillips grew up in Cape St. George, where he developed a love for the traditional dishes of his Newfoundland home. After high school, he joined the Canadian Armed Forces (CAF) and served for thirty-three years before retiring as a master warrant officer. During that time, he never forgot the old Newfoundland recipes of his youth. So, immediately upon his retirement from the CAF, he rekindled his passion for cooking and began his new career as a chef!From Military to CulinaryKevin's initial plan was to resurrect and share some of his favourite old-time recipes online. He intended to focus on old, lost recipes, but as the number of bologna recipes increased to well over two hundred, he decided to concentrate entirely on bologna. Kevin quickly realized that bologna was not exclusive to Newfoundland. In fact, this sausage was enjoyed by people from all parts of the country, as well as by many of his readers overseas!Much Ado about . . . Bologna?The Bologna Cookbook is Kevin Phillips's first book, and the first ever all-bologna cookbook, featuring two hundred recipes whose main ingredient is . . . you guessed it . . . bologna! The cookbook outlines easy-to-make recipes for mouth-watering dishes that are a feast for the eyes and a delicious treat for the soul, such as Bologna and Eggs with Havarti, Bologna Caesar Wraps, Cheesy Bologna Calzones, Balsamic Peppercorn Bologna Steak, Bologna Stroganoff, and more!

In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-filled bottles, silk flowers, tins, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. Meyerowitz’s portraits of these dusty, aged objects are not only works of art themselves, but they offer insight into the humble subjects that Morandi transformed into his subtle and luminous paintings. Joel Meyerowitz (born 1938) is a street photographer and portrait and landscape photographer. The New York native began photographing in color in 1962 and was an early advocate of the use of color at a time when there was significant resistance to the idea of color photography as serious art. Many of his photographs are icons of modern photography, and he is considered one of the most influential modern photographers and representatives of the New Color Photography of the 1960s and ’70s. His work has appeared in over 350 exhibitions around the world and is in the collections of The Museum of Fine Arts, Boston, the Art Institute of Chicago, The Museum of Modern Art, New York and many other museums worldwide.

Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.

Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.